1 032 résultats
2002réf. 53ac9903U.K.: Aurum Press 2002. Book. Very Good. Paperback. First Edition. Folio - over 12" - 15" tall. 128 pages. Gorgeous colour photography throughout including many shots of vintage pieces of denim apparel - with their tags still affixed! "A history and celebration of all aspects of denim. Delves deep into the archives to explain the origins and development of blue jeans exploding many myths in the process. Features previously unseen pictures of denim-clad icons such as Robert Mitchum Eddie Cochran and Jackson Pollock plus specially commissioned photography of rare and classic garments from the 1880s to the present day. It concludes with a glossary teaching you to tell your arcuate from your cinch and helping you to spot original valuable examples of vintage jeans." - from front flap. Clean and unmarked with light wear. A quality copy. Guaranteed to thrill any denim lover!. Aurum Press Paperback
1913réf. 218820London: Sampson Low Marston & Company Ldt 1913. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. Green morocco-backed boards. Very good. First edition. 155 colored plates several in black and white which are printed on both sides. 1 vols. 4to. An excellent survey of French and English mode of dress between 1786 and 1912. Colas 2426; Hiler & Hiller p. 722 placing date as 1912 Sampson Low, Marston & Company Ldt unknown
1940réf. 56298Vienna Germany & Paris: La Mode Artistique S.A. 4 Rue mayran 1940. Folio. 10.75 x 14.6 in. 4 pp. With 28 colour fashion plates text printed in French English & German. Textured beige softcovers raised & embossed gilt lettering front cover black lettering for La Mode Artistique minor chipping head & foot of spine edgewear some scuffing still a VG copy w/ the fashion plates in bright condition. First edition of this very scarce and beautifully printed fashion design magazine issued in the opening years of World War II following the occupation of Paris in the summer of 1940 originally owned by Leon Claude. The firm had also published fashion publications such as Paris Chic La Coquette and Le Gout Parisien. These fashion designs show the growing restraint and conservatism of Nazi Germany and reflecting the desire by Adolf Hitler to extinguish French influence in European fashion. The designs here include most in 3/4 length with some sporting shapes and belted jackets as well as fancy wraps made from seal kid-astrakhan Buenos broadtail lamb beaver otter nutria ocelot Persian lamb musk mink fox and others. The collars are trimmer and the linings are often chosen to complement and match the dresses worn by the models. These 1940s fashions still show the dramatic drop in hem lengths feathered hats worn by Germans & Austrians and designs which inspired the Hollywood glamor look of the era popularized by Greta Garbo Joan Crawford Carole Lombard and others. These fashion designs were issued only to subscribing specialty shops boutiques and fashion enthusiasts at the time with eight different issues on assorted subjects appearing annually. No copies of this issue located in Worldcat. La Mode Artistique, S.A., 4, Rue mayran, paperback
1969réf. 61745Portland & Pendleton OR: Pendleton Woolen Mills Feb. 1969. 4to. 9 x 11.25 in. 176 pp sections all separately paginated. on tinted paper illustrations throughout tan coloured printed section dividers thumb tabs at fore-edges. Colour-illustrated softcover post-binder screw at gutter margin 3-ring hole punched as issued minor creasing edgewear minor edgewear to thumb-tabs still a VG copy. First edition thus of this exceedingly scarce wholesaler jobber price list illustrating and presenting Pendleton Woolen Mills Mid-20th-Century fashions for men’s Shirts Light Jackets Robes Accessories Slacks Jackets Outerwear Outdoor Wear Boyswear Sweaters and Knit Shirts. In the 1960’s Pendleton was well-known for their Sir Pendleton shirt line-up of flannels for men including the Board Shirt used at the time by California surfers over a layer of petroleum jelly as an improvised wetsuit in the early days of the surf scene. The Pendletones rock band actually adopted their name in honor of the surf uniform of Pendleton shirts worn over t-shirts with khakis and later changed their name to the Beach Boys featuring Brian Dennis & Carl Wilson Mike Love and Al Jardine. The Worsted Yarns used in Pendleton men’s fashions at the time were tightly twisted and gave them a resilient luster. The company has even recently revived in 2024 the classic Board Shirt first seen in the plaids of the late 1960’s. No copies in Worldcat; See: Iconic Styles Pendleton Woven Issue No. 7 2024. Pendleton Woolen Mills, paperback
