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1996ref. 21665Fullerton CA and Los Angeles: Fullerton College Art Gallery / The Artists' Floating Invisible Museum of Actual Art / Public Access Press of the Southern California Institute of Architecture 1996-2004. First editions of three all published of a projected series of four portfolios the series cut short by Eugenia Butler's untimely death of a brain hemorrhage in 2008. One of 80 numbered copies the entire edition produced numbered and signed in the artist's or poet's studio. At the time of the exhibition of The Book of Lies at the 18 Arts Gallery in Santa Monica in 2007 Eugenia Butler wrote: "Sixteen years after the Book of Lies project began the first three of its four volumes are finished. The entirety of the work has taken on form and content far beyond any original imaginings. It has become a rounded voice coming from many voices a discourse about truth in the territory of the unknowable. Its power derives from the strength and integrity of the individual pieces from the communal voice and in single intimate interactions. Each volume is a work of art unto itself that developed from the process of creating it from the individual works themselves and from the relationships between the parts and the whole. At a certain point a bigger vision broke through - something beyond previous understandings - surpassing the initial ideas to become a singular artwork consisting of discrete and powerful works of art. Its subject matter is truth lies and the intimate power of a true work of art." The works of art include pieces by artists and writers Georganne Deen Kim Jones Julia Lohmann John O'Brien Edgar Arceneaux Sally Elesby George Evans Joan Jonas Barry Sanders Arthur Sze Matthew Thomas Kim Abeles Lynn Aldrich Carolee Campbell Steve DeGroodt Janet Fitch Tom Marioni Kim McCarty Michael C. McMillen John Outterbridge Mary Rakow and Madam X. Carolee Campbell of the Ninja Press designed the box brass and enclosures for Vol. III. Images and additional information on The Book of Lies may be found at: http://www.curatorial.com/exhibitions_current/exhib-BookofLies.html. Bookplate in two portfolios with small adhesive shelf labels on each portfolio otherwise the set is in fine condition. Complete sets are rare on the market. Quartos three original portfolios of 81 works of art created out of incised & collaged lead oil paint on vellum original pencil drawings a photograph on platinum paper polaroid photographs cyanotypes ashes of love letters hand-embroidery and holograph and mechanically reproduced images and texts with interleaved translucent sheets noting the artist loose as issued inserted in a paper chemise and cardboard folderor in an individual folder and laid into a clamshell box accompanied by a spiral bound commentary volume in original printed wrappers printed by Carolee Campbell of the Ninja Press. Bookplate in two portfolios with small adhesive shelf labels on each portfolio otherwise the set is in fine condition. Complete sets are rare on the market. Fullerton College Art Gallery / The Artists' (Floating, Invisible) Museum of Actual Art / Public Access Press of the Southern Ca unknown books
1594ref. 3000London: : Printed by Adam Islip for C. Hunt of Excester 1594. FIRST EDITION IN ENGLISH translated from the 1582 Italian translation of Camillo Camilli d. 1615. . Quarto: . 19 x 14 cm. . 16 333 3 pp. A-Y8 Bound in 19th c. calf rebacked the boards ruled in gold. This is a fine copy; title a little dusty. Occasional marginal pencil notations in margins. “To Distinguish and discern these natural difference’s of man’s wit and to apply to each by art that science wherein he may profit is the intention of this my work.” “This sentence concisely summarizes the ultimate purpose of one of the most successful and influential Spanish scientific books published in the early modern period one with long-lasting influence upon the European intellectual world: the ‘Examen de Los Ingenios para Las Ciencias’ 1575 by the Spanish physician and philosopher Juan Huarte de San Juan 1529-1588… Huarte is now hailed as the precursor of several branches of pedagogy and psychology including differential pedagogy and differential psychology and their practical applications professional orientation and selection. Recently too Noam Chomsky recognized in Huarte a forerunner of the rationalist innatism and the linguistic theory of 17th-century French scholars notably Descartes. In the eyes of Chomsky the ‘Examen’ is the first scientific treatise to define human wit as a generative power that reveals the creative capacities of the human mind… “For Huarte wit denotes the totality of the psychological abilities of an individual; more precisely an individual ability or predisposition dependent on temperament linked to the qualities of the four basic elements earth air water and fire organically connected to the brain and under the influence of other organs. The starting point for Huarte’s theory of wits is that the temperature of the four qualities hot cold moist and dry of the elements has an impact upon the function of the rational as well as the ‘sensitive’ soul and that intemperate and ever-changing environmental conditions lead to a diversity of the wits. Wit is subject to age region of birth sex currents of air weather diet physical exercise and lifestyle in general since these factors have an impact upon the predominance in every individual of one of three powers of the intellective soul: memory imagination or understanding… Huarte’s goal is to clearly delineate what makes a man capable of one science and incapable of another to discover the number of differences of wits the arts and sciences that correspond to each and most importantly to illustrate how all this can be known. The Brain & Faculties of Mind “Contrary to the view of Aristotle and following Plato Hippocrates and Galen instead Huarte argues that ‘the brain is the principal seat of the reasonable soul.’ In his view in order for the reasonable soul to discourse and philosophize the brain ‘should be tempered with measurable heat and without excess of the other qualities’ and divided into four ventricles ‘distinct and severed each duly bestowed in his seat and place.’ Huarte describes the ventricles of the brain as four little hollows of ‘one self composition and figure without anything coming in between which may breed a difference.’ The three ventricles in the forepart of the head are used to ‘discourse and philosophize’ while the fourth ventricle deals with the least noble operations as it ‘hath the office of digesting and altering the vital spirits and to convert them into animal.’ The conviction that the three mental powers understanding imagination and memory necessarily work in collaboration with each other –to the extent that without one the rest would malfunction- makes Huarte conclude that ‘in every ventricle are all the three powers.’… Building a Better Society by Compulsion. “Huarte took his theories very seriously and believed that they could have practical repercussions upon the society of his time. His dedicatory to King Philip II of Spain suggests in fact a law by which subjects exclusively performed the profession art or science that corresponded to them by nature. Huarte envisioned appointing ‘men of great wisdom and knowledge who might discover each man’s wit at a tender age and cause him perforce to study that science which is agreeable to him not permitting him to make his own choice… to the end he may not err in choosing that which fitteth best with his own nature.’ Huarte’s reasoning was that if every man carried out the job that suited his natural capabilities best progress in the scientific artistic and technological production of Spain would promptly follow and a body of naturally accomplished and efficient professionals would ensue… “Huarte allows for a body of intellectuals defined by their merits and not by the social class into which they were born; nature should then be made the key for social mobility. Nobility by birth is no guarantee of sophisticated wits and Huarte remarks that precisely within the highest strata of society numerous witless children are born whereas poor families often produce witty offspring. Eugenics “The ‘Examination’ interacts with numerous treatises on midwifery and procreation in England in the early modern period. Indeed Chapter XV of the book is a short treatise on eugenesis i.e. the application of the biological laws of inheritance to the perfection of mankind particularly concerned with four issues: 1. ‘to show the natural qualities and temperature which men and women ought to possess to the end they may use generation’; 2. To discuss ‘what diligence the parents ought to employ that their children may be male and not female’ and 3. ‘how they may become wise and not fools’ and finally 4. ‘how they are to be dealt withal after their birth for preservation of their wit.’. This final chapter is of the utmost importance to Huarte who is of the opinion that ‘parents apply not themselves to the act of generation with that order and concert which is by nature established neither know the conditions which ought to be observed to the end their children may prove of wisdom and judgment.’ In other words ‘The Examination’ aims to prevent parents from engendering witless children out of ignorance and by so doing to remedy the problems of society prior even to the moment of conception: ‘if by art we may procure a remedy for this begetting witless children we shall have brought to the commonwealth the greatest benefit that she can receive.’”Rocío G. Sumillera “Richard Carew The Examination of Men's Wits” pp. 1-66 STC 2nd ed. 13892; Garrison-Morton 4964 1575 Spanish edition; Durling 2498. Hunter & Macalpine p. 46. Thorndike VI pp. 413-14 Printed by Adam Islip, for C. Hunt of Excester, unknown books
ref. 20810665Formist Edition 17 Power Publications Sydney 2019 . 31.0 x 23.0cms 224pp colour illusts very good hardback with decorated boards no dustwrapper as issued Raskopoulos is frank about the violence implicit in subtle gestures and everyday actions. About the ownership and objectification of the female body. About the violence writ into language & its erasure. she recasts the narrator reclaiming the body as her own'. A3 australian artists grey spine fine red type60women photography media 97809099528151218162320212 reto contra Formist Edition 17 Power Publications Sydney 2019 hardcover
ref. 20701697Formist Edition 17 Power Publications Sydney 2019 . 31.0 x 23.0cms 224pp colour illusts very good hardback with decorated boards no dustwrapper as issued Raskopoulos is frank about the violence implicit in subtle gestures and everyday actions. About the ownership and objectification of the female body. About the violence writ into language & its erasure. she recasts the narrator reclaiming the body as her own'. A3 australian artists grey spine fine red type60women photography media 97809099528151217444620202 nell contra Formist Edition 17 Power Publications Sydney 2019 hardcover