HALUK KARDAS et alli.MareMagnum
2.090 Ergebnisse
2020New Turkish Original bdg. HC. 4to. (28 x 22 cm). In Turkish. 432 p. Elinizde tuttugunuz kitap önemli bir tipkibasim. Yüz yil önce vuku bulan isgal yillarinda Ingiliz Ticaret Odasi'nin Istanbul'da tuttugu kayit defteri. Içerisinde Ekim 1919-Haziran 1922 arasindaki tutanaklar ve önemli toplanti notlari var. Toplantilara katilan müsavirler taninan kimseler. Biri Çarikov (Nikolai V. Tcharykow). Çarlik Rusya'nin Istanbul'daki son sefiri. Harp ilan edildiginde Istanbul'u terk eden Büyükelçi Çarikov, 1917 Devrimi'nden sonra bu sehre mülteci olarak geldi. Kayitlardan anlasildigina göre Ingiliz Ticaret Odasi'nin Rus Alt Subesi'nin komisyonlarinda bulunmus. Mütalaalar ve kayitlar çok enteresan. Süphesiz ticaret için bu kozmopolit bölgede önemli bir olusum söz konusu. Ticari, siyasi ve askeri anlamda ciddi bilgi ve belge mevcut. Göze batiyor ki burada artik çökmüs, zapt edilmis bir memleketi, ileride sinirlari yeniden düzenlenecek bir bölgeyi her anlamda düzenlemeye çalisiyorlar ve Ticaret Odasi önemli bir misyon yükleniyor. Sonraki aylardaki gelismeler ise onlarin hayallerinin gerçeklesmeyecegini gösteriyor. Mustafa Kemal Pasa önderligindeki Milli Mücadele Hareketi sayesinde tüm planlari sekteye ugruyor. Kurtulus Savasi'nin hangi zorluklarla kazanildigini daha kolay anlamak için bu tür önemli yayinlarin nesri çok faydali, tarihseverlere tavsiye ederim." - Ilber Ortayli "'Istanbul'un Fethi' üzerine neredeyse her dilde, kolay okunabilir olanlardan akademik eserlere uzanan uzun bir liste mevcut. Peki ya 'Istanbul'un Isgal Yillari' hakkinda bu anlasilmaz ketumiyet de ne ola? Bu tatsiz dönemi, o dönemde yasayanlari ve yasananlari hep merak ettim. Öyle ya, bizler için ne denli tatsiz olsa da ve hatta sarsilmis oldugumuz bu yillari hatirlamaktan hazzetmesek de. Muradim bu dönemle ilgili çesitli kaynaklari bilmek ve okumak. Tutkunu oldugum efsane bir tarihçi var: Fernand Braudel. Kendisi tarihi tarih yapanin imparatorlar, generaller degil; insanlar, ekonomik kosullar oldugunu anlatir. Iste bu yüzden Dr. Haluk Kardas heyecan verici 'günlük' ile Viyana'dan geldiginde çok sevindim. Bu degerli kesfi bir isaret fisegi olarak görüyorum. Umarim ki görmezden geldigimiz bu buruk vakti aydinlatmaya büyük katkisi olur. Dahasi bu sayede sadece 'tarihçilerimiz' degil; sosyologlar, ekonomistler, edebiyatçilar ve sanatçilar da 'Isgal Vakti'ne' baksinlar isterim.'' - Ali Esad Göksel Minute Book; 1887 tarihinde Birlesik Krallik'in, Istanbul ile Balkanlar'da her iki ülke için karsilikli "ticari" menfaatleri gözetmek amaciyla; James William Whittall öncülügünde bir grup is adami tarafindan dünyanin göz bebegi Istanbul'da sirket olarak ihdas edilen, Ingiltere'den sonra en eski ikinci oda unvanli bu ticaret odasinin 1919, 1920, 1921 ve 1922'ye ait toplanti kayit tutanaklarini ihtiva ediyor. Dolayisiyla Birlesik Krallik ile yürütülen ticari iliskilerin köklerini de ortaya çikariyor. Birlesik Krallik ile ticari iliskimiz ne zaman basladi? Ticari menfaatler hangi sebeplerle siyasi, askerî, ekonomik ve iktisadi yaptirimlara dönüstü? Osmanli Devleti'nin