Pierre LotiLivre Rare Book
2 138 résultats
1892réf. 23592Paris, Éditions Calmann Lévy, 1892, édition originale. Broché, 12 cm x 19 cm, 234 pages. Texte de Pierre Loti. Très bon état
réf. 020002Pierre Ruffin (1742-1824), diplomate, consul de France à Constantinople, interprète des langues orientales. L.A.S., Péra [Constantinople], 28 fructidor an 9 [15 septembre 1801], 1p 1/2 in-4. Longue et importante lettre au chimiste Jean d'Arcet (1724-1801) dont il ne savait pas la mort (12 février 1801). Il n'y a aucun doute pour le destinataire car c'est adressé au professeur au collège de France. Très belle lettre au moment où les Français, prisonniers depuis 2 ou 3 ans, sont enfin libérés. « Je m'empresse, mon cher et ancien confrère, de vous faire part de ma sortie des Sept-Tours, qui eut lieu le 8 de ce mois. La présidence, que le ministre des R.E. a bien voulu confier à mon zèle, de la commission établie ici pour la distribution des secours accordés aux français prisonniers en Turquie ; en m'ouvrant une carrière bien douce pour une âme sensible, m'impose une tâche pénible et épineuse, qui m'occupe tout entier. Il s'agit de rendre à la liberté, à la Patrie, à la vie près de deux mille français déportés sur les côtes d'Europe et d'Asie dans la mer noire, renfermés dans les forteresses méditerranées de l'Asie, disséminés dans les échelles et Provinces de l'Empire Ottoman, ou gémissant dans les fers du Beyne de cette capitale. Un premier navire parlementaire parti le 24 a déjà emporté presque tous les agents et artistes au nombre de 85. Le 2e met aujourd'hui à la voile pour Toulon, où il ramènera plus de 150 hommes de mes délivrés de l'Arsenal. J'espère qu'à la fin de cette semaine près de 500 militaires, qui ont souffert tout ce que souffrent les criminels condamnés aux travaux publics de la Marine, prendront leur essor vers le sol natal sur trois ou quatre autres navires etc. Telle a été, mon cher confrère, mon occupation depuis 20 jours. Elle me laisse encore à peine le temps de respirer et notre aimable Alexandre Gérard, embarqué avec mon gendre [Barthélémy de] Lesseps, connu par son voyage particulier au Kamtchatka et sa portion à celui de feu La Peyrouse autour du monde ; Gérard, dis-je, embarqué sur le 1er parlementaire est parti tout fâché contre moi de ce que je ne l'avais pas muni d'un mot de recommandation pour vous. je lui ai promis de réparer cette omission forcée aussitôt que je le pourrais et j'ai d'autant plus de plaisir de tenir à votre intéressant élève la parole que je lui avais donné ; que c'est pour moi une grande satisfaction de me rappeler à l'honneur de votre souvenir ; de vous dire du bien et un bien grandement mérité d'un jeune homme qui vous est cher et que j'aime beaucoup aussi ; et enfin de réclamer les bontés de M. Le Breton pour lui et son estime pour moi-même. Daignez vous réunir pour son avancement et croire que je partagerai sa reconnaissance. Je n'ai pas besoin de vous parler de sa conduite à Péra. Elle a fait l'édification de tout le monde. Permettez-moi de placer ici mes très humbles remerciements à M. Le Breton, du bon accueil qu'il a fait à mon fils et de tous les services qu'il a bien voulu lui rendre. Vous apprendrez volontiers, mon cher confrère, la délivrance que j'ai été assez heureux pour obtenir, du citoyen Beauchamp, qui, après avoir couru les plus grands dangers, avait été détenu au château de Fanaraki à l'embouchure de la mer noire. Malheureusement, à ma sortie des Sept Tours, le citoyen Beauchamp se trouvait attaqué d'une maladie très grave. Je l'ai fait transporter à Péra accompagné de deux chirurgiens et d'un médecin français. Il n'est pas encore hors d'affaire, mais on espère beaucoup qu'il soutiendra les cruels assauts de la vomique, qu'il expertore depuis 15 jours ; et j'aime à me flatter que j'aurai le bonheur de me conserver à moi-même cet ami de 30 ans, et aux sciences un homme précieux à tous égards. Ne m'oubliez point, je vous en supplie, auprès de la famille et des amis du jeune Gérard, et soyez persuadé de la sincérité, de l'estime et de l'attachement avec lesquels je serai toute ma vie votre confrère et ami P. Ruffin ». La lettre mentionne donc Bart
2012As New As New English Original bdg. with original dust wrapper. 157, [3] p. In English and Turkish. Fully color photos. Mint. Color photos of panoramic views, buildings, mosques, historical places and buildings, passages etc. in Beyoglu (Pera - Istanbul). Beyoglu Municipality.= Beyoglu Belediyesi. [Album of photographs]. Art consultant: Beste Gürsu.
