1.066 resultados
1993ref. BN149239Stuttgart : Hatje 1993. 1993. Kandinsky. Jelena Hahl-Koch Kandinsky. Jelena Hahl-Koch Hahl-Fontaine Jelena und Wassily Kandinsky Stuttgart : Hatje unknown
1979ref. 137841München: R. Piper & Co. Verlag 1979. 2. Auflage des Faksimile-Drucks der Luxus-Ausgabe München Piper 1912 erschienen 1979 in einer Auflage von 1000 Exemplaren zum 75jährigen Jubiläum des Piper Verlages. Großformatige Paperbackausgabe mit Originalschuber 140 Seiten mit zahlreichen Abbildungen und mehreren Bildtafeln nebst zwei Beilagen. Gutes Exemplar. München: R. Piper & Co. Verlag paperback
ref. 42431773-nnew. unknown
ref. DADAX3791382926New unknown
ref. DADAX050023891XNew unknown
ref. 32753109-nnew. unknown
ref. 43149494-nnew. unknown
2021ref. __0892075597Solomon R Guggenheim Museum 2021. Hardcover. New. 188 pages. 10.25x9.00x1.00 inches. Solomon R Guggenheim Museum hardcover
ref. 1406875767.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1939ref. SPENDERS007080Atelier 17 Paris & New York. March 1939. First edition. Octavo. Spender's poem ''Fall of a City'' and Louis Aragon's translation ''Chute d'une Cit�'' together with nine engravings loose within wrappers. The engravings were printed by Atelier 17 and Henri Hecht and include one with aquatint and roulette one with soft ground etching one drypoint and one etching. All are on Montval handmade paper with deckle-edges. Held within the original plain board chemise but lacking the slipcase which had a Hayter titling-piece pasted onto the front. Stanley Hayter founded Atelier 17 in Paris in 1927 and it continues to this day in Rue Didot albeit with the name changed to Atelier Contrepoint. This production was his contribution to the raising of funds to help children orphaned by the Spanish Civil War.101 numbered copies were printed for sale and 12 for the contributors. This copy is unnumbered and hors commerce marked ''h.c'' on the limitation page. Each copy including this one was signed by Spender and Aragon at their respective contribution and by each artist in the lower margin of the etched sheet.Fine in custom burgundy morocco box with ''FRATERNITY'' in gilt on the lid. Very scarce with all nine loose etchings as most sets have been broken up for piecemeal sale. Atelier 17, Paris & New York. March, unknown
1912ref. 62248München Piper & Co 1912. Small 4to. Original illustrated full cloth stating Dritte Auflage - i.e. third issue. Binding brownspotted and with tear to lower capital. Internally a bit of occasional brownspotting. Owner's signature to title-page Fjeltofte. 8 104 pp. 8 plates 3 unnumbered leaves of tables Tabelle I-III advertisement leaf. Illustrated with original woodcuts in the text 10 in all. The scarce first edition first printing of Kandinsky’s landmark theoretical work of art ”A seminal text in the history of modern art” Guggenheim curiously bound in the third issue binding. The first issue is easily distinguishable from the second and third that also appeared in 1912 as they are both expanded and have 124 pp. whereas the first has 104. The present copy has small remains of stitching towards the inner margins so perhaps someone had this first issue printing inserted into the third issue binding which is sturdy as opposed to the wrappers of the first issue. “In Concerning the Spiritual in Art Wassily Kandinsky one of the most famous abstract painters of all time urges the reader to free themselves from art's traditional bonds to material reality. In this radical theoretical work he calls for a spiritual revolution in painting arguing that artists much like musicians should be allowed to express their own inner lives in abstract non-material terms. Investigating form and colour spirituality and tradition Kandinsky explores art's resonance with the soul its purpose and nature and its power to inspire us to stir our emotions and to help us see beyond the limits of our world. A significant contribution to the understanding