ALICAN KÜÇÜKCAN.MareMagnum
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2017New Turkish Paperback. In Turkish. 171 p., b/w and color photos. Kar kis Istanbul. [Album of photographs]. Photographs of Istanbul's snow storms of 1929, 1954 and 1967.
2016New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 560 p. Üsküdar bibliyografyasi. Bibliography of books, thesis, and articles on Scutari district of Istanbul city throughout the history.
1943Very Good Turkish In contemporary cloth bdg. 4to. (32 x 24 cm). In Turkish. 17 p., ii numerous plans, color and b/w plts. Ayasofya ve tarihi. History of St. Sophia.
1939Fine English Paperback. 4to. (30 x 21 cm). In English. 49, [1] p., 16 numerous b/w plates, 1 folded map. Constantinople during the era of Mohammed the Conqueror, 1453-1481 (Maps, explanations, indices).
1948Near Fine English Paperback. Pbo. Lightly fading and yellowing on cover. Near fine. 2. of 2. Set is 2 volumes. Demy 8vo. (21 x 14 cm). Between [2], 378-738 p. In Turkish. =[How does Sultan Mehmed the Conqueror conquest Istanbul? Vol.2]. Fatih Istanbul'u ne sekilde aldi? Vol. II.
2010New English Paperback. Cr. 8vo. (20 x 14 cm). In English. 270 p., ills. Museums of Istanbul. Edited by Nurhayat Yazici. Photograpy by Erdal Yazici. This book contains images from all 81 of Istanbul's museums. The main divisions are Istanbul Museums, European Part, Asian Part and Princes Islands, and the book is sub-divided into 7 sections according to distance and means of transport entitled; Historical Peninsula Inside the City Walls, Outside the City Walls, the Golden Horn, Beyoglu-Taksim-Sisli, the Bosphorus, Yildiz-Maslak, and the Anatolian Part. At the end of each section, there is a list of places and facilities near the museums, which can also be found within that section, Nearby places to visit and see. In addition to this, there are symbols and information about how to get to the museums, the addresses, telephone numbers, opening/closing hours/days, resting places and shopping (books, souvenirs etc.). The final section of the book contains useful information about Istanbul's environs, including Iznik, Yalova, Bursa, Erdek / Bandirma, Marmara Island, Çanakkale, Enez, Tekirdag, Edirne, Kirklareli, and Vize. Museums of Istanbul has been carefully prepared as a bedside guide book with enlightening, up-to-date information and photographs for those travelers who want a more detailed presentation of the history and cultural heritage of Istanbul and its environs, and to learn more about it.
1997Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English. 137, [5] p., color ills. Alma Mater and story of Robert College, Istanbul - New York. Including the memoirs of boarding student, 1939-1946.
2008Fine Fine Turkish Original bdg. Dust wrapper. Folio. (33 x 24 cm). In Turkish. 184 p., color and b/w ills. Haliç'te seyrüsefer: Haliç Vapurlari Sirketi ve faaliyetleri.
1998Sandpiper Reprint of 1948 edition. Contents: The Antecedents of the Conversion of Constantine; The Vision of Constantine; The Moving Forces in the Religious Policy of Constantine and its Initial Difficulties; The First Period of Constantine' s Independent Religious Policy from the Battle of the Mulvian Bridge to the Second Period of Tension with Licinius: The Attitude of Constantine to Christianity. The Attitude of Constantine to the Pagans; The Religious Policy of Constantine from the Beginning of the Period of Tension with Licinius to the Dedication of Constantinople; Constantine's Last Contacts and Frictions with Rome Before the Dedication of the New Capital; The Triumph of Intolerance in the Religious Policy of Constantine; The Old Rome and the New. ; 140 pages
2020New Turkish Original bdg. HC. 4to. (30 x 24 cm). Edition in Turkish. 328 p., b/w and color ills. Istanbul yillari. 07 Subat - 10 Mayis 2020, Istanbul, Mesher. [Exhibition catalogue]. Prep. by Aysenur Güler, Vita Susak. Edited by Nilüfer Sasmazer. The Constantinople years. February 07 - May 10 2020, Istanbul, Mesher. [Exhibition catalogue]. Prep. by Aysenur Güler, Vita Susak. Edited by Nilüfer Sasmazer. Alexis Gritchenko, (1883-1977) was part of the modern art scene and exhibited with avant-garde artists including Kazimir Malevich, Wassily Kandinsky, Vladimir Tatlin and many others. Gritchenko was also an art critic and published articles, books; delivered public lectures, and taught in an art school. He decided to escape the civil war which followed the Russian Revolution of 1917. Leaving Moscow, he arrived in Istanbul in November 1919. Although the two years Gritchenko spent in Istanbul coincided with the occupation of the city, the Ottoman capital provided the artist with a relatively safe refuge until he left in 1921. On his arrival, he was instantly attracted by the colors and dynamism of Istanbul. He recorded his impressions of the vibrant ports, markets, sacred spaces, and majestic monuments while wandering through the streets, notepad, pen and brush in hand. Looking at his vast corpus of Istanbul works, one can retrace the cultural and social imprint of those turbulent years through the eyes of a visitor. Now, 100 years after the visit of Gritchenko to Istanbul, a great part of the works the artist created in the city, a collection of watercolors, gouaches, sketches, and oil paintings have been compiled into the book Alexis Gritchenko - The Constantinople Years. More than 150 works have been included in the publication alongside articles by art historians Vita Susak and Aysenur Gu?ler, detailing the artist's life and technique, as well as the connections and friendships he formed during his stay in Istanbul, including those between him, Ibrahim Çalli, and Namik Ismail.
