ÖNDER KÜÇÜKERMAN, KENAN MORTAN.MareMagnum
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2017New New English Original bdg. Dust wrapper. 4to. (30 x 22 cm). In English. Color and b/w ills. 312 p., ills. Enlarged New Edition. Istanbul and the Grand Bazaar. Translation: Dr. J. H. Matthews. Edited by: Monella Ada Sarfarti., Önder Küçükerman, Kenan Mortan. Trade is a sine qua non to sustainable human life, together with money, script and law. Throughout History, trading zones have shaped the development of urban lanscapes. Anatolia was the craddle of trade and for thousands of years it was the scene of the development of commerce, industry and innovation. The Grand Bazaar of Istanbul is a formidable center of trade dating back 500 years, and probably the most complex and complete structure inherited from the Ottoman Empire.
1996New English Original decorative cloth bdg. In publisher's special box. Folio. (34 x 24 cm). English Edition. 283 p., b/w and color ills. Türk giyim sanayiinin tarihi kaynaklari. The industrial heritage of costume design in Turkey. Contents: Foreword; Introduction.; 1. Historical sources of Turkish Costume.; 2. Ottoman textile manifacturing.; 3. Dress transformation in Ottoman Empire in the 19th century.; 4. Ottoman textile and clothing products at early international industry exhibitions.; 5. Reflections of industrial revolution in Ottoman Empire and historical factories. The publication of this illustrated history of Turkish costumes through the ages commemorates the tenth anniversary of GSD Foreign Trade CO., Inc. Established in 1986, GSD is today the largest exporter in Turkey, occupying a unique and prominent position in the garment industry.We have prepared this volume in the hope that it will serve as a reference book and a document of enduring cultural value. This work is also intended to commemorate the nameless designers, manufacturers and workers who have toiled through the centuries to contribute to the historical formation and development of the Turkish ready-to-wear industry. The borders of the far-flung Ottoman Empire encompassed an extraordinarily rich variety of styles of dress. The development, change and technological evolution over time of these different styles and traditions are reflected in many aspects of the grand historical adventure that began in Central Asia, expanded into one of the largest and most long-lived empires of modern times and evolved; after ten centuries, into the Republic of Turkey. Reverberations of the historical development of Ottoman costumes can be detected in many spheres, especially in international relations, economic and social developments and the interaction of culture and art. This volume sets out to explore the origins and inspiring influences of the Turkish garment industry in an historical perspective and illuminate the development of this cultural and industrial heritage. GSD Foreign Trade Co. is pleased to mark its tenth anniversary with the publication of this book. I would like to thank our chairman Mr. Turgut Yilmaz and all the members of Board of Directors for the support they have given this project. This book has been prepared by Professor Önder Küçükerman, highly respected scholar and artist. With his customary enthusiasm and care, Professor Küçükerman has elucidated many aspects of Turkey's cultural and industrial heritage, introducing us to the treasures inherited by the Turkish ready wear sector, an industry that today is applying advanced methods and techniques in an increasingly widespread manner. I would like to express my thanks once more to Prof. Küçükerman, and give my compliments to Mr. Atilla Aksoy, who has elevated this book to an artistic level.
1996New Turkish Original decorative cloth bdg. In publisher's special box. 4to. (34 x 24 cm). In Turkish. 283 p., b/w and color ills. Türk giyim sanayiinin tarihi kaynaklari. The industrial heritage of costume design in Turkey.
2008New English Paperback. Pbo. Demy 8vo. (22 x 15 cm). In turkish. 208 p., color and b/w ills. Konstantin'in kutsanmis sehri: 3 devirde Istanbul. Blessed city of Emperor Constantin: Istanbul in the three eras.
2012New English Original cloth bdg. Folio. (35 x 25 cm). In Turkish. 655, [1] p., color and b/w ills. Anadolu'da insan görüntüleri. Klasik Çag öncesi. A very heavy and oversize volume. Extra shipping cost will be requested.
2014New English Paperback. Pbo. In publisher's special slip-case. 4to. (34 x 25 cm). In English. 2 volumes set: ([xxiv], 336 p.; [xxiv], 337-655 pp.). A heavy set. Anthropomorphic representations in Anatolia before the Classical Age. 2 volumes set. Archaeology Anatolian civilizations Excavation Mesopotamia Assyria Hittites Urartu Phrygia Lydians Lykia.
1982Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [xi], 145 p., 6 folding b/w plts. M.Ö. II. [2.] binyilinda Anadolu'da bulunmus olan matara biçimli kaplar. Contents: Giris; En Eski Çaglardan M.Ö. II. binyili basina kadar Anadolu'da rastlanan matara biçimli kaplara toplu bir bakis.; Anadolu'da M.Ö. II. binyili matara biçimli kaplari.; Anadolu disida bulunan ve Anadolu matara tiplerine benziyen mataralar.; M.Ö. II. binyili Anadolu matara biçimli kaplarin gelisimi, dis iliskileri ve fonksiyonlari. First and Only Edition.
