10 160 résultats
1992réf. 9487Norman OK: Semihoye-Shawnnee Publications 1992. Very good. 11" x 14" closed. Twelve-month calendar pictorial wrappers small hole through edge for hanging. Pp. 26. Very good: light scuffing and creasing to wrappers; a few scattered faint stains. Signed by artists to front and ten pages; artist stamp to one page. This is a rare and gorgeous wall calendar featuring the art of eleven Native Americans nine of whom signed the work. Each month shows a striking illustration its title a brief bio of the artist and the size price and limited edition data of its original print. Nearly all the artists signed their respective pages most with a warm note to "Bob." The final pages hold longer text about the cover piece "Ritual Traditions of the Human Woman" and its artist Dana Tiger who also made the art for the month of July. Dana was the daughter of renowned Muscogee Creek-Seminole painter Jerome Tiger and earned her own "acclaim for traditional representations of Native American women." There is also a list of "1993 Powwow Dates" in Oklahoma Colorado New Mexico Montana Arizona North Dakota Texas North Carolina Connecticut and New York. A 1992 news article we found online shared that publisher Glen Harrington was married to a Creek woman and named his company "after the Indian names of his twin daughters." A rare calendar of beautiful Native art complete with original signatures. Not in OCLC which shows only the 1992 calendar at one institution. Semihoye-Shawnnee Publications unknown
1992réf. 9487Norman OK: Semihoye-Shawnnee Publications 1992. Very good. 11" x 14" closed. Twelve-month calendar pictorial wrappers small hole through edge for hanging. Pp. 26. Very good: light scuffing and creasing to wrappers; a few scattered faint stains. Signed by artists to front and ten pages; artist stamp to one page. This is a rare and gorgeous wall calendar featuring the art of eleven Native Americans nine of whom signed the work. Each month shows a striking illustration its title a brief bio of the artist and the size price and limited edition data of its original print. Nearly all the artists signed their respective pages most with a warm note to "Bob." The final pages hold longer text about the cover piece "Ritual Traditions of the Human Woman" and its artist Dana Tiger who also made the art for the month of July. Dana was the daughter of renowned Muscogee Creek-Seminole painter Jerome Tiger and earned her own "acclaim for traditional representations of Native American women." There is also a list of "1993 Powwow Dates" in Oklahoma Colorado New Mexico Montana Arizona North Dakota Texas North Carolina Connecticut and New York. A 1992 news article we found online shared that publisher Glen Harrington was married to a Creek woman and named his company "after the Indian names of his twin daughters." A rare calendar of beautiful Native art complete with original signatures. Not in OCLC which shows only the 1992 calendar at one institution. Semihoye-Shawnnee Publications unknown books
1966réf. 008514California: QRS Corporation 1966. Drawing. Fine. No Binding. A collection of 5 architectural drawings all bearing logo of "QRS Corporation" four measuring 14 1/2" x 20" and the fifth 16" x 20". Pen and ink with watercolor and marker on textured drawing boards with taped edges. Three have drawings for different concepts for Carnation Ice Cream Fountain - Lunch each signed Tennant in pencil . The fourth Grist Mill Health Foods is signed PET in pencil bottom right. The fifth 16 x 20 is for First California Federal pencil signed R. Carlson '66. All are Fine. Given that the Carnation Ice Cream Cafe located in Yesterland Disneyland is housed in a Victorian era building and First California Federal was not incorporated as the first federal credit union in California until 1980 these are most likely student works completed for an architectural drawing class in the mid 1960s. No record of a QRS Corp. architectural firm found. As a group a striking collection of mid-century California architecture and advertising. QRS Corporation (?) hardcover