2020New English Original bdg. HC. 4to. (30 x 24 cm). Edition in English. 325 p., b/w and color ills. The Constantinople years. February 07 - May 10 2020, Istanbul, Mesher. [Exhibition catalogue]. Prep. by Aysenur Güler, Vita Susak. Edited by Nilüfer Sasmazer. Alexis Gritchenko, (1883-1977) was part of the modern art scene and exhibited with avant-garde artists including Kazimir Malevich, Wassily Kandinsky, Vladimir Tatlin and many others. Gritchenko was also an art critic and published articles, books; delivered public lectures, and taught in an art school. He decided to escape the civil war which followed the Russian Revolution of 1917. Leaving Moscow, he arrived in Istanbul in November 1919. Although the two years Gritchenko spent in Istanbul coincided with the occupation of the city, the Ottoman capital provided the artist with a relatively safe refuge until he left in 1921. On his arrival, he was instantly attracted by the colors and dynamism of Istanbul. He recorded his impressions of the vibrant ports, markets, sacred spaces, and majestic monuments while wandering through the streets, notepad, pen and brush in hand. Looking at his vast corpus of Istanbul works, one can retrace the cultural and social imprint of those turbulent years through the eyes of a visitor. Now, 100 years after the visit of Gritchenko to Istanbul, a great part of the works the artist created in the city, a collection of watercolors, gouaches, sketches, and oil paintings have been compiled into the book Alexis Gritchenko - The Constantinople Years. More than 150 works have been included in the publication alongside articles by art historians Vita Susak and Aysenur Gu?ler, detailing the artist's life and technique, as well as the connections and friendships he formed during his stay in Istanbul, including those between him, Ibrahim Çalli, and Namik Ismail.
2018New French Paperback. Roy. 8vo. (24 x 17 cm). In French and Turkish. 288 p. He was a Greek man of letters, poet and statesman. He was born in Constantinople to a Greek Phanariot family. He was educated at Odessa and the military school at Munich. Having served as an officer of artillery in the Bavarian army, he returned to Greece, where he held several high educational and administrative appointments. He subsequently became ambassador to Washington, D.C. (1867), Paris (1868), and Berlin (1874-1886), and was one of the Greek plenipotentiaries at the Congress of Berlin in 1878. The Notary of Argostoli is a romance by him. Le notaire: Mukavelât muharriri. Tesekkür - Giris Çevriyazim hakkinda not MUKAVELAT MUHARRIRI Sözlük.
2013New English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Greek. 360 p., ills. Memoirs and travels in Fener, Balat, and Vlaherna. Diadromes sto Fanari ton Balata ke tis Vlahernes.
2016New English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In Turkish. 895 p., ills. Bizans Imparatorlugu tarihi.
2006New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Italian. 303 p. La Comunita Italiana di Istanbul nel XX secolo: Ambiente e persone.
