ANDRÉ BRETON, RENÉ MAGRITTE.Livre Rare Book
10 172 résultats
réf. 8657René Henriquez, Bruxelles, 1935.25 x 15,5 cm, 30 pp. Plaquette agrafée, couverture bicolore illustrée d'un dessin de Magritte. Couverture très légèrement salie sinon bel exemplaire. Édition originale. L'un des 1000 exemplaires courant. Ancienne collection R.C.
1979réf. 144721Edizioni d'arte and Grafis & Fylkingen, Bologna 1979. 31, (3) textpages and photos on plates and the original tape "Alla ricerca del silenzio perduto". (Paper partially wavy. Back cover used. Tape unopened). 22x15 cm
1979réf. 147821Vittore Baroni. Forte dei Marmi (Lucca) (1979). 114 meist lose Einblattdrucke (wenige gefaltet u. doppelblattgroß. In verschiedenen Formaten. Mit zahlreichen Abbildungen (wenige Zweifarbige). Zusammen in Illustrierter Original-Einsteckmappe. (Mappe mit Gebrauchsspuen an den Rändern. Ansonsten in tadelloser Erhaltung). 23x16 cm
190427 p. "A record of the service held in memory of Mrs. Henry Whitman, by her friends and neighbours, at the Baptist Church, Beverly Farms, on Sunday afternoon, July the seventeenth, 1904." Hardcover Good condition; some pencil marks Smith. Merrymount Press, 195. Sarah Wyman Whitman was one of the pioneers of the artist-designed trade book bindings.
réf. 2245A Paris, H. Mandeville, sans date. In-4 de XX-68 pages, pleine percaline violette d’éditeur, dos lisse, dos et plats richement ornés, tranches dorées. Dos passé, plats légèrement frottés.
1988réf. 90720Carcassonne, Musée des Beaux-Arts 1988. Mit zahlr. Abbildungen. Unpag. Gr.-8vo. OBrosch.
réf. 4524... ou Tablettes Analytiques, et méthodiques, sur les Sciences et les Beaux-Arts. Dédiée au Roi. Paris, en 1766. E.O. 3 vols. In-4, 1 frontispice par Gravelot et 57 planches dépliantes. Demi-reliure d'époque. Dos à nerfs, caissons fleuris. Etat moyen, déchirures haut de quelques pages tome II, coin inférieur abîmé sur le tome I. Ex-libris "Henri Baudet".Tranches rouges.
1997réf. 68671ABHamburg-Langenhorn., Griffelkunst e. V., 1997. 33,5 x 91,3 cm; 29,6 x 40,3 cm (Blattformat), 21,7 x 30,2 cm (Motivgröße). 5 Blätter., 68671A Eine Kante gering bestoßen, sonst sehr gutes Exemplar.
1985réf. 904502BGum 1985. Blattmaß: 44 x 51,5 cm. Plattenmaß: 29 x 36,5 cm (quer).
2003réf. 2159171205026Trojan Records UK 2003-11-24. Audio CD. Good. CD plays perfectly & the original case is missing. Trojan Records UK unknown
réf. DADAX0486244776New unknown
réf. 041511924 Paris Union ders Artistes Russes. No Binding. Near Fine. 33 c 163 cm - 1 feuille imprimée recto verso deux cachetsavec bois en deux tons de Gontcharova - dim. de l'image: 203 x 14 cm - ticket pour l'entrée du bal banal avec n° 130 - Bolliger VI 713 Avant-Garde 5/6 URSS pg 82 - 84 pour les bals - très bel exemplaire photos disponibles - Getty 807 1924 Paris Union ders Artistes Russes unknown
1916réf. 17083303Hammersmith and Ditchling: Douglas Pepler Hampshire House 1916. First Edition. Leather bound. Very good . Gill Eric. Inscribed by H. D. C. Pepler. Association copy inscribed by Hilary Douglas Clark Pepler to one "C. R. C.": "A book made by children except the binding and presented with love by one child the printer to another the poet 28 years later H. D. C. P. to C. R. C. 19.1.44" First edition rebound in a custom leather binding with gilt double-rule borders joined at the outer corners by a cluster of gilt stars raised bands top edge gilt; given the inscription we surmise the binding was commissioned by Pepler. Includes 10 wood engravings two by Priscilla Johnston and the remainder by Ronald Seal. Priscilla Johnston was the daughter of typographer and calligrapher Edward Johnston who lived in Ditchling from 1912 until his death in 1944 and whose earlier teachings influenced Eric Gill among many others; Priscilla was five years old when she wrote this book. ___DESCRIPTION: Sextodecimo 5-1/4" x 4-1/4" pagination: 4 1-21 4. Rear board lightly bowed "Johnston" misspelled on front board by binder else only modest general wear; ___CONDITION: Very good condition. ___CITATION: Taylor and Sewell no. A3. ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Douglas Pepler, Hampshire House unknown
1916réf. 17083303Hammersmith and Ditchling: Douglas Pepler Hampshire House 1916. First Edition. Leather bound. Very good . Gill Eric. Inscribed by H. D. C. Pepler. Association copy inscribed by Hilary Douglas Clark Pepler to one "C. R. C.": "A book made by children except the binding and presented with love by one child the printer to another the poet 28 years later H. D. C. P. to C. R. C. 19.1.44" First edition rebound in a custom leather binding with gilt double-rule borders joined at the outer corners by a cluster of gilt stars raised bands top edge gilt; given the inscription we surmise the binding was commissioned by Pepler. Includes 10 wood engravings two by Priscilla Johnston and the remainder by Ronald Seal. Priscilla Johnston was the daughter of typographer and calligrapher Edward Johnston who lived in Ditchling from 1912 until his death in 1944 and whose earlier teachings influenced Eric Gill among many others; Priscilla was five years old when she wrote this book. ___DESCRIPTION: Sextodecimo 5-1/4" x 4-1/4" pagination: 4 1-21 4. Rear board lightly bowed "Johnston" misspelled on front board by binder else only modest general wear; ___CONDITION: Very good condition. ___CITATION: Taylor and Sewell no. A3. ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Douglas Pepler, Hampshire House unknown books
