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19.006 resultados
1891ref. 344DG1891. Berlin Siegfried Cronbach 1891. Colorierte Lithographie. Bildformat: 39 x 28 cm. Signiert: Tarrt. B. . - N°10. - Leicht stockfleckig Rand leicht angestossen. unknown
1894ref. 339DG1894. Berlin Siegfried Cronbach 1894. Colorierte Lithographie. Bildformat: 39 x 28 cm. Illustr. Modenjournal für Putzgeschäfte. -Signiert: Tarrt. B. . - N°19 I tes Blatt. - Leicht knitterfaltig. unknown
1893ref. 338DG1893. Berlin Siegfried Cronbach 1893. Colorierte Lithographie. Bildformat: 39 x 28 cm. Illustr. Modenjournal für Putzgeschäfte. - N°20 II tes Blatt. - Signiert : B.J. - Rand leicht angestossen. unknown
1896ref. 337DG1896. Berlin Siegfried Cronbach 1896. Colorierte Lithographie. Bildformat: 39 x 28 cm. Illustr. Modenjournal für Putzgeschäfte. - N°12 II tes Blatt. - Signiert : B.J. - Ecken angestossen ein kleiner Riss im Randbereich. unknown
1891ref. 342DG1891. Berlin Siegfried Cronbach 1891. Colorierte Lithographie. Bildformat: 39 x 28 cm. N°14. - Leicht stockfleckig Faltknick Ecken leicht angestossen. unknown
1890ref. 343DG1890. Berlin Siegfried Cronbach 1890. Colorierte Lithographie. Bildformat: 39 x 28 cm. N°9. - Leicht stockfleckig Ecken und Rand leicht angestossen. unknown
1894ref. 340DG1894. Berlin Siegfried Cronbach 1894. Colorierte Lithographie. Bildformat: 39 x 28 cm. Illustr. Modenjournal für Putzgeschäfte. - N°17 . - Signiert : B.J. - Leicht stockfleckig Ecken teilweise leicht angestossen. unknown
ref. 0037424Berlin: Schwarze Mode No date. First Edition. Softcover Paperback. Very Good Condition. 29.5cm x 21cm. 52 pages colour illustrations. Pictorial saddle-stapled self-wrappers. Text is bilingual German and English. Catalogue of corsets and bustiers by German boutique Schwarze Mode. Text is in EnglishGerman. Minor shelf and handling wear. Category: Sexuality; Sexuality::Fetish & SM; 20th Century: 1990s; EnglishGerman Language; Fashion Fabrics & Style. Inventory No: 0037424. BZDB407 Sexuality; Sexuality::Fetish & SM; 20th Century: 1990s; EnglishGerman Language; Fashion Fabrics & Style. Unbranded Schwarze Mode Korsetts und Korsagen Schwarze Mode paperback
2000ref. 220167New York: Harry N. Abrams Inc. Publishers 2000. Cloth 239 pages illustrations some colour; 28 x 32 cm. Firm binding clean inside copy. First American Edition. Fine DJ. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. "A first retrospective on the photographer's nearly fifty-year career is published to accompany a major exhibition and includes fashion shots for Vogue pictures of noted artists portraits of the royal family and photographs of the lonely and disadvantaged." - Publisher. 1st. Hardcover. Fine/Fine. Oblong. Collectible. Harry N. Abrams, Inc., Publishers hardcover
ref. ria9781501362996_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
ref. 6358099586MacMillan . Papeback. New. pp. 266 MacMillan unknown
ref. 6358793958MacMillan . Hardback. New. pp. 240 MacMillan hardcover
ref. 650463919World Scientific Publishing Company Incorporated . Hardback. New. pp. 696 World Scientific Publishing Company, Incorporated hardcover
1939ref. 63709Aussig Usti Nad Labem Czechoslovakia & Vienna: C. Wolfrum ca. 1939. Folio. 50 leaves. 1 leaf with type-written explanation of all the fashions illustrated in the catalogue. 44 hand-coloured pochoir fashion designs on translucent paper each with item number printed below 5 leaves with printed designs showing the backs of all the fashions some pencil shading and details added. Original textured beige softcovers embossed WMI Wolfrum Manufacturing on front cover metal spiral bound as issued some dustsoiling & wear to fore-edges of covers very slight bumping to couple corners still a VG copy w/ beautifully illustrated fashion designs. First edition of this exceedingly scarce original trade catalogue issued by the C. Wolfrum textile firm in Czechoslovakia for its Vienna Austria market around the time of the forced annexation of the Sudetenland by Nazi Germany in 1939. The firm was famed for its woolen & silk textiles for women’s fashions and their catalogues were very desired. This catalogue includes fashions for silk rayon & wool women’s dress suits leisure suits formal evening dresses & winter coats all evoking the fashion trends of the period. The designs in the catalogue reflect the rising influence of militaristic styles and fascism with square-edged shoulder pads the plate hats as well as the emphasis on tight waists and long skirts. There are a couple designs with distinctive chocolate brown for leisure wear reflecting the heavy Nazi-influenced fashion design of the period. In addition the slim lines were enhanced by cutting clothes across the fabric avoiding bunches of gathers at the waist for full skirts allowing material to flow. In addition the evening wear dresses emphasized low or no backs and hair was to be grown long and worn swept up. This catalogue also includes a few evening formal dress designs clearly inspired by the dresses worn by Vivien Leigh in the 1939 Gone With the Wind Movie with the puffed sleeves polk-a-dot patterns and fabrics. No copies in Worldcat. C. Wolfrum, paperback
1986ref. 62982New York & Troy NY: Arrow Company Cluett-Peabody Co. 1986. Four oblong folio colour-printed advertising displays sized 16.5 x 11.25 in. colour-printed on thick card stock all four retaining their original fold back easels on versos slight edgewear very slight bowing still a NF set. First editions of these original counter displays marking Arrow’s attempts to revive their Arrow Man shirts with “Fancies” -- coloured shirts and intended to bring back the label in much the same way that Leyendecker’s striking illustrations had helped the company dominate the market through the first part of the 20th Century. Neiman in the 1980’s was not only well-known for his monthly illustrated sporting and lifestyle column in Playboy Magazine but also noted painter of the Indianapolis 500 races Official Painter of five Olympics boxing matches -- with Muhammad Ali a particular favorite as well as capturing basketball boxing hockey gymnastics swimming billiards and more. The Brigade Collection is here depicted by Neiman with an illustration of a boxer heading to the ring at Madison Square Garden; the stylish Dover Collection is depicted with stylish couple in Lutece’s bar in New York City; the finest level Bradstreet Collection which featured white collar and French cuffs is shown here with Arrow man at a horse race walking with his jockey and finally a couple shooting pool represents the cheapest line or “opening price point” Trump collection which was one of the oldest lines dating back to the early 20th Century and after Leyendecker featured illustrations by Frederic Stanley. No copies in Worldcat; See: Philip Dougherty Advertising: Arrow Man is Painted by Neiman New York Times Jan. 6 1986; Carl Johnson Cluett Peabody & Co. Hoxsie! The History of Albany Schenectady and Troy Feb. 7 2012. Arrow Company, [Cluett-Peabody Co.], unknown
1922ref. 62342New York: Edward J. Clode 1922. 12 vols. 12mo. 1184 pp all vols. separately paginated. With 100’s of text illustrations diagrams patterns. Brown cloth-backed cream-coloured softcovers illustrated in brown & brown lettering very slight shelfwear slight soiling to fore-edges still a NF set preserved in the original open case. First edition 2nd printing of this informative and well-illustrated set issued by Woman’s Home Companion intended as a Jazz Age “how-to” instructional sewing and tailoring course to properly instruct young aspiring fashion designers seamstresses and at home housewives how to craft the current Flapper-era fashions. These well-organized volumes include sections on selecting the proper clothes and colours simple stitches making their garments attractive trimmings to add a little extra to underwear; different types of blouses lingerie blouses kimono blouses “Smart” clothes drop waist dresses and the key of pattern making. This course helped to propel the idea of “Flapper Design Fashion” and reflected many of her own innovative artistic and graciously elegant designs. Conover Stadtmiller 1891-1968 was a Los Angeles fashion designer associate fashion editor of Woman’s Home Companion and after marrying noted Kennicott Copper Co. mining engineer Karl Stadtmiller 1893-1934 retired from her career until after her husband’s sudden death. Worldcat locates 4 sets FIT-NY Indiana U MFA Boston Toronto Public. Edward J. Clode, paperback
