72 813 résultats
réf. 70257Brussel, Georgius de Backer, 1720 Folio, originele lederen band met vergulde decoratie op rug en titel, drie volumes in 1, 6.47.1.46.1.49-70.3.64.3 pages 50 gravures, 4 uitvouwbare platen door Jacobus Harrewijn en Jan Lodewyk Krafft naar I.B. Thibaut. Uitgegeven ter 350ste verjaardag van het Heilig Sacrament van Mirakel. 37 x 25 cm. Lichte beschadiging bovenaan rug, herstelling aan twee van de uitvouwbare platen. Verder prima staat. .
réf. 68080, Taschen, 1995 Limited Art Edition of 100 copies worldwide, clothbound in a clamshell box, SIGNED by Richard Meier in 1996, accompanied by a silk-screen print. Hardcover in clamshell box, 22.5 x 30 cm, 1.91 kg, 176 pages, Multilingual (English, French, German).
1737réf. 22696In Roma, Antonio de' Roffi, 1737-1741 2 volumes grand in-4 plein vélin de l'époque, titre au dos. (Coiffes et coins frottés).
1997réf. 31129ABLuzern, Faksimile-Verlag, 1997. Klein-Folio. 140 Seiten, mit 19 vergoldeten Ilustrationen, davon 40 und viele Initialen, 174 Seiten (Kommentar). Dunkelroter Ziegenlederband mit Metallschließen und zwölf eingelassenen Replika der Elfenbeintäfelchen. In Acrylglas-Kassette, Halblederband in Pappschuber (Kommentar). + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B 2 Bände. [2 Warenabbildungen]
réf. 5064DBo.J. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
réf. 41227Paris.Picard & Cie. 1952-1954-1955-1958-1964-1969. 7 vols.br.in-8, et 3 Atlas br.in-4. Tome premier: en 2 vols : Les époques de formation, * la Préhistoire et ** Les trois premières Dynasties :1044 p.Nombreuses illustrations en noir. Tome II: en 2 vols: Les grandes époques, * L'Architecture funéraire et ** L'Architecture religieuse et civile .1086 p. Dessins.Reproductions en noir.Plan dépliant. Tome III: Les grandes époques. La Statuaire.701 p.avec Index et Table des Matières. Plus l'Atlas de CLXXIV planches en noir.Couv.illustrée. Tome IV: * Bas-reliefs et Peintures. Scènes de la vie quotidienne ( première partie ).858 p.Croquis,plus l'Atlas de 40 pl.en noir,couv.illustrée. Tome V. ** Bas-reliefs et Peintures. Scènes de la vie quotidienne.1037 p.avec Table des Matières. Plus l'Atlas de cette deconde partie, 48 pl.Couv.illustrée. TBE.Rare..
1567réf. 41679Venetiis, apud Franciscum Franciscium Senensem, & Joan. Crugher Germanum, 1567. In-folio de (20 dont la dernière blanche)-375- (1) pp., feuillet Q4 replié, demi-parchemin, dos lisse, pièces de titre rouge et noire (reliure du XIXe siècle).
1744réf. 8781Paris, Piget; Durand, 1744. In-4 de [8]-238-[2] pages, plein veau marbré brun, dos à nerfs orné de filets et fleurons dorés, pièce de titre brune, tranches rouges.
1737Paris, Charles-Antoine Jambert, 1737-38. 4to. Bound in 2 cont. full mottled calf. 6 raised bands, richly gilt spines. Titlelabels with gilt lettering. Gilt borders on covers. A paperlabel pasted on upper compartment. Stamps on foot of title-pages. Engraved frontispiece (by Cochin), title ind red/black, (6) pp. (= dedication a Monsieur Turgot), XVI,198 " VII,(3) ,180,(2 - errata) pp. Volume one having 44 fine engraved plates (42 double-or triple-page, 2 single-page) and 9 engraved head- and tail-pieces. Volume two having 108 fine engraved plates (numb. 1-98, nos. 23, 24, 99 lacks, no 25 omitted and 13 with double- or triple numbering) and 3 head- and tail-pieces. Most of the plates drawn and engraved by Blondel. All text-pages printed within a borderline. Light toning to inner margins in volume one.On good thick paper, fresh and clean.
