2 128 résultats
2018New Turkish Paperback. Folio. (34 x 24 cm). In Turkish. [16], 178 p., 150 plans and photos. Sa'dabad. [REPRINT EDITION of 1977].
2008New English Paperback. Pbo. 4to. (30 x 24 cm). In Turkish. 210 p., color and b/w ills. Sedad Hakki Eldem 1: Gençlik yillari. He was born in Istanbul in 1908. He graduated from Academy of Fine Arts, department of Architecture. Between 1931 and 1932 he travelled France, England and Germany with scholarship of the academy. In 1932 he opened his own office, also started teaching at the Academy of Fine Arts and continued until retirement at 1978. In 1934 he worked for National Architecture Seminar in Turkey which was a complete disaster for him because of the discussions between modern architecture and traditional architecture. In 1938 he designed the Turkish Pavilion in New York Exhibition. Sedad Hakki Eldem represented Turkish Republic at International Union of Architects in Lozan (1948) after Second World War. Also in the same year Sedad Hakki worked with his colleague Emin Onat on the project of Istanbul Palace of Justice. He worked on proportions and architectural organizations of Ottoman domestic houses, 18th and 19th century palaces and mansions. He known as a role model and pioneer to reinterpret the Classical Ottoman Patterns in modern architecture. He was a part of Former Artifacts Maintain Council (Eski Eserleri Muhafaza Encümeni) between 1941 and 1945 and also a part of Supreme Council of Antiquities and Monument Real Estate. Between 1928 and 1934 defined as preparation years for Sedad Hakki Eldem. At these years the architect worked at Istanbul, Paris and Berlin but there is no built project or something. The only structure that has been built in that period is temporary Turkish pavilion in Budapest Exhibition in 1931. This structure give us so little clues about his searching in architecture. Whereas Sedad Hakki was tried almost every approach popular in these years, also tried to combine them even if they are all contradicted. He even give parts to different architectural elements in one design. For example, one of his trials in Paris, embassy project has Auguste Perret impressions in details, its planimetry has traditional middle "sofa" and "Eyvan" types of components that usually belong to Turkish Architecture. Also the architect inspired by a sheme that peculiar to Iran-Middle East, named "Cihar-bag". At the same time he examined the style of Art Deco, Le Corbusier, Hoffmann, Olbrich, Tessenow and Webb. Despite all of these and his instability of style, he never abandon his researches about traditional and domestic Ottoman civil architecture. He made use of all styles as much as they compromise with traditional architecture. The styles that do not overlap with domestic architecture, are disappeared. TURKISH ARCHITECTURE Biography Istanbul History art Turkish intelligentsia Memoirs.
2009New English Paperback. Pbo. 4to. (30 x 24 cm). In Turkish. 322, [2] p., color and b/w ills. Sedad Hakki Eldem 2: Retrospektif. Sedad Hakki Eldem's architecture has basically 4 main period. First of them is known by instability of his works, it was between 1928 and 1934. After that, second period is popular with modern trials on Ottoman architectural organization the time period of this part starts with 1934, until 1952. Third period of his architecture has lost its Ottoman influence, it looks like more modernized between 1952 and 1962. Last part of Eldem's Architecture known with his double approach on projects. Time period of that leading years started at 1962 until his death at 1988. TURKISH ARCHITECTURE Biography Istanbul History art Turkish intelligentsia Memoirs.
1979réf. 1130631979 Alarko Egitim Tesisleri - 1979 - 2 volumes in-4, cartonnage avec titre et nom de l'auteur en doré sur le 1er plat et le dos - 343 p. + 398 p. - Très riche iconographie hors texte et pleine page en N&B - Ouvrage bilingue turc / anglais
1976Fine English Original bdg. 4to. (34 x 25 cm). In English and Turkish. [432] p., color and b/w ills. Works of Turkish architecture.= Türk mimari eserleri.
1981Fine Fine English Paperback. Pbo. Dust wrapper. 4to. (34 x 24 cm). In Turkish. 128 p., 236 numerous color and b/w plts. Topkapi Sarayi. Bir mimari arastirma. Very fine copy. First and Only Edition. A comprehensive architectural study on Topkapi Palace of Istanbul. ARCHITECTURE Turkish and Islamic arts Topkapi Ottoman culture Palace Constantinople - Istanbul - Konstantinopel.
2010Fine English Original bdg. HC. 4to. (33 x 25 cm). In English and Turkish. 318 p., color ills. Sile and Sile cloth from past to present.= Geçmisten günümüze Sile ve sile bezi.
2010New New English Original bdg. Dust wrapper. 4to. (33 x 25 cm). In English and Turkish. 318 p., color ills. Sile and Sile cloth from past to present.= Geçmisten günümüze Sile ve sile bezi.
réf. 522087 pages IN 8 , reliure plein veau lisse , dos lisse , tres decoré piece de titre Constantinople 1777 , bon etat , photos sur demande
2011As New English Paperback. Pbo. Mint. 4to. (28 x 22 cm). Color photos. 159 p. Photographed by Douchan Novakoviç. Süryaniler. Translator: Ersel Topraltepe.
