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DAS NEUE FRANKFURT Internationale Monatsschrift für die Probleme kultureller Neugestaltung

1931réf. 100834Frankfurt am Main Verlag Englert und Schlosser 1931 Année 1931 complète : n°1 à 12 en 10 volumes (numéros doubles 4/5 et 11/12). 262x244mm, pages numérotées de 1 à 215 (les publicités et les couvertures ne sont pas numérotées), fascicules brochés, couvertures illustrées de plans, photographies et photomontages (quelques défauts). Dirigé par Ernst May et Georg Schloffer, typographie, couverture et mise en page de Willi Baumeister, nombreuses illustrations photographiques dans le texte. N°1 : Adolf Loos par Joseph Gantner. N°2 : Walter Gropius : Grandes Constructions. N°3 : Petites voitures. Nouvel urbanisme russe : Milioutine et Drahomanov. N°4/5 : Hygiène de la grande ville. Contributions de Neisser, Hagen, Vogel, Pfirsch, Kirchner, Guttentag, Döcker. N°6 : Contributions de Dexel, Itten, Gantner. N°7 : Ernst May : neue Städte in Russland. N°8 : Constructions modernes. Contributions de Miche, Waas, Beer. N°9 : Logements ouvriers à Frankfort. Contributions de Gantner, Neutra, Skreba. N°10 : Participations de Gantner, Grimme, Geist. N°11-12: Rhein-mainische Regionalplanung. A partir de 1924 la nomination d'Ernst May à la tête des administrations de l'urbanisme et de la construction va transformer la ville de Francfort en un terrain d'expérimentation exceptionnel pour l'urbanisme social; en 1925 le programme prévoyait la construction de dix mille logements regroupés en Siedlungen encerclant la vielle ville; le deuxième CIAM se réunira d'ailleurs à Francfort en 1929. Pour accompagner ses recherches et illustrer ses travaux, May sera amené à fonder la revue Das neue Frankfurt qui paraitra de 1927 à 1932; ce mensuel ne se limite pas à traiter des questions d'architecture, mais aborde tous les domaines de la culture urbaine au sens le plus large; il cherche moins à tenir un discours théorique qu'à exposer les problèmes pratiques et tenter d'y apporter des réponses. Das neue Frankfurt peut être considéré comme une anticipation historique qui cherche à concilier, au sein de la société, les classes moyennes et le modernisme culturel. Hirdina H.: Neues Bauen, neues Gestalten. Das neue Frankfurt, die neue Stadt, Dresde 1984. Höpfner R. Fischer V.:Ernst May und das neue Frankfurt,Berlin 1986. (100834)

Librairie Chloé et Denis Ozanne Déesse sarl · Paris, France2 800,00 €

(ARCHITECTURE - ANCIENT ROMAN WORLD). BARBAULT, JEANBiblio.com

VUES DES PLUS BEAUX RESTES DES ANTIQUITÉS ROMAINES

1787réf. ST17496-043Rome: Bouchard et Gravier 1787. 525 x 375 mm. 20 3/4 x 14 3/4". Near contemporary half calf over marbled boards smooth spine divided by gilt rules into panels with blind-stamped centerpiece red morocco label hinges reinforced with buckram marbled endpapers and edges. Engraved vignette on title page and 99 COPPER-ENGRAVINGS ON 60 PLATES. A 1911 letter from the editor of "Hobbies" magazine in response to a previous owner's questions about the contents of this volume laid in at front. The plate numbered 92 with an 18th century cemetery scene pasted to the verso; rear flyleaf with two engravings pasted on. Cicognara 3595; Brunet I 646. Spine label partly missing front joint cracked from tail edge to midpoint head and tail of spine chipped boards a bit chafed and with a drizzle of white paint to front cover but the binding still solid. Occasional mild marginal foxing or finger smudges but an excellent copy internally fresh and clean throughout and with pleasing impressions of engravings. Not an external beauty as is often the case with architectural tomes but quite attractive inside. This is a collection of beautifully engraved plates drawn from the work of a painter and engraver who made engravings for Piranesi's 1748 "Varie vedute di Roma antica e moderna" and collaborated with him on the majestic "Le antichità Romane" 1756. Inspired by his work with the master Barbault drew and engraved his own series of Roman views issued in "Les plus beau monumens de Rome ancienne" 1761 and "Recueil de divers monumens anciens" 1770. The plates in the present volume are drawn from those works. Barbault's picturesque scenes are characterized by a sense of romantic decay: in some the landscape is open and generally free from human intrusion the once-grand ruins rising proudly from the encroaching vegetation. One has the sense of being among the first to stumble across these hidden wonders. In others the artist juxtaposes temple remains with the shed of a contemporary farmer a humbling contrast between past grandeur and present poverty. Jean Barbault 1718-62 had studied painting in Paris with John Restout II before receiving a scholarship from the Académie des Beaux-Arts for travel to Rome in 1721. Once there he stayed building a career as engraver and establishing himself with Piranesi and his circle. Bouchard et Gravier unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis3 120,00 $US≈ 2 787,46 €

