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73 256 résultats
1961réf. 059188Wien / Vienna: Institut Fur Stadtebau An Dr Akademie Der Bildenden Kunste / Galerie Welz 1961. 1st Edition . Hardcover. Very Good. Hardcover Cloth Spine. Signature Of Architect Robert P. Meyerhof And With His Small Library Inventory Number On Spine. Wear Crease To Rear Cover. Institut Fur Stadtebau An Dr Akademie Der Bildenden Kunste / Galerie Welz hardcover
1912réf. 059212Hagen / Dortmund: Fr. Wilh. Ruhfus 1912. 1st Edition . Soft cover. Near Fine. Mounted Plates And Illustrated Fabrics In Color; Color And B/W Plates. 54 Pp. Softcover2 Pp Text Remainder Is Posters Prints Ads Illustrated Fabrics. Very Scarce. Per Wikipedia Julius E. F. Gipkens 1883 - 1968 Was A German Painter Illustrator And Graphic Designer. He Was Born In Hannover Germany. Gipkens Was Self-Taught And Found Inspiration In Lucian Bernhard's Work Eventually Contributing Greatly To The Sachplakat Plakatstil Style Himself. Gipkens Moved To Berlin And Started Working. Alongside Lucian Bernhard Hans Rudi Erdt And Julius Klinger He Was Employed On An Exclusive Contract With Hollerbaum & Schmidt. He Created Posters For Germany During World War I. After The War He Created Illustrations For Advertising And Design Firms And Newspapers. He Immigrated To The United States In 1933. His Work Is Held In The Collections Of The Library Of Congress And Victoria & Albert Museum. Fr. Wilh. Ruhfus paperback
1948réf. 059208Kondon Uk: The Architectural Press 1948. 1st Edition 1st Printing. Hardcover. Near Fine/Very Good. Ix 390 Pp. Green Cloth Git. First Printing Stated. Dust Jacket Priced 30S. Light Wear Minute Losses Short Tear At Bottom Of Spine Panel. The Architectural Press hardcover
1912réf. 059213Hagen / Dortmund: Fr. Wilh. Ruhfus 1912. 1st Edition . Soft cover. Near Fine. Mounted Plates In Color; Color And B/W Plates. Softcover2 Pp Text Remainder Is Posters Prints Ads. Very Near Fine. Per Wikipedia Emil Preetorius 1883 - 1973 Was A German Illustrator And Graphic Artist. He Is Considered One Of The Most Important Stage Designers Of The First Half Of The 20Th Century. He Studied Law Art History And Natural Sciences In Munich Berlin And Giessen Where He Was Awarded A Doctorate. He Then Attended The Munich School Of Applied Arts For A Short Time But Mainly Trained Himself As A Painter And Draftsman.1 In 1909 He Founded The School For Illustration And Book Trade In Munich Together With Paul Renner Headed The Munich Training Workshops From 1910 And Became Head Of A Class For Illustration And A Class For Stage Art At The University Of Fine Arts In Munich In 1926 At Which He Became A Professor In 1928. In 1914 Preetorius Franz Paul Glass Friedrich Heubner Carl Moos Max Schwarzer Valentin Zietara Founded The Artist Association "Die Sechs" One Of The First Artist Groups For The Marketing Of Advertising Orders Especially Posters. Preetorius Created Illustrations For Numerous Fiction Works From 1908. He Belonged To The Circle Of Friends Of Thomas Mann And Designed The Book Covers For The Novella A Man And His Dog And The 1954 Novel Confessions Of Felix Krull. Preetorius Also Designed The Cover To The First Public Issue Of Heinrich Mann's Novel The Subject 1918. Preetorius Worked For The Munich Kammerspiele From 1923. In 1932 Preetorius Became The Stage Director Of The Bayreuth Festival. In 1941 Preetorius With The Help Of Both Winifred Wagner And Heinz Tietjen Attempted To Help A Dutch Jew Who Had Been Head Of The Wagner Society Of Amsterdam But The Following Year Preetorius Was Denounced To The Gestapo As "Philo-Semitic" Or "Jew Friend". Officially His Accuser Was Dr. Gk Namely Herbert Gerigk The Head Of The Music Directorate In The Office Of The Fuhrer's Commissioner For The Supervision Of The Entire Intellectual And Ideological Training And Education Of The Nsdap Ofcs And The Co-Editor Of The Notorious Lexicon Of Jews In Music: But Preetorius Always Suspected That Someone Else Was His Real Accuser. Wieland Wagner The Oldest Son Of Siegried And Winifred And The Grandson Of The Composer Richard Wagner Had For Some Time Been Attempting To Claim What He Regarded As His Rightful Inheritance Namely The Artistic Directorship Of The Festival. Wieland Was Hitler's Favourite Of Winifred's Children And In Order To Ensure That Wieland Would One Day Become The Festival's Director Hitler Had Exempted Wieland Along With 24 Other Young Men From Military Conscription. Others That Were Considered "Divinely Blessed" Included The Tenor Peter Anders The Stage Designer Ulrich Roller And The Composer Gottfried Muller.3 Preetorius Was Briefly Held In Gestapo Detention And Interrogated His House Was Searched And His Mail Opened. It Was Discovered That Preetorius Had Been Corresponding On Friendly Terms With Jews In Holland. Preetorius Was Initially Forbidden To Work And Declared An 'Enemy Of The State' By Gauletier Paul Giesler Of Munic. Preetorius Presented A Difficult Case For The Munich Authorities: As Well As His Closeness To Winifred And Tietjen Preetorius Was Also Ranked By Hitler As One Of The Most Important Set Designers In Germany. Brigitte Hamannn Argues That The Intervention That Led To Preetorius' Reprieve Was Made By Hermann Goering Initiated By Tietjen. When The Munich Authorities Contacted Hitler Asking What To Do Wih This Enemy Of The State Hitler Played The Whole Situation Down And Decided That Preetorius Should Be Freed And That He Could Continue To Work Despite His Attitude. Preetorius However Did Not Return To Bayreuth And He Didn't Enter The Festpielhaus For Ten Years. He Always Suspected That Wieland Was The Gestapo Informer And His Real Accuser. In 1951 Preetorius Retired. From 1947 To 1961 Preetorius Was A Member Of The Bavarian Senate. Fr. Wilh. Ruhfus paperback
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1910réf. Q1484ca. 1910. none. Very good. 6.5 x 8.75 photograph mounted to 10 x 12 board. Very Good board slightly creased light general surface soil and abrasion most noticeable toward the upper left corner. Studio stamp "Fletcher Photographer Johnstown" on verso. The large wall is painted "Washburn Crosby's Gold Medal Flour "Eventually - Why Not Now" and the gable end has "The White Oak Milling Co. Inc. Grain & Its Products" then lower "Home of White Oak Hen Booster Scratch Feed Chick Feed We Say Lay or Bust." A pictorial "White Oak Flour" sack sign is painted next to the door where a heartily grinning man stands presumably the owner or manager. Three other figures appear in a loading bay to the left with a two-horse delivery wagon. A train and telephone pole are on the left. White Oak Milling Co. was located in Hollsopple Somerset County Pennsylvania about 15 miles from Johnstown. The Eventually . . . Why Not Now slogan was introduced by Gold Medal Flour in 1907 and the White Oak Milling Co was chartered in 1908likely the date and general occasion for the photo.
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