19.493 risultati
1885rif. 53168London: Frederick Bruckmann 1885. Hardcover. vg to vg. Quarto. 31pp. interleaved with 15 mounted photographs. Original period lavish brown cloth boards with decorative tooling lettering and ruling in black and gilt on the front cover and spine. Back cover blind-stamped. Edges in gilt. Lustrous textured thick white endpapers. Issued by the London branch of the pioneering art publishing house of Friedrich Bruckmann Frederick Bruckmann 1814-1898. The work contains 15 examples of clothing styles from various traditional ethnic and national fashions and clothing styles from around the world. Each style is exemplified by an original albumen photograph mounted on heavy stock paper accompanied by 1-2 pages of text which is decorated with large initials and engraved head and tailpieces. The regions shown are Alsace Lorraine Suabia Austria Denmark Bohemia Poland Russia Bulgaria Italy Spain Egypt Turkey Syria and China. Binding with only the most minor rubbing to corners. A few minor scratches on the back cover. Book block tight. Interior with minor to light sporadic foxing. Blind stamp on the front free endpaper. Period inscription in ink dated to 1885 preceding the title page. Light age toning to the edges of a few pages. Interior overall quite clean especially the photographs. Binding in very good interior in very good good condition overall. Frederick Bruckmann hardcover books
1788rif. 42077London: Fores 1788. Framed and glazed. Fores unknown
1788rif. 42077London: Fores 1788. Framed and glazed. Fores unknown books
1932rif. 3231(Zürich, Rentsch, 1922 - 1932). 5 Bde. Zahlr. (teils farb.) ganzs. Abb. auf Tafeln. 4 separate mehrf. gefalt. Karten. 4°. OLwd. (kl. Gebrssprn., etw. fleckig).
rif. BN44063Japanese Photo Book unknown
1950rif. 218271950. Fashion illustration archive circa 1950s-1960s documenting women's garment design and construction practices in the mid-twentieth century. The archive reflects shifting silhouettes and decorative approaches associated with mid-century fashion including structured postwar forms and emerging streamlined influences. Archive comprises over 100 original fashion illustrations each executed in ink on sheets measuring approximately 6.5 x 9 inches. The drawings depict a range of garments including cocktail dresses coats suits blouses and eveningwear with attention to silhouette drapery and surface embellishment. Many sheets include handwritten annotations in cursive along margins and versos detailing construction elements such as measurements fabric choices and stylistic variations. Examples include labeled designs such as "cocktail dress" "coat" and "suit" with notes specifying features like "turtle neck - bare cut out - colors - gold" and "square low neckline with studded pearls. colors - purple - gold." The annotations suggest iterative design thinking with references to materials color palettes and structural adjustments indicating use as a working portfolio rather than presentation-only sketches. This archive provides detailed evidence of mid-century fashion design practices at the level of individual garment planning bridging artistic representation and technical instruction. The combination of visual sketches and written notes demonstrates how designers translated aesthetic concepts into wearable forms contributing to the study of dressmaking textile use and women's fashion history during a period of stylistic transition. The volume and consistency of the material suggest sustained use potentially within a professional or training context. Light wear and minor handling marks; overall very good condition. A substantial working archive illustrating mid-twentieth-century women's fashion design and construction methods. unknown
1950rif. 218271950. Fashion illustration archive circa 1950s-1960s documenting women's garment design and construction practices in the mid-twentieth century. The archive reflects shifting silhouettes and decorative approaches associated with mid-century fashion including structured postwar forms and emerging streamlined influences. Archive comprises over 100 original fashion illustrations each executed in ink on sheets measuring approximately 6.5 x 9 inches. The drawings depict a range of garments including cocktail dresses coats suits blouses and eveningwear with attention to silhouette drapery and surface embellishment. Many sheets include handwritten annotations in cursive along margins and versos detailing construction elements such as measurements fabric choices and stylistic variations. Examples include labeled designs such as "cocktail dress" "coat" and "suit" with notes specifying features like "turtle neck - bare cut out - colors - gold" and "square low neckline with studded pearls. colors - purple - gold." The annotations suggest iterative design thinking with references to materials color palettes and structural adjustments indicating use as a working portfolio rather than presentation-only sketches. This archive provides detailed evidence of mid-century fashion design practices at the level of individual garment planning bridging artistic representation and technical instruction. The combination of visual sketches and written notes demonstrates how designers translated aesthetic concepts into wearable forms contributing to the study of dressmaking textile use and women's fashion history during a period of stylistic transition. The volume and consistency of the material suggest sustained use potentially within a professional or training context. Light wear and minor handling marks; overall very good condition. A substantial working archive illustrating mid-twentieth-century women's fashion design and construction methods. unknown books
rif. 13240Paris, Manzi, Joyant & Cie, 1901 - 1902. 2 vol. in-folio. 24 à 30pp par numéro. Demi-chagrin rouge, dos à nerfs, titre et date dorés.
rif. MOD21MCollection : Hiver 1929. Publié par Kossuth, à Paris, Estampes rehaussées appartenant à la revue l’Homme Chic, de la collection d’hiver de l’année 1929. Chaque estampe est identifiée avec le code de publication et un timbre sec de « L’Homme Chic à Paris », chaque costume est numéroté de l’un jusqu’au 20. 13 gravures indépendantes, de 32x24cm, avec une marge en papier doré. Catalogue de la collection, 18 costumes de mode de l’époque, les costumes N° 10 et 17° sont absents.
