72 813 résultats
réf. 181-Eo.J. 3 Blatt Ansichten des Schlosses: a) Von vorn mit Einfahrt, bezeichnet ?grafenort?; b) Von hinten mit Park und Teich, bezeichnet ?graffenort?; c) Schloßhof, bezeichnet ?Schlosshoff von grafenort?. Pinsel in Schwarz und Braun, über Bleistift, braun laviert, mit Deckweiß gehöht, mit mehreren schwarzen Tuschlinien umrandet, auf bräunlichem Velin. 21,7:17,8 cm, 17:20,7 cm bzw. 20:16 cm. - Verso Reste alter Verklebung, die vorne durchschimmern.
1993réf. 4197DB4 Faksimile mit jeweils einem Kommentarheft und einem Kommentarband. Luzern, Faksimile-Verlag, 1993-1995 696 Seiten mit faksimilierten illustrieren Miniaturen. Samteinbände mit Metallschliessen in Samtkassetten.
réf. 7239CB28 x 22,3 cm. 2 S.
réf. 7238CB28 x 21,5 cm. 1 S.
890réf. 1199DGFrankreich, 1890 – 1920 Hohlguss aus Bronze (12 kg). 50 cm (Länge), 15 cm (Breite), 34 cm (Höhe). Sehr gut erhaltenes Bronze-Figur.
1881réf. 051524-TSt. Louis : G.I. Jones & Co. 1881. Book. Illus. by Author. Very Good. Hardcover. Signed by Authors. Limited Edition. Folio - over 12 - 15" tall. Limited Edition 1881 Hardcover Brown leather with gilt letters to the cover and spine with new leather spine and corners Rebound with imported end sheets 391 page book.Plus 46 plates and fold outs including schematics and photographs . Frontispiece photograph of the bridge in 1880. This is the first bridge to span the Mississippi River and still stands today . A engineering marvel by the engineer James Buchanan Eads 1820 - 1887 .This copy was presented by the author and engineering professor and dean of engining at Washing University in St. Louis Calvin Milton Woodward 1837 - 1914 . Laid in is a signed note by Mr. Woodward to : " Friend Moody - I send a copy of the "Book" for you to examine. Yrs. C.M. Woodward Jan. 24/82 along with a typed note tipped in This book is the property of Irwin T. Johnson . It was originally given to my grandfather Chas.D. Moody by the author. Please handle with care. s/Irwin D. Thompson . Charles D. Moody was a civil engineer and patent attorney of Webster Groves Missouri. Title page bears the inscription " For Irwin Twining Johnson From KatherT. Moody 1937. A Very Rare Book on Bridge Construction and with a note signed by the author . Condition : Very Good A complete and professionally rebound copy . . G.I. Jones & Co. Hardcover
1620réf. 11736Paris 1620 In-folio 3ffnch+175 pp, édition, revue corrigée et augmentée par A. Errard, son neveu. Très nombreuses gravures et figures in-texte, bandeaux et culs-de-lampe, gravure de J. Briot sur la page de titre. Mouillures claires et salissures, avec parfois atteinte au texte. ouvrage réemboité sous un plein vélin muet, frotté, avec légers manques et nombreuses pliures. Gardes neuves. Errard de Bar le Duc, entrant au service d'Henri IV deviendra le père de l'école française de fortification en dessinant la citadelle d'Amiens ( 1598-1663) pour solidifier la frontière de la Somme. Fort de ses expériences Multiples au service du Béarnais, Il pourra rédiger avec Autorité, ce premier traité Français.
1680Paris, Claude Jombert, n.d. (1680 ?). Folio. Fine later hcalf in old style, gilt back and red titlelabel. 2 engraved allegorical titlepages. 75 engraved plates (both text and images engraved) + 31 engraved plates (of which 15 are double-page).
1680réf. 23690Paris, Claude Jombert, n.d. (1680 ?). Folio. Fine later hcalf in old style, gilt back and red titlelabel. 2 engraved allegorical titlepages. 75 engraved plates (both text and images engraved) + 31 engraved plates (of which 15 are double-page).