1955ref. 62463New York NY Kansas City MO & Carmel Santa Barbara & San Francisco CA: Marian Ross Mizelle Madrigal 1955-1974. Four Vols. and original Store Sign for Carmel CA boutique. Folio. 2 - 12 x 15.25 in. & 2 - 13 x 19 in. 48; 48; 48; 48 pp unpaginated. all w/ mylar sleeves archival black paper insert backings with 151 original designs in gouache watercolour chalk and pen & ink 38 in pen & ink or pencil sized from 7 x 11 in. up to 10 x 15 in. and nearly all signed by Marian Ross three feature original fabric sample swatches affixed to them including one w/ pencil MS “Winner” and mimeographed description affixed to verso several of them are translucent pochoir stapled to backing paper many are on thick stiff studio board while others on assorted textured paper stock. In addition there are three newspaper and magazine clippings 1966 & 2013 a photostat copy of early Ross Mizelle “Mod” fashion designs and original black & white silver gelatin photo of young Marian Ross modeling a wedding dress. All are preserved in flexible vinyl portfolios printed labels on spines some minor scuffing & shelfwear to portfolios occasional very minor closed tears or edgewear to the designs a few w/ minor holes from removed staples still an exemplary archive of designs together with the original Madrigal signboard sized 16 x 27 in. from their Carmel CA store. This sensational archive of original fashion designs for Kansas City MO based department store suppliers by Marian Ross Mizelle before her move to California in the 1970’s to establish the Madrigal boutique with her husband Elliot A. Mizelle 1916-2007. These vividly reveal the Mid-20th-Century fashion trends following World War II. Many of the designs in this collection reflect the transition from the late 1950’s elegance and emphasis on Dior’s “New Look” highlighting femininity and opulent use of fabrics towards the more youthful designs emerging out of Swinging London which were a slimming down beginning to raise hemlines with short skirts bolero tops and increasing influence of Pierre Cardin Andre Courreges and Givenchy. The Mid-20th-Century saw a tremendous upsurge in marketing slimmer lines tighter fitting bodices and fashions emerging from such cultural events as Audry Hepburn in her iconic 1961 “Breakfast at Tiffany’s” film which heavily influenced a generation of young women.Young Marian Ross b. 1936 after completing her Fashion Academy certificate in 1955 free-lanced and worked in the New York fashion industry before landing with the influential and hot-selling Gay Gibson label with Gernes Garment Co. in 1961. The Gernes Garment Co. had been originally founded in 1928 by Sara Desaix Gernes 1896-1978 and her husband Alexander Gernes 1882-1947 to market her groundbreaking fashion designs targeting everyday fashion for young women juniors and teens. Her designs proved very popular as she initiated and fashioned sizing and dresses and clothing for teenagers through young college-age women and her designs proved very successful and were marketed through Chicago’s Marshall Field’s department store. By 1961 the Gernes Garment Co. moved their design and pattern making department to New York to capture young fashion designers such as Marian Ross as well as be closer to the influential couturier houses in New York & Paris. The Gay Gibson label was marketed in Mademoiselle Seventeen Glamour and Vogue magazines with Twiggy often modeling Gay Gibson dresses in the 1960’s. Marian’s designs were inventive playful and emphasizing movement as well as comfort. Many of the fashion patterns depict her models in flats ballet flats or even shoeless while dressed in elegant evening or