1962gr. vol. in folio, pp. 510, (8), leg. t. tela edit. con sovracop. Imp. studio in cui attraverso 913 figg. l'A. esamina le varie tipologie di acconciature maschili, femminili, antiche, medievali, moderne, di gala, di casa, da passeggio, da serata, per il teatro, per il giardino, etc... Il più imp. e completo studio sull'argomento.
1714rif. 24374Jean Baptiste Coignard 1714 2 volumes in-4 plein veau raciné, dos à nerfs, caissons ornés, roulettes sur les coupes, XCVIII- 5-399- 23- 5- 436- 29 pp. Table à chaque volume. 102 & 119 planches gravées par Giffart, Thomassin, Duflos, etc. Reliure ternie et frottée, coiffes usées, coins émoussés. Intérieur frais. Bel état des planches.
2007Large folio in white silk and cotton cloth backed boards; 733 p. : chiefly ill. (some col.) ; 48 cm. In English, French, German and Italian. || "This luxurious limited-edition publication renders homage to Valentino's illustrious career via a copious selection of images from his archives, including drawings, magazine shoots, advertisements, portraits of Valentino, and documentary photographs; presented chronologically, the visual material is accompanied by a vast array of newspaper and magazine articles about Valentino throughout the years. Text also includes Vanity Fair writer Matt Tyrnauer's interviews with twenty of Valentino's closest collaborators and friends as well as an appreciation of Valentino by International Herald Tribune's fashion writer Suzy Menkes."óPublisher. || The trade ediition was limited to 2,000 copies, each numbered and signed by Valentino Garavani. However this sample copy, which is unsigned, is decidedly more scarce, though we do not know to what extent, in that only a handful of such copies were presumably issued. || **Shipping is extra and charged at cost. An extremely large and heavy item. Weighs almost 20 lbs before packing. Please contact us in advance ** || Contents: Keeper of the couture flame / by Suzy Menkes -- The house of Valentino: an oral history / by Matt Tyrnauer and Matt Pressman -- La straordinaria storia di Valentino Garavani: the sixties -- Donne, basta pantaloni! the seventies -- Va-va vavoom! the eighties -- Rome: the dolce vita is back - the nineties -- Tutte le strade portano a Roma: the 21st century -- Valentino's world -- 45 years of style - drawings & dresses -- Translations. || Fashion designers -- Italy -- Biography. Costume design -- Italy -- History -- 20th century.
1920rif. 18450ABVienna ?, ca.(1920). 36 : 30 cm - 15 : 12 cm 21 acuarelas, en parte elevados en blanco, sobre cartón gris.
1920rif. 14632ABVienna ?, n.d. ca.(1920). 36 : 30 cm - 15 : 12 cm 21 water-colours, partly heightened in white on grey cardboard.
1855rif. 625894Leipzig, Scheible/Hübner/Keil, 1836-1855. 4° (1855) M. zahlr. Ill. (Modekpfr., Lith., Stahlst. sowie Musikbeil. Unterschiedl. geb. Vereinzelt stockfleckig. Jg. 1835 berieben. Rücken beschäd.; 1836/2 Ecken bestoßen. Beil. teilw. lose; 1836/3 beschabt.; 1838/3 alle Beil. lose. Einbd. beschäd. Es fehlen: 1836/3 1 Modebild u. 6 Musikbeil; 1837/2 alle Beil.; 1838/1, 1838/3, 1843/4 je 1 Taf.; 1838/1 u. 1843/4 je 1 Notenbeisp.; 1838/4 7 Taf., 6 Modebild. u. 3 Musikbeil.; 1839/2 5 Taf., 6 Modebild. u. 7 Musikbeil.; 1842/4 2 Taf.
1867(Huitième Année) in Folio (cm. 38,5 x 27) tela cova tit. oro al dorso, pp. 416. Bel frontesp. inciso, con 49 belle tavole f.t. a colori di mode, cartamodelli ripieg. e numerose incisioni in legno nel testo. Un fasc. staccato ma buon esempl.