1700réf. 037597Roma / Rome 1700. First Edition Thus Printing Unknown. Hardcover. Poor. Title Page And 31 Portrait Plates13 1/4" X 8 7/8" Of Cardinals And Two Of The Pope. Antique Worn Marbled Boards Covers Detached But Present Spine Perished. Defective- Lacking Half Of Pages Which Were Removed By A Decorator- "Breaker" But The Remaining 33 Portrait Plates And Title Are Fine. This Title First Published 1676 But As The Portrait Plates For The Pope Indicate A Date Of 1700 This Example Published Circa 1700. Very Large Engraved Bookplate Of Thomas Anson Showing His Arms "Nil Desperandem" And Two Putti. Per Wikipedia Thomas Anson Frs C. 1695 - 1773 Was A British Member Of Parliament Traveler And Amateur Architect From The Anson Family. Anson Was The Son Of William Anson 1656-1720 And Isabella Carrier Sister-In-Law To Thomas Parker 1St Earl Of Macclesfield. The Family Estate Was Shugborough Hall In Staffordshire. Admiral George Anson 1St Baron Anson Was His Younger Brother And Along With Their Cousin George Parker 2Nd Earl Of Macclesfield They Were Taught Mathematics And Navigation By Isaac Newton's Friend The Mathematician William Jones Who Was Later To Propose Anson's Membership For The Royal Society In 1730. Anson Went Up To St John's College Oxford And Later Studied Law At The Inner Temple. Upon His Father's Death Anson Abandoned Law And Began The First Of Many Travels To The Continent As Was Then The Fashion For Young Men Of Fortune And Taste. In 1732 Anson And His Friend The Earl Of Sandwich Formed A Riotous Dining-Club Called The Society Of The Dilettanti Which Also Had The More Serious Purpose Of Encouraging Study Of Greek Architecture. In 1740 Thomas Briefly Joined His Brother George On The Centurion As He And His Crew Began Their Circumnavigation Of The Globe. Anson Left Them In Order To Travel To Egypt. This Qualified Him For The Egyptian Society And The Divan Society The Latter Being A Wild Drinking-Club Of Which Lord Dashwood And Lady Mary Wortley Montagu Were Avid Members. He Was Elected To The House Of Commons For Lichfield In 1747 A Seat He Held Until 1770. In 1748 Anson Was Sent To Versailles By Lord Sandwich With Secret Correspondence For The Duc De Choiseul And Madame De Pompadour. In Paris He Bought Crayons For His Friend The Duchess Of Bedford And His Sister-In-Law Lady Anson Sent Him A Long List Of Presents She Desired. In 1762 He Succeeded To The Vast Fortune Of Spanish Treasure Amassed By His Admiral Brother. This Enabled Him To Further Indulge His Passion For Architecture At Shugborough. Anson And Another Member Of The Society Of The Diletantti Rebuilt The House In The Greek Revival Style That The Pair Were Championing In England. Anson Filled Shugborough With Paintings Books And Objets D'art And Had Vasalli Paint Allegories Upon The Ceilings. The Park Was Strewn With Temples And Follies Including The Mysterious Shepherd's Monument The Pagoda Pigeon House And The Tower Of The Winds. The Park Has Been Described By Some As A Metaphor For Lord Anson's Circumnavigation Of The Globe. Others Contend That It Engages Aspects Of Many Cultures Both As A Tribute To Admiral Anson's Voyage And As A Representation Of Thomas Anson's Interest In Syncretic Philosophies. Anson Died Unmarried In March 1773. The Anson Estates Were Passed On To His Nephew George Adams Who Assumed The Surname Of Anson And Was Ancestor Of The Earls Of Lichfield. hardcover
1979176 pages. Index. "When Norman Rockwell was at the height of his career in the late 1940's, he wrote a delightful book called How I Make a Picture. It was the basis for an advanced illustration course at the Famous Artists School, but was never made available to the general public. We are now delighted to have this unique opportunity to make Rockwell's original book available for the first time in an expanded version, containing full-color reproductions of the artists best work along with previously unpublished color sketches." - from Publisher's Note. Book clean and unmarked with light wear. Average wear to dust jacket which bears some staining and a taped repair to bottom edge of back panel. A sound copy of this special book. Please note: we believe the ISBN stated on the publisher's page of this copy, 083202380x, is incorrect and have changed it to what we believe is the correct number. Book
réf. whitebottom_Jun-21-2025-0Audio CD. New. unknown
1869réf. R260126047CHEZ GARNIER FRERES. 1869. In-8. Broché. A relier, Couv. défraîchie, Dos abîmé, Intérieur frais. 448 pages. Un portrait gravé en noir et blanc hors texte. 3 pages de partitions et un fac similé de texte manuscrit. Tampons de bibliothèque. Manques au dos coupé en plusieurs parties.. . . . Classification Dewey : 927-Artistes, sportifs
1926réf. 30961Rare tirage avec suite Paris, La Centaine, (15 octobre) 1926. 1 vol. (190 x 255 mm) de 63 p. et 2 f. + 1 vol. de suite. Broché, non coupé. Édition illustrée de 15 bois originaux dessines et graves par R. Mac Carthy. Tirage unique à 313 exemplaires, celui-ci un des 100 premiers exemplaires avec la suite tiree en sanguine sur velin vert (n° 43).
