19.423 risultati
1953rif. 58213Seattle WA: Nancy Paine ca. 1953-54. Twenty-one original fashion design watercolour paintings all oblong folio 9 sized 15 x 12 in.; 12 sized 18 x 15 in. 1 is painted title only many of them signed by Nancy down in lower corner 1 graded and reviewed by teacher several with neat cursive annotations some curling minor edgewear to corners some toning still VG set with the 2nd set retaining the original portfolio cover sheet. These original watercolour fashion designs reflect the 1950’s emphasis on full circle skirts swing skirts pencil skirts tea length dresses and fitted tight waist blouses reflecting the influence of Christian Dior towards increased femininity in the post-World War II era. For the College Coed portfolio our young artist has included designs for Capri pants lingerie fitted wool dresses flowing “poodle” skirts bathing suits tennis outfit ice skating clothing riding outfits and evening wear. The second portfolio incorporates diamond pattern one-piece bathing suits terrycloth robes different evening weather and nighttime negligee. Although young Miss Paine would not go onto becoming a commercial artist she did work as office manager for many years for the Simpson Lumber Company. Nancy Paine, hardcover
rif. DADAX3832070672New unknown
rif. 1204Atelier ABC. VM editions .1983, Imprimerie lithographie. Impression offset. Dim: 105 x 70,3 cm.
rif. 1204Atelier ABC. VM editions .1983, Imprimerie lithographie. Impression offset. Dim: 105 x 70,3 cm.
1962gr. vol. in folio, leg. t. tela edit. con sovracop. Imp. studio in cui attraverso 913 figg. l'A. esamina le varie tipologie di acconciature maschili, femminili, antiche, medievali, moderne, di gala, di casa, da passeggio, da serata, per il teatro, per il giardino, etc... Il più imp. e completo studio sull'argomento. [107/7]
rif. 104897affiche Affiche 1440x1020mm, impression offset à grosse trame encouleurs sur papier glacé.Pliée dans l’enveloppe d’expédition originale au signe de lamarque, cachet postal du 15-04-91.(104897=
1945Pubblicazione in folio, pagine non numerate, di dimensioni 33 x 26 cm circa. La copertina, con una splendida litografia a colori di Christian Bérard, contiene, al suo interno, i diversi fascicoli sciolti che, per scelta editoriale, si presentano non rilegati insieme. Con 7 bellissime tavole litografiche di Valentine Hugo, Henri Matisse, Marie Laurencin, Touchagues, Pablo Picasso, Fougeron e Jean Effel. E' presente, altresì, una litografia dedicata al profumo "Cour-Joie" di Nina Ricci. Album a tiratura limitata, esemplare numerato "Il a été tiré de cet album deux mille exemplaires numérotés de I a 2.000 / Exemplaire N° 1418". "Cet album a été achevé d'imprimer sous la direction artistique de Boris Kochno le 3 décembre 1945 a l'occasion des trois soirées organisées par l'UNION NATIONALE DES INTELLECTUELS sous le patronage de M. Jaujard". Stato di conservazione: La copertina (con la stampa litografica a colori di Bérard) presenta alcune pieghe (sul piatto antreiore, vicino al dorso, sulle estremità e sugli angoli e sulla linguetta anteriore sulla quale è stampata la giustificazione della tiratura), e qualche piccola macchiolina marrone; una leggera (e appena accennata) incurvatura (verso l'alto) del margine inferiore dell'album ma, nel complesso, un buon esemplare. Completo. Privo di scritte o firme dìappartenenza. Bellissime le tavole (per lo più a piena pagina). Edizione originale. Opera di prestigio, da collezione.
2013rif. 1034302013 Stromboli, octobre 2013, 270x225mm, , 76p., en feuilles sous couverture imprimée et étui muet de l’éditeurEdition originale tirée à 1000 exemplaires édité à l'occasion de la rétrospective du photographe à Fotografiska, Stockholm en 2013. Envoi autographe signé daté du 15 novembre 2013. Etat neuf.(103430)
1978rif. 2092902138901163Not Available 1978. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1930Cartella di cm. 39 x 27, pp. (2) d'introduzione + 20 tavole in fine coloritura a pochoir, ciascuna protetta da velina protettiva. Cartella originale con illustrazione a colori applicata al piatto, titoli stampati in argento e laccetti di chiusura. Esemplare fresco e genuino, in ottimo stato di conservazione. Affascinante suite, non comune quando completa ed in perfetto stato come il presente esemplare.