2008New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In French. 680 p. Contents: PREMIERE PARTIE: LES HOMMES. Chapitre premier: La communauté actuelle par elle-même. Les textes Quelques thèmes. / Chapitre II : Traitement des entretiens. Appartenance nationale Evolution du milieu d'insertion et rapports la société turque Histoires et légendes familiales. / Chapitre III : Le déclin de la communauté. La différenciation des membres de la communauté. Les "Registres des Citoyens" du Consulat italien Vers le multiculturalisme. Les élèves du Lycée italien ("Istituti Medi Italiani") La perspective nationale-étatique d'après les recensements turcs. DEUXIEME PARTIE: LES PAROLES. Chapitre IV: Willy Sperco (1887-1978) Sa levantinité Sa nostalgie du milieu Son "Orientalisme" Le progressisme chez Sperco Sperco journaliste. / Chapitre V : Angèle Loreley (1894-197 Aperçu de ses poèmes Romans et nouvelles de Loreley Reportages de voyage Chroniques culturelles et mondaines. / Chapitre VI : Livio Missir de Lusignan Histoire des Latins d'Orient La chrétienté et l'ocuménisme en Orient. / Chapitre VII : Giovanni Scognamillo Entre mémoires levantines et le Beyoglu des Mémoires Recherches sur Beyoglu Fragments d'un Beyoglu de fiction. / TROISIEME PARTIE: LE MILIEU. Chapitre VIII : L'apogée du cadre socio-institutionnel de la communauté italienne Le milieu d'après les "Italiens de passage" du début du siècle L'auto-représentation des institutions. / Chapitre IX : Un reflet de la communauté italienne dans "La Rassegna Italiana" (et un épigone contemporain) Un quart de siècle de chronique de la communauté La courte parenthèse de la page littéraire La structure économique de la communauté d'après la revue "La Gazzetta di Istanbul" épigone de "La Rassegna Italiana", Conclusion.
1997Fine English Original bdg. HC. Oblong 4to. (23 x 30 cm). In English and Turkish. 110, [2] p., color and b/w photos. Büyükada. Yesterday / Dün. This album is dedicated to all lovers of Büyükada (Prinkipo). To those no longer with us, to those in foreign lands and to those who remain. Contents; The view from the sea and the general view.; 'Debarcadere' and its square.; Hotels.; Club.; Shores, country sides, hills.; Mansions, houses.
1998Fine English Paperback. Cr. 8vo. (19 x 13 cm). In Turkish. 30 p., b/w ills. First Edition. BulgarIstanbul: Filibe'den Sishane'ye. Bulgarian minorities in Istanbul - Constantinople in the period of Ottoman Empire. BALKANS Social history Bulgarians Non-Muslim minorities Ottoman history Istanbul - Constantinople Bulgaria.
1998Very Good Turkish Paperback. Cr. 8vo. (19 x 13 cm). In Turkish. 30 p., ills. BulgarIstanbul: Filibe'den Sishane'ye. ISBN: 9759664402. Bulgarian Istanbul with photos of architectural works.
2013New English Paperback. Pbo. Demy 8vo. (21 x 13,5 cm). In French. 424 p. Ce livre est à la fois une autobiographie et une mémoire d'un Juif qui a immigré de la Bessarabie à Constantinople au début du XXème siècle. L'auteur Albert Kant était un fermier dans une des fermes établie par sa famille et leur associés à Bandirma, ville sur la côte Egéenne de la Turquie. Tout au long de son récit l'auteur nous raconte comment ils ont pu faire face aux diverses difficultés survenues pendant la Guerre d'Indépendence menée par les Forces Kémalistes contre l'Armée Grecque ainsi que les difficultés rencontrées sous la jeune République Turque. Ce mémoire constitue une lecture indispensable aux lecteurs et chercheurs interessés par l'histoire des Juifs sous l'Empire Ottoman et la République Turque.
2019New English Paperback. Demy 8vo. (21 x 14 cm). In English and Turkish. 224 p., ills. The two currents: Bir Bosphorus Review of Books antolojisi. Anthology of articles from the Bosphorus Review of Books journal. Original English articles along with Turkish translations.
Very Good English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In Turkish. B/w ills. 2 volumes set: (232 p.; 239, [1] p.). Eyyüb Sultan. Hz. Hâlid Ebu Eyyüb Ensârî. 2 volumes set.