1774réf. 3976Palermo: nella stamperia di Francesco Valenza 1774. SOLE EDITION. Hardcover. Fine. Bound in attractive contemporary patterned pasteboards corners bumped minor wear. The text is in excellent condition. The two folding engravings show the funeral monument and the catafalque. Clean tear mended no loss to first plate. Marginal tear not affecting image to second plate. The portrait was etched by Giuseppe Garofalo after a drawing by Pietro Giaconia. The 2 foldings plates see below were also etched by Garofalo. An unusual funeral book of the late Sicilian Baroque commemorating funeral rites for the prosperous Sicilian lawyer Giuseppe Maria Jurato d. 10 October 1712 judge of the Grand Civil Court of Palermo and Prosecutor of the Royal Court. Jurato's funeral was held in the Baroque-Mannerist Chiesa di Santa Ninfa dei Crociferi where he was also entombed. Jurato's desire to have a funeral monument erected to his memory in the church of Santa Ninfa is in keeping with his use of architecture to make public statements about his success and prosperity. Around 1760 Jurato built a palazzo on Via Maqueda only 80 meters from the church in which he is now buried. Now known as Palazzo Jurato-Rudinì it is one of four that delimit the Baroque piazza known as Quattro Canti. With his Palazzo at one end of the street and his funeral monument at the other the two "monuments" implied a kind of extended tribute to Jurato's life and achievements. The book contains the text of the funeral oration as well as a brief description of the funeral ceremony. The two large folding plates show the grand catafalque with Jurato's body lying in repose upon it designed by the architect and engineer Nicolò Anito 1715-1809; and the funeral monument erected in the Church of Santa Ninfa designed by the prolific Palermo-born architect Giuseppe Venanzio Marvuglia 1729-1814 and sculpted in marble by another Panormito Filippo Pennino 1755-1801. Jurato was proud to have attained his position of prominence by his own efforts rather than through hereditary wealth. When his palazzo was finished Jurato had the Latin inscription "remis et non velis" "with oars and not with sails" posted over the entrance to mock his aristocratic neighbors. The inscription is a clear allusion to the fact that unlike the nobles he was able to achieve great things without the wind of illustrious forebears at his back. This same theme is underscored in the funeral sermon. Although the Church of Santa Ninfa was begun in 1601 the façade was built by Giuseppe Venanzio Marvuglia and Ferdinando Lombardo between 1750 and 1760 making it and Jurato's palazzo contemporary constructions. With his palazzo and tomb at either end of Via Maqueda -one of the two streets that make up Palermo's main axis- Jurato continues to visually tout his achievements. nella stamperia di Francesco Valenza hardcover
1774réf. 3976Palermo: nella stamperia di Francesco Valenza 1774. SOLE EDITION. Hardcover. Fine. Bound in attractive contemporary patterned pasteboards corners bumped minor wear. The text is in excellent condition. The two folding engravings show the funeral monument and the catafalque. Clean tear mended no loss to first plate. Marginal tear not affecting image to second plate. The portrait was etched by Giuseppe Garofalo after a drawing by Pietro Giaconia. The 2 foldings plates see below were also etched by Garofalo. An unusual funeral book of the late Sicilian Baroque commemorating funeral rites for the prosperous Sicilian lawyer Giuseppe Maria Jurato d. 10 October 1712 judge of the Grand Civil Court of Palermo and Prosecutor of the Royal Court. Jurato's funeral was held in the Baroque-Mannerist Chiesa di Santa Ninfa dei Crociferi where he was also entombed. Jurato's desire to have a funeral monument erected to his memory in the church of Santa Ninfa is in keeping with his use of architecture to make public statements about his success and prosperity. Around 