SEDAD HAKKI ELDEM, (1908-1988).MareMagnum
2122 risultati
1968Very Good Turkish Paperback. Folio. (34 x 24 cm). In Turkish. 2 volumes set: (70 p.; 64 p.). Eldem was a Turkish architect and one of the pioneers of nationalized modern architecture in Turkey. He was born in Istanbul (1908). He graduated from the Academy of Fine Arts (Department of Architecture). Between 1931 and 1932 he traveled to France, England, and Germany with a scholarship from the academy. In 1932 he opened his own office, also started teaching at the Academy of Fine Arts, and continued until retirement in 1978. In 1934 he worked for the National Architecture Seminar in Turkey which was a complete disaster for him because of the discussions between modern architecture and traditional architecture. In 1938 he designed the Turkish Pavilion in New York Exhibition. Sedad Hakki Eldem represented the Turkish Republic at the International Union of Architects in Lozan (1948) after Second World War. Also in the same year, Sedad Hakki worked with his colleague Emin Onat on the project of Istanbul Palace of Justice. He worked on proportions and architectural organizations of Ottoman domestic houses, 18th and 19th-century palaces, and mansions. He was known as a role model and pioneer to reinterpret the Classical Ottoman Patterns in modern architecture. He was a part of the Former Artifacts Maintain Council (Eski Eserleri Muhafaza Encümeni) between 1941 and 1945 and also a part of the Supreme Council of Antiquities and Monument Real Estate (Gayrimenkul Eski Eserler ve Anitlar Yüksek Kurulu) between 1962 and 1978. His thought was about nationalizing Modern Architecture. He basically thought that International Style in architecture should not be applied everywhere. Some things should be changed in the design by considering the national and domestic texture. He has won the international Aga Khan Award for Architecture in 1986 with the project of Zeyrek Social Security Facilities. Sedad Hakki Eldem's architecture has basically 4 main periods. The first of them, between 1928 and 1934, is known for the instability of his work. After that, the second period is popular with modern trials on Ottoman architectural organization. The time frame of this period spans from 1934 until 1952. The third period of his architecture has lost its Ottoman influence, it looks more modernized between 1952 and 1962. The last part of Eldem's Architecture known for his double approach to projects. This final period started in 1962 and lasted until his death in 1988. (Wikipedia).
1977Very Good French Paperback. 4to. (34 x 24 cm). In French and Turkish. 112, [1] p., b/w plts. Le Yali de Köçeoglu à Bebek sur le Bosphore.= Köçeoglu Yalisi, Bebek, Bogaziçi.
2018New Turkish Paperback. Folio. (34 x 24 cm). In Turkish. [16], 178 p., 150 plans and photos. Sa'dabad. [REPRINT EDITION of 1977].
2008New English Paperback. Pbo. 4to. (30 x 24 cm). In Turkish. 210 p., color and b/w ills. Sedad Hakki Eldem 1: Gençlik yillari. He was born in Istanbul in 1908. He graduated from Academy of Fine Arts, department of Architecture. Between 1931 and 1932 he travelled France, England and Germany with scholarship of the academy. In 1932 he opened his own office, also started teaching at the Academy of Fine Arts and continued until retirement at 1978. In 1934 he worked for National Architecture Seminar in Turkey which was a complete disaster for him because of the discussions between modern architecture and traditional architecture. In 1938 he designed the Turkish Pavilion in New York Exhibition. Sedad Hakki Eldem represented Turkish Republic at International Union of Architects in Lozan (1948) after Second World War. Also in the same year Sedad Hakki worked with his colleague Emin Onat on the project of Istanbul Palace of Justice. He worked on proportions and architectural organizations of Ottoman domestic houses, 18th and 19th century palaces and mansions. He known as a role model and pioneer to reinterpret the Classical Ottoman Patterns in modern architecture. He was a part of Former Artifacts Maintain Council (Eski Eserleri Muhafaza Encümeni) between 1941 and 1945 and also a part of Supreme Council of Antiquities and Monument Real Estate. Between 1928 and 1934 defined as preparation years for Sedad Hakki Eldem. At these years the architect worked at Istanbul, Paris and Berlin but there is no built project or something. The only structure that has been built in that period is temporary Turkish pavilion in Budapest Exhibition in 1931. This structure give us so little clues about his searching in architecture. Whereas Sedad Hakki was tried almost every approach popular in these years, also tried to combine them even if they are all contradicted. He even give parts to different architectural elements in one design. For example, one of his trials in Paris, embassy project has Auguste Perret impressions in details, its planimetry has traditional middle "sofa" and "Eyvan" types of components that usually belong to Turkish Architecture. Also the architect inspired by a sheme that peculiar to Iran-Middle East, named "Cihar-bag". At the same time he examined the style of Art Deco, Le Corbusier, Hoffmann, Olbrich, Tessenow and Webb. Despite all of these and his instability of style, he never abandon his researches about traditional and domestic Ottoman civil architecture. He made use of all styles as much as they compromise with traditional architecture. The styles that do not overlap with domestic architecture, are disappeared. TURKISH ARCHITECTURE Biography Istanbul History art Turkish intelligentsia Memoirs.