2010New New English Original bdg. Dust wrapper. Large 4to. (31 x 31 cm). In French and Turkish. 301, [3] p., color and b/w ills. Dessinateur Pierre Loti: Une oeuvre au long cours. Loti, de Turquie.= Ressam Pierre Loti: Uzun bir yolculuk. Loti'yi Türkiye'den görmek. Le romancier à succès Pierre Loti (1850-1923) a occulté le dessinateur. Sous son véritable nom de Julien Viaud, comme reporter et pour le plaisir, il avait pourtant composé, au fil de ses campagnes de jeune officier de marine, une remarquable ¿uvre graphique, ethnographique aussi. La voici pour la première fois réunie. Plus de cinq cents dessins, accompagnés des gravures qui en furent tirées et de textes de l¿écrivain, forment un singulier carnet de voyages autour du monde, vers les lointains de cet artiste polymorphe et raffiné : Terre de Feu, île de Pâques, Tahiti, Brésil, Amérique du Nord, Sénégal, Maghreb, Adriatique, Indochine, Japon, mais aussi Bretagne et Saintonge natale, sans oublier son cher « Stamboul ». Du simple croquis à l¿aquarelle aboutie, le trait, sûr et inspiré, fait surgir un foisonnement de portraits et d¿événements, d¿étonnements et de fantaisies, de visions. Le monde de l¿un des derniers romantiques. Alain Quella-Villéger et Bruno Vercier sont les deux spécialistes de Pierre Loti et de son oeuvre, auxquels ils ont consacré de nombreux ouvrages, ensemble ou séparément (voir la bibliographie, p. 291). Ils ont notamment entrepris de conserve la publication au long cours du Journal de Loti (t. 1, 2006 ; t. 2, 2008, Paris, Les Indes savantes). Alain Quella-Villéger, natif de Rochefort, comme Pierre Loti, agrégé d¿histoire et docteur ès-lettres en histoire contemporaine, est le biographe de Pierre Loti, de Claude Farrère et de René Caillié. Il est, en outre, co-auteur d¿une dizaine d¿anthologies aux éditions Omnibus (dont Istanbul, Rêves de Bosphore, 2001), directeur et fondateur de la revue Les Carnets de l¿exotisme (1990-2006), à la suite de la Revue Pierre Loti (1980-1988), et auteur de plusieurs autres ouvrages, dont deux romans. Aux éditions Bleu autour, il a préfacé la réédition de Suprêmes visions d¿Orient (2006, 2010), le dernier ouvrage de Pierre Loti. Bruno Vercier, docteur ès-lettres et universitaire, spécialiste de l¿autobiographie et du journal intime, est co-auteur de plusieurs ouvrages sur la littérature française contemporaine (aux éditions Bordas). Il a signé l¿appareil critique de nombreuses rééditions de textes de Pierre Loti, ainsi que de Raymond Radiguet et Charles-Louis Philippe (aux éditions Flammarion et Gallimard). Il préside l¿Association pour laMaison de Pierre Loti. Enis Batur, qui vit à Istanbul et séjourne régulièrement à Paris, est l¿une des figures centrales de la littérature turque depuis vingt-cinq ans. Romancier, essayiste et poète, il est l¿auteur d¿une centaine d¿ouvrages, souvent traduits dans de nombreuses langues étrangères. En France, ses ouvrages paraissent chez Actes Sud (La Pomme, roman, 2004 ; Amer savoir, récit, 2002 ; D¿autres chemins, récit, 2008) et chez Bleu autour (D¿une bibliothèque l¿autre, 2008 ; Ottomanes, Autochromes de Jules Gervais-Courtellemont, en collaboration, 2006), où il a également préfacé trois recueils, deux de poèmes (Va jusqu¿où tu pourras, OrhanVeli, 2009 ; J¿ai vu la mer, anthologie, 2010), l¿autre de nouvelles (Le Samovar, Sait Faik Abasiyanik, 2010).
1997Fine English Paperback. Pbo. Fine. Demy 8vo. (21 x 15 cm). 252 p. B/w photos. =[Belly dancers that stolen Istanbul's heart and hidden violence of entertainment world.]. In Turkish. Istanbul'un kalbini calan dansözler ve eglence dünyasinin sakli siddeti.
2013New English Paperback. Pbo. 4to. (27,5 x 21 cm). In English, Turkish, and Greek. 159 p. Color and b/w ills. Exhibition catalogue on Princes' Island of the Marmara sea where Greeks (Rums) of Istanbul used to live. (.) They are insistently asking if the Island has changed too much? How was the city in my memories? They are asking about the daily life, old time people and the neighbourhood. That is to mean they are wondering about the Island in "the time of Rum people". As they ask me about the old days, I feel as if one of the last survivors of an endangered societies. It makes me feel like a remnant of something that's past. Well, certainly this is not that old Island. But, I think we are the ones disappearing. Everytime we look at the past, we are searching for our memories, childhood and youth. And all the years vanished. Those who are really missed a lot and not found are ourselves in the past. Indeed, we don't exist. That dark skinned boy running in the Kopsidas' garden at Hristos Qarter, pursuing a butterfly amid the rosebuds, playing with tin soldiers doesn't exist anymore. And he won't come back. Today's Island that I still love so much and will be keeping is not the same with the Island of my memories. The Island is still there with all its beauties.