parçalanmasinin ivme kazandigi ve sömürgeciligin gittikçe önem kazandigi Birinci Dünya Harbi'ne dogru iliskiler ne yönde ilerledi? Harbin sonunda yenilmis kabul edilen Osmanli Devleti'nin topraklari gizli antlasmalarla paylastirilirken ne tür ticari menfaatler gözetildi? Mondros Mütarekesi'nin ardindan baslayan isgal sirasinda Ingilizlerle ticaret ne durumdaydi? El yazisindan tipkibasim olarak Türkçeye çevrilen bu tutanaklarla ticari iliskilerin gölgesinde gizlenen siyasi, askerî ve iktisadi planlari kesfedecek; adi geçen sahislarin ülkeleri adina hangi emelleri gerç
2008Fine Turkish Original cloth bdg. In its publisher's special box. Folio. (34 x 24 cm). In Turkish. 2 volumes set: (1213 p.), ills. Geçmisten günümüze Bogaziçi. 2 volumes set. A comprehensive study on the Bosphorus.
2003As New As New Turkish Original bdg. Dust wrapper. 4to. (30 x 21 cm). In Turkish. 175 p., color and b/w ills. Beyoglu'nda gezerken. Signed and inscribed by Gülersoy.
2020New Turkish Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 440 p., ills. Istanbul'dan Anadolu'ya Rumlarin yemek kültürü. Sula Bozis, Rumlarin (özel dini günler ya da gündelik hayat içindeki) yemek kültüründen, sofra geleneklerinden ve mutfak aliskanliklarindan bahsediyor. Ayrica Trakya, Karadeniz, Kapadokya gibi bölgelerde, Istanbul ve Izmir gibi kentlerde yeme-içme kültürüne yaptiklari katkilarin, islettikleri lokantalarin, toplumsal hayata kazandirdiklari zenginliklerin ayrintili bir dökümünü yapiyor. Istanbul'dan Anadolu'ya Rumlarin Yemek Kültürü, her kültürün baska kültürleri besledigini de unutmayarak kentler, mesire yerleri, sokaklar, meyhaneler, sokak saticilari arasinda gezinip renkler, kokular ve tatlar arasinda kaybolmak isteyenler için birebir.
2020New English Original bdg. HC. Small 4to. (26 x 18 cm). Edition in English. 342 p., color ills. Istanbul: A bird's eye view. Photos by Halit Bilen. I wanted to tell a tale of Istanbul. And Istanbul gave me the most magnificent of tales. I wanted to draw its picture - and unexpectedly, it unfolded all its colors generously, with ecstasy. It wasn't easy to describe a city so exultant, always surprising, a city that you can't get enough of exploring and that is sassy with its uniqueness. To describe it, I needed to understand it and to understand, I had to chase after my feelings. I faced 8,500 years of history, as well as the 21st century metropolis. I wrote this book to be worthy of Istanbul's name. As you get lost in the pages, you will see a journey through Istanbul from a viewpoint you haven't seen before, the richness of Istanbul with buildings that have never previously appeared in the same frame. I tell you about an Istanbul. An Istanbul that is multicultural, multicoloured, blending the old and the new, keeping differences side by side in its bosom, reconciling resentments with its beauty, amazing with its history. I held onto the wings of a seagull and wandered around my beloved city. I left room for you too. Trail behind me and watch a journey of Istanbul from another perspective. You will be surprised about how much this tale has yet to unveil.
