NEVZAT TARHAN.MareMagnum
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2018New English Paperback. Demy 8vo. (21 x 14 cm). In English. 240 p. Rumi therapy: From age of knowledge to age of wisdom. Mankind is rediscovering Rumi. His universal teachings are just as relevant as they were when he wrote them... All of us have much to learn from 13th century poet and scholar. Doctor Nevzat Tarhan explains how the wisdom inherent in Rumi's work, the Masnavi, can be the cure we need for our souls and our psychological wellbeing. Tarhan explains that we must take living wisdom of Rumi as a guide as we navigate our daily lives. He read the Masnavi as a work that treats our hearts and pysches in a manner that is a work that is now accepted by modern psychology. Tarhan's interpretive methods enable us to raise our awareness and see the truth within ourselves. "Rumi will be the one who will show us the way as we transition from the information age to the age of wisdom. He affects the codes within our spiritual programming, activating tenderness within us.".
2019New Turkish Paperback. Roy. 8vo (24 x 17 cm). In Turkish. 203 p., b/w ills. 500 copies were printed. Mimarlar Odasi tarihinden portreler: Nur Akin. Prepared by Fatma Öcal Al.
2006New Polish Original bdg. Folio. (32 x 23 cm). In Polish, Turkish, French, and Ottoman script. 143 p., b/w ills. Livre commemoratif illustre: L'Industrie Polonaise et la Turquie.= Ilustrowana ksiega pamiatkowa: Prezemysl polski a Turcja.= Resimli Mecmua: Lehistan (Polonya) sanayi ve Türkiye. Eylül 1924. Istanbul'daki 1. Leh Sergisi münasebetiyle.
2006Fine Polish Original bdg. Folio. (32 x 23 cm). In Polish, Turkish, French, and Ottoman script. 143 p., b/w ills. Livre commemoratif illustre: L'Industrie Polonaise et la Turquie.= Ilustrowana ksiega pamiatkowa: Prezemysl polski a Turcja.= Resimli Mecmua: Lehistan (Polonya) sanayi ve Türkiye. Eylül 1924. Istanbul'daki 1. Leh Sergisi münasebetiyle.
1978Fine Spanish Paperback. Demy 8vo. (21 x 14 cm). In Spanish. [6], [xii], [2], 203 p. Refranes de los Judíos Sefardíes y otras locuciones típicas de los Judíos Sefarcíes de Salónica y otros sitios de Oriente (Biblioteca Nueva Sefarad Volumen V). Sayings of Sephardic Jews and other locutions typical of Sephardic Jews from Thessaloniki and other sites in the East. First and Only Edition.
1909Very Good Turkish, Ottoman (1500-1928) Original color map on cloth. A little foxing on cloth. Very good. Folded. Oblong atlas folio. (50 x 67 cm). In Ottoman script. Scale: 1/300.000. Map of Ottoman Kayseri printed in its period. No publisher and map-maker. Physical geography of Kayseri city and its around. It shows Kayseri, Sultan Sazligi, mountains and hills, Malatya borders, etc.