1893GRAND IN 4. CART [MOY]. 624 PP. ENV 2000 ILL EN NOIR. [BE]. LE N°5 EST DECHIRE EN SON MILIEU
"Rivista, "Sogno d'Azzurro" acquarello originale di Marcello Dudovich (abito e mantello di Marta Palmer) realizzato mediante la tecnica del pochoir in "La Donna" rivista d'arte e di moda anno XXI - gennaio 1925 Ed. Mondadori, 1925, cm 32x24,5, pp. IV-72 con numerose belle ill. in b/n e a colori nel t. e fuori t., più, una bellissima tavola originale del Dudovich colorata ad acquarello (vedi foto), brossura ed. con bella grafica a colori di copertina di Mario Cito Filomarino, quarta di copertina con bella ill. pubblicitaria a colori di M. Dudovich. Numero completo. Condizioni di conservazione Complessivamente in buono stato con tracce d'uso, brossura sgualcita con alcuni minimi marginali strappetti e mancanze, brossura post. con alcuni lievi graffietti e minime abrasioni, brossura ant. con traccia di piega. Dorso con tre piccole mancanze, esemplare compatto. Interni buoni con alcuni pressoché, trascurabili aloni, minime bruniture a qualche pagina. Pregevole rivista di moda, con bellissimo acquarello originale del Dudovich (abito e mantello di Marta Palmer), realizzato con la tecnica del pochoir: tale tecnica, di derivazione francese, consiste nel realizzare la colorazione di un modello / disegno attraverso l'uso di mascherine ritagliate in base alle sezioni che si desiderano colorare. Anche belle illustrazioni di Brunelleschi, Sto, Gordon Canway, altre del Dudovich... Numero è, completo. Illustrazione alla quarta di copertina anch'essa del Dudovich. SETT199.L24459 N "
Paris, chez Aubert et C.ie, 1853, annata di 53 numeri (inizia col N° 514: livraison du 1er Janvier 1853) raccolti in un volume in-4, modesta legatura in mezza tela muta, piatti marmorizzati, pp. (2), da 625 a 1272. Con 57 tavole di graziosi figurini di moda femminile (ma anche maschile e infantile) ambientati in "quadri" di vita quotidiana (passeggiata, visita e confidenze fra amiche, lezione di musica, gioco di bimbi, battuta di caccia, palco a teatro, ricevimento, idillio amoroso, cresima, matrimonio) incise in litografia (Moine Imp.r) da vari (Portier, Montaut d'Oloron, ecc.) su disegno del pittore François Claudius Compte-Calix e acquarellate a colori nell'epoca. Ogni fascicolo si apre con articolo di moda e si conclude con cronaca teatrale.
24X31, brossura a colori, 1922, Conde' Nast, 54 pp, riccamente illustrato, lingua francese originale e completo numero dell'iconica rivista 1 avril 1922. rarissimo, già le uniche copertine sono ricercatissime dai collezionisti. questo è un numero completo ricco di modelli disegnati e fotografati
rif. 25320Paris Mercure-Publicité 1945. Grand in-4 en feuilles, non paginé, au format 33 x 26 cm. Magnifique couverture illustrée d'une lithographie en couleur de Christian Bérard. Dos bien carré. Plats et intérieur frais. Textes inédits de Jean Cassou, Lise Deharme, Paul Éluard, Clara Malraux, Armand Salacrou, Jean Wiener et André Ulmann avec des illustrations tirées en lithographie par Christian Bérard, Valentine Hugo, Henri Matisse, Marie Laurencin, Touchagues, Pablo Picasso, Fougeron et Jean Effel. Etat superbe proche du parfait. Tirage unique à 2000 exemplaires numérotés sur arches ( n° 118 ). Rare édition originale publiée sous la direction de Boris Kochno, à l'occasion de trois soirées organisées par L'Union Nationale des Intellectuels.
1912rif. 143681912 P., Draeger Frères, 1912, 1 vol. in-4° (312 x 235 mm), relié 1/2 percaline bleu roi, fleuron et 2 séries de double filets doré, pièce de titre en maroquin rouge, monogramme « Y.O.F.F. » doré sur le plat supérieur, plats de papier marbré bleu et rouge, couvertures conservées, première de couverture illustrée et coloriée au pochoir, de (23) pp.Rousseurs en pages de garde de la reliure, très bel exemplaire par ailleurs.
1865rif. 12547Paris, au Bureau du journal les Modes parisiennes, typographie Plon Frères, [Circa 1865]. 1 vol. in-folio oblong. Broché, couvertures bleues éditeur.
1828Edizione: Première édition . Pagine: 400 circa . Illustrazioni: 70 gravures colorate a mano a piena pagina raffiguranti la moda dell'epoca (donne, uomini, cappelli, parrucche etc..) . Formato: 8° . Ex libris: Lz (Liez) . Rilegatura: Cartonato marmorizzato con dorso in pelle marrone con tassello in pelle rossa. Esemplare rifilato, litografie intere ma non molto margine bianco. . Stato: Buono . Caratteristiche: Le petit Courrier des Dames parait tous les cinq jours, avec huit gravures par mois en couleur, dont six représentent des costumese des costumes d'homme, une des chapeaux, bonnets et coiffures. Chaques litographie parait avec un timbre de la fabrique de chapeaux Emile Liez, 83 rue des Petits-Champs à Paris. Emile Liez était un collectionneur averti et son nom est resté intimement lié à l'iconographie et à l'histoire de la mode. Le petit courrier 1821 jusqu'a 1868. Encroyable témoignage de la mode du XIX Siècle.Foto disponibili .