formal dress. Also depicted are designs such as billowing harem pants modified and sleek upscale poodle skirts and Tartan patterned capes pockets dresses and accessories. Others encompass swimwear ski wear as well as the emphasized and often enforced domesticity of the late 1950’s to 1960’s with stylish plaid house-dresses in the kitchen and bar as well as frequent use of lace. The Gay Gibson label maintained a showroom at 1407 Broadway on the 39th Floor in New York ad held over 24 showings from 1961-1969 including Junior Dresses Summer Collections Spring Junior Collections as well as Holiday and Resort collections. By the early 1970’s the label was having financial difficulties and the popularity began to drop with the company run by Desaix Gernes her mother and husband Paul before folding a few years after Sara Desaix Gernes’ death. Marian and Elliot Mizelle established Madrigal Inc. name chosen because of the seductive chic of Manhattan’s Le Madrigal restaurant and grew into a legendary luxury boutique at one point operating store fronts in Santa Barbara downtown San Francisco and Carmel CA. In her 2015 interview for “Women in Business” with the Carmel Pine Cone Marian stated she “wanted to be an actress but it didn’t work out that way. I used to sketch a lot so I studied design instead. Everything I touched while was designing worked. I got a lot of jobs and was featured on a lot of Seventeen magazine covers.” This cataloguer could find not similar extant archive of original designs for the 1960’s period of the Gay Gibson label or for Marian Ross Mizelle; See: Interview with Desaix Gernes Garment Industry Oral History Collection The Kansas City Public Library Jan. 14 2005 SC229 Series 2 2024; Gay Gibson Vintage Fashion Guild 2025; Donnelly Garment Company vs. International Ladies Garment Workers Union et al Photographs Clothing Demonstration The Pendergast Years Kansas City in the Jazz Age & Great Depression 2025. Marian Ross Mizelle, Madrigal, hardcover
1935ref. 62566Tacoma WA: Day’s Tailor-D Clothing Inc. ca. 1935. Folio. 15.75 x 22 in. Colour serigraph counter display on masonite w/ cardboard stand unfolded on verso minor tidemark some soiling back cover minor curving to the masonite still VG bright exemplar. An exceptional original brightly counter display for these popular durable corduroy slacks which became known as the “College Cords” and expanded the company’s popular offerings beyond their iconic “Big 5” work overalls. The “College Cords” also proved to be popular durable work pants but were initially targeted towards the college man. The company was founded by Day 1874-1947 in 1903 and quickly began selling the “Big 5” work overalls and in 1906 were unionized by the United Garment Workers of America forming Local 201 and embraced the slogan “Western Made Union Made.” The company in 1928 changed its name to Day’s Tailor-D Clothing Inc. and sons Hollis and Judd Day took over the company after 1947. During the 1950’s they maintained 400 employees and $ 1 million dollar payroll best known as one of the largest Pacific Northwest employers of women in the region. In 1973 the company merged with Warnaco. See: Day’s College Cords Marketing Tacoma Library Northwest Room 2022; Day’s Tailor-D Clothing, Inc., hardcover
1924ref. 62500Tacoma WA: A.V. Love Dry Goods Co. 2102-2106 Pacific Ave. 1924. 4to. 4 286 i.e. 338 10 pp. Including 52 pp. of colour lithograph sample pages many w/raised colour-embossed plates of bolts of cloth or fabric samples ribbon samples colour swatches 100’s of text illustrations photo illustrations. Brown-cloth backed colour-illustrated flexible covers cover art of 1920’s bobbed-hair woman measuring bolts of cloth Love Co. advertisement on back cover minor chipping & creasing to corners edgewear minor scuffing couple minor closed tears still VG- copy. First edition of this very scarce and lavishly illustrated wholesaler’s dry-goods catalogue issued by A.V. Love Dry Goods Co. during the Roaring 20’s. As a wholesale catalogue goods and counter displays are depicted and