2008New English Original cloth bdg. Oblong 4to. (28 x 31 cm). In English and Turkish. 131 p., color photos. 1000 copies were printed and all copies are numbered. This copy is 0845. (0845 / 1000). Signed and inscribed by Günes.
2012New English Original bdg. HC. 4to. (33 x 24 cm). In German and Turkish. B/w photos. 123 p. Mannheim sieht Beyoglu, Beyoglu sieht Mannheim.= Mannheim gözüyle Beyoglu, Beyoglu gözüyle Mannheim. [Exhibition catalogue]. PHOTOGRAPHY Istanbul Beyoglu Pera German relations.
2000New New Turkish Original bdg. Dust wrapper. 4to (29 x 24 cm). In Turkish. 479 p., color ills. Topkapi Sarayi. Preface by Filiz Çagman. Texts by Hülya Tezcan et alli.
1910Very Good French Original sepia-toned photograph printed in a period photograph paper. 19x25 cm. Descriptive text in French. Chipped and tear on margins. Iranian was born in 1890 in Constantinople, Istanbul. It is known that he established his studio in 1891 in Pera district of Constantinople - the center of Armenian cultural and political life. In 1895 he enters into partnership with another photographer by the name of Gugasyan. By 1900s the business seems to have wound down as the images marked with his studio signature don't exhibit any over elements of the new century. Of all the major Armenian studios from Istanbul, Iranian's photographs are the rarest, and less than 300 are known to have survived. Iranian's primary subject was the city of Constantinople, its picturesque landscape, architectural heritage, and the many types of artisans and workers that populated its streets. Using the latest photography techniques, which allowed for very rapid exposures, Iranian captured the bustle of the city streets with remarkable clarity. Teeming with life and movement these images have a remarkable immediacy and documentary veracity quite unlike similar views produced by other photographers of the period. The typical approach for many of Iranian's contemporaries such as Sebah & Joalier or Guillame Berggren was to achieve as clear a picture as possible with perfectly balanced compositions and highly visible details - the hallmark of a 'good' commercial photographer. In contrast, Iranian's street views are full of photographic 'ruptures' - blurred figures in movement, surprised glances of people caught unawares - which give his works the viscerality of snapshots. But above all, Iranian was a master at capturing the mood of a place. Catching the Ottoman capital on the brink of rapid transformation, the photographer aimed to record many of its ancient streets and quarters disappear or change the appearance. Thus, like the Parisian street photography of Atget, Iranian's images are 'nostalgic for the present' that is irrevocably slipping into the past. In his studio, the clientele had the choice of a large range of costumes and props through which the modern urbanite could slip into the role of some long-gone ethnic or street type and become a part of history. It is this sense of melancholy that gives Iranian's photographs their subtle emotional power. This is also perhaps the reason why he was ultimately not as successful as a commercial photographer. Modernity had captured the imagination of the people and the wistful romanticism of Iranian's markedly less spectacular images was fast going out of fashion. The small legacy he has left behind is nevertheless of significance in the history of Near-Easter photography. He was one of the rare Ottoman photographers with an individual and subjective approach, which deserves a proper evaluation.
