Butturini GianMareMagnum
18.427 Ergebnisse
1969
1840Best.-Nr. 33436ABWürzburg, H. A. Eckert & Christian Weiß, [um 1840]. 2° (ca. 35,5 x 25,5 cm). In Original-Lieferungsumschlag mit goldgeprägtem Titelschildchen. Tafeln teils ein wenig gebräunt, mehrere am Rand leicht braunfleckig bzw. abgegriffen. Zwei Tafeln rückseitig nummeriert, eine etwas fleckig, eine mit leichter Schabspur am Bildrand, der gefaltete Umschlag teils angestaubt.
Best.-Nr. 135-Ho.J. Aquarell und Feder in Schwarz, auf dünnem Malkarton, rechts unten monogrammiert und datiert ?WHN 1918?. 34:28 cm. ? Insgesamt nicht ganz frisch.
1793Best.-Nr. 162799Bln., In der Vossischen Buchhandlung, 1793. 84 S., mit mehrfach gefaltetem Kupferstich von Borger nach Keck. ohne Einband, 8°. Die erste Ausgabe war unter dem Titel "Über die Schädlichkeit der Schnürbrüste 1788 ohne Autorenname erschienen. Bei der vorliegenden Neuausgabe zitiert Sömmering auf dem Titelblatt "Die Form oder der Zuschnitt der Kleider ist wohl kein Gegenstand der Medicinalpolizei, sondern der medizinischen Aufklärung; höchstens darf der Staat nur da sie bestimmen, wo sie auf seine Kosten angeschafft werden, oder wo er gegen Ertheilung anderer Vortheile sie sich ausbedingen darf" aus "Lehrsätze der medicinischen Polizeywissenschaft" von E[rnst] B[enjamin] G[ottlieb] Hebenstreit. Die Radierung (45x27 cm, bxh) zeigt mit 7 Figuren, wie sich das Tragen von Corselets auf die Körperhaltung und das Skelett auswirkt.Im Anhang ein 6seitiges chronologisches Verzeichnis von Literatur, die sich mit der Schädlichkeit der Schnürbrüste befasst, von Felix Platter (Basel, 1602) bis Joseph von Mohrenheim (St. Petersburg, 1791). Softcover
1654Due parti in un volume di cm. 22, pp. (20) 261 (1); (8) 213 (25) + (2) d'errata. Bell’antiporta allegorica a precedere ciascuna delle due parti, fregi ai frontespizi, e 33 tavole. Il tutto nitidamente inciso in rame con la raffigurazione di costumi antichi. Legatura strettamente coeva in piena pergamena molle. Solo un po' rifilate al margine destro le due antiporta, peraltro esemplare genuino ed in ottimo stato di conservazione. Prima edizione completa di tutte le sette parti. Cfr. Piantanida, 4472; Colas e Cicognara.
1852Otto volumi di cm. 22, pp. 1.600 ca. complessive. Con 640 tavole incise fuori testo di cui circa 100 finemente colorate. Legatura coeva in mezza pelle rossa con titoli e filetti in oro ai dorsi. Fioriture a tratti alle carte di testo, mentre le tavole ne sono assolutamente esenti. Ben conservato. Si tratta della parte completa riguardante il costume storico della Francia. I presenti otto volumi erano preceduti da un volume di Storia della vita privata dei Francesi e succeduti da un volume contenente una raccolta di documenti sul costume e le evoluzioni della moda in Francia. Spesso l'opera si presenta composta dei soli otto volumi qui presenti, monograficamente autonomi. Opera assai interessante per la storia del costume e munita di un apparato iconografico vasto e di buona qualità. Cfr. Vicaire IV, 839-40 (anch'egli sottolineando la particolare composizione dell'opera e presentando gli otto volumi autonomamente).