2019New Turkish Original bdg. HC. 4to. (28 x 21 cm). In Turkish. 179, [1] p., color and b/w ills. Istanbul yangin kuleleri ve çigirtkanlari. History of fire towers in Istanbul. Mimarlik, iç mimarlik, sehircilik, kentlesme, peyzaj tasarimi, arkeoloji, kültür, sanat vb. konu basliklarinda kitaplar yayimlayan YEM Yayin in, Istanbul Yangin Kuleleri ve Çigirtkanlari adli yeni kitabi çikti. Eski bir itfaiyeci, eski itfaiye müdürü, akademisyen Prof.Dr. Abdurrahman Kiliç; ilk itfaiye teskilatinin kurulmasindan günümüze kadar basta yangin kuleleri olmak üzere "Istanbul ve Yangin" tarihini izliyor. Yanan ve her defasinda yeniden ahsap yapilan yangin kulelerini anlatiyor. Yanginlarin sebepleri ve sonuçlari üzerinde durarak patlican yanginlarini, kundaklama, yagmalama olaylarini açikliyor. Kösklüler, didebanlar, bekçi babalar, baltacilar ve tulumbacilardan olusan çok çesitli görevlerdeki yangin çigirtkanlarini, konumlarindan giysilerine kadar aktariyor. Agakapisi Yangin Köskü, Galata Yangin Kulesi, Beyazit Yangin Kulesi, Icadiye Yangin Kulesi ile Süleymaniye Camisi minarelerinden yanginlarin gözlenmesini anlatiyor.
2020New Turkish Paperback. Demy 8vo. (21 x 14 cm). In Turkish. 134 p. Bes büyük Osmanli darbesinin hikayesi: Duraklama, gerileme ve yikilis dönemleri. Türk Milleti, Osmanlidan Cumhuriyete darbeden basini bir türlü kurtaramamistir. Darbe Türkün adeta kaderi olmustur. Elan olmaya da devam etmektedir. Hiç süphesiz darbenin sebepleri vardir. Darbenin sebepleri en kisa ifadesi ile toplumsal çeliskilerdir. Sivil idareler yaman toplumsal çeliskilere, zitlasmalara, kutuplasmislara mâni olamadiklarinda darbe soguk yüzünü göstermistir. Ekonomik dengesizlik, geçim darligi, yaygin asayis bozukluklulari ve dis politikadaki onur kirici gelismeler, darbenin somut nedenleri olarak ileri sürebilecek hususlardir. Bu üç hususun bir araya gelmesi, bunun toplumda ciddi güvensizlige, çeliskiye, zitlasmaya yol açmasi, arkasindan darbeyi getirmistir. Bu konuda üzerinde durulmasi gereken bir önemli husus da darbenin sonuçlaridir. Darbeler genellikle sebepleri ve patlama anlari ile anilmislardir. Ama, ancak darbenin asil aci veren yani sonuçlaridir.
1988Very Good Very Good English Original bdg. Dust wrapper. 4to. (30 x 22 cm). In English. 359 p., color ills. Sinan. Vol. 2: Arts in the age of Sinan. Photographs by Sami Güner.
1988Very Good Very Good English Original bdg. Dust wrapper. 4to. (30 x 22 cm). In English. 408 p., color ills. Sinan. Vol. 1: Architect of ages. Photographs by Sami Güner.
1988Very Good Very Good English Original bdg. Dust wrapper. 4to. (30 x 22 cm). In English. 2 volumes set: (408 p.; 359 p.), color ills.). Sinan. Vol. 1: Architect of ages. Vol. 2: Arts in the age of Sinan. 2 volumes set. Photographs by Sami Güner. A very heavy set.
2008Fine Fine Turkish Original bdg. Dust wrapper. Folio. (33 x 24 cm). In Turkish. 184 p., color and b/w ills. Haliç'te seyrüsefer: Haliç Vapurlari Sirketi ve faaliyetleri.
2020New English Paperback. Cr. 8vo. (20 x 14 cm). In English. 80 p. When looking at the distribution of infectious diseases in the world in general, it is seen that there is a distinct difference between developed and developing countries. Morbidity and mortality rates of infectious diseases decrease as the level of development increases. In other words, infectious diseases are mostly diseases of developing countries. Therefore, it is necessary to create an effective fighting program against infectious diseases. One of the most important components of effective fighting is the establishment of an effective surveillance system. Monitoring infectious diseases is essential for detecting outbreaks that demand public health response and control measures.Many methods are used for this purpose such as spatial clustering. This is defined as aggregation of disease cases anywhere. Clustering of the disease shows its relation with space. For this reason, cluster analysis is frequently used in epidemiology. It has been the main driving force to carry out the study on this relatively new issue for our country. The book is the product of this work.