1737réf. 54864Paris, Charles-Antoine Jambert, 1737-38. 4to. Bound in 2 cont. full mottled calf. 6 raised bands, richly gilt spines. Titlelabels with gilt lettering. Gilt borders on covers. A paperlabel pasted on upper compartment. Stamps on foot of title-pages. Engraved frontispiece (by Cochin), title ind red/black, (6) pp. (= dedication a Monsieur Turgot), XVI,198" VII,(3) ,180,(2 - errata) pp. Volume one having 44 fine engraved plates (42 double-or triple-page, 2 single-page) and 9 engraved head- and tail-pieces. Volume two having 108 fine engraved plates (numb. 1-98, nos. 23, 24, 99 lacks, no 25 omitted and 13 with double- or triple numbering) and 3 head- and tail-pieces. Most of the plates drawn and engraved by Blondel. All text-pages printed within a borderline. Light toning to inner margins in volume one.On good thick paper, fresh and clean.
réf. 8545Original. Very Good. 13 1/4 X 7 3/4 Inches. Lot of two original architectural renderings of the Virginia State Capitol building in Richmond. Each of the illustrated representations signed in the lower right corner by "John Kevan Peebles / Architect" in black ink. Peebles was one of the most accomplished architects in America at the turn of the century and his work on the Capitol building as well as buildings at the University of Virginia UVA and the Virginia Military Institute VMI still stand today. Both of these signed illustrations circa 1902 as construction on the building commenced in 1904 and was completed in 1906. Each illustration measures 9 1/4 X 4 inches and is mounted to a larger board. Peebles was noted for his neo-classical style as illustrated by The Holston the largest structure in Knoxville TN at the time of construction in 1913 designed by Peebles. In addition Peebles designed The Jefferson Hotel in Richmond and the Virginia Museum of Fine Arts. Peebles served on the architectural committee for the restoration of Virginia's State Capitol in 1902 and the board of design for the Jamestown Exposition in 1907. He was also chair of the architectural committee for the University of Virginia. He was known at the time as the "Dean of Virginia Architects. Original unknown
1737réf. 1235371737. Paris: C.A. Jombert 1737-8. Two vols. 4to title page in red and black vi Dedication a Monsieur Turgot Avis au relieur Approbation xvi 198 pp.; vii i Avis au relieur 180 pp. Numerous head- and tail-pieces. Vol. 1 with engraved frontispiece by Cochin and 44 plates 42 folding; Vol. 2 with 111 plates 15 folding. Most of the plates drawn and engraved by Blondel. All text-pages printed within a borderline. Original cats-paw calf rather worn joints repaired vol. 1 with new labels internally some browning and soiling a good solid set for reference not in "collector's condition". § First edition second issue without half titles errata slips and with Jombert's address as "Rue Dauphine". A handsomely illustrated work of the 18th century French architect and writer Jacques-François Blondel 1705-1774. The plates in Vol. I includes many architectural designs for houses and those in Vol. II depict both interior and exterior ornaments as well as garden plans. See Weinreb: "Arts Applied" #326 £240!: "an important source book of rococo designs of the mid eighteenth century surveys most aspects of the country house in an effort to point out the rights and wrongs of proportion composition and interior planning." Fowler 49. Berlin Cat. 2400. Graesse 1:441. Brunet 9800. unknown
1737réf. 1235371737. Paris: C.A. Jombert 1737-8. Two vols. 4to title page in red and black vi Dedication a Monsieur Turgot Avis au relieur Approbation xvi 198 pp.; vii i Avis au relieur 180 pp. Numerous head- and tail-pieces. Vol. 1 with engraved frontispiece by Cochin and 44 plates 42 folding; Vol. 2 with 111 plates 15 folding. Most of the plates drawn and engraved by Blondel. All text-pages printed within a borderline. Original cats-paw calf rather worn joints repaired vol. 1 with new labels internally some browning and soiling a good solid set for reference not in "collector's condition". § First edition second issue without half titles errata slips and with Jombert's address as "Rue Dauphine". A handsomely illustrated work of the 18th century French architect and writer Jacques-François Blondel 1705-1774. The plates in Vol. I includes many architectural designs for houses and those in Vol. II depict both interior and exterior ornaments as well as garden plans. See Weinreb: "Arts Applied" #326 £240!: "an important source book of rococo designs of the mid eighteenth century surveys most aspects of the country house in an effort to point out the rights and wrongs of proportion composition and interior planning." Fowler 49. Berlin Cat. 2400. Graesse 1:441. Brunet 9800. unknown books
