21.805 resultados
2002ref. 129794Deutsche Grammophon 2002-10-08. audioCD. Like New. 5x5x1. Shrink wrap away from new Please email for photos. Deutsche Grammophon unknown
1601ref. 127846Opera Gallery 2016-01-01. paperback. Like New. 0x0x0. Brand new slender exhibition catalog illustrated in color. Invitation card laid in. Please email for photos. Opera Gallery paperback
1605ref. 260909001CD Baby 2016-05-27. Audio CD. Used: Very Good. 5x5x0. Very good condition. From a private collection. Comes from non smoking home. CD Baby unknown
ref. 26442131-nnew. unknown
ref. 18916299like new. unknown
ref. 32724800like new. unknown
ref. B9781016326841Hardback. New. hardcover
1938ref. 209421938. Anderson Marian archive of six concert programs dating from 1938 to 1953 documents the touring career of Marian Anderson during a period when her performances intersected with national debates over race access to public space and cultural representation. By the early 1940s Anderson had achieved international recognition following appearances at the White House and before British royalty as well as her widely attended 1939 concert at the Lincoln Memorial where she performed before an audience of 75000 after being barred from Constitution Hall. The programs trace her sustained concert activity across North America including major tours and individual performances in Canada and the United States and document the presentation of her repertoire which combined European art song traditions with African American spirituals. Anderson Marian. Archive of six concert programs. Various venues including University Artists tour circuits and concert halls in Toronto Brooklyn and Denver 1938 to 1953. Six programs in staple bound wrappers ranging from approximately 5 x 8 inches to 9 x 12 inches. Includes a program from her 1941 to 1942 coast to coast tour with extended biographical content and photographic illustrations depicting Anderson in performance receiving honors and in personal settings with family and manager Sol Hurok. A later illustrated program from the 1951 to 1952 tour presents similar material reflecting her continued prominence. Additional smaller programs document specific engagements at Eaton Auditorium in Toronto 1946 Brooklyn Institute of Arts and Sciences 1950 and Denver Auditorium 1953. These programs provide a record of Anderson's sustained public presence during a period when African American performers navigated segregated venues and expanding national audiences contributing to shifts in cultural access and representation. The inclusion of biographical narratives photographic imagery and repertory selections illustrates how her career was framed for concert audiences and how her public identity was constructed through touring circuits. Her performances in major cities across North America demonstrate the geographic reach of her influence and the institutional contexts in which her work was received offering material for the study of music history race and performance culture in the mid twentieth century. Minor edge wear with some foxing to several programs and manuscript notation to the Eaton Auditorium program; overall clean and stable. Overall very good condition. unknown
1898ref. 120815Buenos Aires Litografia Blanchi. Granzini y Volante 1898. In 8° massimo brossura in cromolitografia con belle immagini ai due piatti. Pp. 12 con al centro la composizione nominativa per palchi degli abbonati e la composizione nominativa dell'orchestra del Teatro dell'Opera. Le pagine sono una grande miniera di notizie sulla vita commerciale di Buenos Aires sono infatti tutte pubblicità di vario formato alcune con figure di negozi e aziente della città unknown
