D.M.J.H.MareMagnum
19.077 risultati
1837Coup d'oeil sur l'origine et les progrès du vêtement, depuis l'antiquité jusqu'à nos jours, par D.M.J.H. La chemise. Le corset. Le jupon, les bas, les souliers. La coiffure. La robe. Le manteau. Le mouchoir, l'eventail, les gants, l'ombrelle. La chaussure. La culotte. L'habit. La cravate. Una tavole fuori testo con due figure. Opera stampata in sole 100 copie. Bellissima legatura in mezza pelle rossa a quattro nervi con fregi in oro al dorso e ai piatti del celebre maestro francese René Gérman Simier, legatore ufficiale di Re Luigi XVIII e amico personale della duchessa, figlia del re di Sicilia, Francesco I°. Firma al dorso in oro SIMIER R[ELIEUR] DU ROI. Simier nacque a Mans e si racconta che avesse prestato servizio nell'esercito prima di aprire una legatoria a Parigi dal 1800. Egli si fece una reputazione sotto l'impero, fu nominato legatore dell'Imperatrice Maria Luisa nel 1809 e nel 1818 del Re, pertanto da questa data in poi cominciò a firmare le legature. Nel 1824 si unì a lui il figlio Alphonse, morì nel 1837. Esemplare in barbe, ampi margini con risguardi marmorizzati. Nessun difetto, perfette condizioni di conservazione. Legatura in mezza pelle rossa, fregi in oro al dorso e ai piatti del legatore Simier, pp. 2, 161, 3, in 16°
1967rif. AMO-3560Très beau dessin original à l'encre de Chine et rehauts de blanc signé D. B. pour Daniel Billon (1927-2004) Grand format dessin 31,5 x 22,5 cm environ sur carton 50 x 32,5 cm Signé au crayon en bas dans le dessin D. B. pour "Daniel Billon" Sujet : scène de roman noir. Dessin original exécuté pour un roman-photos publié dans le programme TV Télé Poche n°63 (numéro du 22 mars 1967 - deuxième année de parution de ce périodique pour la télévision) Annotations autour du dessin (voir photos). Cachet en marge supérieure. Très beau dessin par un maître du genre
16854°, 4 parti in un volume, pp. (12), 261; (8), 213, (21); (2), 155, (1); (12), 39, (17), grande antiporta animata incisa con titolo, vignetta al frontespizio: minerva che tende il braccio destro verso un ulivo e tiene con la mano sinistra lo scudo. motto: Pacis Opus. 49 tavole fuori testo numerate in vario modo. Ogni parte ha un proprio frontespizio. Rilegatura coeva in piena pergamena, titolo in oro su tassello in pelle al dorso, tagli spruzzati, iniziali, incipit e finalini animati. Restauro alle carte R2-R3 della terza parte e alla carta A2 del 4° volume lontano dal testo. Esemplare nell'assieme fresco e molto buono di questo volume sull'abbigliamento nell'antica Roma, in particolare ritrovato nei sepolcri e sulle statue
1931rif. 18710Paris Tolmer 1931 1 Paris, Tolmer, 1931, in-folio, demi-toile argentée, cartonnage bleu avec un encadrement central et une bordure argentée.
rif. 17634A Paris, Aux Editions Lucien Vogel, London, The Field Press, New-York, Condé Nast Publ., Genève, Naville et Cie,1920, In-8, en feuilles, sous chemise éditeur.
2013rif. 235232013 Encre et lavis sur papier, signé en bas à gauche, titré et daté au verso, 2013, 41 x 14 cm.
2013rif. 235222013 Encre et lavis sur papier, signé en bas à gauche, titré et daté au verso, 2013, 39 x 20 cm.
2003rif. 235822003 Aquarelle signée en bas à gauche, 2003-2004, 50 x 40 cm.
1967rif. AMO-3557Très belle peinture originale gouache et aquarelle signée par Mark Miller Grand format 35,7 x 24 cm environ sur carton de même dimensions Signé au crayon dans le dessin en bas Sujet : homme et deux femmes scène d'intérieur Dessin original exécuté pour un roman-photos intitulé "Voyage pour un meurtre" publié dans le programme TV Télé Poche n°84 (numéro du 16 août 1967 - deuxième année de parution de ce périodique pour la télévision) Annotations en marge supérieure du dessin et au verso (voir photos). Très beau dessin par un maître du genre. Mark Miller, born Marshall Dawson Miller, was an internationally renowned illustrator whose work was published in most of the world. His life and career took him from Oklahoma to Hollywood to New York and Europe. Born in Eldorado, Oklahoma on Jan. 2, 1919, Miller grew up on a cotton farm, studied art at the University of Oklahoma (where he took the name Mark) and then moved to Los Angeles where he attended the Chouinard Art Institute and later got his start as a costume designer for 20th Century Fox in Hollywood. After WW II, he moved to New York where he had a had a long career as an artist that culminated in the 1950s and 60s when he was an illustrator for the Saturday Evening Post and other leading magazines like Colliers, Good Housekeeping, McCall’s, Redbook, Cosmopolitan and many magazines throughout Europe, South America and Australia. In describing the humble beginnings of his career, Miller has said, “My choice of an art career did not have the enthusiastic support of my conservative family back in OK. From their point of view, it was clearly my duty as the eldest son to help run the family farms, and they tolerated my errant pursuit of art only in the certainty that it would become as clear to me as it was to them that I couldn’t make a living at it. (extrait du site http://millerillustrations.com/markmiller/) Les dessins originaux de Mark Miller sont rares sur le marché.
