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2015New English Original bdg. HC. In publisher's special slip-case. Folio. (40 x 30 cm). In English, French, Turkish, and Arabic. 80 p., full page color ills. Reprint of the 1852 Edition. St. Sofia converted by Mehmed the Conqueror into a mosque after the conquest of Istanbul often has been restored. There was again needed a major restoration in the era Sultan Abdulmecid. Sultan was appointed architect Gaspard Fossati for this restoration. For this restoration, about 800 workers worked and all the building has been almost completely repaired. Fossati has produced 25 drawings showing the interior and exterior of Hagia Sophia and he suppressed these drawings as a album in 1852 in French. The Fossati brothers, Gaspare and Giuseppe (1822-1891), were Swiss architects. They completed more than 50 projects in Turkey during the Tanzimat Era. They belonged to the Morcote branch of the Fossati, a prominent Ticinese family with mentions in the historical record going back to the 14th century. This Edition is a reprint and translated edition which is almost identical to original. A very heavy volume. 1000 copies were printed.
2003New Turkish Paperback. Pbo. Large Roy. 8vo. (26 x 16 cm). In Turkish. 441 p. Ills. Musical culture in the Ottoman Empire through the eyes of European travelers. Avrupali gezginlerin gözüyle Osmanlilarda musiki.
2004New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In French. 87 p. Avram Benaroya: Un journaliste Juif oublie. Suivi de ses memoires. ISBN: 9754281358.
2020New English Original grey cloth bdg. Onlaid b/w photograph on board. Roy. 8vo. (24 x 16 cm). In English and Turkish. 128 p., color and b/w ills. Print run 300 copies, limited and numbered edition. This copy is: 274/300. In addition to the original photographs and negatives in the Ayten & I. Sazi Sirel Collection, this book includes a detailed review on the subject by art historian Dr. Necmi Sönmez.
2010New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In French. 312 p. Avant-Propos Chapitre I : Le langage des instructions I. "La voix du maître à travers les firmans de Soliman le Magnifique" dans Soliman le Magnifique et son temps. Actes des IXe rencontres de l'École du Louvre, Paris, 7-10 mars 1990, G. Veinstein, éd., La Documentation française, Paris, 1992, p. 127-144. II. « Comment Soliman le Magnifique préparait ses campagnes : la question de l'approvisionnement (1544-1545-1551-1552)» dans F. Bilici, I. Cândea, A. Popescu, éds., Enjeux économiques et militaires en mer Noire (XIVe-XXIe siècles), Braïla, éditions Istros, 2007, p. 487-532. III. "La dernière flotte de Barberousse" in The Kapudan Pasha, His Office and his Domain, Halcyon Days in Crete, IV. A Symposium held in Rethymnon, 7-9 january 2000, E. Zachariadou, éd., Crete University Press, p. 181-200 IV. "La grande sécheresse de 1560 au nord de la mer Noire : perceptions et réactions des autorités ottomanes" dans Natural Disasters in the Ottoman Empire, Halcyon days in Crete, III. A Symposium held in Rethymnon, 10-12 janvier 1997, Elizabeth Zachariadou, éd., Foundation for Research and Technology-Hellas. Institute for Mediterranean Studies, Crete University Press, Rethymnon 1999, p. 273-281 V. "Sur la draperie juive de Salonique (XVIe-XVIIe siècles)" dans Les Balkans à l'époque ottomane, sous la direction de D. Panzac, Revue du monde musulman et de la Méditerranée, 66, 1992/4, Aix-en-Provence, 1993, p. 55-62 Chapitre II : Les discours de justification I. "La politique hongroise du sultan Süleymân et d'Ibrâhîm pacha à travers deux lettres de 1534 au roi Sigismond de Pologne", Acta Historica Academiae Scientiarum Hungaricae, 33, 2-4, Budapest, 1987, numéro spécial Buda 1686, p. 177-191. Réédition augmentée dans Actes du VIIe symposium du Comité international des études pré-ottomanes et ottomanes, Ankara, Türk Tarih Kurumu, 1994, p. 333-380. II. "L'occupation ottomane d'Ocakov et le problème de la frontière lithuano-tatare (1538-1542)" dans Passé turco-tatar, présent soviétique, Mélanges en l'honneur d'Alexandre Bennigsen, Ch. Lemercier-Quelquejay, G. Veinstein et E.S. Wimbush éds., Éditions Peeters et Éditions de l'École des Hautes Études en Sciences Sociales, 1986, Paris, p. 221-237. III. "Une lettre de Selim II au roi de Pologne Sigismond-Auguste sur la campagne d'Astrakhan de 1569", Wiener Zeitschrift für die Kunde des Morgenlandes, 82, 1992, in memoriam Anton C. Schaendlinger, p. 397-420. IV. «Autour de la lettre de Selîm II aux Andalous et des origines de la guerre de Chypre» dans E Garcia Sanchez, P. M. Asuero, M. Bernardini, eds. Espana y el Oriente islamico entre los siglos XV y XVI (Imperio Otomano, Persia y Asia central), Actas del congreso Universita degli Studi di Napoli « l'Orientale » ; Naples 30 de septiembre-2 de octubre de 2004, Istanbul, Isis, 2007, p. 271-281. V. «Portugais et