Ballet, ROSEMARYBiblio.com
22.070 Ergebnisse
2019Best.-Nr. SBBIH-2MEQPK2EJ3YVDolman Scott 2019. paperback. Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing fanning inscriptions margin notes yellowing staining on edge or cover or pages bumps scuffs etc etc sometimes multiple of these. It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order at least not without checking with us first although we don't always have time to check. We aim to dispatch prompty the service used will depend on order value and book size. We can ship to most countries see our shipping policies. Payment is via Abe only. Dolman Scott paperback
Best.-Nr. 47819879like new. unknown
Best.-Nr. 47819879-nnew. unknown
Best.-Nr. 18916299-nnew. unknown
Best.-Nr. R1166-013Original paper binding on yellow paper some discoloration and folds but further in good condition. Songtext printed on paper 16 x 10 cm.Klassik Stitung Weimar. Herzogin Anna Amalia Bibliothek dates this song at around 1881 in Worldcat catalogue.Liedtekst - Songtext - Song - Lied - Opera Faust unknown
1817Best.-Nr. AQ35159London: s.n. 1817. Single leaf broadside. Browned with staining and chipping to edges and some loss to upper right corner. An apparently unrecorded playbill displaying an early effort by London's Lyceum Theatre renamed The English Opera House in the summer of 1817 to present an illumination of the 'audience part of the theatre' during a performance of The Persian Hunters or the Rose of Gurgistan a comic opera featuring music by English composer Charles Edward Horn 1786-1849. Although the use of gaslight in street-lamps had first been demonstrated a decade prior in 1807 the goal to introduce gaslighting to the commercial stage took years to evolve into the competitive landscape of 1817 where three of London's premier West End venues the Theatre Royal Covent Garden Theatre Royal Drury Lane and the Lyceum Theatre entered into a rapid race to produce the first fully-gaslit public performances in a West End venue. The Royalty an East End theatre later renamed The East London Theatre had previously installed gas piping and lighting fixtures across both the auditorium and the stage in 1816 demonstrating the viability of such a project. The English Opera House led by director Samuel Arnold proudly boasted on August 6 1817 that 'Gas Lighting will this evening be introduced over the whole stage' seemingly claiming themselves the winners of the century's most contested technical theatre contest. Despite this the lack of an illuminated auditorium meant that the theatre's audience remained in candlelight until a month later when the venue opened fully illuminated for the first time. The Theatre Royal Drury Lane despite only revealing its gaslit stage on the 6th September 1817 was able to argue that due to their introduction of gaslighting into the auditorium several weeks prior they were in fact the first of the three theatres to achieve the much vied- for feat. On the same night The Theatre Royal Covent Garden also offered a demonstration of gaslight on their stage finally concluding the rivalry and introducing a vital element of technical staging into London's leading venues for the remainder of the century. . Dimensions. [s.n.] unknown
2021Best.-Nr. 8734France: Timeless-France 2021. First Edition First Printing. Hardcover. Fine. Quarto. 8.5 x 12 in. 192 pp. Profusely illustrated with black & white and color reproductions of photographs facsimile art and letters etc. Fine in original clothbound cover silkscreened designed by Laurence Dupré. As new still wrapped in plastic. This is the limited Timeless Edition from an edition of 150 and includes an exclusive artzine entitled Paranoia Club. This volume collects work a previously unpublished interview as well as writing art etc. from and about counter-culture and industrial music icon Genesis P-Orridge. Frontwoman of seminal bands like Throbbing Gristle and Psychic TV P-Orridge was also a performance and visual artist occultist cultural critic etc. This exclusive edition also includes some of P-Orridge's correspondence with longtime friend and collaborator Jean-Pierre Turmel co-founder of the Sordide Sentimental label from the mid-1970s till early 1990s offering a personal view into their archive. Timeless-France hardcover