2009New English Paperback. Pbo. 4to. (30 x 24 cm). In Turkish. 322, [2] p., color and b/w ills. Sedad Hakki Eldem 2: Retrospektif. Sedad Hakki Eldem's architecture has basically 4 main period. First of them is known by instability of his works, it was between 1928 and 1934. After that, second period is popular with modern trials on Ottoman architectural organization the time period of this part starts with 1934, until 1952. Third period of his architecture has lost its Ottoman influence, it looks like more modernized between 1952 and 1962. Last part of Eldem's Architecture known with his double approach on projects. Time period of that leading years started at 1962 until his death at 1988. TURKISH ARCHITECTURE Biography Istanbul History art Turkish intelligentsia Memoirs.
1969Fine Turkish In modern clothes. 4to. (33 x 24 cm). In English and Turkish. 2 volumes set: (xvii, [3], 357 p.; [8], 447 p.), b/w and color plates. Sedad Hakki Eldem was a Turkish Architect. One of the pioneers of nationalized modern architecture in Turkey. He was born in Constantinople (1908). He graduated from the Academy of Fine Arts (department of Architecture). Between 1931 and 1932 he travelled to France, England and Germany with a scholarship of the academy. In 1932 he opened his own office, also started teaching at the Academy of Fine Arts and continued until retirement in 1978. In 1934 he worked for the National Architecture Seminar in Turkey which was a complete disaster for him because of the discussions between modern architecture and traditional architecture. In 1938 he designed the Turkish Pavilion in New York Exhibition. Sedad Hakki Eldem represented Turkish Republic at International Union of Architects in Lausanne (1948) after Second World War. Also in the same year Sedad Hakki worked with his colleague Emin Onat on the project of Istanbul Palace of Justice. He worked on proportions and architectural organizations of Ottoman domestic houses, 18th and 19th century palaces and mansions. He was known as a role model and pioneer to reinterpret the Classical Ottoman Patterns in modern architecture. He was a part of Former Artifacts Maintain Council (Eski Eserleri Muhafaza Encümeni) between 1941 and 1945 and also a part of Supreme Council of Antiquities and Monument Real Estate (Gayrimenkul Eski Eserler ve Anitlar Yüksek Kurulu) between 1962 and 1978. His thought was about nationalizing the Modern Architecture. He basically thought that International Style in architecture should not applied everywhere. Some things should be changed in the design by considering the national and domestic texture. He has won the international Aga Khan Award for Architecture in 1986 with the project of Zeyrek Social Security Facilities. Sedad Hakki Eldem's architecture has basically 4 main periods. The first of them, between 1928 and 1934, is known by the instability of his work. After that, the second period is popular with modern trials on Ottoman architectural organization. The time frame of this period spans from 1934 until 1952. The third period of his architecture has lost its Ottoman influence, it looks more modernized between 1952 and 1962. The last part of Eldem's Architecture known for his double approach on projects.This final period started in 1962, and lasted until his death in 1988. (Source: Wikipedia). Extremely rare.
2010New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 530, [5] p. A historical study on transport in Istanbul. Dünden bugüne Istanbul'da ulasim.
2008New New English Original binding with original dust wrapper. 4to. (35 x 24 cm). 223 p. B/w and color ills. This book does not only aim at reminding us once more of Istanbul's past glory days, but also draws our attention to the point that at this moment of time, Istanbul is again a world city where many people from various language backgrounds can be found crowding its streets day and night. The impressions of famous Western travelers of years gone by, share the book's pages with the interpretations of contemporary ¿stanbul written by Sefa Kaplan. ISTANBUL Constantinople Travel Memoirs Ottoman culture Social life Description.
2017New Turkish Original bdg. HC. 4to. (28 x 21 cm). In Turkish. 223 p., color and b/w ills. Bize belediye baksin: Belediye hizmetlerinin karikatürlerle 100 yili, (1872-1972).
1843rif. GIT00e4cParis Didier 1843. 2vol in-8 broché 577 551pp. Quelques rousseurs.