1890Very Good French A small original albumen print photograph by Sebah & Joaillier mounted on paper. Size: 6,5x8 cm. Rare albumen print photograph mounted on a grey album paper taken by Sebah & Joaillier photograph studio of Constantinople, showing Syrian women and men in their traditional clothes. In 1857 photographer Pascal J. Sébah opened a studio in Constantinople, today Istanbul, Turkey. Photographing city views, daily activities, and ancient ruins in the surrounding area, Sébah sold many of his prints to visiting tourists, a prosperous and common market for other contemporary photographers, such as the well-known Abdullah Frères. Tourists would select a range of prints from professional photo studies in the countries they visited and compile a travel album of their journey. In 1888, two years after Pascal J. Sébah passed away, his 16-year-old son Jean (Johannes) became involved in the studio work. Jean started a partnership with another photographer from Istanbul, the Frenchman Policarpe Joaillier, which became a great success. Jean worked both on assignments for the studio and as an individual photographer, which can be determined from the signatures on the works: some prints were signed "Sébah & Joaillier," and others have the signature "J.P. Sébah" The studio flourished and Sébah & Joaillier were named as the official photographers of the Ottoman Empire by the Turkish sultan. In the early 1900s, Joaillier returned to Paris and Sébah continued his work in Constantinople. After different partnerships, the studio was taken over by Ismail Insel and renamed "Foto Sabah" [i.e. Photo Morning].
1890Very Good French Original albumen print photograph by Sebah & Joaillier mounted on cardboard. Size: 25,5x33 cm; photographic size: 21,5x26 cm. Rare albumen print photographs double-sided printed mounted on green cardboard taken by Sebah & Joaillier photograph studio of Constantinople, showing the Bosphorus, view of Therapia Bay and Pier with the Asian and European coasts of the strait. In 1857 photographer Pascal J. Sébah opened a studio in Constantinople, today Istanbul, Turkey. Photographing city views, daily activities, and ancient ruins in the surrounding area, Sébah sold many of his prints to visiting tourists, a prosperous and common market for other contemporary photographers, such as the well-known Abdullah Frères. Tourists would select a range of prints from professional photo studies in the countries they visited and compile a travel album of their journey. In 1888, two years after Pascal J. Sébah passed away, his 16-year old son Jean (Johannes) became involved in the studio work. Jean started a partnership with another photographer from Istanbul, the Frenchman Policarpe Joaillier, which became a great success. Jean worked both on assignments for the studio and as an individual photographer, which can be determined from the signatures on the works: some prints were signed "Sébah & Joaillier," others have the signature "J.P. Sébah" The studio flourished and Sébah & Joaillier were named as the official photographers of the Ottoman Empire by the Turkish sultan. In the early 1900s Joaillier returned to Paris and Sébah continued his work in Constantinople. After different partnerships, the studio was taken over by Ismail Insel and renamed "Foto Sabah" [i.e. Photo Morning].
1947réf. 290PREMIÈRE ÉDITION. In -8 broché, (22,5 X 14 cm) ,261 p. Éditions A. et J. Picard & Cie, Paris, 1947.
réf. 26217Paris . Dufour , Mulat et Boulanger éditeur / Imprimerie Gilquin et Dupain . Vers 1858 - Eau forte 27,5 x 18 cm [ 15,5 x 10,5 cm de Gravure ] - Vers 1858 - SCHROEDER J. [ DESSIN et GRAVURE ]
1950Swashbuckling novel of the Fall of Constantinople 1453.".the rich,barbaric scenes of Moslem pageantry,the fascinating enterprises of wily Venetian merchants,the terrifying death throes of lovely and decadent Constantinople."302p. Book
1955Very Good English Original decorative bdg. Large Roy. 8vo. In English. 3 portrait pages, [152] p. B/w ills. The first half-century. The story of The English High School for Boys from 1905 to 1955. The wolf and crescent 1955. English High School For Boys - Istanbul.
réf. 407publiées pour la première fois par Mgr Louis Petit, X. A. Sideridès, Martin Jugie Paris, Maison de la bonne presse, 1928-1936 8 volumes brochés (25,3x16,8cm) de 500 pages environ (série complète) . Introduction en français, texte en grec. T1: Œuvres oratoires- Traités théologiques sur la Providence et sur l'âme. T2: Traités polémiques sur la procession du Saint-Esprit. T3:Oeuvres polémiques- Questions théologiques. Ecrits apologétiques. T4: Polémique contre Pléthon- Œuvres pastorales, ascétiques, liturgiques, poétiques- Correspondance. Chronographie. T5: Résumé de la Somme contre les Gentils et de la première partie de la Somme théologique de saint Thomas d'Aquin. T6: Résumés, traductions et commentaires thomistes. T7: Commentaires et résumés des ouvrages d'Aristote T8: Fin des œuvres et des traductions philosophiques- Grammaire- Varia- Appendices divers Bon état intérieur Vignettes et tampons de congrégation religieuse Rare 8,5 kgs
réf. 60306Paris, chez F. Schoell 1813, 220x130mm, XXXII- 377 + 468 + 14pages, cartonnage papier marbré de l’époque, pièce de titre et de tomaison en cuir rouge, filets dorés. Bel exemplaire.