2021Best.-Nr. 8733France: Timeless-France 2021. First Edition First Printing. Hardcover. Fine. Quarto. 8.5 x 12 in. 192 pp. Profusely illustrated with black & white and color reproductions of photographs facsimile art and letters etc. Mild bump to head of front fore-corner otherwise fine in original cloth-back pictorial paper-covered boards. This is the regular Timeless Edition but with a laid-in card from publication included with the first 100 copies of this volume. This volume collects work a previously unpublished interview as well as writing art etc. from and about counter-culture and industrial music icon Genesis P-Orridge. Frontwoman of seminal bands like Throbbing Gristle and Psychic TV P-Orridge was also a performance and visual artist occultist cultural critic etc. Includes some of P-Orridge's correspondence with longtime friend and collaborator Jean-Pierre Turmel co-founder of the Sordide Sentimental label from the mid-1970s till early 1990s offering a personal view into their archive. Timeless-France hardcover
1419Best.-Nr. 219549奉天. Mukden.: 滿鐵鐵道總局營業局旅客課. Mantetsutetsudōsōkyokueigyōkyokuryokakuka Hōten. Showa 14 1939. Black and white photographic illustrations 33pp 18.7 x 12.7cm original wrappers upper cover pictorial. Minor wear and light browning. Good copy. This charming tourist booklet with its delightful pictorial cover offers a comprehensive introduction to Peking Opera and Chinese vaudeville. It outlines the rules governing movement and costume in opera and describes the range of story types and productions a visitor might expect to see. The vaudeville section explains the various forms of oral entertainment performed for audiences together with the customs and rules observed in the theatre. Published in Mukden the booklet provides an accessible and informative overview of the region’s popular entertainments. . 滿鐵鐵道總局營業局旅客課. [Mantetsutetsudōsō unknown
2010Best.-Nr. DADAX1161040196Kessinger Publishing 2010-04-18. paperback. New. 6.00x0.94x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
1945Best.-Nr. 136503Gloucester: Ford & Branch LTD c1945. Undetermined. fine. 14.25" X 10" 36 X 25.5 cm. Original boardside with black and red text and illustration. Two small holes and string hanger at top. Slight crease to top else is clean and bright. fine Broadside from an English Opera House advertising two plays. A decorative border encases the title at the top and a dark illustration depicting a stage and packed seats is to the top right. The first play Agatha Christie's Ten Little Niggers is to take place on March 26th for one week no perfomance Good Friday and is accompanied by the subtitle "nine victims- and one unknown killer- marooned on a desert island.". The play was first published by Christie in 1939. The book was named after a popular nursery rhyme of the same name. The American edition was "Ten Little Indians". The name was later adapted to the last line of the rhyme "And Then There Were None". "The Happiest Days of Your Life" the second play on the broadside by John Dighton and produced by Leslie Phillips was to take place April 2nd for one week as a special Easter Holiday Attraction. It is described as "A wildly funny farce about a boys' school and a girls' school- on the same premise! The most hilarious evening of your life!". In 1950 the play was turned into a film by Frank Launder. The broadside also provides details of performances and box office. 1945 Ford & Branch, LTD unknown
1945Best.-Nr. 136506Gloucester: Ford & Branch LTD c1945. Undetermined. near fine. 14.25" X 10" 36 X 25.5 cm. Original boardside with black and red text and illustration. Two small holes and string hanger at top. Slight crease to top with subtle red line across bottom half. Else is clean and bright. near fine Broadside from an English Opera House advertising two plays. A decorative border encases the title at the top and a dark illustration depicting a stage and packed seats is to the top right. The first play Agatha Christie's Ten Little Niggers is to take place on March 26th for one week no perfomance Good Friday and is accompanied by the subtitle "nine victims- and one unknown killer- marooned on a desert island.". The play was first published by Christie in 1939. The book was named after a popular nursery rhyme of the same name. The American edition was "Ten Little Indians". The name was later adapted to the last line of the rhyme "And Then There Were None". "The Happiest Days of Your Life" the second play on the broadside by John Dighton and produced by Leslie Phillips was to take place April 2nd for one week as a special Easter Holiday Attraction. It is described as "A wildly funny farce about a boys' school and a girls' school- on the same premise! The most hilarious evening of your life!". In 1950 the play was turned into a film by Frank Launder. The broadside also provides details of performances and box office. 1945 Ford & Branch, LTD unknown