Ottomans», communication inédite dans le cadre du colloque international «L'empire portugais face aux autres empires, XVe-XIXe s.», organisé par le Centre culturel Calouste Gulbenkian et le Centre d'études du Brésil et de l'Atlantique sud (Université de Paris IV-Sorbonne), à Paris, les 13-14 décembre 2002. Chapitre III : Les figures de légitimation I. "Charles Quint et Soliman le Magnifique : le grand défi", in Carlos V. Europeismo y Universalidad. Los escnerarios del Imperio, III, Sociedad Estatal para la Conmemoración de los Centenarios de Felipe II y Carlo V, Madrid, 2001, p. 519-529. II. «La question du califat ottoman» in Le choc colonial et l'islam. Les politiques religieuses des puissances coloniales en terre d'islam, sous la direction de Pierre-Jean Luizard, Paris, éditions la Découverte, 2006, p. 451-468. III. «Le rôle des tombes sacrées dans la conquête ottomane» in Lieux de culte, lieux saints dans le judaïsme, le christianisme et l'islam, numéro thématique de la Revue d'histoire des religions , 222, IV, octobre-décembre 2005, p. 509-528. IV. «Retour à Salihiyya. Le Tom
1901Very Good French Original autograph letter signed (ALS) by P.pon "[We hereby declare that Ms. L. Cassinelli occupied our house located in Pera Rue, Hodja Ali No 19. On December 1, 1887, and left him on September 30, 1899. That during all time, he did not pay me the tax... P. pon de la succession de feu le Comte A. de Camondo. [i.e. On behalf of the succession of Count A[braham Salomon] Camondo, (1781-1873)]. Probably it's signed by his advocate of Moise de Camondo. Recipient is not defined. Letter indicates one of Camondo family's houses in Pera, Constantinople. 26,5x21 cm. Completely in French. 14 lines. On a paper watermarked "William Brown & Co., London". William Brown and Co. were located in London in this 'St. Mary Axe, and 40 to 41, Old Broad Street, London, E.C.' address according to Grace's guide to British industrial industry; they worked on 'Lithographic and Letterpress Printers'. 1887 Registered as a Limited Company. Count Moïse de Camondo, (1860-1935), was an Ottoman Empire-born French banker and art collector. He was a member of the prominent Camondo family. As a child, Camondo moved with his family from their home in Constantinople, Ottoman Empire, to Paris around 1869, where he grew up and continued the career of his father, Nissim de Camondo (1830-1889), as a banker. He was born into a Sephardic Jewish family that owned one of the largest banks in the Ottoman Empire, established in France since 1869. Starting in 1911, he completely rebuilt the family's Parisian mansion on the Parc Monceau in order to house his collection of 18th-century French furniture and artwork. Working closely with the architect René Sergent, he created a palatial home conforming to certain 18th-century traditions, even planning the room dimensions to match exactly the objects in his collection. The entryway is inspired by the Petit Trianon of Versailles. The home includes a kosher kitchen with separate sections for meat and dairy. The dining room includes a beautifully-carved green marble fountain in the shape of a shell, with a dolphin spigot for the ritual washing of hands before eating a meal. Some highlights of his collection include a French silver service that had been ordered by Russian Empress Catherine the Great, a set of Buffon porcelain (with exact reproductions of ornithological drawings) from the Sèvres manufacturer, and perhaps the only existing complete set of Gobelin royal tapestry sketches. He married Irène Cahen d'Anvers, daughter of Louis Cahen d'Anvers, in 1891. They separated in August 1897 after her affair with de Camondo's stable master, Count Charles Sampieri, whom she would later marry and divorce. The children, Nissim and Beatrice, remained with de Camondo. The mansion was completed in 1914, but his son did not reside there very long, as he rejoined the French Army to fight in The Great War. It had been de Camondo's great hope that his son, whom he adored, would take over the family empire. Following Nissim's death in 1917, de Camondo closed all banking activities. He largely withdrew from society and devoted himself primarily to his collection and to hosting dinners for a club of gourmets at regular intervals. Camondo died in 1935, and the museum opened the following year. He donated the home to Paris's Decorative Arts society as a museum (Musée Nissim de Camondo) in honor of the loss of his son Nissim in World War I. In addition to the collection, the meticulously-restored service areas, elevator, and woodwork of the mansion are noteworthy. During the German occupation of France during World War II, his daughter Béatrice, his son-of-law Léon Reinach, and their children (Fanny and Bertrand) were deported from France and died in the Auschwitz concentration camp. As a result, the de Camondo family died out.