1935Fine Turkish Original two b/w photos of SS Üsküdar. 9x14 cm. SS Üsküdar was a small passenger ferry built in Germany for the Turkish company Sirket-i Hayriye and launched in 1927. She sank in lodos weather on March 1, 1958 in the Gulf of Izmit. The accident killed 272 people on board including seven crew, 39 survived the incident. SS Üsküdar was built by F. Schichau Shipyard in Elbing, Germany in 1927 with funnel number 72. She was the first of two identical vessels the Turkish urban transportation company Sirket-i Hayriye commissioned in the Republican era. She was 33 m (108 ft) long with a beam of 6.6 m (22 ft) and a draft of 2 m (6.6 ft). Three steam engines of 350 shp (260.99 kW) propelled her initially at 10 knots (19 km/h; 12 mph), which later dropped to 8 knots (15 km/h; 9.2 mph). SS Üsküdar was capable of carrying 344 passengers. 430 lifejackets, 35 lifebuoys and two lifeboats were on board the ferry. SS Üsküdar was on scheduled shuttle trips on the Sea of Marmara between Izmit and Degirmendere, a town on the southern coast of the Gulf of Izmit. On March 1, 1958, "lodos", a heavy SW storm was raising high seas. Mehmet Asçi, captain of SS Üsküdar, departed the ferry three minutes before the scheduled time of 12:30 local time from Izmit Pier, because the vessel was more vulnerable at the pier than at open sea. Shipmate Ali Kaya, who jumped onto the pier and untied the hawser, could not return to the ferry as the ship suddenly left the pier. The ferry had nine crew and 302 passengers aboard including 76 students from a local vocational high school. As the ferry headed to Degirmendere, high waves raised by the storm blowing at 130 km/h (81 mph) rocked the small vessel. The bridge broke off and fell into water, taking the captain and the boatswain with it. The rudder chain broke leaving the ferry uncontrollable. Water filled the engine room and the front passenger department after breaking the window glass. 26 minutes from her departure, SS Üsküdar careened over on the port side and sank at 12:53 local time. 272 people died including 38 students and seven crew. 37 passengers and two crew survived the disaster. Eight days after the incident, the Turkish Navy started a search and rescue operation. The muddy seabed hindered salvage efforts. On March 19, 1958, after eleven days of endeavors, the wreck was lifted with three slings off the 35 m (115 ft) deep seabed. Four corpses were recovered. It was observed that at some places, the steel sheets of the ship's hull were torn. (Wikipedia).
1900Very Good Turkish, Ottoman (1500-1928) Original manuscript document on waqf and execution of a Greek citizen of the Ottoman Empire in Pera, Beyoglu, 1901. 33x21 cm. In Ottoman script. 1 p. Four lines and seal. Seal is bilingual in Ottoman script and French: "Chancellerie de la Legatiux Hellenique a Constantinople.". Gramatouplou was wife of Istepan Istepanou according to the document.
1948Very Good Turkish Original color map. 52x65 cm. In Turkish. Scale: 1: 800,000. Showing shores from Latakia to Haifa; Lebanon , Beyrouth, North Palestine, Syria, Saudi Arabia and borders, Orontes river, deserts. [TURKISH MAP of BEYROUTH, DAMASCUS, JORDAN] Sam, Beyrouth, Lebanon, Jordan.
1952Fine Turkish Original typescript document & letter with autograph signature by Halil Inalcik. 25x17 cm. In Turkish. 1 p. Full. Letterhead 'Türk Tarih Kurumu Yeni Çag Kolu' [i.e. Turkish Historical Society]. Appeal for sending a paper to 'XVth Sociology Congress' attn. committee, held at Istanbul, 1952. Dated 13.5.1952. Subject of his paper: 'Türk arsiv malzemesine göre Balkanlar'da Osmanli fütuhatinin meydana çikardigi bazi dinî ve sosyal problemler'. Inalcik was a Turkish historian of the Ottoman Empire. His highly influential research centered on social and economic approaches to the empire. His academic career started at Ankara University, where he completed his PhD and worked between 1940 and 1972. Between 1972 and 1986 he taught Ottoman history at the University of Chicago. From 1994 on he taught at Bilkent University, where he founded the history department. He was a founding member of Eurasian Academy.
1952Fine English Original typescript document & letter with autograph signature by Levon H. Melikian. 28x22 cm. In English. Letterhead bilinguual in Arabic and English. Script in English. Signed by Melikian as 'Asst. Professor of Psychology. Sent to Kösemihal. "My colleague Prof. E. Terry-Prothro has informed me about the XVth International Congress of Sociology. I am interested in attending the conference and am writing you this in the form of an application for the conference. I shall be greatly obliged if you will let me know by return of mail of the next step I have to follow. If possible would you please send me a membership card which I can present at the consulate here in Beirut. Awaiting your reply. Sincerely yours.". Dated August 2nd, 1952.