1910réf. 053167Istanbul: Mihran Iranian. c. 1910 1910. No Binding. Very Good. 8vo - over 7¾ - 9¾" tall. Original sepia-toned photograph printed in a period photograph paper. 19x25 cm. Descriptive text in French. Chipped and tear on margins. Iranian was born in 1890 in Constantinople Istanbul. It is known that he established his studio in 1891 in Pera district of Constantinople - the center of Armenian cultural and political life. In 1895 he enters into partnership with another photographer by the name of Gugasyan. By 1900s the business seems to have wound down as the images marked with his studio signature don't exhibit any over elements of the new century. Of all the major Armenian studios from Istanbul Iranian's photographs are the rarest and less than 300 are known to have survived. Iranian's primary subject was the city of Constantinople its picturesque landscape architectural heritage and the many types of artisans and workers that populated its streets. Using the latest photography techniques which allowed for very rapid exposures Iranian captured the bustle of the city streets with remarkable clarity. Teeming with life and movement these images have a remarkable immediacy and documentary veracity quite unlike similar views produced by other photographers of the period. The typical approach for many of Iranian's contemporaries such as Sebah & Joalier or Guillame Berggren was to achieve as clear a picture as possible with perfectly balanced compositions and highly visible details - the hallmark of a 'good' commercial photographer. In contrast Iranian's street views are full of photographic 'ruptures' - blurred figures in movement surprised glances of people caught unawares - which give his works the viscerality of snapshots. But above all Iranian was a master at capturing the mood of a place. Catching the Ottoman capital on the brink of rapid transformation the photographer aimed to record many of its ancient streets and quarters disappear or change the appearance. Thus like the Parisian street photography of Atget Iranian's images are 'nostalgic for the present' that is irrevocably slipping into the past. In his studio the clientele had the choice of a large range of costumes and props through which the modern urbanite could slip into the role of some long-gone ethnic or street type and become a part of history. It is this sense of melancholy that gives Iranian's photographs their subtle emotional power. This is also perhaps the reason why he was ultimately not as successful as a commercial photographer. Modernity had captured the imagination of the people and the wistful romanticism of Iranian's markedly less spectacular images was fast going out of fashion. The small legacy he has left behind is nevertheless of significance in the history of Near-Easter photography. He was one of the rare Ottoman photographers with an individual and subjective approach which deserves a proper evaluation. Mihran Iranian., [c. 1910] unknown
réf. 43456Augsburg: Christoph Mang. Photius I Saint Patriarch of Constantinople ca. 810 - 893. Bibliotheca; sive lectorum a Photio librorum recensio censura atque excerpta. Latin translation with notes by Andreas Schott S.J. 28 555 37 pages including final blank. Augsburg: Christoph Mang 1606. 312 x 201 mm. Vellum ca. 1606 spine ends restored inner hinges cracking vellum over covers wrinkled. Infrequent light marginal dampstaining but very good. Booklabel of Frederic Huidekoper on rear pastedown. First Edition in Latin of the chief work by this 9th-century Byzantine scholar and Eastern Orthodox church leader consisting of a critical account of 280 works read by him many of which are now lost. The Greek original text was first published in 1600. "To Photios we are indebted for almost all we possess of Ctesias Memnon of Heraclea Conon the lost books of Diodorus Siculus and the lost writings of Arrian. Theology and ecclesiastical history are also very fully represented but poetry and ancient philosophy are almost entirely ignored. It seems that he did not think it necessary to deal with those authors with whom every well-educated man would naturally be familiar. The literary criticisms generally distinguished by keen and independent judgment and the excerpts vary considerably in length. The numerous biographical notes are probably taken from the work of Hesychius of Miletus" Wikipedia article on Photius. Hoffmann III 91; Sarton I 594. . Christoph Mang unknown books