réf. 55034Munich P.A.P. Film 1971/72. Quarto 29.8 × 21 cm. Two-sided printed Z-fold leaflet with three full-page video stills. Title with address stamps of "P.A.P. Film" and of a Munich artists' association. Very good. Catalog of the film sales and distribution company "Progressive Art Production" founded by Karlheinz Hein in 1969. Together with the Swiss conceptual artist Dieter Meier Hein was active not only as a distributor but also as a curator and producer of films and performances - primarily featuring the Viennese Actionists. Provocative actions and scandals were not least a means of distribution. Notable among these are the Expanded Cinema performances by Valie Export and Peter Weibel such as Tapp- und Tastkino. "Progressive Art Production" offered more than just artistic films for sale and distribution; it also organized film programs and Expanded Cinema performances in diverse settings-ranging from film and theater festivals to art fairs museums and counterculture venues. cf. François Bovier >blog.zhdk.ch/sfex/files/2015/11/Bovier_Francois_PAP_Film_Implosion.pdf unknown
réf. 9107Bruges, Les éditions A. G. Stainforth, 1946. 27 x 17 cm, 101 pp. Broché, sous couverture rempliée, une petite déchirure au bas de la couverture, sinon bon exemplaire. Un des 25 exemplaires numérotés sur papier à la main "Maindstone", numérotés de I à XXV, contenant une suite en noir et une suite en sépia des illustrations. Préface, par James Ensor - Lettre d'Edmond Picard - Lettre de Georges Eekhoud - Réflexions sur l'art, par James Ensor - Poème inédit de Marcel Wyseur - Plaidoyer pour la conservation des bassins d'Ostende - Horoscope autographe de James Ensor. Quelques lettres reproduites en fac-similé, huit dessins reproduits.
réf. 9107Bruges, Les éditions A. G. Stainforth, 1946. 27 x 17 cm, 101 pp. Broché, sous couverture rempliée, une petite déchirure au bas de la couverture, sinon bon exemplaire. Un des 25 exemplaires numérotés sur papier à la main "Maindstone", numérotés de I à XXV, contenant une suite en noir et une suite en sépia des illustrations. Préface, par James Ensor - Lettre d'Edmond Picard - Lettre de Georges Eekhoud - Réflexions sur l'art, par James Ensor - Poème inédit de Marcel Wyseur - Plaidoyer pour la conservation des bassins d'Ostende - Horoscope autographe de James Ensor. Quelques lettres reproduites en fac-similé, huit dessins reproduits.
1926réf. 30970L'exemplaire de Genevoix, offert par l'illustrateur Quelques rousseurs. Paris, Ferenczi, coll. «Le Livre moderneillustré », (juin) 1926. 1 vol. (145 x 205 mm) de 192 p. Demi-chagrin brun à coins, dos à nerfs, titre doré, date en pied, tête dorée, couvertures et dos conservés. Première édition illustrée. Bois gravés de Clément Serveau, reproduits en galvanoplastie. Exemplaire de l'auteur avec la suite sur chine appliquée. Envoi signé [porté au bas du frontispice tiré sur chine] : «à Maurice Genevoix, en témoignage de mon admiration émue. Clément Serveau».
1954réf. 31555Pointes sèches originales de Gaston Barret Paris, Vialetay, (4 mars) 1954. 1 vol. (265 x 335 mm) de 330 p., [4] et 2 f. En feuilles, sous couverture illustrée et emboîtage éditeur. Édition illustrée de pointes sèches originales de Gaston Barret. Un des 25 exemplaires hors-commerce réservés à l'auteur, l'artiste et aux collaborateurs, signés, celui-ci sur japon nacré (n° II).
1930réf. 153361930 1 Illustration de Pierre BRISSAUD. Paris, 1923, 32 x 42, pochoir en couleurs collé sur carton signé dans la planche, P.L.V.