2011New New English Original bdg. Dust wrapper. 4to. (28 x 21 cm). In English. 177, [3] p., b/w photos, 2 maps. Ara Güler's Istanbul. Foreword by Orhan Pamuk. Ara Güler's Istanbul is a unique record of daily life in the cultural capital of Turkey from the 1940s to the 1980s, captured by the award-winning photographer and accompanied by an evocative foreword by Orhan Pamuk, the first Turkish recipient of the Nobel Prize in Literature. As the crossroads between Europe and Asia, Istanbul has lived through several empires and has a character that is as many layered as its history something that Güler's photographs convey with great sensitivity. In these remarkable black-and-white images, the city's melancholy aesthetic oscillates between tradition and modernity. Both writer and photographer were born in Istanbul, and each in his youth held the ambition of becoming a painter. Here, each in his own way paints a picture of his home town and captures its very soul. Ara Güler is one of Turkey's indeed the world's greatest photographers. The Nobel Prize-winning Orhan Pamuk is Turkey's best-known writer.
2016New Turkish Original bdg. HC. 4to. (28 x 20 cm). Edition in Turkish. 228 p., color and b/w ills. Islâm medeniyetinde bahçe sanati. [= The art of the Islamic garden]. Translated by Elif Dolanbay, Adem Yerinde. The Islamic garden is regarded as one of the highest forms of visual art in the civilization of Islam, and this guide explains these gardens' history and symbolism, and their connections to the Quran. The principal elements are water and shade; they are also characterized by the chahar-bagh: a four-fold pattern, constructed around a central pool or fountain, with four streams flowing toward the four corners of the earth. This design is aesthetically striking; however, a true appreciation of an Islamic garden is only complete with an understanding of the spiritual symbolism manifested in its design and planting. The significance of the gardens' layout and design are explored, as well as the geometry, hard landscaping, and architectural elements, allowing a deeper understanding of the gardens' beauty. Practical instructions include recommendations for suitable trees, shrubs, and flowers, and advice on creating an Islamic garden in cooler climates.
2010New New Turkish Original bdg. Dust wrapper. 4to. (30 x 24 cm). In Turkish. 239, [1] p., color and b/w ills. Istanbul mavnalari: Osmanli'dan günümüze kaybolmus denizcilik meslegi. Barges from Istanbul: The lost profession of carriage by sea in the Istanbul from the Imperial Ottoman to the present.
2014New Turkish Original cloth bdg. 4to. (30 x 22 cm). In Turkish and Ottoman script. 279 p., b/w ills. Sultan II. Abdülhamid Han'in yaptirdigi hayir kurumlarindan Darülaceze.
2006New New English Original bdg. Dust wrapper. Oblong folio. (23 x 33 cm). In English and Turkish. 207 p., B / w and color ills. The Bosphorus steamers of the Sirket-i Hayriye. = Sirket-i Hayriye'nin Bogaziçi vapurlari. The Bosphorus has always been a subject that occupied an extraordinary place both in the Turkish and in the World literatures. With its natural...
2016New Turkish Original bdg. HC. Large 8vo. (23 x 23 cm). Edition in Turkish. 156 p., color and b/w ills. Ayvazovski'nin Istanbul'u. Texts by Sinan Genim, Sergei Levandowskii, Gül Irepoglu, Tatyana Gayduk.
2011New English Paperback. 4to. (28 x 22 cm). In English and Turkish. 120 p., b/w photos. Istanbul: A selection of Collection Point Hotel. For the first time, tells his photos with stories.= Istanbul: Point Hotel Koleksiyonundan seçmeler. Fotograflarini ilk kez öykülerle anlatti.
