723 résultats
réf. 42786Edité par les groupes anarchistes d'action révolutionnaire. Directeur de publication : Christian Lagant. Collection quasi complète de 42 numéros (manque 4 numéros : 1, 11, 28 et 43). Brochure ronéotée et agrafée du numéro 3 au numéro 28 (21,3x16 cm) de 70 à 100 pages, puis imprimée par "La Ruche ouvrière" au format 24x16,5 cm de 30 à 40 pages. Le numéro 2 est en feuilles au format 31x21 cm agrafées et pliées en deux. Textes de Christian Lagant, Paul Zorkine, Errico Malatesta, Christo Botev, Paul Rolland, Bernard Prat-Cotter, Théo Lecomte, T. Duparc, Israël Renof, Pierre Vidal, Octave Alberola, etc. Manque la couverture du numéro 29 mais complet de son supplément de 16 pages, quelques couvertures passées, numéros inscrits au dos de 8 exemplaires. Tous les numéros sont complets et l'ensemble est en bon état de conservation.
1985réf. 574Köln: Benedikt Taschen 1985. First edition. Upper right corner broken otherwise in fine condition. First edition. 112 × 160 mm. Signed postcard by Christo and Jeanne-Claude of the wrapped Pont-Neuf for what they used 40876 square meter of fabric and 13 kilometre of rope. The wrapping began in August 1985 and completed in September after nine years of negotiations with the mayor of Paris. Benedikt Taschen unknown
2000réf. 2-0444539670Elsevier Science 2000. Paperback. New. 520 pages. 9.60x1.18x6.40 inches. Elsevier Science paperback
1883réf. 90420Perris Frères | Athènes 1883 | 16 x 24 cm | Relié
1986réf. 11045Light grey cloth in pictorial slipcase. Decorative endpapers. The fabric sample adhered to page is present. Fading to spine. Some wear to cloth of slipcase. Otherwise a nice clean copy without previous owners' names or other markings. Please expect the possibility of additional postage as this book weighs circa 12 pounds. 12 x 11.25 in Harry N. Abrams, Inc. hardcover
1883réf. 90420Athens: Perris Frères 1883. Fine. Perris Frères Athens 1883 16 x 24 cm Relié First edition. Bradel binding in modern paper-covered boards of grey-blue stock smooth spine lettered in black original wrappers preserved; binding signed Laurenchet. Label of the fishing library of M. Albert Petit pasted to the upper cover no. 100. The species are described in French with their Latin and Greek names. Stamp of the Société d'Acclimatation on the title-page. Perris Frères hardcover
1978réf. 13671New York: Harry N. Abrams Inc 1978. Limited Edition. Hardcover with slipcase. Fine/Slipcase: Fine. 4to. Pp. 695. Profusely illustrated in color. Cream cloth spine lettered in silver. In a color illustrated slipcase. From an edition of 2159 numbered copies signed by the artist #192. Includes a fabric swatch of the original fence. Detailed account of Christo's controversial outdoor sculpture which was completely removed after a two-week viewing period and cost the artist $60000 in fines. Harry N. Abrams, Inc hardcover
2004réf. 211829Koln and New York: Taschen 2004. First edition. Hardcover. 127 pages. Number 165 from an edition of 1000 special copies. Text English French and German by Ernst Beyeler. Features a look at the conception and execution of this project and with a glossary and chronology and other information. Includes numerous illustrations and a swatch of the cloth that was used. A fine copy in cloth boards and in a fine illustrated slipcase and in a fine example of the publisher's printed cardboard box. Signed by Christo Jeanne-Claude and Wolfgang Volz on the limitation page and with a laid in color image that has been also signed by Christo and Jeanne-Claude. Image is in fine condition and in a transluscent enclosure. This item is very heavy and will require extra shipping for international orders. Taschen unknown
2004réf. 211829Koln and New York: Taschen 2004. First edition. Hardcover. 127 pages. Number 165 from an edition of 1000 special copies. Text English French and German by Ernst Beyeler. Features a look at the conception and execution of this project and with a glossary and chronology and other information. Includes numerous illustrations and a swatch of the cloth that was used. A fine copy in cloth boards and in a fine illustrated slipcase and in a fine example of the publisher's printed cardboard box. Signed by Christo Jeanne-Claude and Wolfgang Volz on the limitation page and with a laid in color image that has been also signed by Christo and Jeanne-Claude. Image is in fine condition and in a transluscent enclosure. This item is very heavy and will require extra shipping for international orders. Taschen unknown books
1980réf. 60762Bergisch Gladbach, Zanders Feinpapiere AG, (1980). Gr.-Fol. Mit einem illustr. Titelblatt u. 7 (1 doppelblattgr.) meist farb. Orig.-Grafiken, jeweils eingelegt in ein illustr. Doppelblatt, zus. lose in OKart.-Umschlag.