1907réf. 56101New York & Brooklyn NY; Boston MA Wilmington CA San Pedro CA Los Angeles CA: Curtis D. Mabry Lambie & Mabry William Gardner John G. Alden et al 1907-1940. 24 cyanotype blueprints diazo blueprints manuscript blueprints on linen oilskin paper some on glassine sized from 11.5 x 12.5 in. up to 27 x 94 in. w/ several sized primarily between 16 x 27.75 in. to 22 x 48 in. nearly all w/ draftsman specifications w/in the image many w/ pencil or grease pencil annotations and/or markings at margins of blueprints or on versos several signed w/in image and separately by Mabry chipping & edgewear to most the largest piece on glassine diazo paper is quite fragile and chipped w/ minor losses many w/ minor closed tears a couple w/ slight fading still VG- grouping. Eighteen “Specifications & Block Lists” most folio. 11 x 13 in. some typescript others mimeographed and several blueprint w/ nearly all clasped at upper margin: C 14 leaves; 42 leaves; E 38 leaves; 14 1 leaves; 2 8 leaves; 15 leaves unnumbered. - 2 copies; 5 leaves unnumbered.; 5 leaves unnumbered.; 7 2 leaves; 6 leaves unnumbered.; 5 1 leaves; 2 25 4 leaves -- 2 copies; 2 8 leaves; 8 leaves; 10 leaves; 5 leaves nearly all stapled to backing paper as issued. File folder containing over 50 offprint clippings for sail plans newspaper clippings 4 TLS & ALS 2 on letterhead 1 5 x 7 in. photo of Mabry and more. These extraordinary sail plans designs specifications and clippings trace the career arc of a marine architect career with some of the most significant yacht and ship designers in New York and Boston and Southern California. Mabry 1882-1949 launched his career with the storied Gardner & Cox Naval Architects of New York later William Gardner as chief draftsman and later inspector for the firm. He was responsible for designing the earliest version of the Star Class keelboat which produced a large chunk of the top U.S. sailors for years and served as pipeline for training America’s Cup Racers as one of the older one-design classes. His initial design made its regatta debut on Long Island in the Spring of 1907 which was then adapted by storied designer Francis Sweisguth who adapted the size of the hull and sail plan. This archive includes the blueprint Hull Body Plan Lines and Sail Plan for the Cyric a Class “S” 32 foot sloop built for Eldon H. Trimingham which raced for the LIpton Cup on Gravesend Bay and later carried the Trimingham colours until the Royal Bermuda Yacht Club brought in a fleet of seven one-design sloops in 1925. It later raced in the 1930 International Yacht Races. Also included are the Block List Body Plan and Lines for Hull No. 254 by Gardner which was a 46 foot Class “S” finished in 1912 originally for Seward Prosser who also owned the yacht Constance. Of additional significance are the Hull Plans and Specifications for the Larchmont “O” Class sloops built in 1917 with six sister ships -- Georgia Varuna Nimbus Grey Dawn Maisie and Betty with all except for the Varuna fitted with Gaff rigs. The Varuna fitted with a groundbreaking Marconi Rig proved to be the fastest design at the close of World War I. The tragic Sea Call one of yachting’s greatest schooners as well as one of its greatest lost opportunities is well represented here including the Main Mast Head Mizzen Mast Head Sail Plan designs together with the typescript Block List. In the design Gardner specified a combination of vanadium steel and monel metal which resulted in violent electrolysis and within three weeks of her first sea trial the decision was made to scrap her. She was designed to hold 10-12 guests with a private owner’s deckhouse. During World War I subsequent to working on the Larchmont “O” Class for Gardner Mabry contracted with J.F. Duthne & Co. in Seattle as chief draftsman and after the War set up in Los Angeles as a Naval Architect. While working for the Los Angeles Shipbuilding & Dry Dock Co. he drafted the designs and plans for the Steamers “Yale” & “Harvard” which had originally served as coastal steamers for the Admiral Line with the Pacific Steamship Co. and taken into Government Service during World War I and then purchased and rebuilt by Harry & Ralph Chandler forming the LS Steamship Co. and operating subsequently as popular steamships on the Pacific Coast. SS Yale was later scrapped in 1949. Included with this archive is a manuscript Hull Design signed by Mabry. In 1925 he also designs the plan for a Los Angeles Fireboat with manuscript plan and Mabry’s signature included here dated June 13 1925. He then contracts with the famed yacht designer John G. Alden in Boston. Specifications for No. 274 the Waterline Auxiliary Ketch “Danai” which was designed