réf. 51-1426Paris: Chez Briasson David & Le Breton 1762-1767. 395 x 255 mm. 16 plates with 3 pages of letterpress descriptions. Paris: Chez Briasson, David & Le Breton, 1762-1767. unknown
1967réf. 326594San Francisco: Family Dog Productions 1967. 14x20 inch poster very good signed at lower right by both artists. In Eric King's guide this is FD-41-RP-2 a reprint produced after Family Dog Productions had moved to 639 Gough St. in 1967. A duplicate from Country Joe McDonald's personal collection. Family Dog Productions unknown
1967réf. 326594San Francisco: Family Dog Productions 1967. 14x20 inch poster very good signed at lower right by both artists. In Eric King's guide this is FD-41-RP-2 a reprint produced after Family Dog Productions had moved to 639 Gough St. in 1967. A duplicate from Country Joe McDonald's personal collection. Family Dog Productions unknown books
réf. WALTER-FILM007743United Artists. No binding. Just About Fine. Los Angeles: United Artists 1942. Set of 14 vintage original 8 x 10" 20 x 25 cm black-and-white photos of which two are double weight and two are linen-backed keybook prints. Overall just about fine. ONE OF OUR AIRCRAFT IS MISSING is a black-and-white war film mainly set in the German-occupied Netherlands and the fourth collaboration between the British writer-director-producer team of Michael Powell and Emeric Pressburger and the first film they made under the banner of The Archers. Although at the time considered a propaganda film and made under the authority of the Ministry of Information as part of a series of film productions aimed at morale in the United Kingdom it is elevated by the story and production values and is now considered one of the great British films of its era. United Artists unknown
1957réf. WALTER-FILM005235United Artists. No binding. Near Fine. Hollywood: United Artists 1957. Set of nine 9 8 x 10" 20 x 25 cm. black-and-white print still photos three of them with printed promotional text on verso NEAR FINE. Otto Preminger's adaptation of Bernard Shaw and the debut film for eighteen year-old Jean Seberg in the title role. United Artists
réf. WALTER-FILM007743United Artists. No binding. Just About Fine. Los Angeles: United Artists 1942. Set of 14 vintage original 8 x 10" 20 x 25 cm black-and-white photos of which two are double weight and two are linen-backed keybook prints. Overall just about fine. ONE OF OUR AIRCRAFT IS MISSING is a black-and-white war film mainly set in the German-occupied Netherlands and the fourth collaboration between the British writer-director-producer team of Michael Powell and Emeric Pressburger and the first film they made under the banner of The Archers. Although at the time considered a propaganda film and made under the authority of the Ministry of Information as part of a series of film productions aimed at morale in the United Kingdom it is elevated by the story and production values and is now considered one of the great British films of its era. United Artists unknown books
1957réf. WALTER-FILM005235United Artists. No binding. Near Fine. Hollywood: United Artists 1957. Set of nine 9 8 x 10" 20 x 25 cm. black-and-white print still photos three of them with printed promotional text on verso NEAR FINE. Otto Preminger's adaptation of Bernard Shaw and the debut film for eighteen year-old Jean Seberg in the title role. United Artists books