réf. Bloomsbury-9780567663320T&T Clark. Hardback. New. 640 pages T&T Clark hardcover
réf. Bloomsbury-9780567663320T&T Clark. Hardback. New. 640 pages T&T Clark hardcover
2016réf. Manohar-9780670088669Penguin Books 2016. Paperback. New. Penguin Books paperback
2016réf. Manohar-9780670088669Penguin Books 2016. Paperback. New. Penguin Books paperback
2025réf. __0323883044Elsevier Science Health Science 2025. Hardcover. New. 5th edition. 2256 pages. 10.87x8.50x11.10 inches. Elsevier Science Health Science hardcover
1996réf. 18001Berlin: Benedikt Taschen Verlag GmbH 1996. FIRST EDITION. Over 1300 full- and partial-page color photographic illustrations plus sketches maps plans blueprints and charts. At the back of the book is a sample of the actual fabric used to wrap the Reichstag. Original publisher's silver cloth author and title on spine; preserved in the original publisher’s slipcase as well as the original shipping box. Number 4317 of 5000 copies signed by Christo Jeanne-Claude and Wolfgang Volz the photographer. This book is a special presentation copy signed to Norm Applebaum and dated April 14 1997. First edition of this complete chronology of the wrapping of the Reichstag in Berlin. The environmental project first conceived of in 1971 was completed in June 1995. The Reichstag was the original home of the Imperial Diet of the German empire opened in 1894. After three rejections Christo and Jeanne-Claude were finally granted permits to wrap the building in 100000 square meters of silver fabric in 1994 and completed the draping of the building the following year. The project suffered numerous setbacks including inclement weather and huge cost increases. The project was finally completed on June 24 and remained open for 14 days. Christo described the Reichstag wrapping as autobiographical based on his Bulgarian upbringing. The wrapping became symbolic of unified Germany; the formal unification ceremony was held there in October 1990. The project truly marked Berlin's return as a world city. The process of the entire project documented with Volz’ pragmatic and insightful photographs is detailed throughout this wonderful book. Christo who passed away in May of this year at 84 was a Bulgarian-born conceptual artist who turned to epic-scale environmental works around the world. He is best known for wrapping everything from buildings to bridges islands and gates around the world in various types of fabric. Along with his wife Jeanne-Claude who passed away in 2009 they worked with hundreds of people on each project and paid for everything out of their own pocket mostly from the sale of artwork related to a specific project. Norm Applebaum who passed away in March of this year 2020 was a celebrated architect winner of the Robert Mosher Lifetime Achievement Award in 2018. He is best known for his modernist designs of single-family homes the “quintessential California home.”. Benedikt Taschen Verlag GmbH unknown
1996réf. 18001Berlin: Benedikt Taschen Verlag GmbH 1996. FIRST EDITION. Over 1300 full- and partial-page color photographic illustrations plus sketches maps plans blueprints and charts. At the back of the book is a sample of the actual fabric used to wrap the Reichstag. Original publisher's silver cloth author and title on spine; preserved in the original publisher’s slipcase as well as the original shipping box. Number 4317 of 5000 copies signed by Christo Jeanne-Claude and Wolfgang Volz the photographer. This book is a special presentation copy signed to Norm Applebaum and dated April 14 1997. First edition of this complete chronology of the wrapping of the Reichstag in Berlin. The environmental project first conceived of in 1971 was completed in June 1995. The Reichstag was the original home of the Imperial Diet of the German empire opened in 1894. After three rejections Christo and Jeanne-Claude were finally granted permits to wrap the building in 100000 square meters of silver fabric in 1994 and completed the draping of the building the following year. The project suffered numerous setbacks including inclement weather and huge cost increases. The project was finally completed on June 24 and remained open for 14 days. Christo described the Reichstag wrapping as autobiographical based on his Bulgarian upbringing. The wrapping became symbolic of unified Germany; the formal unification ceremony was held there in October 1990. The project truly marked Berlin's return as a world city. The process of the entire project documented with Volz’ pragmatic and insightful photographs is detailed throughout this