2020New Turkish Paperback. 4to. (28 x 24 cm). In Turkish. 160 p., color and b/w ills. 19. yüzyil Istanbul'unda bahçe köskleri. Ottoman architecture developed in a different direction, especially in the historical literature about the Tulip Period and afterwards, albeit controversial, called the "Westernization / Modernization Period". This book on architectural works of this period, in which new interpretations are sought and the rapidly changing cultural and social structure is reflected in every area, was published in order to shed light on the cultural approach of the period with examples from garden pavilions built in Constantinople during the 19th century.
1934Fine Turkish Original grey cloth bdg. Cr. 8vo. (20,5 x 11,5 cm). In Turkish. 240 p., texts and many folding color plans (additionally in end-pockets). First Edition. Maps are complete, scarce. Osman Nuri Ergin was the initiator of the studies regarding modern municipalities' studies and gave so many qualified books related to Ottoman-Turkish urbanism and municipalities' studies scientifically. He was also the first scholar who was one of the architectures of municipalities' studies and the history of urbanism and education. Since he worked as an officer for the government during World War I, the time of Abdulhamid II, and at the time of the young Republic, he was one of the figures who know the cultural and social changes in Turkish society. During this cultural transformation, he played the role of a bridge between Ottoman culture and modern-day Turkey with the help of some enlightened scholars. He had so many attempts to transform the Ottoman Sufi culture into the next generations. To reach this goal, he wrote so many valuable books. OCLC 216699691.
1910Very Good French Original sepia-toned photograph printed in a period photograph paper. 19x25 cm. Descriptive text in French. Chipped and tear on margins. Iranian was born in 1890 in Constantinople, Istanbul. It is known that he established his studio in 1891 in Pera district of Constantinople - the center of Armenian cultural and political life. In 1895 he enters into partnership with another photographer by the name of Gugasyan. By 1900s the business seems to have wound down as the images marked with his studio signature don't exhibit any over elements of the new century. Of all the major Armenian studios from Istanbul, Iranian's photographs are the rarest, and less than 300 are known to have survived. Iranian's primary subject was the city of Constantinople, its picturesque landscape, architectural heritage, and the many types of artisans and workers that populated its streets. Using the latest photography techniques, which allowed for very rapid exposures, Iranian captured the bustle of the city streets with remarkable clarity. Teeming with life and movement these images have a remarkable immediacy and documentary veracity quite unlike similar views produced by other photographers of the period. The typical approach for many of Iranian's contemporaries such as Sebah & Joalier or Guillame Berggren was to achieve as clear a picture as possible with perfectly balanced compositions and highly visible details - the hallmark of a 'good' commercial photographer. In contrast, Iranian's street views are full of photographic 'ruptures' - blurred figures in movement, surprised glances of people caught unawares - which give his works the viscerality of snapshots. But above all, Iranian was a master at capturing the mood of a place. Catching the Ottoman capital on the brink of rapid transformation, the photographer aimed to record many of its ancient streets and quarters disappear or change the appearance. Thus, like the Parisian street photography of Atget, Iranian's images are 'nostalgic for the present' that is irrevocably slipping into the past. In his studio, the clientele had the choice of a large range of costumes and props through which the modern urbanite could slip into the role of some long-gone ethnic or street type and become a part of history. It is this sense of melancholy that gives Iranian's photographs their subtle emotional power. This is also perhaps the reason why he was ultimately not as successful as a commercial photographer. Modernity had captured the imagination of the people and the wistful romanticism of Iranian's markedly less spectacular images was fast going out of fashion. The small legacy he has left behind is nevertheless of significance in the history of Near-Easter photography. He was one of the rare Ottoman photographers with an individual and subjective approach, which deserves a proper evaluation.
1918Very Good French Original b/w map. Oblong: 57x66 cm. In French. Folded. It includes for pieces: Title, structure physique de la region, Thessalie and main part which shows the area from Ohrida Lake on the west to Golf of Thessaloniki on the east. [MAP] Mission antipaludique de l'Armee d'Orient: Carte des indices endemiques Macedoine, Thessalie, Serbie meridionale, confins albanais 1917 et 1918.