2010Best.-Nr. DADAX116062710XKessinger Publishing 2010-02-23. hardcover. New. 6.00x1.00x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
1957Best.-Nr. 208291957. Press photograph archive of African American women opera singers 1957-1977 documents the emergence and international recognition of Black performers within mid twentieth century classical music and operatic institutions. The images center on four prominent singers whose careers developed during and after the era of segregation when access to major stages and audiences expanded unevenly for Black artists. Figures such as Marian Anderson who broke barriers at the Metropolitan Opera in 1955 established a precedent for subsequent generations; the performers represented here advanced that presence through sustained international careers providing visual evidence of African American participation in elite cultural institutions during a period of social and cultural change. Six black and white silver gelatin press photographs each approximately 8 x 10 inches with captions and markings on recto and verso. Subjects include Adele Addison in two studio portraits from the 1950s later known as the singing voice for Bess in Porgy and Bess 1959; Shirley Verrett in two images including an early news photograph prior to a performance at Ambassador College Auditorium and a later 1976 stage portrait in formal concert dress; Martina Arroyo in a 1977 portrait during the height of her international career; and Grace Bumbry depicted in costume as Princess Eboli in Verdi's Don Carlos at the Metropolitan Opera in 1965. The photographs capture both staged publicity portraits and performance contexts documenting professional presentation and artistic identity. Produced during decades of expanding civil rights advocacy and gradual institutional integration the archive situates African American women within a field historically shaped by exclusion and limited access. Their visibility in major opera houses and concert venues reflects broader shifts in cultural recognition and professional opportunity while also underscoring the continued significance of performance as a site of racial and gendered representation. Minor edge wear; captions remain legible; overall very good condition. unknown
1947Best.-Nr. 209021947. Anderson Marian group of eight items dating from 1946 to 1959 documents the concert career and international recognition of Marian Anderson a central figure in twentieth century African American music and a pivotal presence in the desegregation of American performance spaces. By the mid twentieth century Anderson's career intersected with both domestic civil rights developments and U.S. cultural diplomacy abroad following earlier milestones including her 1939 Lincoln Memorial concert and her 1955 debut at the Metropolitan Opera. The materials trace her concert programming repertoire and public reception including performances featuring European composers such as Franz Schubert alongside African American spirituals as well as her role in international cultural exchange. Photographs document formal recognitions including a ceremony in Tokyo where Princess Takamatsu of the Japanese Red Cross awarded Anderson a medal of merit following her performances benefiting Japanese orphans and a 1958 presentation at the American National Theatre and Academy marking her participation in presidential cultural initiatives. Anderson Marian. Archive of concert programs and press photographs. Various locations: University of Minnesota and S. Hurok management 1946 to 1959. Eight items total comprising four concert programs and four black and white silver gelatin press photographs. Programs range from approximately 5 x 8 inches to 9 x 12 inches and include: a University Artists Course program for the 1946 to 1947 season at the University of Minnesota featuring Anderson's recital with repertoire including Schubert and spirituals; multiple S. Hurok managed programs presenting Anderson as a leading concert artist with biographical essays photographs and repertory notes; and a 1955 program continuing similar documentation of her touring career. Photographs measure approximately 8 x 10 inches with three retaining original press captions on verso or margins including images of Anderson receiving honors in Japan posing with a sculpted bust by Napoleon Veloso Abueva and accepting