of non-objectivism in art this book serves as an important landmark in modern art history and is necessary reading for every artist and art-lover.” From the Penguin Classics edition. “In this remarkable book anticipating “the spiritual turning-point” Kandinsky reflects on his understanding of progress in this direction. This is not a process that would happen automatically. It requires a lot of work and implies a great responsibility of both artist and viewer. The task of the artist is to find “the principle of the innermost necessity” that he or she can use through expressive means to achieve the goal “vibration of the human soul.” Using captivating analogies Kandinsky dwells at length on the artistic means: the psychology of color the compositional interrelation of forms etc. However the main goal of an artist still remains to find that very innermost necessity” that is based on the spiritual foundations of the individual. In his or her turn the work of the viewer is to find within him- or herself the purity of perception which at this level does not relate to the beauty of nature. The ideal imitation of nature as the summit point of artistic mastery has remained in the past. The impressions of impressionists the emotions of expressionists the experiments of cubists - all these stages have long been passed and now the task of the viewer is to see the beauty of pure color and pure shape. Kandinsky anticipates the emergence of abstract art as the purest form of influence on the human soul and views the future optimistically foretelling the upcoming emergences of the epoch of great spirituality.” from Sadler’s English translation hardcover
1926ref. 4352DB1926. Breslau 1926 28 x 223 cm. 1 ½ S. Brief an Waldemar Eckertz 1878-1947 deutscher Maler und Grafiker. Eckertz sucht eine Anstellung und Kandinsky möchte ihm dabei helfen. Er wendet sich dabei an den deutschen Archidekt Adolf Behne 18851948 der ihm einige Kontakte angibt wo sich Eckertz bewerben könnte. Papier mit Einriss. unknown
ref. 8449303141.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1982ref. C48279London: Faber And Faber 1982. First Edition. Hardback. Dust Jacket. Hardback Hardcover. Very Good. First Edition. Hardback. Dust Jacket. Large 8vo. pp 478-924. Original publisher's red cloth lettered black on spine. Volume two only. ISBN: 0571119360 Fine in very good indeed dust jacket with very slight edgewear. Faber And Faber, hardcover
1958ref. 032164Flammarion Paris 1958. Book. Near Fine. Hardcover. En francais in french. No jacket. Flammarion Paris Hardcover
1992ref. 320409Paris: Terrail 1992. First Edition; First Printing. Softcover. Very Good in wraps. Light foxing on top text block edge.; 223 pages. Terrail unknown
1970ref. 20096AB1970. Cologne DuMont-Schauberg 1970. 30 : 28 cm. 504 pages 203 partly coloured plates 106 b/w illustrations on plates. Illustrated original clothe original coloured illustrated dust-jacket original slip-case. The relevant ouevre-catalogue of the printed works of Vasily Kandinsky. hardcover
1995ref. mon0000067222Museum of Modern Art 01/03/1995 00:00:01. hardcover. Like New. 1.6288 cent in x 28.2785 cent in x 23.4522 cent in. Museum of Modern Art hardcover
ref. B9781848616073Hardback. New. Klange Sounds was Kandinsky's only poetry publication-a collection of prose poems accompanied by 56 of his own inimitable woodcuts 12 of them in colour. It appeared in late 1912 or early 1913 the exact date is uncertain from the Munich publishing house Piper and thus came at a crucial time in Kandinsky's artistic life. hardcover
1958ref. 14341AB1958. Köln DuMont 1958. 305 : 215 cm. 428 Seiten mit 1014 Abbildungen davon 41 Farbtafeln und 761 Abbildungen im Werkverzeichnis. Illustrierter Original-Leinenband mit farbig illustriertem Original-Schutzumschlag. Die grosse umfassende Monographie über Kandinsky mit einem vollständigen Katalog der von Kandinsky verzeichneten Bilder in chronologischer Reihenfolge sowie der kurz vor Redaktionsschluss des Buches hinzugefundenen Bilder und Studien aus der Sammlung von Gabriele Münter heute in der Lenbachgalerie in München sämtliche Werke reproduziert. Mit einer Würdigung des schriftstellerischen Werkes von Kandinsky einer umfassenden Bibliographie von Bernhard Karpel einem Verzeichnis der Ausstellungen etc. unknown