1998réf. 186332Berlin: De Gruyter 1998. Hardcover. VG Covers have very minor wear. Greek Text. Volumes I & II. Green cloth boards with light green lettering. Includes bibliographical references. De Gruyter hardcover books
réf. 43456Augsburg: Christoph Mang. Photius I Saint Patriarch of Constantinople ca. 810 - 893. Bibliotheca; sive lectorum a Photio librorum recensio censura atque excerpta. Latin translation with notes by Andreas Schott S.J. 28 555 37 pages including final blank. Augsburg: Christoph Mang 1606. 312 x 201 mm. Vellum ca. 1606 spine ends restored inner hinges cracking vellum over covers wrinkled. Infrequent light marginal dampstaining but very good. Booklabel of Frederic Huidekoper on rear pastedown. First Edition in Latin of the chief work by this 9th-century Byzantine scholar and Eastern Orthodox church leader consisting of a critical account of 280 works read by him many of which are now lost. The Greek original text was first published in 1600. "To Photios we are indebted for almost all we possess of Ctesias Memnon of Heraclea Conon the lost books of Diodorus Siculus and the lost writings of Arrian. Theology and ecclesiastical history are also very fully represented but poetry and ancient philosophy are almost entirely ignored. It seems that he did not think it necessary to deal with those authors with whom every well-educated man would naturally be familiar. The literary criticisms generally distinguished by keen and independent judgment and the excerpts vary considerably in length. The numerous biographical notes are probably taken from the work of Hesychius of Miletus" Wikipedia article on Photius. Hoffmann III 91; Sarton I 594. . Christoph Mang unknown
1998réf. 186332Berlin: De Gruyter 1998. Hardcover. VG Covers have very minor wear. Greek Text. Volumes I & II. Green cloth boards with light green lettering. Includes bibliographical references. De Gruyter hardcover
1651réf. 73622Londini: ex officina Rogeri Danielis 1651. First edition folio pp. 8 393 11; Greek and Latin text in parallel columns; woodcut device on title page; woodcut ornaments woodcut and factotum initials; early 19th-century roan-backed speckled paper-covered boards; edges worn old library stamp on title page occasional toning; good sound and relatively clean. First edition of the letters of Photius edited by Richard Montague recommended by the publisher as an important historical source for the schism between the Eastern and the Western churches and based on the 9th-century Barocci manuscript in the Bodleian Library. Brunet IV 624; Wing P-2136. ex officina Rogeri Danielis unknown books
2000réf. 36167Contains the original text in medieval-Byzantine Greek polytonic script and translation plus comments and introduction in modern Greek. Soft cover 21 cm 512 pp.; net weight 625 gr. Το πλέον σημαντικό από τα ÎÏγα που συνÎγÏαψε ο λόγιος πατÏιάÏχης είναι η "Βιβλιοθήκη" συλλογή Ï€ÎµÏιλήψεων-σημειώσεων από βιβλία του ÎµÎ¸Î½Î¹ÎºÎ¿Ï και χÏÎ¹ÏƒÏ„Î¹Î±Î½Î¹ÎºÎ¿Ï Ï€Î±Ïελθόντος. Οι πεÏιλήψεις αυτές φÎÏονται να γÏάφτηκαν για έναν και μόνο αποδέκτη σε κλίμα συγκινησιακά Ï†Î¿ÏτισμÎνο. Î ÏοσφÎÏονται στον ΤαÏάσιο τον αγαπημένο αδελφό του Φωτίου ως χαÏιστήÏιο ενθÏμιο λίγο Ï€Ïιν από το διπλωματικό ταξίδι του συγγÏαφÎα στους ΑσσυÏίους. ΠαÏά τον εσωστÏεφή και Ï€Ïοσωπικό χαÏακτήÏα η "Βιβλιοθήκη" γνώÏισε ευÏεία διάδοση. IMPORTANT: The shipping cost is an important parameter of this order; it is NOT included in the price and depends on the actual weight and destination; you will have to approve it after the confirmation of the order. You may ask for an estimate before placing the order at: dem.siatras@gmail.com Kanakis paperback
réf. 103727Facsimile reprint of the Leiden edition 1864. Two volumes. Edited by S. A. Naber. Hard cover 24 cm 458986 pp. ISBN: 978-960-400-377-8 set. . . ================================================ IMPORTANT: The shipping cost in not included in the price. You will have to approve it at confirmation of the order. hardcover
1651réf. 73622Londini: ex officina Rogeri Danielis 1651. First edition folio pp. 8 393 11; Greek and Latin text in parallel columns; woodcut device on title page; woodcut ornaments woodcut and factotum initials; early 19th-century roan-backed speckled paper-covered boards; edges worn old library stamp on title page occasional toning; good sound and relatively clean. First edition of the letters of Photius edited by Richard Montague recommended by the publisher as an important historical source for the schism between the Eastern and the Western churches and based on the 9th-century Barocci manuscript in the Bodleian Library. Brunet IV 624; Wing P-2136. ex officina Rogeri Danielis unknown