1930Best.-Nr. 45898Troy NY: Arrow Shirt Co./ Cluett Peabody & Co. Inc. ca. 1930; 1955. Quarter-sawn oak salesman sample counter display case 18.75 x 6 x 6 ins. with glass top & front door in back with catch w/ original label at bottom of the display indicating that this case was only to be used for the display of the Company collars preserving two Arrow Shirt Co. Collars some scuffing and wear to label at bottom of case affecting lettering minor wear to sides of case together with original Leyendecker advertisement printed on canvas w/ oak frame 28.5 x 21.5 ins. the piece has been professionally cleaned and mounted on archival foam core and removed from the original bars which were damaging the image and placed back in the oak frame some sunning faint discoloration to upper left margin still remarkable pieces. A wonderful advertising display for Arrow shirts and collars including pre-World War II counter sample case and 1950s promotional ad reproducing one of the famed Leyendecker images. These pieces originally came out of a small men’s clothing shop in Bend Oregon. The Arrow collars grew from the marketing idea by Cluett Peabody & Co. in Troy NY that it gave women an easier way to clean their husbands’ stained shirt collars without having to wash the entire shirt. In addition the collars wore out a much faster rate than the rest of the shirts so these replaceable collars would extend the life of the garments. This style of detachable collars remained popular up until the mid-1930s and largely declined out of use by the end of World War II.Leyendecker 1874-1951 created the Arrow Collar Man which was an advertising campaign that ran from 1905 - 1931 and was perhaps one of the most successful product brands in history. He created 100s of images and many of them are still synonymous with men’s fashion and styles. This advertisement was part of a revived campaign by Arrow Shirt Co. in the 1950s through early 1960s as they revived the nostalgia of the Leyendecker ads and pushed their shirts with soft collars. Arrow Shirt Co./ Cluett, Peabody & Co., Inc., hardcover
1950Best.-Nr. 206231950. Archive of three black and white silver gelatin photographs of black models dating from the 1950s-70s. Photographs measure approx. 8" x 10". This archive includes a press photo from 1974 showing model Beverly Bradshaw posed in front of a museum display of elephants wearing a traditional Nigerian Ibo wrapped dress designed by Angie Ihejirika. Article on verso from the Chicago Sun Times details Mrs. Ihejirika's demonstration of the art of African wrapping at the Field Museum of Natural History. Photo has a bald patch on left side not affecting subject matter. Also included is a print of twelve Kodak film cells showing actress and model Nancy Westbrook in a series of poses sitting within a large picture frame. Seven images show Westbrook in a bikini and five wearing only a fur stole. These photographs date to the early 1950s and least one the third down on the left appeared in Jet Magazine with a short profile of Ms. Westbrook in 1953. Another photograph undated shows a black model in profile from the neck up smiling in a sun hat tilted away from camera to frame her head with a halo-like effect. Modeling in fashion and print has historically been dominated by white women reflecting a bias in beauty standards in the United States. These images show black women claiming space in the often exclusionary fashion world of the mid-late 20th century. Overall very good condition. Three images of black fashion models in the US 1950s-70s. unknown
1950Best.-Nr. 206231950. Archive of three black and white silver gelatin photographs of black models dating from the 1950s-70s. Photographs measure approx. 8" x 10". This archive includes a press photo from 1974 showing model Beverly Bradshaw posed in front of a museum display of elephants wearing a traditional Nigerian Ibo wrapped dress designed by Angie Ihejirika. Article on verso from the Chicago Sun Times details Mrs. Ihejirika's demonstration of the art of African wrapping at the Field Museum of Natural History. Photo has a bald patch on left side not affecting subject matter. Also included is a print of twelve Kodak film cells showing actress and model Nancy Westbrook in a series of poses sitting within a large picture frame. Seven images show Westbrook in a bikini and five wearing only a fur stole. These photographs date to the early 1950s and least one the third down on the left appeared in Jet Magazine with a short profile of Ms. Westbrook in 1953. Another photograph undated shows a black model in profile from the neck up smiling in a sun hat tilted away from camera to frame her head with a halo-like effect. Modeling in fashion and print has historically been dominated by white women reflecting a bias in beauty standards in the United States. These images show black women claiming space in the often exclusionary fashion world of the mid-late 20th century. Overall very good condition. Three images of black fashion models in the US 1950s-70s. unknown books
2000Best.-Nr. 12513Hamburg: Kruse Verlag 2000. Hardcover. First edition. As New hardcover in the publisher's shrink wrap. BOOKS SHIP THE NEXT BUSINESS DAY WRAPPED IN PADDING IN A BOX. Corinne Day 1962-2010 taking off from Nan Goldin embodied the 1990s photographic fashion aesthetic defined by natural settings available light little or no makeup and young and seemingly unconcerned models. Her photos of a teenage Kate Moss for The Face set the tone and started the trend though her work in the same vein later brought her into conflict with the big fashion mags. The aesthetic quickly evolved into what became known as "heroin chic." This book presents her personal work over a number of years unflinchingly looking at the lives of herself including her run-up to surgery for a brain tumor and recovery thereafter and her friends some of whom would die of drug-related causes. 112 pages; color reproductions throughout; 9.25 x 11.25 inches. Kruse Verlag hardcover
Best.-Nr. 15578ABo.J. 20 : 31 cm. Coloured aquatint on rice paper. In an contemporary wooden frame.