1939rif. 42553Graz, Leuschner & Lubensky, 1932-1935 (recte 1932-1939). 4°. Mit 577 (dav. 128 farb.) tlw. ganzs. Abbildungen. VII, 502 S., 1 Bl.; 619 S., Grüne OHLdr.-Bde. m. goldgepr. Rückentiteln u. Kopfrotschnitt.
rif. 21250P., Editions Bell, 1931, en feuilles, sous chemise, 28 X 18 cm.
rif. 1445A Amsterdam, Sumptibus Andrea Frisii, 1672., Ex-libris armorié "Jacques Vieillard, (2bl), 1 gravure en frontispice, 5p ( titre et divers), 379p illustrées de gravures sur cuivre in-texte et hors texte et 4 gravures dépliantes, 20p ( Index), (1bl),... in-12, en plein vélin, dos plat, titre écrit à la plume. -
rif. 17817Le Costume "ancein" et moderne, Moeurs, Usages, et Habillements civils, militaires et religieux de tous les peuples du Monde depuis le Moyen Age jusqu'à nos jours. Bruxelles 1862, Walhen-Fierlants, libraire de la Cour. In-8 en cartonnage éditeur richement orné. Frontispice enluminé. Texte et gravures en couleurs pleine page, réhaussées (100). Rare. Qques mouillures et rousseurs sans gravité. Tranches dorées. Non paginé.
1830rif. 53868BB(S.l., s.n. ca. 1830). 11,3x10,3 (11x228 cm) 24 S., als Leporello gefaltet. Unter Leinwandhülle mit goldgeprägtem Deckeltitel.
1830rif. 53868BB(S.l., s.n., ca. 1830). 11,3x10,3 (11x228 cm) 24 S., als Leporello gefaltet. Unter Leinwandhülle mit goldgeprägtem Deckeltitel.
1885rif. 53168London: Frederick Bruckmann 1885. Hardcover. vg to vg. Quarto. 31pp. interleaved with 15 mounted photographs. Original period lavish brown cloth boards with decorative tooling lettering and ruling in black and gilt on the front cover and spine. Back cover blind-stamped. Edges in gilt. Lustrous textured thick white endpapers. Issued by the London branch of the pioneering art publishing house of Friedrich Bruckmann Frederick Bruckmann 1814-1898. The work contains 15 examples of clothing styles from various traditional ethnic and national fashions and clothing styles from around the world. Each style is exemplified by an original albumen photograph mounted on heavy stock paper accompanied by 1-2 pages of text which is decorated with large initials and engraved head and tailpieces. The regions shown are Alsace Lorraine Suabia Austria Denmark Bohemia Poland Russia Bulgaria Italy Spain Egypt Turkey Syria and China. Binding with only the most minor rubbing to corners. A few minor scratches on the back cover. Book block tight. Interior with minor to light sporadic foxing. Blind stamp on the front free endpaper. Period inscription in ink dated to 1885 preceding the title page. Light age toning to the edges of a few pages. Interior overall quite clean especially the photographs. Binding in very good interior in very good good condition overall. Frederick Bruckmann hardcover
1885rif. 53168London: Frederick Bruckmann 1885. Hardcover. vg to vg. Quarto. 31pp. interleaved with 15 mounted photographs. Original period lavish brown cloth boards with decorative tooling lettering and ruling in black and gilt on the front cover and spine. Back cover blind-stamped. Edges in gilt. Lustrous textured thick white endpapers. Issued by the London branch of the pioneering art publishing house of Friedrich Bruckmann Frederick Bruckmann 1814-1898. The work contains 15 examples of clothing styles from various traditional ethnic and national fashions and clothing styles from around the world. Each style is exemplified by an original albumen photograph mounted on heavy stock paper accompanied by 1-2 pages of text which is decorated with large initials and engraved head and tailpieces. The regions shown are Alsace Lorraine Suabia Austria Denmark Bohemia Poland Russia Bulgaria Italy Spain Egypt Turkey Syria and China. Binding with only the most minor rubbing to corners. A few minor scratches on the back cover. Book block tight. Interior with minor to light sporadic foxing. Blind stamp on the front free endpaper. Period inscription in ink dated to 1885 preceding the title page. Light age toning to the edges of a few pages. Interior overall quite clean especially the photographs. Binding in very good interior in very good good condition overall. Frederick Bruckmann hardcover books
1788rif. 42077London: Fores 1788. Framed and glazed. Fores unknown
1788rif. 42077London: Fores 1788. Framed and glazed. Fores unknown books
1932rif. 3231(Zürich, Rentsch, 1922 - 1932). 5 Bde. Zahlr. (teils farb.) ganzs. Abb. auf Tafeln. 4 separate mehrf. gefalt. Karten. 4°. OLwd. (kl. Gebrssprn., etw. fleckig).