1999Fine Turkish Original typescript letter which is a celebration of festal (Seker Bayrami) sent to Tevfik Savas, signed 'Bülent Ecevit'. 25x17,5 cm. In Turkish. 1 p. Typescript letter signed 'Bülent Ecevit' sent to Tevfik Savas. Mustafa Bülent Ecevit was a Turkish politician, poet, writer, scholar, and journalist, who served as the Prime Minister of Turkey four times between 1974 and 2002. He served as prime minister of Turkey in 1974, 1977, 1978-79, and 1999-2002. He was the leader of the Republican People's Party (CHP) between 1972 and 1980, and in 1989 he became the leader of the Democratic Left Party (DSP).
1916Very Good Turkish, Ottoman (1500-1928) Original color map. 50x60 cm. In Ottoman script. Scale: 1/200000. Ottoman map of Eastern Anatolia. Bargiri, Hoy, Baskal'a, Malazgird. It shows Lake Erçek located on the east of Lake Van which is an endorheic salt lake in Van Province in eastern Turkey, about 30 kilometres; on north side, Bargiri place where the oldest district of Van city; on east, Turkish and Azerbaijani and Iranian borders and Hoy city of the West Azerbaijan; and on west, map shows Malazgird [Malazgirt]. This is one the serie of the Bonn projection maps which are the first map series in modern techniques in Turkey and the Ottoman Empire. In order to produce these maps covering Turkish territory, Reconnaissance Branch was incorporated into The Mapping Commission. The maps were produced in the datum based on the latitude and longitude of Ayasofya Mosque in equal area Bonn Projection. The field works for the 123 sheets covering the country were conducted by 76 staff. The production was completed in 18 years starting from east west. Field works continued without stopping except in years 1914 and 1920. This map series called also reconnaissance maps contributed a lot to producing 1:25.000 scale maps.
2020New English Original bdg. HC. 4to. (30 x 24 cm). Edition in English. 325 p., b/w and color ills. The Constantinople years. February 07 - May 10 2020, Istanbul, Mesher. [Exhibition catalogue]. Prep. by Aysenur Güler, Vita Susak. Edited by Nilüfer Sasmazer. Alexis Gritchenko, (1883-1977) was part of the modern art scene and exhibited with avant-garde artists including Kazimir Malevich, Wassily Kandinsky, Vladimir Tatlin and many others. Gritchenko was also an art critic and published articles, books; delivered public lectures, and taught in an art school. He decided to escape the civil war which followed the Russian Revolution of 1917. Leaving Moscow, he arrived in Istanbul in November 1919. Although the two years Gritchenko spent in Istanbul coincided with the occupation of the city, the Ottoman capital provided the artist with a relatively safe refuge until he left in 1921. On his arrival, he was instantly attracted by the colors and dynamism of Istanbul. He recorded his impressions of the vibrant ports, markets, sacred spaces, and majestic monuments while wandering through the streets, notepad, pen and brush in hand. Looking at his vast corpus of Istanbul works, one can retrace the cultural and social imprint of those turbulent years through the eyes of a visitor. Now, 100 years after the visit of Gritchenko to Istanbul, a great part of the works the artist created in the city, a collection of watercolors, gouaches, sketches, and oil paintings have been compiled into the book Alexis Gritchenko - The Constantinople Years. More than 150 works have been included in the publication alongside articles by art historians Vita Susak and Aysenur Gu?ler, detailing the artist's life and technique, as well as the connections and friendships he formed during his stay in Istanbul, including those between him, Ibrahim Çalli, and Namik Ismail.