1942ref. 62473Philadelphia and New York:: Aberle Inc.; Willard B. Golovin Co. 1942-1943. First edition; No. 187 and 44 of 750 and 500 copies respectively. publisher's spiral-bound stiff wrappers illustrated in color. Both volumes near fine. Folio. Ballet-themed color Illustrations throughout incorporating elaborately presented samples of Aberle Ballet rayon stockings fabric samples of complimentary colors with which to wear them fashion color wheels and sales pitches including the patriotic merit of rayon stockings silk and nylon being unavailable during the war years "so that your charm would continue to inspire and maintain the morale.". Aberle Inc.; Willard B. Golovin Co., unknown
1942ref. 57754Philadelphia:: Aberle Inc. Fall-Winter 1942 and Spring-Summer 1943. First edition limited to 750 and 500 copies respectively. publisher's coil-bound wrappers illustrated in color as issued. Very slight sue to wrappers at corners; extremely attractive. Folio. Ballet-themed illustrations throughout in color by Willard Golovin. Aberle were stocking manufacturers. Each catalogue presents samples of rayon stockings "drawn from new war-born materials". "When Pearl Harbor became a symbol of perfidy you gave up silk." Aberle Inc., unknown
1949ref. 52974New York:: Metropolitan Opera House October 9 1949. original printed wrappers. . Some light creasing and use to the wrappers. 8vo. Boldly signed by Margot Fonteyn on the first text page of the program. Metropolitan Opera House, unknown
1991ref. w718-2Libbey 1991. Hardcover. Used - Very Good. Publisher: John Libbey & Company1991. Former library. Binding: Hardcover. Clean text solid binding minor wear on cover no dust jacket. Free tracking available. International shipping available. 3. Libbey hardcover
1937ref. 450519Paris : Delagrave 1937. First Edition. Hardcover. Good copy in the original gilt-blocked cloth Art Deco binding. Spine bands panel edges and corners slightly dust-toned and rubbed. Front hinge slightly cracked. Some light marginal foxing within and pages gently tanned as with age. Remains well-preserved overall. Physical description; 93 pages : illustrations ; 28 cm. Notes; ""Livres pour distribution de prix. Série B. Texte abrégé et expurgé."" Subjects; French fiction 18th century. Satire French. Paris : Delagrave hardcover
ref. 178682289X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 463060Scottish Opera. Hardcover. Good. Scottish Opera's production of Der Ring Des Nibelungen with photos and text relating to the production and signed by members of the cast and production crew. Scottish Opera hardcover
ref. 75-9973New York NY: The Everyman Opera 1953. 4to. Very good. Soft Cover. 40 pp. B & W Plates. New York, NY: The Everyman Opera, 1953 paperback
ref. 68-8830San Francisco CA: Grand Opera House 1880. Fabric Broadside. 12 x 16 cm. Very Good with minor staining. Scarce. San Francisco, CA: Grand Opera House, 1880. unknown
ref. 77-0722Fort Lauderdale 1990. 4to. Very Good. Soft Cover stapled. 6 pp. Contains event planning details for Opera Guild. [Fort Lauderdale] 1990 paperback
ref. 68-8866Leicester UK: Royal Opera House 1960. Theatre Poster Broadside. 35 x 24.5 cm. Good with marginal tears and minor losses. Leicester, UK: Royal Opera House, 1960. unknown
ref. 68-8833Philadelphia PA: Juvenile Opera Company 1875. Fabric Broadside. 23.5 x 15 cm. Very Good. Scarce. Philadelphia, PA: Juvenile Opera Company, 1875. unknown
ref. 68-8835San Francisco CA: Wade's Opera House 1876. Fabric Broadside. 22 x 16 cm. Very Good. Scarce. San Francisco, CA: Wade's Opera House, 1876. unknown
ref. 69-3854Paris France: Opera Gallery 2004. 64 x 40 cm. Offset Color Lithograph. Very Good tape behind corners. Paris, France: Opera Gallery, 2004 unknown
ref. 68-6382London UK: Royal English Opera House 1892. B&W Photograph on Blank Post Card. 14 x 9 cm. Very Good. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. London, UK: Royal English Opera House, [1892]. unknown
ref. 73-6653Paris: Le Bistro de la Gare Opéra circa 1970s-1980s. 4to. 4 pp. Bifold menu. Black and white plates. Soft cover. Very Good. Text in French.Provenance: Collection of M. Denis SCHNEIDER ancien Chef de Cuisine Copenhague Maison du DANEMARK. 142 Ave. des Champs-Élysées 75008 Paris Paris: Le Bistro de la Gare Opéra, [circa 1970s-1980s] paperback
