723 résultats
réf. 3032616 pieces: 4 10 x 8 inch color photographs of the project by Wolfgang Volz. 2 10 x 8 Volz color photos of drawings for the project. 2 10 x 8 b & w photos of maps annotated with project locations Announcement for exhibition at Annely Juda Fine Art. 1988 CHRISTO THE UMBRELLAS. Joint Project for Japan and The U.S.A. Tokyo: Satani Gallery 1988. Wrappers 67 pp. Japanese and English texts. Illustrated. Inscribed by Christo to Peter Selz and signed. Fact Sheet. 2 pp. Creased Project Notes. 2 pp. Press release for the opening. 1991 Price list for the original preparation works Announcement for film exhibition at USC School of Fine Arts. 1990 Bi-lingual guide with maps “How to Get to the Umbrellas”. Single folded sheet printed on both sides. 22 x 28 ill. . unknown
réf. 3032616 pieces: 4 10 x 8 inch color photographs of the project by Wolfgang Volz. 2 10 x 8 Volz color photos of drawings for the project. 2 10 x 8 b & w photos of maps annotated with project locations Announcement for exhibition at Annely Juda Fine Art. 1988 CHRISTO THE UMBRELLAS. Joint Project for Japan and The U.S.A. Tokyo: Satani Gallery 1988. Wrappers 67 pp. Japanese and English texts. Illustrated. Inscribed by Christo to Peter Selz and signed. Fact Sheet. 2 pp. Creased Project Notes. 2 pp. Press release for the opening. 1991 Price list for the original preparation works Announcement for film exhibition at USC School of Fine Arts. 1990 Bi-lingual guide with maps “How to Get to the Umbrellas”. Single folded sheet printed on both sides. 22 x 28 ill. . unknown books
1952réf. 63426Les Editeurs Français Réunis | Paris 1952 | 12 x 19 cm | broché
1969réf. 310984Chicago: Museum of Contemporary Art 1969. 36 photographic postcards. 6 X 5 inches. Cardboard box with black-and-white photograph on cover signature on reverse glossy postcards inside. Box slightly faded worn and chipped at edges postcards also slightly faded but otherwise crisp. 36 photographic postcards. 6 X 5 inches. A box set of postcards documenting Christo's "Wrapped" installation at the Museum of Contemporary Art in Chicago in 1969. With an inscription from Christo to Mrs Weitzen on the inside of the box's cover. "The Museum of Contemporary Art in Chicago was the first public building in the USA wrapped by Christo and Jeanne-Claude. In conjunction with the project the artists made a complementary work for the interior Wrapped Floor and Stairway. Museum of Contemporary Art unknown
1969réf. 310984Chicago: Museum of Contemporary Art 1969. 36 photographic postcards. 6 X 5 inches. Cardboard box with black-and-white photograph on cover signature on reverse glossy postcards inside. Box slightly faded worn and chipped at edges postcards also slightly faded but otherwise crisp. 36 photographic postcards. 6 X 5 inches. A box set of postcards documenting Christo's "Wrapped" installation at the Museum of Contemporary Art in Chicago in 1969. With an inscription from Christo to Mrs Weitzen on the inside of the box's cover. "The Museum of Contemporary Art in Chicago was the first public building in the USA wrapped by Christo and Jeanne-Claude. In conjunction with the project the artists made a complementary work for the interior Wrapped Floor and Stairway. Museum of Contemporary Art unknown books
2005réf. 327003Cologne: Taschen 2005. Limited. hardcover. fine. Christo & Jeanne-Claude. Color and black & white illustrations throughout. 968 pages. Thick oblong 4to gray cloth pictorial board slipcase. Cologne: Taschen 2005. Limited deluxe collector's edition. A fine copy in a fine slipcase. Inscribed and signed by both the artist and Jeanne-Claude on the limitation page. Number 1186 from a total printing of 5000. Taschen unknown
2005réf. 327003Cologne: Taschen 2005. Limited. hardcover. fine. Christo & Jeanne-Claude. Color and black & white illustrations throughout. 968 pages. Thick oblong 4to gray cloth pictorial board slipcase. Cologne: Taschen 2005. Limited deluxe collector's edition. A fine copy in a fine slipcase. Inscribed and signed by both the artist and Jeanne-Claude on the limitation page. Number 1186 from a total printing of 5000. Taschen unknown books