1760 Jurato built a palazzo on Via Maqueda only 80 meters from the church in which he is now buried. Now known as Palazzo Jurato-Rudinì it is one of four that delimit the Baroque piazza known as Quattro Canti. With his Palazzo at one end of the street and his funeral monument at the other the two "monuments" implied a kind of extended tribute to Jurato's life and achievements. The book contains the text of the funeral oration as well as a brief description of the funeral ceremony. The two large folding plates show the grand catafalque with Jurato's body lying in repose upon it designed by the architect and engineer Nicolò Anito 1715-1809; and the funeral monument erected in the Church of Santa Ninfa designed by the prolific Palermo-born architect Giuseppe Venanzio Marvuglia 1729-1814 and sculpted in marble by another Panormito Filippo Pennino 1755-1801. Jurato was proud to have attained his position of prominence by his own efforts rather than through hereditary wealth. When his palazzo was finished Jurato had the Latin inscription "remis et non velis" "with oars and not with sails" posted over the entrance to mock his aristocratic neighbors. The inscription is a clear allusion to the fact that unlike the nobles he was able to achieve great things without the wind of illustrious forebears at his back. This same theme is underscored in the funeral sermon. Although the Church of Santa Ninfa was begun in 1601 the façade was built by Giuseppe Venanzio Marvuglia and Ferdinando Lombardo between 1750 and 1760 making it and Jurato's palazzo contemporary constructions. With his palazzo and tomb at either end of Via Maqueda -one of the two streets that make up Palermo's main axis- Jurato continues to visually tout his achievements. nella stamperia di Francesco Valenza hardcover books
1566réf. 22986Venetia Francesco Senese, & Zuane Krùger 1566 -in-4 plein-VELIN 2 OEUVRES DE SERLIO : LIBRO PRIMO [-QUINTO] D'ARCHITETTURA en 5 parties + LIBRO ESTRAORDINARIO reliées en un volume, reliure janséniste d'époque en plein vélin ivoire parcheminé in-quarto (jansenist's binding full vellum in-4) (25,5 x 18,5 cm), dos long (spine without raised band), Auteur et Titre manuscrit à l'encre brune en haut du dos (handwritten title on the spine), coins écornés, tranches lisses (smooth edges), texte en italien, LIBRO PRIMO [-QUINTO] D'ARCHITETTURA est divisé en 5 parties, orné d'un titre-frontispice gravé sur bois en noir et de 219 planches hors-texte gravées sur bois en noir par Z. Krugher (Chrieger), Traces de mouillures claires + taches brunes sur les 2 premières pages, pagination commune pour les 5 parties au feuillet : 219 Feuillets (438 pages), 1556 In Venetia, : Appresso Francesco Senese, & Zuane Krùger Alemano compagni, + LIBRO ESTRAORDINARIO, orné d'un titre-frontispice gravé sur bois en noir et de 52 planches hors-texte gravées sur bois en noir avec la description en italique en regard, Traces de mouillures claires + taches brunes en marge basse sur les 20 dernières pages, pagination au feuillet : 52 feuillets (104 pages), 1556 In Venetia, : Appresso Francesco Senese, & Zuane Krùger Alemano compagni,
1921réf. 98233BBAmsterdam, 1921. 4° (33,5 x 33,5 cm). 38 S. mit 22 teils ganzs. Abb. Farbig illustr. OKart. (als Blockbuch gebunden und mit Bastkordel geheftet). [8 Warenabbildungen]
réf. 67919Barcelona, M. Moleiro Editor, S.A., 2004 Bound in deep red leather with gold motifs, housed in a matching Leather slipcase with gold motifs. 50 pages, 23 full-page illuminations decorated with gold and in in full colour. Folio Size: 36 x 26cm. **** NUMBERED COPY NO. 67 OF A LIMITED FACSIMILE EDITION OF 987 COPIES, ISSUED WITH A CERTIFICATE OF AUTHENTICITY.**** (+ ADDED; Accompanied by a commentary volume, hardcover with dust jacket, 224 pages, profusely illustrated in colour. Text. by Jos Koldeweij (Radboud University, Nijmegen) and Nelly de Hommel (University of Amsterdam).*Fine condition.) ISBN 9788488526984.