1924réf. 48872Paris. 1924 21 Juillet. Folio. 718 x 242 mm. Folded sheet of thick laid paper with printed text and illustration by Goncharova and Barth recto and verso; sheet size: 360 x 242 mm folded 718 x 242 mm unfolded. Paper brittle with chips to edges not affecting the text or illustration. The scarce poster / announcement for the 'Bal Olympique' of 1924.The bulletin / poster recto gives details of the ball 'consacré à Apollon Dieu de l'Olympe et à la grande Olympiade de Colombes' with a musical quotation by Germaine Tailleferre sporting heroes a note on the decoration of the 'salle' 'Record de vitesse en Décoration' with '50 Artistes participeront' and the announcement that '300 affiches avec les dessins originaux des artistes notoires seront exposées dans Paris'. The verso continues headed with a large 'Projet de Costume pour le Bal Olympique pouvant servir aux deux sexes' with the 'Programme' for the ball including dance Ballets Suèdois Lizica Codreano and Olga Koklova et al. Larionov's 'nouveau système de projections fantastiques' prestidigitation Zamoyski Japanese sport Foujita Tristan Tzara's 'Spectacle sur l'Echelle' etc. etc. The committee is listed too as well as 'Les billets sont en vente chez .' with a plethora of Parisian galleries detailed. 'Larionov however was once again on the committee of the 'Union des Artistes Russes Paris'this year as vice-president and it was his decision to hold another large ball just four months after the Ba! Banal on July 11th in order to celebrate the opening of the Olympic Games in Paris . The 'Bal Olyrnpique' was organised this time by a large committee which did not include either Larionov or Goncharova. However the two artists were asked to contribute various items to the entertainment. Larionov appeared with his 'New System of Fantastic Projections' which utilised coloured designs by Tchelichev Tereshchkovich Bart and others . Goncharova however designed puppets and costumes for a charming little play by Julie Sazonova and her 'Marionette Theatre of Petrograd' called 'A Spanish Moment with a Lion'. Anthony Parton. unknown
réf. 21198On letterhead of 5 Cromwell Place S.W.7 London. 30 January 1918. 2pp 4to. In good condition lightly aged. Folded twice. Addressed to 'My dear Cope'. After thanking him for his letter Lavery writes: 'Our “friend” Braynard when he called to ask for my signature told me many things amongst others that the A. G. B. I. had already given him a grant some time back and that Charleton Brangwyn and I were his sponsors I had a hazy recollection of him and made up my mind that I would sign his paper and let the Secretary of the A. G. B. I. know the circumstance which I did do that same day. I have since been pestered by his letters which I have paid no attention to.' He is sorry that his 'signing of his paper should have thrown him to you and it will certainly be a lesson to me to make sure of my man next time'. He concludes by apologising for his recent absence from A. G. B. I. meetings explaining that this is 'owing to the work I have been doing for the Propaganda Bureau and now for the Admiralty'. He will be 'leaving the country' in 'the course of some weeks' but hopes to be 'still here on the 20th February'. On letterhead of 5 Cromwell Place, S.W.7 [London]. 30 January 1918. unknown
1936réf. 14573Paris LES PHARMACIENS BIBLIOPHILES 1936 1 Préface du docteur François HELME. Illustrées par Sylvain SAUVAGE. Paris, Les Pharmaciens Bibliophiles, 1936, in-12, sous chemise et étui, 148 pages.
réf. DADAX1592000924New unknown
1951réf. 13286BRUKER 1951 1 Paris, Bruker, 1951, in-4, en feuilles, couverture crème rempliée, titre imprimé en noir et représentation du caducée des médecins en orange.
réf. Sander, Katya, Simon SheiNot in perfect condition. unknown