1959Very Good Turkish Original typescript document with manuscript autograph writings and signature by Lütfi Kirdar (as Minister of Health Lütfi Kirdar). 21x15 cm. Sent to Halide Nusret Zorlutuna. In Turkish (modern Turkish with Latin script). 1 p. Lütfi Kirdar was born in 1887 in Kirkuk. He comes from a rooted and well-known family 'Kirdarzâdes' of Kirkuk. After completing his primary and secondary education in Kirkuk and high school education in Baghdad, he came to Istanbul in 1908 and entered the Faculty of Medicine. After the Balkan War, Kirdar joined the war voluntarily and after the war he graduated from the Faculty of Medicine of the Darülfünûn -i.e. Istanbul Üniversitesi- (1917). With the outbreak of World War I, he joined the army. Kirdar who was participating in the National Struggle received the Independence War Medal. After the War of Independence, in 1923, he specialized in eye diseases in Vienna and Munich. He returned to Turkey in 1924 and was appointed to the Directorate of Izmir Health. At his own request, he was appointed to the eye clinic of Izmir Memleket Hospital in 1933. In 1935 he became a member of parliament from Kütahya. In 1936, Manisa was appointed as mayor and after that in 1938, to Istanbul. He held this last post for 12 years. Istanbul Harbiye Sports and Exhibition Palace, Open-Air Theater, Inonu Stadium in Dolmabahce, Taksim Square, Taksim Excursion, and Ataturk Boulevard were held during his period. In 1940, the Taksim Barracks was demolished. He was arrested on May 27th. He died of a heart attack on 17 February 1961 in Yassiada where he was tried. He was buried in Zincirlikuyu Cemetery after a funeral on 19 February 1961.
1910réf. 053669Istanbul: ADS. AH 1326 1910. No Binding. Very Good. Original manuscript autograph document sealed by Bosnevî Darülhadis Basmüderrisi i.e. Bosnevî Darülhadis School in Sehzâde Istanbul. Oblong: 12x145 cm. In Ottoman script. 1 p. 4 lines. "Huve. Bâdi-i sehâdetnâme oldur ki; Müderrisi bulundugum Sehzâde civarinda Darülhadis Bosnevî Medresesi'nde mukayyid talebe ilm-i sarf. Mehmed bin Mehmed Efendi'nin. 1326 1910 AD.". ADS., [AH 1326] unknown
réf. 8703Librairie A. Lestringant, Rouen, 1935. In-8, broché, 51 pp.
1999New English Paperback. Pbo. 4to. (29 x 23 cm). In German and Turkish. 155 p. Color and b/w ills. Auf der Suche nach Verscwundenen Zeiten: Die Ausgrabungen des Deutschen Archaelogischen Instituts in der Türkei.= Kayip zamanlarin pesinde: Alman Arkeoloji Enstitüsü Anadolu kazilari. [Exhibition catalogue]. Design by Samih Rifat. Scientific advisor: Harald Hauptmann. Anatolian excavations of German Archaeology Institute. ARCHEOLOGY Anatolian civilizations Excavations Corporate history German Archaeological Institute Hittites.
1999Fine English Paperback. 4to. (29 x 23 cm). In German and Turkish. 155 p., b/w ills. Auf der Suche nach Verscwundenen Zeiten: Die Ausgrabungen des Deutschen Archaelogischen Instituts in der Türkei.= Kayip zamanlarin pesinde: Alman Arkeoloji Enstitüsü Anadolu kazilari. [Exhibition catalogue]. Design by Samih Rifat. Scientific advisor: Harald Hauptmann. ARCHEOLOYG Anatolian civilizations Excavations German Archaeological Institute Corporate history.