the Gimbel National Award in 1959. These materials situate Anderson within mid twentieth century performance networks that linked concert stages international diplomacy and public recognition of African American achievement. The programs document how her repertoire bridged European classical traditions and African American musical forms while the press photographs emphasize her role as a cultural ambassador during the Cold War period when artists were enlisted in international outreach initiatives. Honors such as the Japanese Red Cross recognition and the Gimbel National Award underscore the transnational and humanitarian dimensions of her career while the sustained documentation of her concerts reflects her continued prominence in American cultural life following breakthroughs in segregated institutions. Minor edge wear to programs and light creasing to one photograph; materials remain clean and well preserved. Overall very good condition. unknown
1885Best.-Nr. 140511885. Neurdein Frères Paris Opera circa 1887 to 1890 documents the Palais Garnier and the concentrated carriage and pedestrian traffic surrounding one of the principal public buildings of late nineteenth century Paris. Completed in 1875 the opera house stood within the rebuilt urban landscape of the Second Empire and early Third Republic while the traffic visible before its façade records the everyday movement of people and horse drawn vehicles through the surrounding streets. Albumen print approximately 8 x 11 inches mounted on paper. The view centers on the elaborately ornamented façade of the Palais Garnier with numerous horse drawn carriages and pedestrians filling the foreground and the square before the building. The "X Phot." mark identifies the image with Neurdein Frères who used the mark from 1887. The firm produced extensive photographic views of Paris for circulation as tourist and architectural images including monuments civic buildings streets and other recognizable features of the capital. The combination of monumental architecture and active street traffic preserves both the appearance of the Palais Garnier and the transportation patterns of Paris before the widespread replacement of horse drawn vehicles by motor traffic. Excellent condition. A sharp late nineteenth century view combining architectural documentation of the Paris Opera with closely observed evidence of everyday movement through the surrounding urban space. unknown
2005Best.-Nr. DADAX1570614695Brand: Sasquatch Books 2005-10-11. hardcover. New. 10.12x0.51x10.16. Buy with confidence. Excellent Customer Service & Return policy. Brand: Sasquatch Books hardcover
2003Best.-Nr. DADAX078930869XBrand: Universe Publishing 2003-07-04. First Edition. hardcover. New. 8.60x1.00x11.30. Buy with confidence. Excellent Customer Service & Return policy. Brand: Universe Publishing hardcover
1969Best.-Nr. DADAX0816605386Univ Of Minnesota Press 1969-09-02. paperback. New. 6.25x0.40x9.00. Buy with confidence. Excellent Customer Service & Return policy. Univ Of Minnesota Press paperback
Best.-Nr. DADAX0270844961Wentworth Press 2018-07-29. hardcover. New. 6.14x1.13x9.21. Buy with confidence. Excellent Customer Service & Return policy. Wentworth Press hardcover
1850Best.-Nr. 835A67New York: Printed for Stringer and Townsend c1850. Cloth. Very Good. 7.5" by 5" . Not Stated . First and second series of this work concerned with the New York scene by Donald Gran Mitchell. Complete with two volumes both the first and second series. Comprising travel letters and journalistic articles mainly dedicated to the New York scene. Written by American essayist Donald Grant Mitchell published anonymously under 'An Opera Goer.' The second edition of this work with frontispieces and illustrations throughout. Dated from Jisc. In the original publisher's full cloth binding. Externally smart with shelf wear bumped to head and tail of spine chipped along front joint second series boards lightly marked. Internally firmly bound. Spotting throughout. Very Good Printed for Stringer and Townsend hardcover
Best.-Nr. 1783198907.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Best.-Nr. 654512115Oberon Books Limited . Papeback. Used. pp. 168 Oberon Books, Limited unknown
Best.-Nr. 647993339Taylor & Francis Group . Hardback. New. pp. 192 Taylor & Francis Group hardcover
1973Best.-Nr. DADAX0816606978Univ Of Minnesota Press 1973-01-01. paperback. New. 6.25x0.60x9.00. Buy with confidence. Excellent Customer Service & Return policy. Univ Of Minnesota Press paperback