réf. 45183NP: NP. Hardcover. vg. Quarto 9 1/2 x 9 1/4". 53 leaves with tissue guards. Original three-quarter bolted brown and red cloth photo-album with gilt ruling on spine. Collection of ca. 300 original b/w photographs in variant sizes depicting architectural motives in Nuremberg Munich Stuttgart Berlin Potzdam Warsaw Odessa and France spanning the 1930s 1940s and 1950s. The photographs vary in sizes from 2 1/4 x 2 1/4" to 9 1/4 x 6 3/4" - the striking photographs are taken and captioned by Adolf Emilius. The collection contains three photographs with Adolf Hitler. One with Albert Speer and Franz Struff another with Hitler in the Nuremberg opera house in 1937 and one showing Hitler at the construction site of the Zeppelinwiese. Starting with a section depicting buildings in Nuremberg and Stuttgart the album shows the German Garden Show the VW factory the German Toy Fair 1953 various city institutions and businesses from the 1950s. Professional settings like the Settlement Exhibition in Munich Ramersdorf 1934 one and two family homes in Nuremberg and surrounding areas by architects Fritz Mayer and Hans Kern including details like entrance lighting and flower windows. Siemenshaus in Nuremberg a border police station in Vorarlberg the Catholic church in Bludenz City Hall Nuremberg the Cathedral and the Arc de Germanicus of Saints the opera house and the dome in Aachen. A section of photographs of Berlin show the Shell headquarters the sculpture of the group of runners at the Olympia Stadion the Ufa Palace in 1938 decorated for the main event Riefenstahl's Olympia film. There is the iron construction of the ship draw works at Niederfinnow the Arcs de Triomphe in Brandenburg and Munich the Berlin Dome and the Charlottenburg Castle the broadcasting center the Haus der Deutschen Kunst and the State Opera in Munich the Sanssoucie castle in Potsdam and the Brandenburg Gate. Contains a group of four sepia-toned photographs of wooden buildings designed by the architect Julius Schulte -Frohlinde for the Olympic Games 1936 in Berlin. Some of these buildings Rheinlandhalle Berliner und Hamburger Halle depicted here were transported to Nürnberg after the Olympic Games and reassembled on the Nazi Rally Grounds in the northeast part of the city called the KdF-Stadt Kraft durch Freude City. They were used by the organization to entertain the attendants of the NSDAP Rallies in 1937 and 1938. The center of this city was a bell tower also depicted here playing the key note of the KdF every thirty minutes: "Freut Euch des Lebesn Enjoy Life." The second half of the photo-album contains some 120 b/w photographs incl. few photographic postcards depicting exteriors and interiors of buildings associated with Nazi institutions or events e.g. three photographs of models including of the Haus der Kunst München the Soldier Hall and High Command of the Army Dresden design W. Kreis and the Advanced School of the NSDAP at the Chiemsee design Hermann Giesler. It includes photographs of the exhibition "Siedlungsausstellung" in Munich showing the sample settlement Ramersdorf the epitomization of the National Socialist settlement idea. In short order 192 single family homes were built in the Munich district of Ramersdorf under the direction of the architect Guido Harbers. However the propaganda effect the officials had hoped for didn't materialize and the homes were sold after the exhibition. In addition there are photographs of the interior of the Nuremberg Congress Hall design by Lauterbach 5 1/2 x 7 1/2" the old Kongreßhalle the Luitpold arena a plaster model of the Kongreßhalle 1937 one of them with Hitler Speer and the architect Ruff the side arcade of the stadium at the Zeppelin Field the entrance of the Palais of the Reich President design Speer the Gau-building in Nuremberg design Ruff the Reich Chancellery various interior and exterior views the office of the Führer a sculpture by Arno Breker the entrance to the Reich Chancellery a series of 12 photographs of showing the construction of the new Reich Chancellery in 1938 the construction of the Zeppelin Field one of them with Adolf Hitler 1936 the grandstand of the Zeppelin Lawn a fatigue duty muster a lighting rehearsal a demonstration of the Wehrmacht various government buildings in Breslau Minsk and Nuremberg 21 photographs showing the construction of the Zeppelin Lawn concluding with eight photographs 4 1/4 x 6 1/2" of the construction of the Zeis Factory in Jena. Text in German. Starting after the first leaf with the second leaf loose. Some creasing of tissue guards. Overall in very good condition. NP hardcover