2005réf. 87616Koln:: Taschen. Near Fine. 2005. Hardcover. 3822835625 . Color and black and white photographs by Wolfgang Volz throughout. Picture notes by Jonathan Henery. Limited edition: this copy is number 1595 of 5000 copies. SIGNED by Christo Jeanne-Claude and Wolfgang Volz. Previous owner's book-plate on front free endpaper else about fine in a fine pictoral slipcase. ; 968 pages . Taschen, hardcover
2005réf. 87616Koln:: Taschen. Near Fine. 2005. Hardcover. 3822835625 . Color and black and white photographs by Wolfgang Volz throughout. Picture notes by Jonathan Henery. Limited edition: this copy is number 1595 of 5000 copies. SIGNED by Christo Jeanne-Claude and Wolfgang Volz. Previous owner's book-plate on front free endpaper else about fine in a fine pictoral slipcase. ; 968 pages . Taschen, hardcover books
1961réf. 100765Paris KWY 1961 300x206mm Revue trimestrielle d'art actuel éditée par le groupe KWY: Lourdès Castro, Christo, Gonçalo Duarte, Escada, Jan Voss, Costa Pinheiro, Joao Vieira et René Bertholo. 4ème trimestre 1961, 46 pages non paginées sur divers papiers, avec hors-textes et objets inclus, en feuilles sous couverture originale en papier métallisée de Lourdès Castro qui a également réalisé la mise en page. Entièrement imprimé à la main à 300 exemplaires. Participations de Bertini, J. Vieira, Aubertin, Escada, Lourdès Castro, Gerrsheim, Pfahler, Voss, Kuhr, Klasen, Bazon Brock, Millares, Guy Weelen, Carl Laszlo, Manuel de Castro, Biasi, André Pieyre de Mandiargues, Jorgé Mart, Christo, Bertholo, Klaus Burckhardt, Szenes, Benrath, Areal, Jean Jacques Lévèque, Klaus Peter Jllinger, Gail Sniger, Pinheiro, Spacagna, Vieira da Silva, Gonçalo, Vida, Jorge Martins.
1952réf. 63426Paris: Les Editeurs Français Réunis 1952. Fine. Les Editeurs Français Réunis Paris 1952 12 x 19 cm broché First edition on current paper of the French translation and adaptation established by Paul Eluard. Biography of the Bulgarian poet by Elsa Triolet. Two tears glued to the back of the head yellowed paper. Precious autograph dedication signed Paul Eluard: ""A Valentine Hugo my friend sic"". Les Editeurs Français Réunis unknown
1624réf. 031123En Anvers 1624 En casa de Pedro y Iuan Beleros (Pierre & Jean Bellère) Vellum 1st Edition
réf. 140949112Cologne: Taschen 1996. First Edition. Fine. Deluxe first edition "Special Edition" with fabric swatch mounted to back pastedown. 696 pp. profusely illustrated with color photographs. Oblong quarto bound in publisher's silver cloth lettered in blue on spine. Fine. Housed in the original slipcase printed paper and silver cloth with spot of soiling to upper edge. The story of Christo and Jeanne-Claude's 24-year quest to wrap Germany's historic parliament building in woven silvery cloth held with blue rope. The two artists were known for their monumental fabric installations of which this was the most iconic. The installation subverted the imposing dignity of the famous building a Neo-Renaissance behemoth left in ruins by the Battle for Berlin in 1945. The building was stripped and restored by the West German government during the 1960s then further repaired and crowned with a new glass dome in time for the new millennium. Before the new construction began Christo and Jeanne-Claude finally gained permission to wrap the building after decades of lobbying. The effort was seen as a symbol of reunification drawing millions of Germans to physically interact with what would once more be the seat of their government for the first time since 1933. Taschen unknown
réf. 140949112Cologne: Taschen 1996. First Edition. Fine. Deluxe first edition "Special Edition" with fabric swatch mounted to back pastedown. 696 pp. profusely illustrated with color photographs. Oblong quarto bound in publisher's silver cloth lettered in blue on spine. Fine. Housed in the original slipcase printed paper and silver cloth with spot of soiling to upper edge. The story of Christo and Jeanne-Claude's 24-year quest to wrap Germany's historic parliament building in woven silvery cloth held with blue rope. The two artists were known for their monumental fabric installations of which this was the most iconic. The installation subverted the imposing dignity of the famous building a Neo-Renaissance behemoth left in ruins by the Battle for Berlin in 1945. The building was stripped and restored by the West German government during the 1960s then further repaired and crowned with a new glass dome in time for the new millennium. Before the new construction began Christo and Jeanne-Claude finally gained permission to wrap the building after decades of lobbying. The effort was seen as a symbol of reunification drawing millions of Germans to physically interact with what would once more be the seat of their government for the first time since 1933. Taschen unknown books