1965This is a very good hardcovder copy in a very good dust jacket with only light wear. Signed and inscribed, by the author, Joseph McMullan, on the half title-page, and dated 1970, at the Metropolitan Museum. The Joseph McMullan Collection of Islamic Carpets was considered one of the finest private collections ever assembled. This book is a suitable tribute to that spectacular collection. The color plates are stunning. Many gate-fold plates. Foreword by Ernst J. Grube, Curator, Department of Islamic Art, Metropolitan Museum. Brief bibliography. 152 textiles catalogued in this book. 12" high X 9" wide, 385 pages. All illustrated, many in color. A few small flaws: two short closed tears to edges of the jacket, the inside blank front jacket flap is creased vertically. A beautiful signed copy of this important book. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1988This is a fine hardcover copy in a very good or better dust jacket with only light wear. This is the GERMAN text edition. This copy has been signed in ink, by Issey Miyake, on the page facing the title-page, underneath the black silhouetted figure.Signed and briefly inscribed and dated 1988, in Issey Miyake's large distinctive hand. Originally prepared to accompany the exhibition in Paris at the Musee des Arts Decoratifs in the fall of 1988. Foreword by Isamu Noguchi. Edited by Nicholas Callaway. All photographs by Irving Penn. Illustrated in color with 46 full page plates + a portrait of Issey Miyake in black & white + 46 smaller black & white photographs (reproducing the color plates) with information on each piece: materials, dare, etc. Biographical sketch. Statement by Miyake. 12" high X 10" wide. A beautiful signed copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
rif. 7436Rennes, Imprimerie "Les Nouvelles de Bretagne", Laboratoire d'Anthropologie, 1953 - 1961. 240 x 156 mm, I : 67 pp., XXI cartes n/b, ill. n/b en pleine page, XV planches d'ill. n/b en pleine page, II : 120 pp., 125 fig. n/b in-texte et en pleine page, 1 carte n/b double page, 66 cartes n/b sur (25) ff., (2) f., III : 111-(1) pp., IX cartes n/b et en pleine page, 82 fig. n/b in-texte et en pleine page IV : 143-(1) pp. fascicule add. : 71-(1) pp., 33 fig. n/b in-texte. Reliure demi-basane, dos à faux-nerfs, dos légèrement insolé, 2 discrets ex-libris manuscrit au crayon gris, très bel état.
2003rif. __9058095665Aa Balkema 2003. Hardcover. New. 1st edition. 460 pages. 9.75x7.25x1.25 inches. Aa Balkema hardcover
1911Cm. 35, pp. 158 complessive. Bell'antiporta figurata, molte illustrazioni fotografiche applicate alle carte e 78 tavole fuori testo. Leg. edit. in tela blu con titoli in oro. Taglio di testa dorato. Carte a tratti un po' fiorite e la tavola applicata n. 63 riprodotta, ma complessivamente saldamente legato ed in buono stato di conservazione. Stampato su carta forte. Opera celebre e ricercata, una delle più classiche ed autorevoli sull'argomento. La trattazione si divide in quattro capitoli principali dedicati a: Venezia, Genova, Milano, Abruzzi.
1889Cm. 32, pp. (4) 120. Antiporta ill. a colori e 34 belle tavole fuori testo in nero, a più toni di colore ed in cromolitografia (anche ripiegate), ciascuna protetta da velina parlante e raffiguranti vari tipi di stoffe. Due di queste tavole riportano veri campioni di stoffa applicati. Testo inquadrato da cornice in rosso. Legatura coeva in mezza pelle con punte, dorso liscio con titoli e filetti in oro. Perfetta conservazione. Il testo di Marius Morand traccia la storia della fabbricazione e dell'industria della seta a Lione dal 1789 al 1889. Raffinata e rarissima pubblicazione stampata in soli 100 esemplari.