1835réf. 036268John Murray 1835. First Hardcover Edition . Hardcover. Very Good. Two Volumes. Full Black Calf With "Illustrations Of Byron" And Volume Numbers On Spine In Gilt Covers And Spine Elaborately Stamped In Blind Yellow Silk Endpapers. No Text. Simple Half-Title Followed By Table Of Contents In Each Volume 53 Plates In First Volume And 67 Plates In The Second Volume; Originally Issued In 24 Parts 1833-1834 With 120 Plates In Total Then This First Hardcover Issue Undated But 1835 With All Plates Bound In Two Volumes. Later The Complete Set Of 123 Plates With 3 Vignettes Was Published In 3 Volumes And Still Later It Was Enlarged To 126 And Then 130 Illustrations And Incorporated Into Sets With Explanatory Text Included. Slight Wear At Lower Edges And Corners And Fresh But Volume I Has A1/2" X 1/2" Chip At Upper Right Corner Of Spine And Volume Ii Has A 1" X 3/4" Chip Which Is Detached And Laid In Loosely. No Marks But Gift Card Of Mrs. Hosmer A. Johnson Dated In 1899 To Her Granddaughter. Hosmer Allen Johnson M.D. L.L.D. 1822 - 1891 Was An American Physician Academic And Mason From New York. After Graduating From The University Of Michigan He Moved To Chicago Illinois To Attend Rush Medical College. There He Became An Understudy Of William B. Herrick And Joined His Medical Practice. Receiving A Doctor Of Medicine In 1852 Johnson Was Named Lecturer On Physiology At Rush Eventually Chairing A Department There. In 1859 He Co-Founded The Chicago Medical College At Lind University Which Later Became The Feinberg School Of Medicine Of Northwestern University. During The Civil War Johnson Was The Top Medical Aide In The State Presiding Over The Board Of Medical Examiners For The State Of Illinois. Hosmer Johnson Was Initiated Into The Masonic Order In 1853 And Rose To Become Grand Orator Of The Grand Lodge Of Illinois. He Organized A Knights Templar Chapter For Illinois And Was First Officer Of That Branch For Two Terms. He Became A Member Of The Supreme Council Of The Scottish Rite Northern Jurisdiction In 1861 Later Becoming And Officer. He Could Speak Seven Foreign Languages Fluently And Also Had A Strong Knowledge Of The Ojibwe Language. He Served On The Board Of Trustees Of The University Of Chicago And Northwestern University. John Murray hardcover
réf. 8657René Henriquez, Bruxelles, 1935.25 x 15,5 cm, 30 pp. Plaquette agrafée, couverture bicolore illustrée d'un dessin de Magritte. Couverture très légèrement salie sinon bel exemplaire. Édition originale. L'un des 1000 exemplaires courant. Ancienne collection R.C.
réf. 8657René Henriquez, Bruxelles, 1935.25 x 15,5 cm, 30 pp. Plaquette agrafée, couverture bicolore illustrée d'un dessin de Magritte. Couverture très légèrement salie sinon bel exemplaire. Édition originale. L'un des 1000 exemplaires courant. Ancienne collection R.C.
1979réf. 144721Edizioni d'arte and Grafis & Fylkingen, Bologna 1979. 31, (3) textpages and photos on plates and the original tape "Alla ricerca del silenzio perduto". (Paper partially wavy. Back cover used. Tape unopened). 22x15 cm
1979réf. 147821Vittore Baroni. Forte dei Marmi (Lucca) (1979). 114 meist lose Einblattdrucke (wenige gefaltet u. doppelblattgroß. In verschiedenen Formaten. Mit zahlreichen Abbildungen (wenige Zweifarbige). Zusammen in Illustrierter Original-Einsteckmappe. (Mappe mit Gebrauchsspuen an den Rändern. Ansonsten in tadelloser Erhaltung). 23x16 cm
190427 p. "A record of the service held in memory of Mrs. Henry Whitman, by her friends and neighbours, at the Baptist Church, Beverly Farms, on Sunday afternoon, July the seventeenth, 1904." Hardcover Good condition; some pencil marks Smith. Merrymount Press, 195. Sarah Wyman Whitman was one of the pioneers of the artist-designed trade book bindings.
réf. 2245A Paris, H. Mandeville, sans date. In-4 de XX-68 pages, pleine percaline violette d’éditeur, dos lisse, dos et plats richement ornés, tranches dorées. Dos passé, plats légèrement frottés.
1988réf. 90720Carcassonne, Musée des Beaux-Arts 1988. Mit zahlr. Abbildungen. Unpag. Gr.-8vo. OBrosch.
réf. 4524... ou Tablettes Analytiques, et méthodiques, sur les Sciences et les Beaux-Arts. Dédiée au Roi. Paris, en 1766. E.O. 3 vols. In-4, 1 frontispice par Gravelot et 57 planches dépliantes. Demi-reliure d'époque. Dos à nerfs, caissons fleuris. Etat moyen, déchirures haut de quelques pages tome II, coin inférieur abîmé sur le tome I. Ex-libris "Henri Baudet".Tranches rouges.