priced such as those for cuff buttons combs hair pins perfumes pipes sewing goods textiles and yarns. Of particular interest are the beautifully colour-printed & embossed inserted sample pages for trimmings silks silk threads yarns underwear towels blankets and more. Sections specifically devoted to work clothes including overalls work gloves boots logger’s plaid work shirts wool flannels and even bathing suits are also featured. Love Sr. 1868-1942 a Virginia grocer first moved to Washington State before 1900 and by 1902 had established his own firm in Tacoma for the A.V. Love Dry Goods Co. eventually with sample showrooms in Seattle Portland Bellingham Bremerton Everett Yakima Walla Walla Aberdeen Eugene Lewiston Wenatchee and Juneau & Fairbanks Alaska Territory. The company erected the Love Dry Goods and Loft Building in 1925 built by Heath Gove and Bell located in the Denny Triangle neighborhood and was an excellent example of Seattle’s early Art Deco Architecture. The company moved their base of operations to Seattle from Tacoma on Pacific Ave. after completion. No copies in Worldcat; See: A.V. Love Dry Goods and Loft Building Photograph Collection Boyle Wagoner Architects Univ. of Washington Lib. Spec. Collects. PH0639. A.V. Love Dry Goods Co., 2102-2106 Pacific Ave., hardcover
1962ref. 62609Tokyo: Japan Travel Bureau 1962. 12mo. xvi 17-142 pp. plus 6 pp. publisher’s ads. With colour frontisp. 123 text photo illustrations. Tan publisher’s cloth black lettering w/ d.j. cover art illust. of young woman in kimono and wearing elaborate headdress and wisteria blossoms chipping head of spine tidemark to back fore-edge of spine edgewear still VG/G copy w/ w/ Japan Publication Trading Co. label on rear flyleaf. First edition stated of No. 26 in the Japan Travel Bureau’s Tourist Library Series and one of the scarcest titles detailing the necessary accessories for Japanese dress including the Obi Obijime Han-eri Braided Cords Katakake Tebukuro Kanzashi purses head coverings footwear and more. Japan Travel Bureau, hardcover
2010ref. 62624Seattle WA: Nordstrom; Prepress by Imagine Color Service 2010. Folio. 11 x 13.6 in. 4 127 5 pp. Colour-illustrated throughout several pages w/ die-cut engineering within the sheet 4 pp. inserted as half-sheet intro by Toledo printed on matte finish metallic finish and glossy paper stock 1 large colour volvelle at rear w/ colour wheel as overlay. White pictorial publisher’s cloth cover art by Toledo some edgewear minor scuffing minor bumping & soiling to corners still a VG copy. First edition of this inventive and sumptuous “visualization exploration documentation celebration of a ten year collaboration with Nordstrom and the fashion world” presenting the fashion artwork for displays catalogues and posters for the famed department store by the noted Cuban-American artist. The work divided into seasons traces the end of giddy bling-bling affluence return of femininity neo-romanticism utilitarian urbanism and Boho chic with his distinctive style. Fashion houses and labels such as Gaultier Dolce & Gabbana Valentino Carolina Herrera Cavalli Yves Saint Laurent Calvin Klein Vera Wang Brian Atwood Alexander McQueen and more are all vividly portrayed. Nordstrom; [Prepress by Imagine Color Service], hardcover
1945ref. 62617Philadelphia: J.B. Lippincott Co. 1945. 8vo. 204 2 pp. With 22 photo plates. Black publisher’s cloth silver lettering front cover & spine slight shelfwear minor bumping at foot of spine w/ d.j. cover art of Dragonia fabric by Everfast chipping & tear to upper fore-edge minor chipping foot of spine couple minor closed tears still VG/VG- copy. Second printing of this work drawn from interviews with 12 leading American fashion designers intended as a “splendid career book full of suggestions for the girl who who feels drawn to the great world of clothes and designers.” Those interviewed included Clare Potter - considered inventor of American sportswear; Emily Wilkens - pioneer in fashion clothing for teenagers; Hattie Carnegie with her ever elegant dresses; Edith Head - famed Hollywood costume designer; Louella Ballerino -- famed California designer of sportswear swimwear and distinct ethnographic influenced fashions and others. J.B. Lippincott Co., hardcover