2015New English Original bdg. HC. 4to. (34 x 24 cm). In Turkish. [xxvii], 475, [1] p., Ottoman documents, color and b/w ills. Osmanli'dan Cumhuriyet'e belge ve fotograflarla Bayrampasa.
2017New English Paperback. In English. [xii], 123 p. Anti-Muslim extremism in Europe. This report looks at the current spread of anti-Muslim extremism in Europe. It defines anti-Muslim extremism as a social and political world-view that targets Muslim minorities in specific and Europe's multicultural and diverse societies together with its democratic foundations in general. After providing a definition of anti-Muslim extremism, it shows how anti-Muslim extremist movements are cooperating within Europe, as well as beyond, on a global scale. It looks at actors and discourses; and how discourses are made hegemonic and transferred from the margins and fringe extremist groups to the wider public sphere. The analysis shows the effects of these discourses on the violation of human rights and Muslim citizens by banning certain Muslim religious practices, violating freedom of religion, attacking mosques and violating the freedom of personality by attacking Muslim women. This report reveals how anti-Muslim extremism is organized within a small minority of far right groups and slowly became the "new normal" in most of Europe's societies.
2000New New English Original bdg. Dust wrapper. Folio. (33 x 24 cm). [xxix], 342 p., [xci] plts., ills. =[Anatolian altars of the 13th and 14th centuries]. Onüç ve Ondördüncü yüzyillarda Anadolu mihrablari. ARCHITUCTURE Ottoman architectural art History of arts Altar Turkish and Islamic arts.
1981Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 2 volumes set: ([x], 538, [6] p., 3 huge folding pages; [116] p., 182 numerous b/w plts.). Selçuklu öncesi ve Selçuklu dönemi Anadolu mimarisinde tugla kullanimi. 2 volumes set. Vol. I: Metin. Vol. II: Sekiller ve resimler. Usage of brick in pre-Seljuk and Seljukite period of architecture.
2020New Turkish Original bdg. in publisher's special box. Folio. (31 x 22 cm). In Turkish. [v], 160 p., richly illustrated. History of the 'cheque' in the Ottoman and Turkish period from its beginning to the present. With many illustrations from a special collection.
2002New English Paperback. Cr. 8vo. (20 x 14 cm). In Turkish. [xvii], 244 p. Osmanli medreselerinin egitim programlari. Manzume-i tertib-i ulûm, Tertibu'l-ulûm, Kaside fi'l-kütübi'l meshure fi'l ulûl, Kevakib-i seb'a ve Erzurumlu Ibrahim Hakki'nin Tertib-i ulûm isimli eserine göre, XVII ve XVIII. yüzyillarda. Education programs of the Ottoman madrasahs in the 17th and 18th centuries.
2017New Turkish Original cloth bdg. 4to. (32 x 24 cm). In Turkish. 496 p., color plts. Phokaia I. Kent duvarlari ve restorasyonu. (Phokaia kazi ve arastirmalari). Phokaia I: City walls and restoration. (Phokaia excavations and researches).
2020New Turkish Original cloth bdgs. Folio. (32 x 24 cm). In Turkish. 3 volumes set: (512 p., folded plans, color and b/w ills.; 464 p., color and b/w plates.; 336 p., 11 numerous folded plates in the end-pocket, color and b/w ills.). Phokaia III: Arkaik dönem Athena tapinagi. Vol. 1: Metin. Vol. 2: Levhalar. Vol. 3: Levhalar. 3 volumes set.
1970Very Good English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. [2], 144 p. Monograhy on Kayseri City. Kayseri ili yakin çevre incelemeleri.
2015New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 224 p., color facsimile pages. Metin serhi. A study on annotations and structural text analysis based on some classical literary ones in the Ottoman Empire.
Fine English Paperback. Pbo. Roy. 8vo. (23 x 16 cm). In Turkish. 254, [19] p. B/w and color ills. and plts. with no date. Kayseri çesmeleri. Kitabelerinin tercümesi, tanitimi, resimleri, projesi.
1961Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In French. 279, [1] p. Le statut juridique du Commandant de Bord. Etude de droit Français et de droit international.
2015New English Original bdg. HC. Large 4to. (30 x 30 cm). In English, French, and Turkish. 96 p., color and b/w photos. The Gilles carnivals.= Les carnavals de Gilles.= Gilles karnavali. [Album of photographs with a CD]. Texts by A. J. Baudoux. 500 copies were printed.
1995Fine English Paperback. Pbo. 4to. (32 x 23 cm). In English and Turkish. 63 p., color ills. Ömer Uluç, 1993-1994-1995. [Exhibition catalogue]. Texts by John Berger. Interview by Carole Boulbes.