réf. 45183NP: NP. Hardcover. vg. Quarto 9 1/2 x 9 1/4". 53 leaves with tissue guards. Original three-quarter bolted brown and red cloth photo-album with gilt ruling on spine. Collection of ca. 300 original b/w photographs in variant sizes depicting architectural motives in Nuremberg Munich Stuttgart Berlin Potzdam Warsaw Odessa and France spanning the 1930s 1940s and 1950s. The photographs vary in sizes from 2 1/4 x 2 1/4" to 9 1/4 x 6 3/4" - the striking photographs are taken and captioned by Adolf Emilius. The collection contains three photographs with Adolf Hitler. One with Albert Speer and Franz Struff another with Hitler in the Nuremberg opera house in 1937 and one showing Hitler at the construction site of the Zeppelinwiese. Starting with a section depicting buildings in Nuremberg and Stuttgart the album shows the German Garden Show the VW factory the German Toy Fair 1953 various city institutions and businesses from the 1950s. Professional settings like the Settlement Exhibition in Munich Ramersdorf 1934 one and two family homes in Nuremberg and surrounding areas by architects Fritz Mayer and Hans Kern including details like entrance lighting and flower windows. Siemenshaus in Nuremberg a border police station in Vorarlberg the Catholic church in Bludenz City Hall Nuremberg the Cathedral and the Arc de Germanicus of Saints the opera house and the dome in Aachen. A section of photographs of Berlin show the Shell headquarters the sculpture of the group of runners at the Olympia Stadion the Ufa Palace in 1938 decorated for the main event Riefenstahl's Olympia film. There is the iron construction of the ship draw works at Niederfinnow the Arcs de Triomphe in Brandenburg and Munich the Berlin Dome and the Charlottenburg Castle the broadcasting center the Haus der Deutschen Kunst and the State Opera in Munich the Sanssoucie castle in Potsdam and the Brandenburg Gate. Contains a group of four sepia-toned photographs of wooden buildings designed by the architect Julius Schulte -Frohlinde for the Olympic Games 1936 in Berlin. Some of these buildings Rheinlandhalle Berliner und Hamburger Halle depicted here were transported to Nürnberg after the Olympic Games and reassembled on the Nazi Rally Grounds in the northeast part of the city called the KdF-Stadt Kraft durch Freude City. They were used by the organization to entertain the attendants of the NSDAP Rallies in 1937 and 1938. The center of this city was a bell tower also depicted here playing the key note of the KdF every thirty minutes: "Freut Euch des Lebesn Enjoy Life." The second half of the photo-album contains some 120 b/w photographs incl. few photographic postcards depicting exteriors and interiors of buildings associated with Nazi institutions or events e.g. three photographs of models including of the Haus der Kunst München the Soldier Hall and High Command of the Army Dresden design W. Kreis and the Advanced School of the NSDAP at the Chiemsee design Hermann Giesler. It includes photographs of the exhibition "Siedlungsausstellung" in Munich showing the sample settlement Ramersdorf the epitomization of the National Socialist settlement idea. In short order 192 single family homes were built in the Munich district of Ramersdorf under the direction of the architect Guido Harbers. However the propaganda effect the officials had hoped for didn't materialize and the homes were sold after the exhibition. In addition there are photographs of the interior of the Nuremberg Congress Hall design by Lauterbach 5 1/2 x 7 1/2" the old Kongreßhalle the Luitpold arena a plaster model of the Kongreßhalle 1937 one of them with Hitler Speer and the architect Ruff the side arcade of the stadium at the Zeppelin Field the entrance of the Palais of the Reich President design Speer the Gau-building in Nuremberg design Ruff the Reich Chancellery various interior and exterior views the office of the Führer a sculpture by Arno Breker the entrance to the Reich Chancellery a series of 12 photographs of showing the construction of the new Reich Chancellery in 1938 the construction of the Zeppelin Field one of them with Adolf Hitler 1936 the grandstand of the Zeppelin Lawn a fatigue duty muster a lighting rehearsal a demonstration of the Wehrmacht various government buildings in Breslau Minsk and Nuremberg 21 photographs showing the construction of the Zeppelin Lawn concluding with eight photographs 4 1/4 x 6 1/2" of the construction of the Zeis Factory in Jena. Text in German. Starting after the first leaf with the second leaf loose. Some creasing of tissue guards. Overall in very good condition. NP hardcover books
1913réf. 58552Seattle WA: Bungalow Publishing Co. Inc.; Otis Publishing Co. Oct. 1913-March 1918. Sixteen vols. Tall 8vo. 7.5 x 10.5 in. 80; 4-A 747-812 5-A - 14-A w/ large folding “Supplement Bungalow” plan 24 x 36 in.; 4-A 67 6-A-14-A w/ Plan; 4-A 65-132 5-A - 12-A; 4-A 133-200 5-A-12-A w/ Plan; 4-A 201-266 5-A - 14-A w/ Plan; 4-A 207-332 5-A - 12-A w/ Plan; 4-A 333-398 5-A - 14-A w/ Plan; 4-A 399-451 6-A - 12-A; 4-A 451-506 9-A-12-A; 4-A 507-560 5-A - 10-A; 4-A 629-697 6-A - 12-A w/ Plan; 4-A 697-765 6-A - 12-A w/ Plan; 80 w/ Plan; 80 w/ Plan; 64 pp. With 100’s of photo illustrations diagrams floor plans 10 issues include the large Supplement folding working plans sized 24 x 36 in. Colour-illustrated softcovers all w/ colour photos of bungalows minor dustsoiling edgewear some occasional chipping at Head & foot of spine creasing a couple w/ folds at corners toning to plans occasional offset toning still a VG set of original periodicals from the library of Millard Armstrong 1874-1958 longtime Portland Oregon