1994réf. 31418New York: Random House 1994. Hardcover. SIGNED. First edition. The first book covering the fashion work by the legendary photographer gathering images made for Vogue in the 1950s and '60s as well as his documentary images of backstage scenes at the runway shows. Photographs & preface by William Klein; edited by Mark Holborn; afterword by Martin Harrison. SIGNED BY KLEIN in white marker on the half-title and inscribed. 255 pages; approx. 200 b&w and color plates; 10 x 14 inches. List of plates; bibliography; filmography. Condition: Near Fine minus hardcover with a light bump to the lower tips which has produced a tiny tear to one tip two tiny punctures to the hinge and otherwise only very light shelf wear; no dj as issued. Ships the next business day wrapped in padding in a box. Due to size and weight international and expedited shipping will be more than quoted. Random House hardcover
1990réf. 7530Thames & Hudson 1990. Hardcover. SIGNED. First edition first printing. A collection of William Klein's wide-angle in-your-face images of fashion shows street scenes etc. Photographs extensive captions and preface by William Klein; SIGNED BY KLEIN and inscribed. 176 pages; 80 full-spread full-bleed b&w photographic plates; 10 x 14 inches. Biography; filmography; bibliography; list of films about Klein. Condition: Near Fine hardcover with light rubbing to the bottom of the boards and to the spine ends in a Near Fine dust jacket with a touch of shelf wear. All dust jackets are protected by a clear mylar cover. Ships the next business day wrapped in padding in a box. Due to size and weight international and expedited shipping may be more than quoted. Thames & Hudson hardcover
1999réf. 23374Bulfinch / Little Brown and Co. 1999. Hardcover. SIGNED. First edition first printing. "For more than ten years there was an extraordinary collaboration between Irving Penn and the designer Issey Miyake one of the few figures to have taken clothes design into the realm of art. Miyake's astonishing forms and textures offered Penn subjects that echo both a primitive tribal beauty and the most futuristic fashion." Photographs by Irving Penn; essay by Mark Holborn. SIGNED BY PENN on the half-title and inscribed. 160 pages; 136 color plates 20 b&w and color text illustrations; 11 x 12.5 inches. Condition: Fine buckram-bound hardcover in a Fine dust jacket with one light smudge; appears to be new. All dust jackets are protected by a clear mylar cover. Ships the next business day wrapped in padding in a box. Due to size and weight international and expedited shipping may be more than quoted. Bulfinch / Little, Brown and Co. hardcover
1991réf. 17685Tokyo: Miyake Design Studio 1991. Hardcover. SIGNED. First edition first printing. Miyake's 1991-92 collection as seen by Penn. Photographs by Irving Penn; afterword by Tadao Ando in English and Japanese all other text in English. SIGNED BY PENN on the title page and inscribed. From an edition limited to 1500 copies. Unpaginated 48 pages; 30 full-page color illustrations 30 b&w thumbnails at the rear with captions 1 full-page color illustration by Ando; 10.5 x 12.25 inches. Condition: Near Fine hardcover with a hint of soiling and a touch of tanning to the edges of the pages; no dj as issued. A nice copy. Ships the next business day wrapped in padding in a box. Miyake Design Studio hardcover
réf. 74231E-218. Hardcover. Very Good. Leather. Folio. Revue fondée par Abel Goubaud Paris France. 1888. 424 pgs. 1 bound volume consisting the full year of 1888. Illustrated throughout with in text drawings with black and white engravings depicting fabrics patterns models lace. Bound in 1/2 red leather and marble paper covered cloth boards with titles and raised bands present to the spine. Boards have shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. EB; 8vo 8" - 9" tall . hardcover