(ARCHITECTURE - ANCIENT ROMAN WORLD). BARBAULT, JEANABAA

VUES DES PLUS BEAUX RESTES DES ANTIQUITÉS ROMAINES

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis3 120,00 $US≈ 2 787,46 €

ROME ARCHITECTURE Antonio da Sangallo the Younger (1484-1536), Michelangelo Buonarroti (1475-1564), architectsBiblio.com

Cortile of the Palazzo Farnese

1612réf. 4992Rome: Nicoli van Aelst Roma formis "1560" but ca. 1585- 1612. THIRD STATE of FOUR. The first state had no explanatory text. The second with the text and "Formis Antoni Lafrerij Sequani MDLX". In this third state the Lafréry address has been erased though the date "MDLX" has been preserved and Nicolas van Aeslt's publishing information has been engraved at the lower left. A fourth state described by Rubach n. 376 has Gio. Battista de Rossi's address in place of van Aelst's. Hardcover. Fine. A fine example of a late impression the sheet untrimmed. Light marginal soiling. Early fold visible on verso but no crease visible on the recto. Watermark "fleur-de-lis in a circle" A view of the cortile of Palazzo Farnese. Construction of the palazzo designed by Antonio da Sangallo the Younger 1484-1536 with modifications and additions by Michelangelo began in 1517. By the time of its completion in 1589 Jacopo Vignola and Giacomo Della Porta had also worked on the project. The courtyard is partly the work of Sangallo who designed the ground floor and first floor while the second floor was built according to the designs of Michelangelo who took over the project upon Sangallo's death in 1546. Of the two ancient statues of Hercules shown in the cortile the one on the right is the famed Farnese Hercules now in Naples which caused a sensation upon its discover in 1546. The inscription reads: "Palatij Farnesij Romae non procul a reliquiis Theatri Pompei olim e solidissimo Tiburtino lapide non minore architecturae commendatione ab Antonio Sangallo inchoati quam stupendo artificio per Michaelem Angelum omnibus numeris consumati quantum artificio diligentia assequi potuit interioris partis expressio atque in intimo eius ambulacro duarum Herculis statuarum icones." Translation: "An image of the interior part with two statues of Hercules in its lower portico of Palazzo Farnese in Rome located not far from the remains of what was in the past the theater of Pompey; begun -in very solid travertine stone- by Antonio Sangallo with no less architectural art than when finished with astonishing craft and all possible diligence by Michelangelo." The publisher Nicolas van Aelst emigrated to Rome from his native Brussels in the mid 1580s. He "established his home and workshop in a house situated between the now vanished church of San Biagio della Fossa and the church of Santa Maria della Pace near Piazza Navona. The building was the property of the church of Santa Maria dell'Anima to whom the printed paid an annual rent of 30 scudi." Van Aelst died at Rome on 19 July 1613. For more see Lorizzo "Nicolas van Aelst's Will and a List of his Plates" Print Quarterly March 2014 Vol. 31 No. 1 March 2014 pp. 3-20. In 1585 Claudio Duchetti produced a copy of this plate. That version was subsequently printed by Orlandi 1602 and Van Schoel. Nicoli van Aelst, Roma formis, "1560", but ca. 1585- hardcover

Liber Antiquus · États-Unis3 000,00 $US≈ 2 680,25 €

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