millwright carpenter home builder and later high school teacher and Albany OR dairy farmer. First editions of 16 original issues of this Craftsman bungalow promotional magazine issued by noted Seattle entrepreneur and real estate developer Jud Yoho 1882-1968 known as “The Bungalow Craftsman” in Seattle’s active market prior to World War I. Bungalow Magazine had been originally launched 1908-1912 by Henry Wilson in Los Angeles but Yoho took over the magazine moved the publishing to Seattle and during its 6 year run attracted a nationwide audience. With the slogan of “an illustrated monthly magazine devoted exclusively to artistic bungalow homes” modeled on Gustav Stickley’s Craftsman magazine this glossy periodical featured Seattle bungalows and articles about California residences Eastern Craftsman homes and occasionally lifted articles directly from the Craftsman. The Bungalow Magazine attracted a nationwide audience included feature articles on a variety of Craftsman style homes their technology and mechanical systems and amateur projects in furniture design and construction to enhance the prospective home owner’s bungalow. At the time Yoho and his firms were actively constructing speculative houses in Seattle’s northern neighborhoods served as new advertising for many of the Pacific Northwest’s builders small architects and real estate developers. The innovative inclusion of “Supplement Bungalow Plans” not only presented the potential reader and home owner with a sample home but Yoho and other connected “Craftsman” home builders pioneered a technique of easy home financing and extended home ownership to many who could not otherwise have purchased a home. As the Craftsman bungalow craze waned in Seattle during World War I Yoho divested his interest and began producing his “Colonial Homes” plan books and during the severe post-World War I recession moved to Arkon OH where he opened an architectural and building firm with D.E. Hooker former editor of The Bungalow Magazine. Original individual issues seldom appear in the market and almost never with the original large folding plan supplements and this archive includes nearly all of the last two years of magazines 14 of 15. No copies or runs located in Worldcat Seattle Public Lib. houses nearly a complete run. See: Lawrence Kreisman & Glenn Mason The Arts and Crafts Movement in the Pacific Northwest 2007 pp. 159-167; Jud Yoho “The Bungalow Craftsman” and the Development of the Seattle Suburbs Perspectives in Vernacular Architecture Vol. 6 1997 pp. 231-243; Erin Doherty Jud Yoho and the Craftsman Bungalow Company: Assessing the Value of the Common House 1997; Jud Yoho & Dennis Andersen Craftmsan Bungalows Edition de Luxe Book Club of Washington 2007. Bungalow Publishing Co., Inc.; Otis Publishing Co., paperback
1920réf. 16597New York & London: G. P. Putnam. Very Good. 1920. First Edition. Hardcover. Bound in original tan cloth. Folio folder contains 256 loose pages. 222pp 4 color 52 Monochromatic plates. Gilt titles on spine and front cover. 1st edition. Text is Intact and clean. Small cloth tear at spine heel. First 3 pages have an curled edge. Two torn cloth ties. Floral decorated paper inside covers has rub marks. Old wooden ceilings are more numerous in Spain than other European Countries. Architecture Spain; Monochrome & Color Plates; Folio 13" - 23" tall; 256 pages . G. P. Putnam hardcover
1933réf. 24040Spring Green WI: Taliesin Fellowship 1933. Pamphlet. This is not a book. First edition. Frank Lloyd Wright's original prospectus and application for The Taliesin Fellowship dated January 1 1933. This the first prospectus issued consists of three loose sheets printed in b&w to one side only double-folded French-folded to form 12 pages with a cover 4 pages of hand-lettered text perspective drawings of the The Dining Room and The Draughting Room an illustrated aerial view of the Taliesin Fellowship complex opposite an annotated plot plan for the site and perspective drawings floor plans and/or elevation drawings for The Theatre The Studios The Dining Room and The Taliesin Tea Room. The other two components are the application and the Charter Applicants each a single sheet printed one side only and folded to produce 4 pages two of which are blank. The list of applicants includes Isamu Noguchi designated an "Honor Fellowship" but it is believed he never visited Taliesin. Lettering by Heinrich "Henry" Klumb one of the charter members. Unbound; unpaginated 16 pages; 7 b&w illustrations; 8.5 x 8.5 inches. Ref: Sweeney 2035. Though there is no indication as such this copy came from the estate of Willard and Barbara Morgan. Condition: The prospectus is Near Fine with only light tanning at the edges and a dimple to one page; the application has an additional fold not called for otherwise Near Fine. A very nice copy. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. Taliesin Fellowship unknown
1861réf. 51810Monrocq frères 1861 In-folio plein chagrin, dos à nerfs, caissons ornés, roulettes, dentelle d’encadrement des plats, fleurons d’angles, 4 - 50 planches en couleurs. Infimes rousseurs. Bel exemplaire.