réf. 149052Saint-Paul de Vence: Fondation Maeght 2016. First edition of this striking bold photography work done by Christo et Jeanne-Claude. Quarto original publisher’s pictorial wrappers. Presentation copy inscribed by the author "Madame For Madeleine with love August 30 2016 NY." The recipient Madeleine K. Albright was the first woman to serve as the U.S. Secretary of State. She acted under President Bill Clinton from 1997 to 2001 leading the United States through foreign policy in the Middle East with the endorsement of military action in Iraq. At the 1998 NATO summit Albright coined the “3 Ds” of NATO “which is no diminution of NATO no discrimination and no duplication – because I think that we don’t need any of those three “Ds” to happen.” After her tenure as Secretary of State she served as chair of the consulting Albright Stonebridge Group and was the Michael and Virginia Mortara Endowed Distinguished Professor in the Practice of Diplomacy at Georgetown University’s School of Foreign Service. For Albright’s contributions to foreign policy and relations that defined a century President Barack Obama awarded her the Presidential Medal of Freedom in 2012. In fine condition. Bookplate to the front pastedown from “The Private Collection of Secretary Madeleine K. Albright.” Barils Barrels by Christo and Jeanne-Claude is a visual and conceptual exploration of the artists' iconic environmental works focusing specifically on their use of barrels in large-scale installations. The book showcases the couple's innovative approach to public art where everyday objects are transformed into monumental thought-provoking forms that engage with their surroundings. Christo and Jeanne-Claude are renowned for wrapping objects and landscapes in fabric and in this work their use of barrels serves as both a commentary on industrialization and a symbol of containment and transformation. The book not only documents the artistic process behind these installations but also reflects on the broader implications of their environmental art in terms of space perception and the interaction between art and public life. Through striking visuals and critical insight Barils Barrels emphasizes the artists’ ability to challenge conventional understandings of art encouraging viewers to rethink the relationship between art nature and society. Fondation Maeght unknown
1975réf. 48687Munich.: Heinz Moos Verlag. 1975. Original publisher's spiral bound red printed boards with an image of Joseph Beuys in a dug-out canoe. Folio. 420 x 320 mm. Illustrated throughout in colour and black and white. A scarce and highly engaging art calendar an excellent document of time and place.Richly illustrated with over 100 images documenting in detail art and art-actions in the Federal Republic of Germany in the mid-1970s. Cover reproduces an image of Joseph Beuys being rowed in a dug-out canoe across the Rhine at Düsseldorf in 1974.Among the illustrated works is Christo's 'Packing Monschau Castle' work 1971 as well as Rebecca Horn’s 'Mechanical Body Fan' 1973. Heinz Moos Verlag. hardcover
1578réf. 5129484Lipsiae, Iohannes Rhamba excudebat (Leipzig: Johannes Rhamba) 1578. Titel, (64), 559, (1 weiße) Seiten. Kl.-4° (18,5 x 15,5 cm). Halbpergamentband des 18. Jahrhunderts mit durchgezogenen Bünden, Pergamentecken und neuerem handschriftlichem Rückentitel.
réf. 42813Paris.Gervais Alliot.1647.In-folio en reliure d'époque.522 p.+ Au Lecteur, Table des Matières, planche dépliante concernant Lezignem et 176 p.avec Les Roys de Guyenne,le traicté par lequel il est prouvé de quelle Lorraine Charles fils du Roy Louis d'Outre-Mer était Duc,et les Empeschements du Mariage du Roy Philippe I.et de Bertrade de Montfort,et le Premier traicté de la Clause Regnante Christo. BE.Reliure d'époque aux coins et aux pages de garde restaurées. Qques rousseurs et infimes mouillures.Dos à 6 nerfs avec caissons.2 planches généalogiques.Portrait gravé de Besly.