rif. BN44063Japanese Photo Book unknown
1950rif. 218271950. Fashion illustration archive circa 1950s-1960s documenting women's garment design and construction practices in the mid-twentieth century. The archive reflects shifting silhouettes and decorative approaches associated with mid-century fashion including structured postwar forms and emerging streamlined influences. Archive comprises over 100 original fashion illustrations each executed in ink on sheets measuring approximately 6.5 x 9 inches. The drawings depict a range of garments including cocktail dresses coats suits blouses and eveningwear with attention to silhouette drapery and surface embellishment. Many sheets include handwritten annotations in cursive along margins and versos detailing construction elements such as measurements fabric choices and stylistic variations. Examples include labeled designs such as "cocktail dress" "coat" and "suit" with notes specifying features like "turtle neck - bare cut out - colors - gold" and "square low neckline with studded pearls. colors - purple - gold." The annotations suggest iterative design thinking with references to materials color palettes and structural adjustments indicating use as a working portfolio rather than presentation-only sketches. This archive provides detailed evidence of mid-century fashion design practices at the level of individual garment planning bridging artistic representation and technical instruction. The combination of visual sketches and written notes demonstrates how designers translated aesthetic concepts into wearable forms contributing to the study of dressmaking textile use and women's fashion history during a period of stylistic transition. The volume and consistency of the material suggest sustained use potentially within a professional or training context. Light wear and minor handling marks; overall very good condition. A substantial working archive illustrating mid-twentieth-century women's fashion design and construction methods. unknown
1950rif. 218271950. Fashion illustration archive circa 1950s-1960s documenting women's garment design and construction practices in the mid-twentieth century. The archive reflects shifting silhouettes and decorative approaches associated with mid-century fashion including structured postwar forms and emerging streamlined influences. Archive comprises over 100 original fashion illustrations each executed in ink on sheets measuring approximately 6.5 x 9 inches. The drawings depict a range of garments including cocktail dresses coats suits blouses and eveningwear with attention to silhouette drapery and surface embellishment. Many sheets include handwritten annotations in cursive along margins and versos detailing construction elements such as measurements fabric choices and stylistic variations. Examples include labeled designs such as "cocktail dress" "coat" and "suit" with notes specifying features like "turtle neck - bare cut out - colors - gold" and "square low neckline with studded pearls. colors - purple - gold." The annotations suggest iterative design thinking with references to materials color palettes and structural adjustments indicating use as a working portfolio rather than presentation-only sketches. This archive provides detailed evidence of mid-century fashion design practices at the level of individual garment planning bridging artistic representation and technical instruction. The combination of visual sketches and written notes demonstrates how designers translated aesthetic concepts into wearable forms contributing to the study of dressmaking textile use and women's fashion history during a period of stylistic transition. The volume and consistency of the material suggest sustained use potentially within a professional or training context. Light wear and minor handling marks; overall very good condition. A substantial working archive illustrating mid-twentieth-century women's fashion design and construction methods. unknown books
rif. 13240Paris, Manzi, Joyant & Cie, 1901 - 1902. 2 vol. in-folio. 24 à 30pp par numéro. Demi-chagrin rouge, dos à nerfs, titre et date dorés.
rif. MOD21MCollection : Hiver 1929. Publié par Kossuth, à Paris, Estampes rehaussées appartenant à la revue l’Homme Chic, de la collection d’hiver de l’année 1929. Chaque estampe est identifiée avec le code de publication et un timbre sec de « L’Homme Chic à Paris », chaque costume est numéroté de l’un jusqu’au 20. 13 gravures indépendantes, de 32x24cm, avec une marge en papier doré. Catalogue de la collection, 18 costumes de mode de l’époque, les costumes N° 10 et 17° sont absents.
