2.133 Ergebnisse
1972Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In English, French and Turkish. 52, [24] p., ills. Kapaliçarsi.= The Covered Bazaar.= Le Grand Bazar.
1957Very Good English Paperback. Pbo. Roy. 8vo. (24 x 13 cm). In Turkish. 32 p., b/w ills. Rumeli Hisari. A study on Rumeli fortress.
1962Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 24 p., b/w ills. Besiktas'ta Ihlamur Mesiresi ve tarihî nisan taslari. A study on traditional Turkish / Ottoman archery.
1996Fine English Paperback. Pbo. Demy 8vo. (22 x 15 cm). In French. 301, [4] p. Marie et Marie. Une saison a Constantinople, 1856-1858.
1997Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish and Ottoman facsimile. 271, [1] p. 1050 copies were printed. All copies except of first 50 are numerated. This copy is 254 no. 254/1000.
1997Fine English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish and Ottoman facsimile. 271, [1] p. 1050 copies were printed. All copies except of first 50 are numerated. This copy is 259 no. 259/1000.
2003New Turkish Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [ix], [1], 148, [2] p. Bir Galata bankerinin portresi. George Zarifi, 1806-1884. A comprehensive biographical study on Georgios Y. Zariphis, also known as Yorgo Zarifi, was a prominent Ottoman Greek banker and financier. He was also very well known as a prominent benefactor of his time. Zariphis met Sultan Abdul Hamid II when the latter was a shahzade with a low expectation of ascending to the throne. The prince, having financial troubles, called on the expertise of Zariphis to manage his personal wealth. After Abdul Hamid II became sultan, he continued to utilize Zarifi's advisory services. Living at the time when the Ottoman Empire was in great financial distress and had declared bankruptcy, Zariphis was one of the Galata bankers that was involved in the Empire's debt raising. He was also involved in setting up Düyun-u Umumiye (Office of Public Debt) in 1881 that oversaw tax collection and debt payments of the Ottoman Empire. Zariphis also sponsored the foundation of Greek language schools, which were named Zariphia after schools: like the Zariphios School in Philippopolis (present-day: Plovdiv, Ottoman era: Filibe) and Dede Aghach (present-day: Alexandroupoli).
2016New English Paperback. Pbo. 4to. (28 x 24 cm). In English and Turkish. 112 p., color and b/w ills. Mario Prassinos. In pursuit of an artist: Istanbul - Paris - Istanbul.= Mario Prassinos. Bir sanatçinin izinde: Istanbul - Paris - Istanbul. Curated by Begüm Akkoyunlu Ersöz, Tania Bahar. The exhibition Mario Prassinos, In Pursuit of an Artist: Istanbul-Paris-Istanbul is centered on the art of Mario Prassinos, born into a Greek family of artists in Istanbul, whose artistic career began among the 20th-century Avant-Gardes in Paris. Curated by Seza Sinanlar Uslu with specialists Catherine Prassinos and Thierry Rye as consultants, the exhibition is accompanied by an exhaustive catalogue. Featuring a range of original and striking works by Mario Prassinos, including paintings, book illustrations, fabric samples, and engravings, the catalogue also contains articles written by the artist's daughter Catherine Prassinos, Enis Batur, and Seza Sinanlar Uslu. Catherine Prassinos focuses on her father's relationship with Istanbul and his memories of the city, whereas Enis Batur seeks, in the artist's works, the traces of the childhood he spent in Istanbul and the art milieu he was a part of during his years in France. Carefully examining the unique and outstanding personality of Prassinos, his style that extends from Surrealism to Realism, and his artistic stance against Fascism during World War II, Uslu particularly concentrates on the relationship the artist establishes with memory: "People do not recognize things (or other people), they remember them" says Prassinos, who reflects traces of the past from memory in his works. He presents to viewers the memories he recorded in memory, but could not access or recall exactly and clearly, as portraits that, in his words, could only be "created by a damaged memory.". This exhibition is centered on the art of Mario Prassinos, who was born in Istanbul into a Greek-Ottoman family and began his artistic career in Paris, among the 20th century avant-gardes. Bringing together a large selection of his works ranging from paintings and book illustrations to tapestries, portraits, and engravings, the exhibition reveals the striking and unique character of Prassinos and his distinctive style shifting from Surrealism to a more realistic approach. Curated by Seza Sinanlar Uslu, the exhibition welcomes back this original 20th-century artist to his birthplace to Pera, Istanbul, on the 100th anniversary of his birth. Mario Prassinos was born in Istanbul in 1916 to a Greek-Italian family that settled in Turkey many years before. In 1922, his family moved to France. He studied at the School of Oriental Languages and the Sorbonne. His first solo exhibition was held in 1938 at the Billiet-Vorms Gallery. Upon his return from the war in which he had fought as a volunteer, he broke away from surrealism and started a figurative period.