rif. DADAX1575441055New unknown
1885- Edouard Rouveyre, Paris 1885, 24,5x32cm, relié. - Edition originale, un des 20 exemplaires numérotés sur Japon, tirage de tête. Reliure en demi chagrin havane à coins, dos à cinq nerfs sertis de pointillés dorés orné de doubles caissons richement agrémentés avec incisions centrales de pièces de maroquin rouge, lieu et date en queue, coiffes légèrement frottées, légères épidermures sur les plats de papier marbré, encadrements de doubles filets dorés sur les plats, gardes et contreplats de ppaier à la cuve, gardes blanches et premier plat de couverture de l'ouvrage déreliés, couvertures conservées, tête dorée, reliure de l'époque signée de Féchoz. Ouvrage orné d'illustrations originales de Arents, Bourdin, Fraipont, Lenoir, Rouveyre, Walker... A propos des bronzes d'art et d'ameublement, des marbres, des éventails, des vases en cristal de roche, de bijoux et joyaux, de céramiques, de broderies, d'émaux, de dinanderie... Quelques petites rousseurs sans gravité. Rare. [ENGLISH DESCRIPTION ON DEMAND]
1989rif. 102182Arnoldo Mondadori Editore Arte, Milano, 1989. 31 cm ; Leinen
1910rif. 16878Birmingham England: Stratnoid later Stratton & Co. n.d. ca. 1910. Three board panels with two cloth spines connecting boards. Bound in dark blue leather with gilt title. . Folding triptych display 8" x 11". With thirteen original Stratnoid silver hatpins nickel-plated eight with attached printed paper labels "Stratnoid Untarnishable heads". Also with three mounted illustrated advertisements for hatpin stands and sets of pins: the Collapsible Junior Stand the Collapsible Senior Stand and the De Luxe Collapsible Stand. A paper strip labeled in manuscript identifies which pins are part of the Junior Senior or De Luxe Stand sets. With spaces for the fifteen other hat pins in the set not present. Cracking and wear to joints and some chipping to leather. Some rubbing to extremities. Pins stuck into blue velvet pad with sheet of protective felt. Some foxing to felt and some light toning inside. A very good copy of a rare item. Stratnoid or Stratton and Company after 1920 was founded in 1860 as a producer of knitting needles. By the twentieth century the company was a major producer of powder compacts lipstick holders jewelry hat pins and other metal accessories. Business boomed in the late Victorian and early Edwardian eras as actresses like Lillie Langtry and Lillian Russell began wearing large elaborate hats secured with pins. b b b The hatpins in the present item feature the special Stratnoid Untarnishable heads which were warrantied for ten years and were designed in a variety of shapes like a stylized golf club an acorn and more. The collapsible stands would have been used to display the pins in women's stores and millinery shops. Stratnoid (later Stratton & Co.), hardcover
1910rif. 16878Birmingham England: Stratnoid later Stratton & Co. n.d. ca. 1910. Three board panels with two cloth spines connecting boards. Bound in dark blue leather with gilt title. . Folding triptych display 8" x 11". With thirteen original Stratnoid silver hatpins nickel-plated eight with attached printed paper labels "Stratnoid Untarnishable heads". Also with three mounted illustrated advertisements for hatpin stands and sets of pins: the Collapsible Junior Stand the Collapsible Senior Stand and the De Luxe Collapsible Stand. A paper strip labeled in manuscript identifies which pins are part of the Junior Senior or De Luxe Stand sets. With spaces for the fifteen other hat pins in the set not present. Cracking and wear to joints and some chipping to leather. Some rubbing to extremities. Pins stuck into blue velvet pad with sheet of protective felt. Some foxing to felt and some light toning inside. A very good copy of a rare item. Stratnoid or Stratton and Company after 1920 was founded in 1860 as a producer of knitting needles. By the twentieth century the company was a major producer of powder compacts lipstick holders jewelry hat pins and other metal accessories. Business boomed in the late Victorian and early Edwardian eras as actresses like Lillie Langtry and Lillian Russell began wearing large elaborate hats secured with pins. b b b The hatpins in the present item feature the special Stratnoid Untarnishable heads which were warrantied for ten years and were designed in a variety of shapes like a stylized golf club an acorn and more. The collapsible stands would have been used to display the pins in women's stores and millinery shops. Stratnoid (later Stratton & Co.), hardcover books