1890réf. 3754PARIS LIBRAIRIE DE FIRMIN-DIDOT & CIE. 1890. FORT VOLUME IN-4 (22 X 29 X 6 CENTIMETRES ENVIRON) DE (6) + IV + 779 ET (1) PAGES, RELIURE D'EPOQUE 1/2 CHAGRIN ROUGE, DOS A CINQ NERFS ORNE D’UN RICHE DECOR DE FLEURONS DORES, TITRE ET TRANCHES DORES, PLATS DE PERCALINE ROUGE ENCADREE DE FILETS A FROID, ARMES DOREES DE LA VILLE DE PARIS AU CENTRE DU PLAT SUPERIEUR (PRIX MUNICIPAL D’EXCELLENCE). EDITION ORIGINALE. PETITES TRACES D’USURE EXTERIEURE SANS GRAVITE, SINON BEL EXEMPLAIRE.
1914réf. 30708Paris Plon 1914 In-8 III- 371 pp, 20 hors texte et une carte dépliante, couvertures conservées , ex-libris Aubry Vitet
Very Good English Paperback. Pbo. Oblong 4to. (21 x 27 cm). Ills. 18 p. color ills. In Turkish, English and French texts. Istanbul in 1950s with 3D (3 dimensional) photos. Includes stroscopic glasses interior. Kabartma fotograflarla Istanbul.
2007New English Paperback. Pbo. 4to. (30 x 21 cm). In Turkish. 345 p., color and b/w ills. Sanat dünyamiz. Üç aylik kültür ve sanat dergisi. No: 103 Yaz 2007 Içerdeki dünyalar: Koleksiyon. Bocion Leman'in renkleri. Orta Asya Camilerinde Tipoloji. Dubuffett'den 4 tez. Istanbul'un eski evleri-1.
2009New English Original binding. Full imitation leather with embossing in the shape of gate of Süryani Kadim Meryem Ana Church. 4to. (31 x 23 cm). In Turkish, English and Syriac. 311 p. B/w and color ills. The Syrian Orthodox community in the mosaic of Istanbul.= Istanbul mozaiginde Süryaniler. This work was written with the intention of being a history of the past 162 years of the Istanbul Syrian Orthodox community describing its spiritual and social leaders both clergical and laymen i.e. patriarchs, metropolitans, patriarchal delegates, chorepiscopuses, and the monks and priests, deacons, teachers and the board of directors, all who gave their worthy service and their ministry activities to be presented to you, worthy readers; and we do so with great pleasure. Around the year 1844, under the leadership of Mor Korillos (Patriarch Yakup II.), a few Syrian Orthodox families settled in Istanbul. Today there are nearly three thousand Syrian Orthodox families who have created their own niche in the mosaic which is Istanbul. Through the warm relationship that they developed amongst the local people, and in full co-operation with other citizens, they have given service worthy of the honor and glory that is Great Istanbul with their rich cultural, business and industrial activities. Today the Istanbul Syrian Orthodox Diocese holds great importance among other Syrian communities throughout the world. Istanbul had an important place in the history of the Byzantines and the Ottomans and today continues to be an important city for Turkey and the world alike. It has also attracted the interest of Syrian Fathers since the time of the second Ecumenical Council held in Constantinople (modern day Istanbul) in the year 381 AD. During the Ottoman era, however, the Syrian patriarchs came to Istanbul to receive the firman (imperial edict) from the Ottoman Sultans in dealing with the affairs of the community. SYRIANS Syriac culture Ottoman society Turkish and Islamic culture Social history Religious society Christianity Eastern church Orthodoxy Anatolian Christians Assyrians Mardin.
2016New English Paperback. Pbo. Cr. 8vo. (20 x 14 cm). In Turkish. 144 p. Dalkavuknâme: Tercüme-i letâfet-âsâr der ta'rîf-i san'at-i dalkavukân-i söhret-siâr.
1953Fine Turkish Paperback. Demy 8vo. (21 x 14 cm). In Turkish. 72, [6] p., b/w plates. Istanbul kütüphanelerinde Fatih'in hususî kütüphanesine ve Fatih çagi müelliflerine ait eserler.