1916ref. 62798New York: The Leading Pattern Co. 1916. Two parts in one vol. Small folio. 9.75 x 12.5 in. 2 28; 251-341 1 pp. Engraved & illustrated title vignettes text illustrations diagrams photos throughout including engraved signed certificate of completion. Original pebbled green cloth “Spring Binder” w/ gilt stamping & ruling on spine labels on endpapers minor tear to spine scuffing still VG copy from the library of Rose M. Cervini Savarese 1891-1965 w/ certificate signed by Rosenfeld. First edition of this exceedingly scarce and well-illustrated installment in Rosenfeld’s self-instruction dressmaking course available in 14 parts in 3 vols. where students could choose their particular course installment. This well-organized volume details the grading special garment cutting sketching tailoring dressmaking and fitting for dressmakers at the end of the Progressive Era. Rosenfeld b. 1883 was an Austro-Hungarian-American Jewish tailor and dress designer who before World War I had established not only his education courses but also oversaw his own design house and dressmaking operation in Brooklyn New York. The Leading Pattern Co. allowed him to not only train his current employees but recruit further. Worldcat locates 6 copies -- most incomplete or just mircofiche as well as incorrect dates for Rosenfeld FIT NY 10 vols St. Louis Pub. incomplete U of Chicago 13 vols. Northern Illinois LACMA DLC Thomas Jefferson Univ. The Leading Pattern Co., hardcover
1905ref. 62191St. Paul MN: McKibbin Driscoll & Dorsey Broadway and Fifth Streets St. Paul Printing Co. 1905. Tall 8vo. 27 1 pp. With text illustrations photo illustrations throughout. Gray decorated softcovers Arts & Crafts cover art & lettering in blue factory & warehouse & offices depicted on back cover small hole punch at upper left corner w/ gray silk braid as issued minor chipping to couple corners minor age-toning to fore-edges still a VG- copy. First edition of this surprisingly scarce Progressive-Era catalogue for the storied company founded originally in 1888 by McKibbin 1856-1941. This catalogue offers McKibbin Stiff Hats bowlers soft-brimmed Western hats such as the Columbia Dakota Manitoba & Railroad along with several Fedora hats. Advertised as well is an interesting novelty called the “Pin Wheel Hat” which were marketed in a round box rolled up and sold by the dozen for $ 4.50. Ladies and young women’s hats are included gloves sheep-lined coats and more. McKibbin was an orphaned self-made business man who managed to attend Princeton and Western University before moving to St. Paul where he eventually launched the business in 1888 which he sold in 1926 to T.W. Stevenson Manufacturing. No copies in Worldcat; See: David Pierce Joseph McKibbin Sept. 27 2014 & Men of Minnesota 1902 p. 372. McKibbin, Driscoll & Dorsey, Broadway and Fifth Streets, [St. Paul Printing Co.], paperback
1940ref. 61376Laguna Beach CA: Walter T. Foster Foreman & Clark 1940. Folio. 8 x 14 in. 40 pp unpaginated. Illustrated throughout self-printed softcovers cover art illustration of Foreman & Clark men’s tweed suit minor shelfwear slight rubbing still VG copy. First edition thus of this scarce installment in the Foster “How to Draw Library” series instructing aspiring commercial artists step-by-step in creating ads for men’s “Noir” period double-breasted suits and drawing primarily from the 1940 ad campaigns of the famed Foreman & Clark men’s stores based out of Southern California. Of particular interest is the inclusion by Foster of gray scale and tints from the Craftint Co. of Cleveland OH which instructs the artist on how their colours will appear when reproduced in black & white tones for commercial advertisements. The ad at rear for “Female Fashion” includes woman saluting. Worldcat locates 1 copy Ohio State. Walter T. Foster, [Foreman & Clark], paperback