1981réf. 1016701981 Sans lieu, 1981, 8p., 299x210mm, , agrafé sous couverture carton glacé blanc, une vignette fixée en couverture. Exemplaire signé sous l’illustration de couverture « Christo 1981 ».Texte de présentation du projet détaillant ses aspects historiques et esthétiques, biographie, liste des expositions, bibliographie, fi lms et catalogues. Plaquette promotionnelle pour un des projets les plus célèbres de Christo qui, conçu en 1976 mit près de quinze années à aboutir en septembre 1985 grâce à Jacques Chirac et Jack Lang. Le projet du Pont-Neuf, long de 140 m et large de 20,5 mètres, a nécessité 40 000 m2 de toile -qui change d’aspect selon le niveau du soleil dans le ciel- 12 tonnes de câbles d’acier, l’intervention de 300 professionnels spécialisés dirigés par 12 ingénieurs,le tout entièrement financé par l'artiste. (101670)
1961réf. 016282köln Galerie Haro Lauhus 1961 Dépliant in-8 En feuilles
1968réf. 138495New York: Museum of Modern Art MOMA 1968. Vintage poster for an exhibition of work associated with an unrealized Christo project intended to wrap the New York Museum of Modern Art. INSCRIBED by the artist on the poster in orange crayon: "For Betsy Jones / Christo 1968." In early 1968 Christo and Jeanne-Claude proposed to wrap the Museum of Modern Art in New York City and the adjoining sculpture garden to be accompanied by various works inside and outside the museum created by the artists as well. Though it would have been the first of the couple's wrapped public buildings MoMa's insurance company warned that coverage would cease immediately were the artists to begin wrapping the building and thus the project was shelved. MoMA countered by offering the artists this exhibition: a showcase of the preparatory scale models photomontages and drawings created for the project. Though Christo and Jeanne-Claude worked collaboratively from 1958 onwards only Christo was given artist credit until 1994 at which point he retroactively attributed the works to her as well. 22.5 x 32.5 inches folded on brown butcher paper as issued. Very Good plus with a couple of tiny chips to the top edge two tape repairs to the verso and a single pinhole tear. Museum of Modern Art [MOMA] unknown
1968réf. 138495New York: Museum of Modern Art MOMA 1968. Vintage poster for an exhibition of work associated with an unrealized Christo project intended to wrap the New York Museum of Modern Art. INSCRIBED by the artist on the poster in orange crayon: "For Betsy Jones / Christo 1968." In early 1968 Christo and Jeanne-Claude proposed to wrap the Museum of Modern Art in New York City and the adjoining sculpture garden to be accompanied by various works inside and outside the museum created by the artists as well. Though it would have been the first of the couple's wrapped public buildings MoMa's insurance company warned that coverage would cease immediately were the artists to begin wrapping the building and thus the project was shelved. MoMA countered by offering the artists this exhibition: a showcase of the preparatory scale models photomontages and drawings created for the project. Though Christo and Jeanne-Claude worked collaboratively from 1958 onwards only Christo was given artist credit until 1994 at which point he retroactively attributed the works to her as well. 22.5 x 32.5 inches folded on brown butcher paper as issued. Very Good plus with a couple of tiny chips to the top edge two tape repairs to the verso and a single pinhole tear. Museum of Modern Art [MOMA] unknown books
réf. 342344S.N. S.L. S.D. (1991) Photographie de format oblong "à l'italienne"( 490 X 980 mm ) en couleurs, imprimée sur papier fin signée à la main par CHRISTO et le photographe Wolfgang VOLZ. Très bel exemplaire.En octobre 1991, CHRISTO et Jeanne-Claude font planter 1.340 parasols bleus à Ibaraki, au Japon et 1.760 jaunes en Californie. Ils ont 6 m de haut pour 8,66 m de diamètre et resteront dans les paysages pendant 18 jours.
réf. 26604747-nnew. unknown
2006réf. 72173Skira. New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 268 pp. With 205 ills. 204 col. 2 foldout. 29 x 31 cm. -- with a bonus offer-- . 2006. 8876246258 . Skira hardcover