2020New Turkish Original bdg. HC. 4to. (30 x 24 cm). Edition in Turkish. 328 p., b/w and color ills. Istanbul yillari. 07 Subat - 10 Mayis 2020, Istanbul, Mesher. [Exhibition catalogue]. Prep. by Aysenur Güler, Vita Susak. Edited by Nilüfer Sasmazer. The Constantinople years. February 07 - May 10 2020, Istanbul, Mesher. [Exhibition catalogue]. Prep. by Aysenur Güler, Vita Susak. Edited by Nilüfer Sasmazer. Alexis Gritchenko, (1883-1977) was part of the modern art scene and exhibited with avant-garde artists including Kazimir Malevich, Wassily Kandinsky, Vladimir Tatlin and many others. Gritchenko was also an art critic and published articles, books; delivered public lectures, and taught in an art school. He decided to escape the civil war which followed the Russian Revolution of 1917. Leaving Moscow, he arrived in Istanbul in November 1919. Although the two years Gritchenko spent in Istanbul coincided with the occupation of the city, the Ottoman capital provided the artist with a relatively safe refuge until he left in 1921. On his arrival, he was instantly attracted by the colors and dynamism of Istanbul. He recorded his impressions of the vibrant ports, markets, sacred spaces, and majestic monuments while wandering through the streets, notepad, pen and brush in hand. Looking at his vast corpus of Istanbul works, one can retrace the cultural and social imprint of those turbulent years through the eyes of a visitor. Now, 100 years after the visit of Gritchenko to Istanbul, a great part of the works the artist created in the city, a collection of watercolors, gouaches, sketches, and oil paintings have been compiled into the book Alexis Gritchenko - The Constantinople Years. More than 150 works have been included in the publication alongside articles by art historians Vita Susak and Aysenur Gu?ler, detailing the artist's life and technique, as well as the connections and friendships he formed during his stay in Istanbul, including those between him, Ibrahim Çalli, and Namik Ismail.
1998New English Paperback. Pbo. 4to. (29 x 23 cm). In French and Turkish. 224 p., color and b/w ills. Le voyage de Jules Laurens en Turquie.= Jules Laurens'in Türkiye yolculugu. Edited by Münevver Eminoglu. Text by Christine Peltre, Engin Yenal. [Exhibition catalogue]. Jules Joseph Augustin Laurens, commonly known as Jules Laurens was a French artist in drawing, painting, and lithography who is remembered above all for his Oriental works. One of a family of five, at the age of 12 he went to live with his brother, Jean-Joseph (1801¿1890) in Montpellier where he attended the city's art college while benefitting from his brother's artistic contacts. He went on to Paris, studying under Paul Delaroche at the École des Beaux-Arts, first exhibiting in 1840 and completing his studies in 1846. Chosen by the geographer Xavier Hommaire de Hell to join him on an extended scientific journey to Turkey and Persia, Laurens made over a thousand drawings of the sites, costumes and people he encountered on his travels. They included many portraits of Persian personalities. His biography "Nazar-Andaz" gives an account of de Hell's death at Isfahan in August 1848. Thanks to the French ambassador, Laurens was able to reach Teheran from where he sent back de Hell's notes together with his own drawings. Hundreds of them were presented in the Atlas historique et scientifique, the fourth volume of the Voyage en Turquie et en Perse published by de Hell's wife. Some of Laurens' lithographs were published in L'Illustration and Tour du Monde, both popular periodicals, while the originals, together with his early watercolours were given to the library of the École des Beaux-Arts. Laurens also painted examples of qajar art while in Persia, including his Danseuse au tambourin.
1986Very Good Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. [xxiv], 78 p. Karsilastirmali tarihsel perspektiv'de (1453-1923) Osmanli baskenti ile ilgili bati kaynaklarindan seçilmis bir kaynakça denemesi. A bibliography of the western sources on the Ottoman capital, Constantinople (1453-1923).
2001New French Paperback. Roy. 8vo. (25 x 17 cm). In French. 62 p., color ills. Dans la boule d'Istanbul. 1Istanbul couche, en imposent qu'on lui pardonne, lorsqu'elle accouche.".