2016New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 180 p., ills. Atmeydani'nda ölüm: 17. yüzyil Istanbul'unda toplumsal cinsiyet, hosgörü ve ihtida. Death in Hippodrome: Social gender, tolerance and conversation to Islam in the 17th century of the Ottoman Istanbul.
réf. 18941110Leather bound album with 72 large format albumen photographs mounted dos-a-dos on tab-mounted card leaves; leaves measure 10.5 x 14 inches 268 X 322 mm images all measure approximately 8 x 10 inches 200 x 250 mm; album cover detached back strip perished; cards are a little wavy as is often the case with albumen photos; images are all clear with good tone. Also included is a typescript list of the photos with brief descriptions by the collector who purchased them on tour May and June 1890. The first twenty-four photos are from Greece all taken in Athens with the exception of a view of the port of Piraeus and two of Greeks in native dress. A few are signed "Rhomaides" and a few others appear to have the small Rhomaides credit scratched from the plate. The Benaki Musuem and the historical collections of the National Bank of Greece identify ten of the photos as the work of Constantine and Aristotle Romaidis Rhomaides probably the most prolific Greek photographers of the late nineteenth and early twentieth centuries; three other photos have either the Rhomaides name or its ghost. The remaining forty-eight are scenes in Constantinople Istanbul and the neighboring shores of the Bosporus. All but seven are signed as the work of Pascal Sebah 1823-1886 or that of his successor Policarpe Joaillier 1848-1904 working as Sebah and Joaillier. hardcover books
réf. 18941110Leather bound album with 72 large format albumen photographs mounted dos-a-dos on tab-mounted card leaves; leaves measure 10.5 x 14 inches 268 X 322 mm images all measure approximately 8 x 10 inches 200 x 250 mm; album cover detached back strip perished; cards are a little wavy as is often the case with albumen photos; images are all clear with good tone. Also included is a typescript list of the photos with brief descriptions by the collector who purchased them on tour May and June 1890. The first twenty-four photos are from Greece all taken in Athens with the exception of a view of the port of Piraeus and two of Greeks in native dress. A few are signed "Rhomaides" and a few others appear to have the small Rhomaides credit scratched from the plate. The Benaki Musuem and the historical collections of the National Bank of Greece identify ten of the photos as the work of Constantine and Aristotle Romaidis Rhomaides probably the most prolific Greek photographers of the late nineteenth and early twentieth centuries; three other photos have either the Rhomaides name or its ghost. The remaining forty-eight are scenes in Constantinople Istanbul and the neighboring shores of the Bosporus. All but seven are signed as the work of Pascal Sebah 1823-1886 or that of his successor Policarpe Joaillier 1848-1904 working as Sebah and Joaillier. hardcover
2016New Turkish Paperback. Roy. 8vo. (24 x 16 cm). Edition in Turkish. 180 p. At Meydani'nda ölüm: 17. yüzyil Istanbul'unda toplumsal cinsiyet, hosgörü ve ihtida. Translated by Pinar Yanardag.
1989Very Good English Paperback. Pbo. Demy 8vo. (21 x 14 cm). In Turkish. 1 b/w portrait of Resulzade, 71 p. Asrimizin Siyavus'u. Prep. by Arasoglu. F¿rst Edition in 1923 in Ottoman Turkish. This is Second Edition. In modern Turkish. A study on thoughts on independence and future of Azerbaijan and Russian imperialism.
2003Fine English Original bdg. HC. 4to. (33 x 24 cm). In Turkish. 3 volumes set: (304 p.; 302, [2] p.; 320 p.), b/w and color ills. Asirlar boyunca Eminönü. Osmanli Devleti'nin kurulusunun 700. yili ve Istanbul'un fethinin 550. yili hatirasina. 3 volumes set. Edited by Ekrem Kaftan, Saban Kizildag. Comprehensive study on history of Eminönü district of Istanbul, Constantinople. A very heavy set. Extra shipping cost will be requested.