2015New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. 277 p. Ali Emiri'nin Osmanli tarih ve Edebiyat mecmuasi. A study on Ali Emiri's 'Osmanli Tarih ve Edebiyat Mecmuasi' (Ottoman History and Literature Journal). OTTOMANIA Periodicals Reference Scholar.
1991New Turkish Paperback. Oblong large 8vo. (22 x 25 cm). In Turkish. 142, [2] p., b/w photos. Beyoglu 1930: Selahattin Giz'in fotograflariyla 1930'larda Beyoglu. Text by Ali Ozdamar. Preface by Demir Özlü.
2007New Turkish Paperback. Oblong large 8vo. (20 x 24 cm). In Turkish. 144 p., b/w photos. Dört mevsim Istanbul. [Album of photograhs].
2007Fine English Paperback. Pbo. 4to. Fully color ills. 40 p. In Turkish. Istanbul. [=Istanbul Paintings Exhibition].
2000Very Good English Paperback. Pbo. Mint. Large demy 8vo. (22 x 17 cm). 405 p. Beyoglu (Pera) in Turkish literature. An thematic anthology. TURKISH LITERATURE Constantinople - Istanbul Beyoglu Pera Minorities Ottoman culture Turkish Republic.
1999Fine English Paperback. Pbo. Oblong large 8vo. (18 x 19 cm). In Turkish. 223 p., b/w ills. Second Edition. Yildizlar altinda Istanbul.
New English Paperback. Demy 8vo. (21 x 15 cm). In Turkish. 144 p., b/w and color ills, no date. Küçükköy - Taslitarla Gaziosmanpasa bir ilçenin öyküsü. ISTANBUL Urban history Sociology.
1997Fine English Paperback., Fine., 23 x 16 cm, 296 p., b/w ills. "Istanbul'dan ben de geçtim., SELIM NÜZHET GERÇEK, Haz: Ali Birinci - Ismail Kara, Kitabevi, Istanbul, 1997"
2009New New English Original bdg. with original dust wrapper. Oblong large 8vo. 216 p. Color and b/w ills. In English. Büyükada cuisine: My grandfather's table. When the tastes and the feelings meet at Büyükada. Gourmand World Cookbook Awards After the loss of her grandfather (a bureaucrat, a man of good taste, an admirer of Büyükada) she realized her book project, named Büyükada Cuisine, to immortalize his memory. Contents: Foreword.; Introduction; My Grandfather.; Sabahattin Bilgütay; Recipes.; Thoughts.; A letter to my grandfather.
1953Very Good English Paperback. Pbo. Large Roy. 8vo. (25 x 17 cm). B/w ills. 31, [1] p. There're Bartlett's engravings interior. The Conqueror's great victories. 500th anniversary of the conquest of Istanbul. Fatih'in büyük zaferleri. 500ncü fetih yildönümü. Cover: Fuat Yilmaz.
2001Very Good French Paperback. Roy. 8vo. (25 x 17 cm). In French. 62 p., color ills. Dans la boule d'Istanbul. 1Istanbul couche, en imposent qu'on lui pardonne, lorsqu'elle accouche.".
2001New French Paperback. Roy. 8vo. (25 x 17 cm). In French. 62 p., color ills. Dans la boule d'Istanbul. 1Istanbul couche, en imposent qu'on lui pardonne, lorsqu'elle accouche.".
1995Fine English Paperback., Fine., 20 x 14 cm, 111 p. "Istanbul nerededir orada kimler yasar, SELÇUK EREZ, Sel Yayincilik, Istanbul, 1995"
2018New English Paperback. Demy 8vo. (22 x 15 cm). In English and Turkish. 264 p., ills. Living together in Istanbul.= Istanbul'da birlikte yasamak. Sema Akkoyun Özbay tells us about the architectural structure, location and importance of the holy temples of Muslims, Christians and Jews in Istanbul in this book, Living Together in Istanbul. "This book compiled sacred spaces of three religions in Istanbul for the memory of tolerance. Let us proceed by remembering the civilization is to pay respect to various colors through the soul of the sounds of azan, church bell and the hymns raising up from the synagogue, to live altogether, to be reborn, to die and to revive altogether; for brand new and beautiful paces".
2017New English Paperback. Roy. 8vo. (23 x 16,5 cm). In English and Turkish. 344 p., ills. Waterfront residences and mansions of Istanbul.= Istanbul'un yalilari ve köskleri. What makes Istanbul a favorite city is its magnificent waterfront residences along the Bosphorus and the sumptuous mansions spreaded into the different points of the city. The stories of these buildings that shine like jewels with their design, colors, outbuildings, gardens and peripheral arrangements have become legendary. "Waterfront Residences and Mansions of Istanbul" harks back to the past by conveying knowledge about these mysterious and enchanting structures.