1993réf. 4197DBLuzern, Faksimile-Verlag, 1993-1995. 696 Seiten mit faksimilierten illustrieren Miniaturen. Samteinbände mit Metallschliessen in Samtkassetten. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B|C 4 Faksimile mit jeweils einem Kommentarheft und einem Kommentarband.
Levées et Dessinées par Normand fils Membre de la Société libre des Beaux Arts. Première partie: avec 159 planches. Deuxième partie: Contenant, outre les Maison, des Edifices d'utilité publique de second ordre, tels que Marchés, Fontaines, Bains Ecoles, Théatres, Bazars, etc. etc. Avec 159 planches. Troisième partie: Levées et dessinées par G. E. Lemonnier de la croix, Architecte Inspecteur des travaux publics et L. Normand ainé Membre de la Société libre des Beaux Arts. Contenant les Plans généraux des habitations, ainsi que des Jardins de différens genres, renfermant Fontaines, Kiosques, Serres chaudes, Décorations rustiques, etc. Avec 160 planches. 3 volumi Bella rilegatura in mezza pelle, con titolo, autore e fregi in oro al dorso. 4to. pp. 10-159 tavole + 159 tavole + 159 tavole. . Molto buono (Very Good). Buono stato di conservazione. Alcune pagine presentano leggere bruniture che tuttavia non compromettono la visibilità delle tavole. Prima edizione (First Edition). .
réf. 0827-Bo.J. Radierung, 1765, auf Bütten. 43,2:66,3 cm, Blattgröße 58,3:86 cm.- Unten rechts auf einer Kartusche bezeichnet und signiert ?Cavalier Piranesi F.?. Literatur: Focillon 851; Hind 77, II (v.IV); Ficacci 948; Wilton-Ely 210. ? Sehr kräftiger Abdruck mit dem vollen Rand, die Ränder stockfleckig und mit kleineren Einrissen.
réf. 094-Io.J. Bleistift, auf cremefarbenem Pauspapier. 15,7:31,6 cm. Provenienz: Friedrich August II., König von Sachsen, Lugt 971. Zeichnungen auf Pauspapier fertigte Reinhold in der Regel als notwendiges Arbeitsmaterial für die Ausführung von Gemälden an. Diese vor der Natur entstandenen Studien verkaufte er in einzelnen Fällen schweren Herzens, aber aus Geldnöten gezwungen. Bei dem Motiv handelt es sich möglicherweise um die Ruinen der Villa die Quintili, heute von den Römern auch Roma Vecchia genannt, gelegen an der Via Appia Antica. Literatur: Ausst. Katalog: Heinrich Reinhold (1788-1825). Italienische Landschaften. Gera, 1988, Nr. 44, Abb. S. 130 (obwohl die Größenangabe ein klein wenig abweicht, sind diese und unsere Zeichnung vermutlich identisch); Ausst. Katalog: Von Dillis bis Piloty. München, 1979/80. S. 74.
réf. 0812-Bo.J. Kupferstich, 1823, auf Velin. 42,5:67,5 cm. Frontispiz zur 100-Blatt-Folge ?Antichita? Romane?, 1823. ? Tiefschwarzer und klar zeichnender Abdruck, breitrandig.