2005New New English Original bdg. Dust wrapper. 4to. (30 x 25 cm). In English and Turkish. 333, [2] p., color and b/w ills. Ömer Uluç. Bird of desire circles without end.= Heves kusu durmaz döner. [Exhibition catalogue]. Edited by Mine Haydaroglu. In the autumn of 1954 I found myself out of breath on a backstreet in Manhattan. After having managed to get out of those large turnstiles, I was in a street in New York, heading for something new. Then Boston, Beacon Hill, New York again. New freedom, roads, a car, a one-room studio, furnished, rented by the week, by the month, everything was fast. Anyway, my first exhibition in Boston took place in the fantastic venue of that wild black dandy, Earl Pilgrim, who when he was drunk claimed to be white and thought he was a reincarnation of Oscar Wilde. He had tuberculosis, and his little Syrian wife gave him milk to drink when he was sober. At a party in the house of a white man, he tried to turn the house owner out of his house, calling him a dirty nigger, saying 'Dirty nigger, what are you doing here, just a little while ago you went and gobbled food in the kitchen.''Then I read about this in Faulkner. Meanwhile my strange exhibition was held at Earl Pilgrim's, in the mood of that Beat Generation. It was as if we were living in their world. Jack Kerouac's On the Road, Subterranean, Ginsberg's poem 'Howl,' then all the Ferlenghettis, Gregory Corsos, and of course, the strangest of them all, William Burroughs, perhaps one of the weirdest and greatest writers in all America, who when aiming at the apple on his wife's head, accidentally killed her. Going to Miami, Highway Number 1, the migration of mythological, eccentric souls from cold to warm. Then, more journeys and New York. Later on, training in the visual arts, that strange and extremely unique creativity class, large women tearing up coloured paper into tiny pieces making collages, tiny artists endeavouring to put huge masses on top of one another, and so on. The time to return was approaching. Maya Gallery Ö.U.: I returned to Istanbul, and the first place I went to was the Maya Gallery, Adalet Cimcoz and Lambo. Those were the people and places I left behind, and now they were gone. Nuri Iyem had left his old studio and was now in Karaköy. I saw Istanbul as if it were in ruins. One reason was Adnan Menderes' rebuilding programme. He demolished buildings everywhere. The other one was Istanbul itself. After the single party period the left-wing movement began in Turkey, during the last years of Democrat Party rule. Ilhan Koman and Sadi Çalik Ö.U.: It was 1958, and I was 27. Nuri Iyem, Ferruh Basaga, dear Ilhan Koman and Sadi Çalik and I were opening a large and memorable exhibition at the American Consulate. All pieces of work were abstract. They were my friends and at least 10 or 20 years older than me. There in Istanbul, in that circle, I attained a second small fame for myself and in a strange way. But let me tell you about who did the most interesting work. Sadi Çalik put a single stick on a plinth and called it 'minimumism,' that's how he explained it. Minimum energy, minimum form, minimum meaning, and so on. People began to wonder if Istanbul was a small centre of the avant-garde like Moscow and Munich were at one time. Turgut Cansever and Sezer Tansug Ö.U.: But let's get on. I was working at full speed. There was an exhibition and I met Turgut Cansever. He was a very interesting person, one of the most interesting people I have ever known. And then there was Sezer Tansug, the art historian and critic. Both were people who knew the east and the Ottomans in particular, even if they differed on some topics. Those two were very creative people, and broadened my horizons. I think I also expanded their, especially Sezer Tansug's, horizons. Turgut Cansever was doing free drawings of the old city, and they were extraordinary. He suggested that I work on the drawings of the paving of Beyazit Square. Lissabon Gallery Ö.U.: The new paintings, coloured, ac
2006New New English Original bdg. Dust wrapper. 4to. (30 x 23 cm). In English and Turkish.333, [2] p., color and b/w ills. Ömer Uluç. Bird of desire circles without end.= Heves kusu durmaz döner. [Exhibition catalogue]. Edited by Mine Haydaroglu.
2006New English Paperback. Pbo. 4to. (29 x 23 cm). In English and Turkish. 128 p., color ills. Contents; Foreword; Ömer Uluç; Talks in the space in between; To and Fro in the space in between.
2013New English Paperback. Pbo. Roy. 8vo. In French. 152 p. Contents: Remerciements Liste des Abréviations Prononciation des mots turcs Introduction 1. Des Origines aux Balkans a) La Perse : première hal-te b) L'arménie c) L'Empire byzantin et les Balkans Les Tsiganes dans l'Empire ottomant avant le XIXe siècle a) Les Tsiganes otto-mans : un peuple discriminé ? b) Le Sancak des Tsiganes et les Tsiga-nes dans l'armée ottomane c) Les professions des Tsiganes ottomans : révélateurs de leur marginalisation 2. Les Tsiganes ottomanes et les Réforms : statut juridique a) Le service militaire et les Tsiganes musulmans : normalisation ? b) Les Tsiganes et les cartes d'identité ottomane : stigmatisation ! 3. Être Tsigane dans l'empire finissant a) Les Tsiganes d'après le rapport du professeur Sa'adi : perception des Tsiganes par un fonctionnaire ottoman b) Politique d'islamisation c) Politique des sédentarisation et d'exclusion Conclusion Bibliogra-phie Annexes.