Best.-Nr. 15579ABo.J. 20 : 31 cm. Coloured aquatint on rice paper. In an contemporary wooden frame.
Best.-Nr. 15577ABo.J. 20 : 31 cm. Coloured aquatint on rice paper. In an contemporary wooden frame.
1804Best.-Nr. 199869-1Frankfurt 1804. 368 S.; 360 S.; 378 S.; 352 S. Mit 51 (v. 52) kol. Modekupfern. Halblederband der Zeit mit rotem u. blauem Rückensch.
1927Best.-Nr. UDG-227[DYL (Yan Bernard)]. REGNIER (Henri de). Le miracle du fil. Paris, Simon Kra, 1927. In-folio en feuilles sous couverture éditeur illustrée et chemise demi-toile éditeur à rabats noués par un ruban. Édition originale de ce recueil de 16 sonnets d'Henri de Régnier imprimé sur les presses de Coulouma, illustré de 16 planches hors-texte en couleurs rehaussées d'or et d'argent de Yan Bernard Dyl reproduites par Daniel Jacomet. Tirage limité à 350 exemplaires numérotés, celui-ci n°106, un des 334 sur papier Canson Montgolfier. Yan Bernard Dyl est un des plus grands illustrateurs du mouvement Art Déco. D'abord publiciste et caricaturiste, il crée ensuite son agence de publicité après avoir été lourdement blessé durant la première guerre mondiale. Il travaille notamment pour Roger & Gallet et Lenthéric et plusieurs de ses créations sont publiées dans l'annuaire du luxe Pan, dirigé par Paul Poiret. Il reçut alors plusieurs commandes pour des ouvrages de bibliophilie dont celui-ci est un parfait exemple. Les illustrations de Dyl permettent d'apprécier le lien entre les motifs et formes Art Déco et la mode de l'époque, par la déclinaison des motifs traditionnels de dentelles. On y retrouve notamment les motifs régionaux de Cluny, Gênes, Bruges, Alençon, Chantilly mais également la dentelle de la Renaissance Espagnole, les Ténérife et les Paraguay. Très bel exemplaire dans sa chemise d'origine en excellente condition. (infimes salissures à la chemise, décharges des gravures comme toujours sinon très bel exemplaire)
Best.-Nr. 201703161Colmar, L'auteur, 1911-1913 ; in-folio, cartonnage de l'éditeur. Les 3 volumes. Plein cuir un peu frotté sinon très bon état - notes de Mr Kiener Jean Jacques.
1814Best.-Nr. 244291814 Illustrated in Sixty coloured engravings with descriptions. London, imprimé pour John Murray, Bulmer and Co, (1814), grand in-8, maroquin bordeaux à grains longs à large dentelle dorée, dentelle à froid, double filets dorés en encadrement; dos orné à faux nerfs, tranches dorées, filet doré sur les coupes, dentelle dorée intérieure.
1832Best.-Nr. 144ALpz., Industrie-Comptoir, 1832/33. 4°. 3 Bde.: Jahrgang 1832, April - Juni. Jg. 1833, Januar - März u. Juli - Sept. Zus. ca. 2500 Seiten. Mit 101 altkolorierten Modekupfern und zahlr. lithographischen Tafeln mit Portraits und Ansichten. Pbde. der Zeit. Rücken stärker berieben und mit kleinen Fehlstellen. 1 Band Rücken teils aufgeplatzt. Innen leicht fleckig. Die Tafeln fast durchgehend sauber.