wonderful book. Christo who passed away in May of this year at 84 was a Bulgarian-born conceptual artist who turned to epic-scale environmental works around the world. He is best known for wrapping everything from buildings to bridges islands and gates around the world in various types of fabric. Along with his wife Jeanne-Claude who passed away in 2009 they worked with hundreds of people on each project and paid for everything out of their own pocket mostly from the sale of artwork related to a specific project. Norm Applebaum who passed away in March of this year 2020 was a celebrated architect winner of the Robert Mosher Lifetime Achievement Award in 2018. He is best known for his modernist designs of single-family homes the “quintessential California home.”. Benedikt Taschen Verlag GmbH unknown books
1990réf. 140947012New York: Harry N. Abrams Inc 1990. First Edition. First edition. Signed by Christo on the half title page. 588 pp. Bound in publisher's greige cloth with spine lettered in gilt; housed in a cloth covered slipcase with pictorial onlay lettered in white. Fine with light pilling to cloth with slight smudging to signature in a Near Fine slipcase with light rubbing to edges. A complete documentation of the environmental artist's controversial temporary installation. The project was completed in 1985 by over three hundred professional workers who wrapped shimmering sandstone colored fabric over Paris' oldest standing bridge. The celestial like installation was met with over three million visitors during the fourteen day exhibition. Harry N. Abrams, Inc unknown
1990réf. 140947012New York: Harry N. Abrams Inc 1990. First Edition. First edition. Signed by Christo on the half title page. 588 pp. Bound in publisher's greige cloth with spine lettered in gilt; housed in a cloth covered slipcase with pictorial onlay lettered in white. Fine with light pilling to cloth with slight smudging to signature in a Near Fine slipcase with light rubbing to edges. A complete documentation of the environmental artist's controversial temporary installation. The project was completed in 1985 by over three hundred professional workers who wrapped shimmering sandstone colored fabric over Paris' oldest standing bridge. The celestial like installation was met with over three million visitors during the fourteen day exhibition. Harry N. Abrams, Inc unknown books
1998réf. 240934Cologne: Taschen 1998. Limited. hardcover. fine. Christo & Jean-Claude. Profusely illustrated throughout in color and in black & white. Tall slim 4to grey cloth pictorial slipcase. Cologne: Taschen 1998. Artist's Edition with an additional signed photograph of the exhibit laid-in. Fine in fine slipcase. This copy numbered HC 121 of 300. Numbered signed and inscribed in pencil by Christo and Jeanne-Claude and of their Project Director Wolfgang Volz. Attached a piece of cloth that was used for the artwork. In the autumn of 1998 after the trees had dropped their leaves around the Fondation Beyeler and Berower park Christo and Jeanne-Claude wrapped 162 trees some up to 25 meters high. Text in English French and German. Taschen unknown
1998réf. 240934Cologne: Taschen 1998. Limited. hardcover. fine. Christo & Jean-Claude. Profusely illustrated throughout in color and in black & white. Tall slim 4to grey cloth pictorial slipcase. Cologne: Taschen 1998. Artist's Edition with an additional signed photograph of the exhibit laid-in. Fine in fine slipcase. This copy numbered HC 121 of 300. Numbered signed and inscribed in pencil by Christo and Jeanne-Claude and of their Project Director Wolfgang Volz. Attached a piece of cloth that was used for the artwork. In the autumn of 1998 after the trees had dropped their leaves around the Fondation Beyeler and Berower park Christo and Jeanne-Claude wrapped 162 trees some up to 25 meters high. Text in English French and German. Taschen unknown books