1651réf. 21700London: Robert Daniel 1651. First edition. leather_bound. Contemporary Cambridge style full brown calf lacking spine label. Very good. 393 pages plus 5 leaves: Index Rerum & Verborum & Index Scripturarum. 32 x 21 cm. Translated and edited by Richard Montague. Parallel text in Latin and Greek. He is recognized in the Eastern Orthodox Church as St. Photios the Great viewed as the most important intellectual of his time - "the leading light of the ninth-century renaissance" and a central figure in both the conversion of the Slavs to Christianity. Considered by some scholars as only one of many Byzantine scholars of Armenian descent. Text generally clean and fresh. Armorial bookplate hinges cracked but firm woodcut device on title leaf Ddd browned minor marginal worming not affecting text errata. Lacks first blank free endpaper. BRUNET Vol. IV p.623. WING P2136. Robert Daniel unknown books
2026réf. LRB546954Paris: Editions Recreasoft 2026 Langue : Latin. Environ 604 pages. Français : Réimpression à la demande. Édition originale : 1824. Édition de l'oeuvre majeure de Photius patriarche de Constantinople texte fondamental pour l'histoire de la littérature grecque et de la transmission des auteurs antiques. Cette Bibliotheca présente un intérêt majeur pour les études patristiques philologiques et bibliographiques ainsi que pour la connaissance des lectures et jugements critiques d'un érudit byzantin. Images du livre non contractuelles English : Print-on-demand reprint. Original edition : 1824. Edition of the major work of Photius Patriarch of Constantinople a fundamental text for the history of Greek literature and the transmission of classical authors. The Bibliotheca is of major interest for patristic philological and bibliographical studies as well as for understanding the readings and critical judgments of a Byzantine scholar. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
2026réf. LRB45015732Paris: Editions Recreasoft 2026 : . 602 . Français : Réimpression à la demande. Édition originale : 1864. Ouvrage en grec caractères grecs. Cette réimpression présente un texte grec ancien composé de lettres de questions et de réponses ainsi que de solutions à des problèmes philosophiques et théologiques. L'ouvrage reflète la pensée du patriarche Photius I figure majeure de la théologie byzantine. Le texte est introduit et annoté par Joannes Nicolaus Valetta érudit du XIXe siècle. Images du livre non contractuelles English: Print-on-demand reprint. Original edition : 1864. Text in Greek Greek script. This reprint features an ancient Greek text comprising letters questions and answers as well as solutions to philosophical and theological problems. The work reflects the thought of Patriarch Photius I a key figure in Byzantine theology. The text is introduced and annotated by Joannes Nicolaus Valetta a 19th-century scholar. Book images are non-contractual. Editions Recreasoft. Softcover. New. Editions Recreasoft paperback
1985réf. 45063B. G. Teubner. Very Good with no dust jacket. Hardcover. Scholar's name to ffep A. R. Littlewood. Foxing/dustsoiling to top of textblock.; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 3; 182 pages . 1985. B. G. Teubner hardcover
1984réf. 45062B. G. Teubner. Very Good with no dust jacket. Hardcover. Scholar's name to ffep A. R. Littlewood. Light Foxing/dustsoiling to top of textblock.; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 2; 253 pages . 1984. B. G. Teubner hardcover
1986réf. 45064B. G. Teubner. Very Good with no dust jacket. Hardcover. Scholar's name to ffep A. R. Littlewood. Foxing/dustsoiling to top of textblock.; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 4; 190 pages . 1986. 3322002772 . B. G. Teubner hardcover
1983réf. 45061B. G. Teubner. Very Good with no dust jacket. Hardcover. Scholar's name to ffep A. R. Littlewood. Light Foxing/dustsoiling to top of textblock.; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 1; 197 pages . 1983. B. G. Teubner hardcover
1986réf. 45065B. G. Teubner. Very Good with no dust jacket. Hardcover. Scholar's name to ffep A. R. Littlewood. Foxing/dustsoiling to top of textblock.; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER; 5; 265 pages . 1986. 3322003337 . B. G. Teubner hardcover
1982réf. 15850Walter De Gruyter & Co. . Very Good with no dust jacket. Hardcover. Scholars' bookplate to inner cover. Slight spine slant. Very minor shelfwear.; Volume 1 Only.; 1; 461 pages . 1982. 3110085305 . Walter De Gruyter & Co. hardcover