1957rif. 4585Detroit: Bolar Printing & Publishing 1957. Good plus. 20; 36pp. Original printed wrappers stapled. Moderate soiling and wear. A pair of rare programs issued for the 1956 and 1957 benefits for the March of Dimes Fashion Extravaganza at the Latin Quarters in Detroit. The programs include information on the organization's committee hostesses sponsors and more. The event itself is titled "Fashion in Colorama" in the earlier program and "Spring Fashions in Symphony" in the latter with a schedule of events listed in both cases. Each program is profusely illustrated with photographs pertaining to the event itself but also in the numerous advertisements which populate both throughout. The ads feature a wide variety of local Detroit businesses providing critical information on commercial entities both owned by African Americans in and around Detroit and also those friendly to the local African American community. The only institutional holdings for these programs in OCLC reside at the Detroit Public Library. Bolar Printing & Publishing unknown
1957rif. 4585Detroit: Bolar Printing & Publishing 1957. Good plus. 20; 36pp. Original printed wrappers stapled. Moderate soiling and wear. A pair of rare programs issued for the 1956 and 1957 benefits for the March of Dimes Fashion Extravaganza at the Latin Quarters in Detroit. The programs include information on the organization's committee hostesses sponsors and more. The event itself is titled "Fashion in Colorama" in the earlier program and "Spring Fashions in Symphony" in the latter with a schedule of events listed in both cases. Each program is profusely illustrated with photographs pertaining to the event itself but also in the numerous advertisements which populate both throughout. The ads feature a wide variety of local Detroit businesses providing critical information on commercial entities both owned by African Americans in and around Detroit and also those friendly to the local African American community. The only institutional holdings for these programs in OCLC reside at the Detroit Public Library. Bolar Printing & Publishing unknown books
1950rif. 61496Chicago IL: Hart Schaffner & Marx ca. 1950. Two large colour lithograph advertising posters sized 38.25 x 51 in. and 28.75 x 38.5 in. respectively both bearing the Golden Trumpeter logo as rendered by noted artist Robert Reinhardt von Liski minor dustsoiling creasing faint dampstain to very lower right fore-edge of larger poster minor closed tears neatly repaired light age toning still both bright VG- copies now mounted and shrink wrapped on archival foam core. The Hart Schaffner & Marx logo for men’s fashion was first created by Edward Penfield in 1914 with the trumpeter bearing an upright lance but the next year had turned into a trumpet and would continue on HSM suits until the late 1980’s. Hart Schaffner & Marx was founded in 1887 by Harry and Max Hart Marcus Marx and Joseph Schaffner. By the early 20th century they owned dozens of small garment factories around Chicago and was one of the first tailoring/garment manufacturing firms to become unionized. They continued to grow through the 20th century and by the end of the 1960s had 38 factories and 250 retail stores around the country. The Company continues to operate under the Hartmarx label and is one of the leading men’s clothing wholesalers to this day. Von Liski 1908-1991 was a noted self-taught artist and commercial artist who worked for various studios and was a partner in a Chicago advertising agency. No copies located in Worldcat; See: Leif Peng & Nan Hall Tom Hall Today’s Inspiration Celebrating Illustrations Design Cartoon and Comic Art of the Mid-20th century 2016; Hart Schaffner & Marx Encyclopedia of Chicago 2005. Hart Schaffner & Marx, hardcover
1953rif. 52352Boston: Houghton Mifflin Co. 1953. 8vo. 86 2 pp. Illustrated half-title illustrated title page numerous text illustrations & plates 3 colour plates colour-illustrated endpapers. Blue-green coloured cloth illust. of doll in yellow holding parasol on front cover yellow lettering on spine very minor shelfwear minor rubbing & very slight bumping to lower corners w/ d.j. cover art of fashion doll by Bannon minor chipping head & foot of spine wear to corners minor rubbing upper corner clipped $ 2.25 price written in lower corner in pencil VG/VG copy. First edition of this remarkably rare and beloved children’s book surrounding the mystery and treasurer hunt for a 19th-century fashion doll in Peterborough NH by a young girl hidden by her ancestor in a secret room. Fashion dolls also called Queen Anne Dolls were often made of wood plaster or bisque with a fashionable hairstyle in flax or wool and dressed in miniature clothes showcasing the latest couture of the day. The most desirable dolls in the 19th-century were the French bisque dolls distributed all over Europe and were originally modeled on teen girls or adult women although these eventually changed over into child like bisque doll babies which would dominate the market from the 1860s onward. Bannon 1895-1963 was inspired to write this work while staying at the famed MacDowell Art Colony in Peterborough NH which carried a legend of a secret room in the MacDowell farmhouse. Original copies of this work have become quite scarce especially first editions. Houghton Mifflin Co., hardcover