and built in 1926 built by Kenneth McAlpine of Shelbourne N.S. Canada and was later renamed Wawa Valdora Nira and Polaris. Of significance is the specifications for Hull No. 435 “Puritan” designed by Mabry and commissioned by Edward Brown and built as a 126 foot gaff-rigged schooner. The Yacht still serves as a charter vessel with the Classic Yacht Experience after extended refit in 2015. Sometime between 1929 and 1930 Mabry partners with noted Southern California Naval Architect William Lambie and their partnership would last about two years. The pair would design many power yacht designs including a fast 88 foot cruiser a 55 foot schooner a cruiser for N. Paul Whittier of Hollywood CA and 110 foot steel auxiliary schooner for H. Wilhelm Rohl who also owned at the time the famed Te Vega yacht. They may be best remembered for designing the glass bottomed “Phoenix” the popular sightseeing side-wheeler paddle boat for tourists sightseeing over the undersea gardens of Santa Catalina Island. Lambie 1886-1963 was a Scottish-American Southern California naval architect who had worked with Southwestern Shipbuilding then with the Seacraft Corporation and well known as the designer of the popular Lambie propellers whose efficiency was first recognized when installed on the SS Catalina. The letters included in this archive reflect the impact of the Great Depression and the Stock Market Crash on shipbuilding with the owner of the Philadelphia based Tunnel & Mine Machinery Co. lamenting that “It has been pretty stringent this year but some of my things are showing signs of coming back . . . which may enable me to complete Sapphire Seas.” While the letter sent by Lambie to W.F. McMahon in Riverside California explaining how he unwittingly may have offended Mabry his former partner as well as Mr. McMahon over the proposed design and build of a yacht in 1932. Mabry would remain in Los Angeles until the mid-1930s before moving again to the East Coast to work for the Cramp Shipbuilding Co. in Philadelphia and then later the EB Company in New London CT. Worldcat lists no copies or examples of designs by Curtis Darling Mabry or for the firm Lambie & Mabrie; See: The Big White Steamer The Branding Iron Los Angeles Westerners Corral No. 101 1971 pp. 5-7; Martin Cox Los Angeles Steamship Company 2010; Francis Sweisguth William Gardner Yacht Designer; John Valois The Centennial History of the Woods Hole Yacht Club 1996. Curtis D. Mabry, Lambie & Mabry, William Gardner, John G. Alden, et al, unknown
1932réf. 20205London: Longmans Green & Company. Very Good. 1932. First Edition; First Printing. Hardcover. Rubbing at the spine ends. Hinges are all intact. Inscribed by Wright on the half-title. ; 8vo 8" - 9" tall; 371photos pages; Signed by Author . Longmans, Green & Company hardcover
1720Aug[ustae] Vind[elicorum] (Ausburg), Jeremias Wolff, (1720). Folio (313 x 225 mm). In contemporary half calf with five raised bands and gilt ornamentation. Extremities with wear and most of the gilting worn of. 7 engraved plates (434 x 313 mm): (Title-page), Copenhagen, Der Schloss Platz, Der Neue Königs Markt, Fridrichburg, Fridrichs=Berg, Der Öresund.All plates folded in the middle. Light occassional brownspotting, otherwise fine.
réf. 012-Io.J. Feder und Pinsel in Grau, grau laviert, über Bleistiftskizze, auf Velin, im Unterrand betitelt, rechts unten signiert ?Arthur Blaschnik fec.?. 22,7:28,5 cm. Zwei kleine Fehlstellen im linken Rand ergänzt, rechte obere Ecke angesetzt, zwei Knickfalten geglättet.
1696In-folio, cc. (8), pp. 196, cc. (6). Nel testo 80 belle incisioni su rame a mezza pagina, e due a doppia pagina; con la raffigurazione del lago di Bracciano e del suo sistema delle acque. Frontespizio restaurato non nella parte di testo. Trattato sull’acqua, sui corsi e i bacini che si trovano in natura, sul modo di deviarne i corsi, canalizzarli, costruire condotte e acquedotti per la distribuzione; l’interazione dell’acqua con gli altri elementi; Ogni capitolo dei tre libri accanto alla descrizione ha un’illustrazione, dalla rappresentazione della terra, a quella delle condotte, al sistema dei vasi comunicanti, a una serie di 20 interessanti incisioni che raffigurano le fontane, i vasi e gli scherzi e i giochi che si facevano nei giardini per sorprendere gli invitati. A p. 196 l’elenco delle “opere che fino ad ora sono uscite alla luce” e “l’altre poi che tengo di già in pronto”. Legatura in piena pergamena coeva. Riccardi I 466
réf. 711-Eo.J. Aquarell, über schwarzem Stift, auf Bütten, auf dem Grabkreuz im Vordergrund bezeichnet ?sacred to thay (?). 41,5:33,2 cm. - Insgesamt mit Werkstattspuren. Provenienz: Sammlung Heinrich Stiebel, Frankfurt a.M. (1851-1928), vgl. Lugt 1367.