1933This special depression-era issue features, accordingly, fashions for limited incomes. Graced with classy cover art by Pierre Mourgue of city ladies in dark fur-trimmed coats, the 104 pages include a wonderful assortment of Paris fashions, New York fashions, society and variety news, plus many wonderful ads, our favorites being the color-illustrated Budweiser ad inside the front cover which features a glamorous ballroom scene, and the color-photo back cover Camel cigarette ad which features Mrs. Powell Cabot of Boston. Unmarked with somewhat above-average external wear. Chips from backstrip. Back cover loose but present. Overall, a pleasing vintage copy. Book
1840Best.-Nr. 28308ABWürzburg, Verlag: H. A. Eckert & Christian Weiß, 1840. 2° (35,5 x 26 cm). 10 altkolorierte Lithographien mit Verlagstrockenstempel, mit jeweils mehreren Figuren, u. lithografiertem Widmungsblatt für Zar Nikolaus I., Kaiser von Russland. Pappband aus Original-Lieferungsdeckeln. Exlibris. Tafeln teils ein wenig gebräunt, mehrere am Rand leicht braunfleckig bzw. abgegriffen. Vorsätze gebräunt u. braunfleckig, Einband lichtrandig, abgegriffen u. berieben, die Ecken stark bestoßen.
16542 parti in un vol. in-4, pp. (20), 261; (16), 213, (24), bella leg. pelle verde e bruna al d. a 5 nervi con tass. e tit. oro. Doppio antip. inc. in rame a p. pag. Marca xilogr. al front. Con 33 belle incis. a p. pag. incise da G. Ruffoni e G. Giorgi raff. costumi antichi. Seconda ediz. ampliata. Piantanida 4472. Cicognara 1647 cita erroneam. l'ediz. del 1664 anzichè 1654 con 28 anzichè 33 tavv. Graesse II, 572. Brunet VI, 29005. Olschki 247. Picc. foro di tarlo nelle prime 3 cc. Bell'esempl.
1940Best.-Nr. 11429ABVienna, n.d.(ca. 1940). 30 : 22 cm. 160 original coloured drawings, partly in silver and gold. On thin transparent paper.
2018Best.-Nr. 14172018 Couverture souple Paris, Nrf Gallimard, 2018. Un volume in-4 (32,5 x 25 cm), broché, couverture illustrée à rabats, sous emboîtage illustré en couleurs, petit accroc marginal lors de la fabrication au coin inférieur droit. 208 pages, illustrées de dessins originaux de Christian Lacroix, inspirés par le roman de Madame de Lafayette. Tirage de tête, limité à 99 exemplaires, le nôtre portant le n°29. Chemise contenant une lithographie originale sur papier BFK Rives, sous serpente, signée et numérotée par Christian Lacroix. Animé par son goût pour la littérature et le théâtre, le célèbre couturier français propose un écho visuel singulier au texte classique de Madame de Lafayette. Bel exemplaire dans son étui illustré, comme neuf.
1990Best.-Nr. 121793Köln Benedickt Taschen 1990 1 vol. relié in-4, cartonnage noir de l'éditeur, non paginé, 158 pp. Album d'une centaine de photographies de mode et portraits, en noir et en couleurs, avec un texte du célèbre couturier qui évoque son rapport à la photo depuis l'enfance (en versions allemande, anglaise et française). Bon exemplaire enrichi d'un envoi autographe signé de Lagerfeld à Régine. En bonne condition.
1990Best.-Nr. 121793Köln Benedickt Taschen 1990 1 vol. relié in-4, cartonnage noir de l'éditeur, non paginé, 158 pp. Album d'une centaine de photographies de mode et portraits, en noir et en couleurs, avec un texte du célèbre couturier qui évoque son rapport à la photo depuis l'enfance (en versions allemande, anglaise et française). Bon exemplaire enrichi d'un envoi autographe signé de Lagerfeld à Régine. En bonne condition.