2005réf. 1410893Cologne: Taschen 2005. Hors de Commerce Edition #4105/5000. Hardcover. Quarto 968 pages. In Very Good condition with Very Good slipcase. Housed in Very Good publisher's branded cardboard box. Slipcase bound in paper with gray cloth. Mild shelf wear to slipcase scuffing to bottom. Book bound in gray cloth with orange lettering on spine. Text block clean. Text block sunken from spine. Includes woven fabric from the artwork. Signed and dated by Christo Jeanne-Claude and Volz on tipped-in page. Shelved in Case 13. Christo and Jeanne-Claude were a collaborative pair of artists as well as married couple. The pair are known for large-scale environmental installations. The installations were site-specific meaning the work was designed for the location or landscape; the installations meaning is derived from the relationship between installation and location. First developed in 1976 The Gates debuted in February of 2005 due to the project being rejected by New York City government. The "gates" hold structural similarities to Japanese torii gates upon entering Shinto shrines. The installation consisted of 7503 16-foot-high vinyl gates with orange nylon fabric panels stretching 23 miles of Central Parks walkways. The piece was assembled by thousands of paid workers and remained up for 16 days before removal all materials were then recycled. 1410893. Shelved Dupont Bookstore. Taschen hardcover
2005réf. 1410893Cologne: Taschen 2005. Hors de Commerce Edition #4105/5000. Hardcover. Quarto 968 pages. In Very Good condition with Very Good slipcase. Housed in Very Good publisher's branded cardboard box. Slipcase bound in paper with gray cloth. Mild shelf wear to slipcase scuffing to bottom. Book bound in gray cloth with orange lettering on spine. Text block clean. Text block sunken from spine. Includes woven fabric from the artwork. Signed and dated by Christo Jeanne-Claude and Volz on tipped-in page. Shelved in Case 13. Christo and Jeanne-Claude were a collaborative pair of artists as well as married couple. The pair are known for large-scale environmental installations. The installations were site-specific meaning the work was designed for the location or landscape; the installations meaning is derived from the relationship between installation and location. First developed in 1976 The Gates debuted in February of 2005 due to the project being rejected by New York City government. The "gates" hold structural similarities to Japanese torii gates upon entering Shinto shrines. The installation consisted of 7503 16-foot-high vinyl gates with orange nylon fabric panels stretching 23 miles of Central Parks walkways. The piece was assembled by thousands of paid workers and remained up for 16 days before removal all materials were then recycled. 1410893. Shelved Dupont Bookstore. Taschen hardcover books
1998réf. 18005Cologne: Taschen 1998. FIRST EDITION. Literally thousands of black and white and color photographic illustrations maps charts and sketches. Includes a swatch of both the blue and yellow umbrellas. Publisher’s cloth preserved in the original photographically-illustrated slipcase; an amazing set as new. First edition No. 1473 of 2500 copies signed by Christo Jeanne-Claude and Wolfgang Volz who took the photographs. This is the complete story of Christo’s Umbrella Project including diaries fact sheets and a full overview of the planning and execution of the project. The umbrellas were part of an international environmental art project by the husband and wife team of Christo and Jeanne-Claude spanning two continents eight years of planning and costing $26 million. Beginning in December 1990 on both Kern County’s Tejon Ranch and the rice paddies of Ibaraki Japan the team installed a total of over 3000 umbrellas blue ones in Japan and yellow ones in California each standing nearly 20 feet tall. The umbrellas were opened on October 9 1991. It was estimated that over three million people saw the exhibit during the very brief installation lasting less than three weeks. Taschen unknown
1998réf. 18005Cologne: Taschen 1998. FIRST EDITION. Literally thousands of black and white and color photographic illustrations maps charts and sketches. Includes a swatch of both the blue and yellow umbrellas. Publisher’s cloth preserved in the original photographically-illustrated slipcase; an amazing set as new. First edition No. 1473 of 2500 copies signed by Christo Jeanne-Claude and Wolfgang Volz who took the photographs. This is the complete story of Christo’s Umbrella Project including diaries fact sheets and a full overview of the planning and execution of the project. The umbrellas were part of an international environmental art project by the husband and wife team of Christo and Jeanne-Claude spanning two continents eight years of planning and costing $26 million. Beginning in December 1990 on both Kern County’s Tejon Ranch and the rice paddies of Ibaraki Japan the team installed a total of over 3000 umbrellas blue ones in Japan and yellow ones in California each standing nearly 20 feet tall. The umbrellas were opened on October 9 1991. It was estimated that over three million people saw the exhibit during the very brief installation lasting less than three weeks. Taschen unknown books