1988ref. 28687AB1988. Moscow Sowetski Chudoshnik 1988. 32.8cm x 24cm. 254 pages. With 288 illustrations Text in german. Original Softcover. Excellent condition with only minor signs of external wear. Includes for example the following chapters: Die Welt der Kunst / Union der Jugend / Wassili Kandinski / Der Weg der Malerei / Die Filonow-Schule / NOSh: Neue Gesellschaft für Kunstmaler / Gesellschaft der vier Künste / OST: Gesellschaft der Staffeleimaler / Kreis der Künstler etc. paperback
1984ref. 70791AB1984. French Edition. Paris Centre Georges Pompidou 1984. 30 cm x 24 cm. 495 pages. With many black-and-white and colour illustrations throughout the book. Original Softcover. From the library of dutch fashion designer Frans Molenaar. Very good condition with only minor signs of external wear. Includes for example the following essays: Compositions scéniques théàtre / L'arriere-pays russe / Der Blaue Reiter / Der Sturm / L'intermède Suédois 1915-1916 / 1918 Texte de l'artiste / De la méthode de travail sur l'art synthétique / Argus de Presse 1922-1933 etc etc. Wassily Wassilyevich Kandinsky 16 December O.S. 4 December 1866 13 December 1944 was an influential Russian painter and art theorist. He is credited with painting one of the first purely abstract works. Born in Moscow Kandinsky spent his childhood in Odessa where he graduated at Grekov Odessa Art school. He enrolled at the University of Moscow studying law and economics. Successful in his professionhe was offered a professorship chair of Roman Law at the University of DorpatKandinsky began painting studies life-drawing sketching and anatomy at the age of 30. In 1896 Kandinsky settled in Munich studying first at Anton Abe's private school and then at the Academy of Fine Arts. He returned to Moscow in 1914 after the outbreak of World War I. Kandinsky was unsympathetic to the official theories on art in Communist Moscow and returned to Germany in 1921. There he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived for the rest of his life becoming a French citizen in 1939 and producing some of his most prominent art. He died at Neuilly-sur-Seine in 1944. His grandson is musicologist Aleksey Ivanovich Kandinsky. Wikipedia. paperback
1961ref. 109909Milano : Il Saggiatore 1961. reliure d'éditeur. Kandinsky Wassili.Wassili Kandinsky. Contrappunti. Aquerelli e disegni. Milano Il Saggiatore1961 330x300mm 56 pagine 15 incisione a colori legatura del editore. Bien complet des deux passes-partouts en fin de volume. Très bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Il Saggiatore unknown
ref. 107138Paris : Delpire éditeur sans date. demi-toile. KANDINSKY Wassily.Wassily Kandinsky. Interférences. Aquarelles et dessins. Paris Delpire éditeur sans date 330x305mm 51 pages planches en couleurs et n/bavec deux passe-partout blanc et noir collation effectué: bien complet de toutes les planches détachables reliure demi-toile. Nom du possesseur sur le haut de la page de garde supérieure autrement bel exemplaire. No hidden customs fees for orders shipped to the U.S.A with a value of up to 800 USD PDDP shipping we pay the VAT in advance Delpire éditeur unknown
2013ref. ABE-1756908033278Thornwillow Press 2013. Newburgh: Thornwillow Press 2013. 8vo 33 p. original wraps with french flaps. First edition of this title excerpted from "On the Spiritual in Art". One of 350 copies this copy being No. 254 designed by Luke Ives Pontifell. Light wear to spine heel and wrap edges else a NF copy in publisher's lightly discolored and creased paper folio. 1st Edition. Soft cover. Near Fine. Thornwillow Press Paperback