1995Fine English Paperback. Pbo. Large roy. 8vo. (25 x 17 cm). In Turkish. [xi], [1], 145, [1] p. Top ve topçulugun tarihsel gelisimi ve mühendishâne-i berrî-i Hümâyûn, (1795-1995). History of Turkish / Ottoman gunnery.
1990New New English Original bdg. Dust wrapper. Folio. (33 x 23 cm). Edition in English. [viii], 744 p., color and b/w ills. Contents: Preface.; Abbreviations.; Introduction.; The social-political and cultural factors on which the westernization movement is based.; Bali Kalfa.; Kirkor Amira Balian., Senekerim Amira Balian.; Garabed Amira Balian.; Nigoghos Bey Balian.; Agop Bey Balian.; Sarkis Bey Balian.; Simon Bey Balian., Levon Bey Balian.; Documents.; Footnotes.; Index.; Bibliography., Errata. First Edition in English of this great history of an Armenian family which produced imperial architects under six Ottoman sultans from the 18th through the end of the 19th century and created many of the finest Turkish buildings in and around Istanbul, including the Dolmabahçe Palace. ARCHITECTURE Armenian culture Ottoman art Pera Istanbul Constantinople History of art Biography.
1983Fine English Paperback. Pbo. 4to. (28 x 20 cm). In Turkish. 12, [24] p. 'Osmanli mimarliginda batililasma dönemi ve Balyan Ailesi' adli kitap ve gerçekler.
1998Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [xii], 279, [2] p., 138 b/w plts. Sinan mimarliginda yapi strüktürünün analitik incelenmesi. First and Only Edition. Rare. 500 copies were printed.
1989Fine English Paperback. Pbo. 4to. (30 x 21 cm). In English and Turkish. 155 p., b/w ills. Photographer Ali Sami, 1866-1936.= Fotografçi Ali Sami, 1866-1936. "Ali Sami (Aközer) is born in Rusçuk in 1866, and moves to Istanbul. Because his family is registered in the Beylerbeyi quarter of Üsküdar, Ali Sami is also called Üsküdarli Ali Sami. He graduates from the Mühendishane-i Berri-i Hümayun in 1866 and becomes a teacher of painting and photography at the school. He is employed in the Ottoman army, and he is also a teacher of phography at the palace and for many years gives lessons to Prince Burhaneddin Efendi. In 1889 he becomes an aide to Abdülhamid II. As a military photographer, he is assigned by Abdülhamid II to accompany German Emperor Wilhelm II during his visit to the Ottoman Empire when he travels from Istanbul to Jerusalem in 1898, and presents an album of this journey to the sultan. After the constitutional monarchy is proclaimed, he becomes a painting teacher at Trabzon High School, and passes away in 1936 in Istanbul". (Source: From Konstantiniyye to Istanbul: Photographs of the Anatolian shore of the Bosphorus from the mid XIXth century to XXth century). Contents: - The World Discovers Photography - Turkish Art and the Effect of the Industrial Revolution on the Ottoman Empire - Photography in the Ottoman Empire - The Imperial School of Engineers - Ali Sami Bey - Album - Captions to Photographs.
1982Fine English Paperback. Roy. 8vo. (24 x 17 cm). In Turkish and summary in English. [xiv], 102 p., xc numerous b/w plts. Batililasma sürecinde Istanbul'da tasarim ve dis mekanlarda degisim ve nedenleri. First and Only Edition. Rare.
2014New English Paperback. Pbo. 4to. (28 x 22 cm). In Turkish and Ottoman facsimiles. 168 p. Contents: Dünden bugüne Ayasofya.; Ayasofya'da Türk Islâm izleri.; Edmondo De Amicis'in gözünden Ayasofya.; Fatih Sultan Mehmed'in Ayasofya vakfiyesi (Turkish transcription and facsimile of original manuscript).