1967Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 56 p. Basin tarihimizde parazitler. First Edition.
1962Fine Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 160 p. Basin tarihine dair bilgiler ve hatiralar. Çapanoglu's articles on Turkish press history and other compiled collected articles by Ahmet Rasim, Ahmet Cevdet, Ahmet Ihsan, Hüseyin Cahit, Adnan Adivar and Abdurrahman Adil in the Ottoman script, published in pre-1928. First Edition.
1958Fine Turkish Paperback. Cr. 8vo. (19 x 13 cm). In Turkish. 212 p., b/w ills. Istanbul Üniversitesi Iktisat Fakültesi Gazetecilik Enstitüsü Mezunlari Cemiyeti tarihi. First and Only Edition.
1883Very Good German Original decorated illustrated and gilt green cloth. Demy 8vo. (21,5 x 15,5 cm). In German. [xiv], 342, [7] p.,1 color engraved plate, richly illustrated (118 unnumbered b/w ills.). Höcker was a German author of historical novels for children and a stage actor. Oskar Höcker was born in a suburb of Eilenburg, in the Prussian Province of Saxony, as was his brother, author Gustav Höcker. He was educated in Chemnitz. At the age of 19 he became an apprentice actor with F.W. Porth, a well-established actor for the royal court in Dresden, Kingdom of Saxony. He performed in Bremen, Rostock, Reichenberg, Stettin, Meiningen, and from 1866 to 1882 at the court in Karlsruhe. In 1883 his career shifted to Berlin, where he played on all the big stages and was a member of the Deutsches Theater. Oscar Blumenthal referred to him as one of the company's most players, and critic Otto Brahm praised his "discrete art," comparing him to Josef Kainz. He later joined the Lessing Theater. To support his ever-increasing family (he had ten children) he began a second career as writer of children's books, and after 1870 published regularly for the well-known publisher Arnold Hirt of Leipzig. Especially in the south of Germany his books (which came to be known as Höckerle) became very popular. In many of the books he authored he attempted to educate young readers in the history of the Christian church and the cultural history of Germany. His magnum opus is a series of five cycles of historical novels, totaling 20 volumes, on the development of the German bourgeoisie, Frederick II of Prussia and the history of Prussia, the Imperial German Navy, the history of Germany since the Reformation, and the history of Christianity. He died from a nervous condition at the height of his theatrical and publishing career, in Berlin. His son, Paul Oskar Höcker, also became a writer. This book is the second book of Höcker. Ex-libris. Second Edition. First Edition in 1873.
1912Very Good Bulgarian Original blue cloth bdg. with embossing. Slightly stains on boards and toned on pages. Otherwise a very good copy. 12mo. (16,5 x 12 cm). In Bulgarian. 1230, [2] p. [HOLY BOOK IN BULGARIAN PRINTED IN TSARIGRAD (CONSTANTINOPLE)] Bibliia sirech sveshtenoto pisanie na Vetkhiia i Noviia zavet: Viarno i tochno prevedena ot pûrvoobraznoto. [.] In 1840 5,000 copies of the first complete translation of the New Testament were printed in Smyrna by the British and Foreign Bible Society. A second edition which was printed in Smyrna in 1850 was an almost exact reprint of the 1840 edition. A third edition followed in 1853 with 15,000 copies. The fourth edition was published in 1857 in Bucharest, and for the first time civil characters type was used. In 1859, two more editions were published. In 1866, a new "pocket" edition with text revised by Elias Riggs and Dr. Albert Long was printed in Constantinople. The New Testament was revised and reprinted a total of nine times. In the period from 1840 to 1860 the Eastern (Tarnovo) dialect was adopted as literary Bulgarian language and the Macedonian dialect, in which the New Testament had been translated, was widely rejected. By 1858 Neofit Rilski had finished large portion of the Old Testament. Riggs met with Neofit Rilski and discussed a possible revision of the Bulgarian New Testament to remove the Macedonian dialect elements. Neofit objected the revision, so Riggs took the translation and returned to Constantinople. In January 1859 Riggs invited the Bulgarian teacher Hristodul Kostovich to help him with the revision. In 1862 Long and Riggs visited the noted Bulgarian writer and poet Petko Rachov Slaveykov in Tryavna. Slaveykov agreed to help with the translation and began the work on the revising of Neofit's New Testament at once. Long joined the revision of the New Testament into the Eastern dialect in 1863 and later assisted with the translation of the Old Testament. In June 1871, after more than 12 years of revision and translation, 36,000 copies of the complete Bible translation in Bulgarian were published in Constantinople. The translation came to be known as the "Tsarigrad (Constantinople) Edition". Tsarigrad [or; Tsargrad, Tzargrad, Czargrad] Tsargrad is a Slavic name for the city or land of Constantinople, the capital of the Eastern Roman (Byzantine) Empire, and present-day Istanbul in Turkey. A physical copy of this edition is not located in OCLC. For digital register: OCLC 181122059.