Contiene il manifesto L'architettura futurista di A. Sant'Elia e saggi originali di F.T. Marinetti, Fillia, E. Prampolini, W. Gropius, Le Corbusier, A. Sartoris, N. Diulgheroff, R. Ginsburger, G. Vedres, A. Lurcat, Von Der Muhll. 276 Riproduzioni in nnero ed una a colori Rilegatura cartonata con illustrazione testi a due colori al piatto ed al dorso. 4to. pp. 278. . Molto buono (Very Good). Leggere abrasioni ai margini delle copertine. Dorso restaurato. . . Primo studio completo sull'architettura razionale comparso in Italia
réf. 287-Eo.J. Aquarell und Deckfarben, über Bleistift, auf hellgrauem Bütten, verso bezeichnet ?Adolf Hoeffler?. 30:43,3 cm. Etwas stockfleckig, verso mit Hinterklebungen an den Rändern.
réf. 0829-Bo.J. Radierung, 1768, auf Bütten. 46:59 cm, Blattgröße 58,3:87,8 cm.- Unten mittig auf einer Kartusche bezeichnet, links unten signiert ?Cavaliere Piranesi delin. E inc.?. Literatur: Focillon 844; Hind 90, II (v.IV); Ficacci 961; Wilton-Ely 223. ? Sehr kräftiger Abdruck mit dem vollen Rand, die Ränder stockfleckig und mit kleineren Einrissen.
réf. 0727-Bo.J. Radierung 1765, aus Vedute di Roma, auf Bütten. 49,3:70,5 cm.- Unten in der Mitte auf dem Schriftband bezeichnet: "Villa Panfili / fuori di Porta S. Pancrazio. / 1. 2. Villa Corsini. / 3. Villa Ferroni."; unterhalb davon signiert: "Cav. Piranesi F." - Brillanter, tiefschwarzer Abdruck des 1. Zustandes mit schmalem Rändchen um die Plattenkante. Bugfalte geglättet. Literatur: Hind 124, I (von III); Focillon 840; Wilton-Ely 257; Taschen 995.
réf. 095-Io.J. Bleistift, auf cremefarbenem Pauspapier. 21,5:29,4 cm. Kleiner Einriß im Unterrand, kleines Löchlein im Himmel links oben. Provenienz: Friedrich August II., König von Sachsen, Lugt 971. Vergleichsliteratur: Ausst. Katalog: Von Dillis bis Piloty, München 1979, S. 74, vgl. Abb. 43-45; Kat. H.W. Fichter, Gezeichnete Kunst, Bd. 4, 1990, Nr. 37 sowie Bd. 9, 1995, Nr. 53; Joseph Fach, 2001, Kat. 80, Nr. 56. Zeichnungen auf Pauspapier fertigte Reinhold meist als Vorarbeiten für Gemälde an. Diese in der Regel vor der Natur entstandenen Studien verkaufte er allerdings nur, wenn ihn Geldnöte dazu zwangen. Bei der hier vorliegende Zeichnung kann es sich allerdings nicht um eine vor Ort entstandene Zeichnung handeln, da Reinhold selbst nie in Otranto gewesen ist. Vermutlich ist sie die Pause einer Zeichnung von J. Thürmer (1789-1833), der 1818 auf dem Weg nach Griechenland in Otranto auf das Schiff wartete, mit dem er die Reise fortsetzen konnte. In seiner Begleitung fanden sich damals seine Freunde und Kollegen F. Heger (1792-1836) und H. Hübsch (1795-1863).
réf. 275-Eo.J. Bleistift auf Velin. 23,4:33,7 cm. Provenienz: Vente Salathé, Stempel nicht bei Lugt. Im ganzen etwas fleckig, kleine Fehlstelle an der linken unteren Ecke. Vgl. zu dem Gebäude: S. Wechssler, Ernst Fries (1801-1833), Heidelberg 2000, S. 208 f., Kat. Nr. 271, ?Rom, Tiberufer, 1826?.
