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Best.-Nr. SONG0634053035Used: Good unknown
Best.-Nr. SONG0793584817Used: Good unknown
Best.-Nr. SONG0871270226Used: Good unknown
Best.-Nr. SONG0520014383Used: Good unknown
Best.-Nr. SONG185273082XUsed: Good unknown
Best.-Nr. SONG0345324595Used: Good unknown
Best.-Nr. SONG0198145411Used: Good unknown
1926Best.-Nr. 171336Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1926. Vintage reference photograph from the 1926 silent film showing Lillian Gish and John Gilbert in a playful moment. Mimeo snipe on the verso. Gish then MGM's highest paid actress had an unprecedented level of control over the production and was allowed input into direction story casting cinematography and costume design. 8 x 10 inches. Very Good moderately toned with nicks to the margins and creasing affecting the right portion of the photograph. Metro-Goldwyn-Mayer [MGM] unknown
1973Best.-Nr. 146818N.p.: N.p. 1973. Agency Draft script for the 1975 film. With 31 pages of director Ingmar Bergman's commentary bound in after the script. Text in Swedish. Based on the 1791 German opera about a young prince tasked with rescuing a princess from a mysterious high priest. Widely considered one of the most successful operatic adaptations to film ever released. Shot on location in Stockholm Sweden. Pale yellow untitled wrappers. Title page present dated November 1973 with credits for director Ingmar Bergman and screenwriter Alf Henrikson. 93 leaves with last page of text numbered 61. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus with a black comb binding. Criterion Collection 71. N.p. unknown
2025Best.-Nr. __1835950752Intellect L & D E F A E 2025. Hardcover. New. 640 pages. 9.60x6.69x9.61 inches. Intellect L & D E F A E hardcover
Best.-Nr. ria9781835950753_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
1959Best.-Nr. 161071New York: United Press International 1959. Two vintage reference photographs from the set of the 1959 film including one glossy and single weight and one matte finish borderless and double weight. One photograph shows actor Sidney Poitier talking with producer Sam Goldwyn and the other shows Poitier with actors Dorothy Dandridge and Brock Peters. One with a provenance stamp on the verso and both with annotations in manuscript ink identifying subjects on the versos. Based on DuBose Heyward's 1925 novel "Porgy" and its subsequent 1927 opera adaptation by DuBose Heyward and his wife Dorothy with music and lyrics by George and Ira Gershwin. One of the great enduring American musicals following a disabled man in a small fishing village in South Carolina who harbors a woman attempting to flee her disreputable past. Set in South Carolina shot on location in Stockton California with some scenes shot near the San Joaquin-Sacramento River Delta in California. Matte photograph 11 x 8 inches glossy photograph 10 x 8 inches. Very Good plus lightly edgeworn with matte photograph slightly curled. National Film Registry. United Press International unknown
1977Best.-Nr. 163168N.p.: N.p. 1977. Vintage oversize satin finish photograph from the 1977 production of the beloved 1892 ballet showing dancers Mikhail Baryshnikov and Gelsey Kirkland. Camera 5 stamp on the verso crediting photographer and Camera 5 founder Ken Regan. The 1977 production was staged by the American Ballet Theatre at the Kennedy Center and marked Baryshnikov's debut as choreographer. The ballet was adapted for television the same year directed by Tony Charmoli. From the archive of the PIX Agency an American photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969. 9.25 x 14 inches archivally matted in a 14 x 18 inch 8-ply white mat. About Near Fine slightly wavy at the top and bottom edges. N.p. unknown
2003Best.-Nr. 1-0789308657Universe Pub 2003. Paperback. New. illustrated edition. 224 pages. 11.00x8.50x0.75 inches. Universe Pub paperback
2000Best.-Nr. 159893N.p.: N.p. 2000. Three vintage photographs of director Werner Herzog taken by noted jazz photographer Jeffrey Kliman during choir rehearsals for his staging of Richard Wagner's "Tannhäuser" held at The Lyric Opera House in Baltimore in March 2000. These prints are unique struck from the original negative by the photographer. Full provenance available. 8 x 10 inches. Fine. N.p. unknown
1988Best.-Nr. 159709San Francisco: The Folcrom 1988. Vintage flyer announcing four performances of an opera entitled "Watt" adapted from the Samuel Beckett novel performed by The Tiny Dead Bodies Opera Company at The Folcrom San Francisco October 21 and 22 28 and 29 1988. Based on the 1953 novel by Samuel Beckett. The Folcrom was a non-profit installation and performance space located at 2150 Folsom Street San Francisco from 1987-1991. 8.5 x 14 inches on pale yellow paper. Very Good plus with pinholes to the corners and a small crease to the lower left corner. The Folcrom unknown