2013New English Paperback. Pbo. 4to. (28 x 23 cm). In Turkish. 311 p. B/w photos. Artamonoff: Bizans Istanbul'u imgeleri, 1930-1947. Edited by Günder Varinlioglu. Artamonoff [Nicolas V.]: Picturing Byzantine Istanbul, 1930-1947. Nicholas V. Artamonoff left behind a photographic puzzle of over one thousand images. He was a student and engineer, who, while studying and living at Robert College in Istanbul, gained an appreciation for the city's history and culture. With his Rollei camera, he captured Byzantine remains, ntering nooks and crannies of fortifications and cisterns. He strolled through the city in the footsteps of architectural historians and archaeologists who explored and uncovered Byzantine Istanbul. his interests were broad: they ranged from imposing churches to the smallest details of architectural sculpture, from bustling marketplaces to the diligent work of lone craftsmen. The abundance of subjects es the Nicholas V. Artamonoff Collection rich and engaging, providing a glimpse into the diverse urban environment in which he lived, and into the versatile photographer he was.
2013New English Paperback. Pbo. 4to. (28 x 23 cm). Edition in English. 311 p. B/w ills. Nicholas V. Artamonoff left behind a photographic puzzle of over one thousand images. He was a student and engineer, who, while studying and living at Robert College in Istanbul, gained an appreciation for the city's history and culture. With his Rollei camera, he captured Byzantine remains, ntering nooks and crannies of fortifications and cisterns. He strolled through the city in the footsteps of architectural historians and archaeologists who explored and uncovered Byzantine Istanbul. his interests were broad: they ranged from imposing churches to the smallest details of architectural sculpture, from bustling marketplaces to the diligent work of lone craftsmen. The abundance of subjects es the Nicholas V. Artamonoff Collection rich and engaging, providing a glimpse into the diverse urban environment in which he lived, and into the versatile photographer he was.
2015New Turkish Original bdg. HC. Folio. (31 x 24 cm). In Turkish with plates of Ottoman archival documents. 464 p., ills., with a CD. Arsiv belgelerine göre Osmanli'da kadin. Women based on Ottoman archive documents.
2013New New English Original bdg. Dust wrapper. In publisher's special box. 4to. (30 x 27 cm). In Turkish. 282, [6] p., color and b/w ills. Arsiv belgeleri isiginda Bâb-i Âlî'den Istanbul Valiligi'ne. History and architecture of Istanbul Governorship building and 'Bab-i Ali' culture in the Ottoman Empire based on Ottoman archival documents.
2010New English Paperback. Oblong small 4to. (25 x 22.5 cm). In English, Turkish and Armenian. B/w photos. 127 p. Armenien fishermen at Kumkapi.= Kumkapi Ermeni balikçilari.= Gumgapum Haykakan dzknorsnery, 1952. ARMENIANS Social life Istanbul - Constantinople Fisherman Photography Ara Güler.
2015New New English Paperback. Pbo. Dust wrapper. 4to. (31 x 23 cm). In English, French, Turkish and Armenian. 160 p., b/w photos. Armenians. / Arméniens. / Ermeniler.
2010New English Paperback. 4to. (31 x 24 cm). In English and Turkish. 168 p., color and b/w ills. Armenian architects of Istanbul in the Era of Westernization.= Batililasan Istanbul'un Ermeni mimarlari. In the era of Westernization, also known as Ottoman Modernization, that took place throughout the entire 19th century and in the early 20th century, transformed the physical appearance of Istanbul. First and foremost the Balians, but also other Armenian architects such as Ohannes Serverian, Mgrdich Charkian, Bedros Nemtze, Mihran Azarian, Hovsep Aznavur, Levon Gureghian, the brothers Aram and Isaac Karakash, Kegham Kavafian, Yetvart Terziyan, Andon and Garabed Tulbendjian, who in earlier periods received their initial training within the industry, but later also graduated from schools in European countries, and ultimately graduated from the School of Fine Arts, played a great role in this transformation. This book is prepared to introduce the Armenian architects who contributed to Istanbul's architectural richness with their works and is the first attempt of its kind. We hope that it will inspire the academic studies in the field to be carried out in the future. The books published in Turkish-English and Armenian-English includes 6 articles written by Edhem Eldem, Afife Batur, Ahmet Ersoy, Alyson Wharton, Elmon Hançer and Lora Baytar; each article has a different approach to the architecture of Istanbul. Moreover, in the book there are more than 100 photos of the architectural structures built by the Armenian architects.
2013New English Original bdg. HC. 4to. (29 x 22 cm). In Turkish. With a CD. 311, [9] p. Many b/w ills. Arif Sentürk. Kumanova'dan Zeytinburnu'na bir Rumeli delikanlisi. Sözlü tarih çalismasi. With CD. Musical scoers by Mithat Arisoy.