1875Very Good German Original color map on cloth of Constantinople, the Bosphorus, the Golden Horn, Princess' Islands, Pera, Galata, Scutari and environment. Map on cloth. 50x60 cm. Toponyms are in German entirely. Folded. Scale: 1:100000. A detailed toponyms list titled "Verzeichnis der mit Ziffern bezeichneten öffentlichen Gebaude" under the sections A: Pera und Galata, B: Stambul, C: Skutari; and "Erlauterung der Abkürzungen". Some toponyms are transcripted Turkish into western characters like Karadenis - Bahr-i Siach, Burgas Adassi, Kisil Adalar, Jeni Djami, etc. A rare Istanbul map printed in 19th century.
1894Very Good Turkish, Ottoman (1500-1928) Original color chromo-lithograph map. Folded. Oblong folio. (40 x 50 cm). In Ottoman script. Color lithograph. It Portugal and Spain with Gibraltar and North African shores. Scale: 1:3.500.000. Dated Hegira: 1310 = [Gregorian 1894]. OTTOMAN MAP of SPAIN & PORTUGAL] Ispanya & Portekiz: Sâye-i Türkiye Hazret Gazi Sultan Abdülhamid Hân-i Sâni'de Maarif Umûmiye Nezâret-i Celîlesi ruhsatiyle Haset tarafindan Fransa Cemiyet-i Cografya âzâlarindan mütesekkil komisyona mahsûs tanzîm edilmis oldugu son atlasinin tercümesi olarak bu def'a Erkân-i Umûmiyye Dairesi Besinci Fen Subesi'ne me'mûr piyade mirlivâlarindan saâdetlü Ali Seref Pasa maarifetleriyle tersîm ettirilmistir. This uncommon map of Spain and Portugal in Ottoman script was published in an atlas, 'Yeni cografya atlasi', which was issued in Istanbul in the late 19th century. Ali Seref Pasa or Hafix Ali Esref. He was a soldier, who was schooled in Paris as a cartographer around 1862. Already in Paris he published his first atlas with 22 maps, called 'Yeni atlas'. Upon his return to Istanbul he became a chief cartographer at the Maatbaa-i amire Printing Press in Beyazit, which was the successor of the Muteferrika press from 1727. Among others he translated the large Kiepert map of Anatolia to Ottoman. He died in 1907, leaving his large project of a gigantic map of Anatolia in 100 sheets unfinished. Ali's name is often misunderstood or even listed as two different people: Ali Seref Pasa and Hafiz Ali Esref. Until the surname law adopted on June 21, 1934, Turks did not have surnames. They were born with one first name and were until the adulthood described only as sons or daughters of their parent's names. Later they were given titles such as Effendi (Sir), Bey (Chief) or Hanim (Madam) for higher classes, or they were given names according to their work or class. The names were not inherited by children until 1934, when the surname law was enforced. The map maker Ali received names Seref, the honourable, and Pasa, the dignitary. He was also known as Hafiz, the memorizer of Qur'an and Esref, Proud. So Ali Seref Pasa would have a meaning 'Honourable Dignitary Ali, and Hafiz Ali Esref, Memorizer of Qur'an, Proud Ali. Daruttibaa - Matbaa-I Amire Printing Press: The first press in the Muslim world, called Daruttibaa, was founded in Istanbul by Ibrahim Muteferrika in 1727, with a permission of Sultan Ahmeet III. It was located in Muteferrika's house. The first book was published in 1729 and until 1742 sixteen other works followed. After Muteferrika's death, the press was supressed for printing, as printed books were considered dangerous. In 1796 the press was purchased by the government and moved to Uskudar in Istanbul, and in 1831 finally to Beyazit, where it was renamed to Matbaa-i Amire in 1866. The press was closed in 1901 and was reopened in 1908 under the name 'Âmire' In 1927 the name changed to State Printing House. The press still exists and is known for publishing school and educational books. Extremely rare. Not in OCLC.; Not in TBMM Map Collection.