1989Best.-Nr. 159645San Francisco: San Francisco Opera 1989. Vintage flyer advertising a costume sale by the San Francisco Opera SFO on April 22-23 1989 at the War Memorial Opera House. The SFO has held costume sales nearly every year for the last few decades frequently leading to lines stretched around the block. The SFO's costume sales serve not only to clear items from productions no longer performed to make room for new costumes but to generate much needed additional income for the arts organization. In recent years the SFO has begun holding their annual costume sale online. 8.5 x 11 inches on goldenrod paper. Very Good plus with light creasing overall and two small bruises on the bottom edge. San Francisco Opera unknown
1986Best.-Nr. 154238Paris: Interpress 1986. Vintage borderless reference photograph of Marushka Detmers and director Jean-Luc Godard on the set of the 1983 film. Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard. Set and shot on location in Paris. 7 x 5 inches. Near Fine. Godard Histoires du Cinema. Interpress unknown
1986Best.-Nr. 150041Paris: Interpress 1986. Vintage borderless reference photograph of Marushka Detmers from the 1983 film. Later printed French Interpress announcement with typos on verso. Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard. Set and shot on location in Paris. 7 x 5 inches. Near Fine. Godard Histoires du Cinema. Interpress unknown
1984Best.-Nr. 151105N.p.: International Spectrafilm Distribution 1984. Vintage reference photograph of Jean-Luc Godard and Valerie Dreville from the 1984 US release of the 1983 French film. Loosely based on Georges Bizet's 1875 opera. A young woman involved in a terrorist gang is embroiled in a plan to rob a bank but her plans are waylaid when she falls for the security guard. Set and shot on location in Paris. 10.25 x 8 inches. Near Fine. Godard Histoires du Cinema. International Spectrafilm Distribution unknown
1986Best.-Nr. G0394981782I3N00Random House Books for Young Readers 1986. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Random House Books for Young Readers hardcover
1983Best.-Nr. 503911Paris France: Mission Opéra Bastille 1983. Book. Good. Portfolio with Inserts. Dossier du Concours : Concours international d'architecture - Opéra de la Bastille. En bon état. Portfolio dans une boite. Texte en français. Text in French. In portfolio box. In good condition. . Mission Opéra Bastille unknown
Best.-Nr. GOR015135431Paperback. Very Good. paperback
1983Best.-Nr. 331045California: Chrysalis Records 1983. Record. Very Good record and jacket. Chrysalis Records unknown
1984Best.-Nr. 61448Portland & Gresham OR: Susan Higgins Ballet Instructor & Artistic Director Cascade Athletic Club; Oregon Concert Ballet Co. 1984. 4to. Approx. 250 pp sections separately paginated and unnumbered some numbered in ink several with duplicate numbering consisting of typescript musical score and illustrations many of the pages with extensive ink and/or pencil annotations some updates photocopies with additional revisions many pages with updates taped onto the musical score approx. 200 pp. preserved in archival mylar sleeves remainder 3-hole punched at gutter margin and inserted. Contemporary black vinyl 3-ring binder minor scuffing edgewear still VG exemplar. A wonderful original ballet director’s art direction notebook for the Peter Pan ballet staged in 1984 intended to offer young up-and-coming ballet students at the time to experience live performances and to unify Eastside/Westside Royal Academy of Dancing trained students. It would be 5 years before the Oregon Ballet and Pacific Ballet Theater would consolidate under the direction of James Canfield to form the Oregon Ballet Theatre. This ballet featured four acts divided into The Nursery Neverland Ship of the Pirates and Conclusion featuring solos by Wendy Tinker Bell Peter and Captain Hook over the length of the production. Dancers 4-5 years old were featured as the Neverland Fairies 5-7 years old with 2 years of training and pre-primary Royal Academy examinations behind them played Forest Fairies; Lost Children were 6-9 years old and had performed Barre and footwork; followed by the Pirates and soloists including Wendy Heather Miller Peter Pan Laura Spradlin Captain Hook Elizabeth Johnson and the mermaids drawn from the Lake Oswego School of Ballet under the directorship of Christine Donald. The original score by Anita Perry b. 1960 an up-and-coming Canadian composer out of British Columbia where she had studied piano with Lee Kum Sing and composition with Cortland Hultberg. In her early 20’s M. Perry had already won several composition awards was known for her original ballet works and wrote this score with orchestration for a variety of instruments “lending to the performance. . . a more closely approximated real environment experienced by professional dancers.” Peter Pan as a ballet required a fair amount of athleticism and as indicated here in Higgins’s artistic director’s notebook required extensive choreography changes scene adjustments and revisions by M. Perry. Higgins studied and danced at the British Royal Ballet later with Elvie DeMarko 1924-1989 of Ballet Russe and then with Robert Barnett of the Atlanta Ballet. No similar notebooks or programs survive for this 1984 ballet and there are no recordings or printed musical scores this cataloguer could uncover. Susan Higgins, Ballet Instructor & Artistic Director, Cascade Athletic Club; Oregon Concert Ballet Co., unknown