1988Fine English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. [xxx], 719 p. Ahmed Râsim'in eserlerinde Istanbul. Istanbul in the works of Ahmet Rasim.
1953Good English Istanbul. Sanat - edebiyat dergisi [Kasim 1953 - Subat 1957]., A. Turgut Atasoy, Yenilik basimevi, Ist., 1953. Paperback. Pbo. Good. Ills. Roy. 8vo. (24 x 15 cm). 1. year: November 1953 - December 1954. 14 issues set. 2. year: February 1955 - December 1955. (4, 5, 8 and 9. issues are missing). 3. year: January 1956 - December 1956. (3 and 5. issues are missing). 4. year: February 1957. 1. issue. [In total 32 issues).
2010New English Original bdg. HC. Oblong 4to. (28 x 33 cm). In Turkish. 120 p., color and b/w ills. Kaybolan kent hayalleri: Osmanli saraylari. ARCHITIECTURE History of art Istanbul Constantinople The Bosphorus Palace Kiosk Yali Turkish architecture.
1995Fine English Paperback. Pbo. 4to. (29 x 21 cm). In Italian and Turkish. 93 p., color ills. Raimondo d'Aronco in Turchia, (1893-1909). Progetti della Galleria di Arte Moderna di Udine.= Udine Çagdas Sanat Galerisi Koleksiyonundan Raimondo d'Aronco'nun Türkiye yillari, (1893-1909).
2002New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 231, [9] p. Yazi ve resimlerde Beykoz.
2011New English Paperback. Pbo. Small 4to. (25 x 25 cm). In Turkish. 213 p., color and b/w ills. Ayasofya ve Fossati Kardesler, (1847-1858). Hagia Sophia and Fossati Brothers' architectural restoration.
2012New English Paperback. Pbo. 4to. (31 x 24 cm). In English and Turkish. 479 p., color and b/w ills., folding maps. 2012 Declaration. The seized properties of Armenian foundations in Istanbul.= 2012 Beyannamesi. Istanbul Ermeni vakiflarinin el konan mülkleri. Project by Mehmet Polatel, Nora Mildanoglu, Özgür Leman Eren, Mehmet Atilgan. Love, teh profound mystery of Creation, lies at the source of the universal principles of natural law. Every human being is bestowed with human dignity. And this human dignity means that every human being, needs and is entitled to as a human right, to live in a state governed by justice. The Organization of the State should afford the individual the right to assembly in order to actualize his or her human rights at more advanced levels; and the right to established legal personalities such as associations or foundations; and the only grounds for any restriction over these rights and freedoms can be the principle of 'not harming others'. The 1936 Declaration was used as a cover-up for the persecution of minority foundations by the Republic of Turkey. The 1913 and 1936 declarations, prepared by all minority foundations upon the request of the state, are officially treated as 'declarations of properties'; whereas teh 2012 Declaration -the most comprehensive balance sheet produced so far of the loss sufferred by Armenian foundations in Istanbul, in a chain of injustice that has continued for almost a century- is a 'declaration of unlawful seizures'. The story told in this book is not the story of structures made of stone or concrete, but the story of human beings. The problem is not about 'properties', but an issue of the sustainability of cultural existence. We know that, as long as it fails to face up to the mindset that alienates the ancient peoples of this country and refuses to see them as equal citizens, Turkey's efforts towards democratization will fall short. With the hope and wish that this work will contribute to transformation.
1941Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 25 p. Destan ve divan edebiyatlarinda Istanbul sevgisi. 'Love of Istanbul' in legends and divan literature.
1996Fine English Paperback. Roy. Cr. 8vo. (20 x 14 cm). In Turkish. 160 p., b/w ills. Eski Istanbul hayati ve Istanbul Yahudileri. Life from Ottoman Istanbul and Istanbul Jews.
2012New English Paperback. Pbo. Large 8vo. (20 x 20 cm). In English and Turkish. [44] p., color ills. Tophane meerschaum pipe bowl manufacture.= Tophane lüleciligi. Curator: Beste Gürsu. 20 Kasim - 1 Aralik 2012. [Exhibition catalogue].