1941Very Good Turkish Original typescript document with manuscript autograph writings and signature by Lütfi Kirdar (as Governor of Istanbul Lütfi Kirdar). 27,5x17,5 cm. Sent to Mustafa Kunur, who was 'Nahiye Müdür' of Kemerburgaz (district of Istanbul). In Turkish (modern Turkish with Latin script). 1 p. Including a celebration on Kunur's logistics services for the army. Lütfi Kirdar was born in 1887 in Kirkuk. He comes from a rooted and a well-known family 'Kirdarzâdes' of Kirkuk. After completing his primary and secondary education in Kirkuk and high school education in Baghdad, he came to Istanbul in 1908 and entered the Faculty of Medicine. After the Balkan War, Kirdar joined the war voluntarily and after the war he graduated from the Faculty of Medicine of the Darülfünûn -i.e. IIstanbul Üniversitesi- (1917). With the outbreak of World War I, he joined the army. Kirdar who was participating in the National Struggle, received the Independence War Medal. After the War of Independence, in 1923, he specialized in eye diseases in Vienna and Munich. He returned to Turkey in 1924 and was appointed to the Directorate of Izmir Health. At his own request, he was appointed to the eye clinic of Izmir Memleket Hospital in 1933. In 1935 he became a member of parliament from Kütahya. In 1936, Manisa was appointed as mayor and after that in 1938, to Istanbul. He held this last post for 12 years. Istanbul Harbiye Sports and Exhibition Palace, Open-Air Theater, Inonu Stadium in Dolmabahce, Taksim Square, Taksim Excursion and Ataturk Boulevard were held during his period. In 1940, the Taksim Barracks was demolished. He was arrested on May 27th. He died of a heart attack on 17 February 1961 in Yassiada where he was tried. He was buried in Zincirlikuyu Cemetery after an funeral on 19 February 1961.
1920Very Good Turkish, Ottoman (1500-1928) Original color map of Erzurum city center and it environment. Folded. 69x42,5 cm. In Ottoman script. One sheet. Shows center of Erzurum city and topography environment. No scale info. Hegira: 1336 = Gregorian: 1920. Not description on map-maker. This is one the serie of the Bonn projection maps which are the first map series in modern techniques in Turkey and the Ottoman Empire. In order to produce these maps covering Turkish territory, Reconnaissance Branch was incorporated into The Mapping Commission. The maps were produced in the datum based on the latitude and longitude of Ayasofya Mosque in equal area Bonn Projection. The field works for the 123 sheets covering the country were conducted by 76 staff. The production was completed in 18 years starting from east west. Field works continued without stopping except in years 1914 and 1920. This map series called also reconnaissance maps contributed a lot to producing 1:25.000 scale maps. Extremely rare.