1937réf. 47549Praha Prague: Karl Berner 1937. First edition. Paperback. Very good. Very slim quarto 31 cm Original beige and orange printed wraps bound with two rivets. Eighteen leaves with color lithograph fashion illustrations on every leaf. With rippling and a general layer of mild soiling on the wraps. Some occasional thumbing and barely perceptible tidemarks on the pages. One minor pencil notation. A first edition of this original trade catalogue issued by Karel Berner in Czechoslovakia and featuring the "Chic Parisien" line created by Vlasta an in-house designer. The designs in this catalogue highlight the growing influence of militaristic styles such as square-edged shoulder pads plate hats and an emphasis on tight waists and long skits. Karl Berner paperback
1990réf. BN513452Tübingen / Wasmuth 1990. 1990. Rene Gruau. Rene Gruau. Mode - Gilles de Bure Tübingen / Wasmuth unknown
2024réf. BN513462London / Thames & Hudson 2024. 2024. Chanel. The Allure of Makeup. Chanel. The Allure of Makeup. Mode - Natasha A. Fraser London / Thames & Hudson unknown
réf. DADAX113806064XNew unknown
réf. DADAX0415447933New unknown
réf. DADAX0367901285New unknown
réf. DADAX0415784123New unknown
réf. DADAX0415057809New unknown
réf. DADAX0415260175New unknown
réf. DADAX0367203138New unknown
réf. DADAX0415346193New unknown
1987réf. BN513314München / Schirmer/Mosel 1987. 1987. Dior. Christian Dior 1905 - 1957. Dior. Christian Dior 1905 - 1957. Mode - Francoise Giroud und Sacha van Dorssen München / Schirmer/Mosel unknown
réf. DADAX0415531047New unknown
réf. DADAX1563670461New unknown
1924réf. 47496Dayton OH: The Comer Manufacturing Co. 1924. Tall 8vo. 5.5 x 10.5 in. 36 pp. Numerous illustrations 4 colour plates 4 sepia-tinted plates 64 wool wool blend canvas linen leather cotton and patterned fabrics some treated w/ coating tipped-in occasional offsetting from samples either surrounding the sample or on facing leaves. Dark red printed softcovers decoration & lettering in orange & blue minor soiling some creasing still a VG- copy. First edition of this scarce salesman sample catalogue for men and women’s Jazz Age raincoats and overcoats in the mid-1920s. The company was founded before World War I by Charles E. Comer b. 1887 who quickly established the company as one of the largest manufacturers in Ohio of raincoats. The colour fashion plates are quite striking for the period and offer invaluable historical reference for the styles and weight of raincoats sold during the Flapper Era. Comer produced rubber-lined coats offered deals if you ordered two coats at once and also offered Mackinaws General Purpose coats Rubber rain slickers reversible coats and even waterproof aprons for housewives. This catalogue notes that they had just completed their new 40000 square foot and even offered waterproof luggage and garment bags. They were well known for advertising in labor magazines trade magazines and professional magazines constantly promoting their product and recruiting new salesmen. Worldcat locates only 1 copy Vol. 166. The Comer Manufacturing Co., paperback
1940réf. 196571940. African American Black Models in Commercial Print: Philadelphia Studio Fashion Photoshoot 1930s-1940s Archive of 4 Original Vintage Photographs. Each black and white silver gelatin photograph measures 3.5" x 4.5". All photographs were captured at Condax Studio in Philadelphia. Condax Studios was associated with the Models' Guild of Philadelphia which served as a "central resource of information for commercial photographers connecting them with professional models for television fashion and convention work". All photographs capture a black woman striking various poses in two contrasting outfits. In two photographs she poses in a black dress and heels glamorous jewelry and a rose. Her eyes are slightly covered by a black birdcage veil. In the remaining two photographs she sports a posh blazer and skirt set glamorous jewelry heels and an umbrella. Until the middle of the 1940s consumer advertising completely ignored the black consumer and virulent racial segregation in the United States meant that Black people's needs were not being satisfied. Thus traditional advertisers were reluctant to associate the image of a black person with their products. At this point in time they perceived it may lead to a loss in sales by the way Black people were viewed in society. These photographs capture an early instance of a Black print model in an era where there was little representation. Two photographs are minority wrinkled not affecting image quality. This photo archive is expressive and in very good condition overall. unknown
