1.066 resultados
1934ref. 47944Paris.: Editions Surréalistes. 1934. Full black crushed morocco by Georges Leroux with his signature gilt boards with abstract geometric rules in gilt and green and outlined parallelograms several with inlaid café crème calf smooth spine with gilt titles café crème calf doublures bright green brushed suede free endpapers original publisher's printed wrappers in black and red and backstrip with titles in black preserved a.e.g. black morocco-edged green paper-covered board slipcase with additional signature at foot. 8vo. 192 x 146 mm. Leaf with half-title recto and 'Du Même Auteur' verso leaf with Kandinsky's dry point engraving as frontispiece verso printed title in red and black with copyright verso Char's verse two leaves with 'Table' and final leaf with justification and achevé d'imprimer recto. PROVENANCE: Discreet bookplate of bibliophile François Ragazzoni with his name and initials 'F R' in blue to front free endpaper verso. The édition de tête of the first edition of René Char's collection with Wassily Kandinsky's original frontispiece etching and bound by Georges Leroux. From the édition de tête limited to 20 numbered copies on papier de Hollande van Gelder with Kandinsky's original dry point engraving as frontispiece; only copies from the édition de tête were issued with the original engraving.Also included inserted loose is the scarce subscription announcement printed on yellow paper 172 x 272 mm with a quotation from the Comte de Lautréamont ' . Pour le moment et pour plus tard vous n'avez pas besoin d'en savoir davantage' and with manuscript notes verso in pencil in an unidentified hand these mention 'Picasso - Parade' 'Cocteau' 'No sur les Ballets Russes' etc.Kandinsky's untitled etching issued in only 20 impressions was followed by only two further etchings those for 'La Main Passe' 1934 and 'Fraternity' 1939 before Kandinsky's death in 1944. Pablo Picasso was a profound admirer of Char and of the work which collected all of Char's poems published after 1927 and submitted an etching for the second edition - printed in a very similar format to this edition - published again by José Corti's Editions Surréalistes in 1945. A third illustrated edition was also published illustrated by Joan Miró in 1976. This first edition and in this issue of 20 copies with Kandinsky's etching is the rarest of the editions; Picasso's etching for the édition de tête was issued in 25 copies while the version with Miró's etchings was an edition of 215 copies 50 with an additional suite.'Le Marteaus sans Maître' includes 'Abondance Viendra' 'Poèmes Militants' it appeared here for the first time 'Arsenal' corrected and with four new poems 'Artine' and 'L'Action de la Justice est Eteinte'. In the present copy the poems 'Sosie' and 'Détachement' feature corrections by Char in green ink. He has amended the last line of 'Sosie' to read: 'Je ne vais pas au bout de ta pauvreté' for 'tes misères' a change reflected in the subsequent editions. The first line of 'Détachement' 'La fleur du pissenlit a perdu son identité' is crossed through and Char has drawn an arrow to it from a note beneath: 'Ce vers ricanait qu'il meurs / comme tant ce fin ricane. / R. C.' 'Détachement' was renamed 'Dentelée' for subsequent editions but was altered considerably by Char and the first line crossed through here was removed entirely.'Des trois éditions illustrées du 'Marteau sans Maître' celle-ci la première est la plus rare . Dans une lettre à Char du 28.11.1933 Kandinsky accepte la demande de fournir une gravure pour son livre bien qu'il ne connaisse pas l'auteur. Avec 'La Main Passe' de Tzara c'est le seul ouvrage poétique illustré par Kandinsky sic . '. De Parallèlement à Chanson Complète.'Auflage: 20 eigenhandig signierte Exemplare auf Van-Gelder-Butten . Veroffentlicht in der Luxusausgabe von Rene Char 'Le Marteau sans Maître' Paris Editions Surréalsites 1934.' Roethel.Roethel 199; see 'De Parallèlement à Chanson Complète' pp. 357 - 364; see lot 100 'Bibliothèque François Ragazzoni Seconde Partie: Editions Originales' Paris 13 / 14 May 2003. Editions Surréalistes. hardcover
1924ref. 46222Tokyo.: Idea-Shoin. 1924 Tai Sho 13. Original publisher's scarlet cloth with gilt vignettes after Kandinsky to front and rear boards original card slipcase with illustration after Kandinsky to front cover and printed text in Japanese to spine and rear cover. 4to. 258 x 198 mm. Printed title in Japanese and Western characters on glossy paper monochrome photographic portrait of Kandinsky with reproduction of his signature as frontispiece Kandinsky's translated text in Japanese with occasional insertions in Western characters illustrated with 9 monochrome text vignettes 3 'Tabelle' of colour theory and 57 plates on a variety of paper stocks 9 in colour and 48 in monochrome several with multiple images on the same sheet including the 'Abbildungen' at rear final leaf with imprint verso; the illustration incorporates that for 'Uber das Geistige in der Kunst' as well as many from 'Klänge'. A very scarce edition of Kandinsky's Uber das Geistige in der Kunst published in Japan in 1924.Although Reinhard Piper feared that Kandinsky's treatise on abstraction would not sell well the book required three editions in the first year it was published. This Japanese edition published nearly 15 years after the original incorporates the text and woodcuts of the earlier editions as well as Kandinsky's later introductions to the first and second editions as well as illustration from 'Klänge'. The majority of the plates depict work by Kandinsky but works by Dürer Raphael Cézanne and others are also included.The Japanese translation is by Obara Kuniyoshi 1887 - 1977 the publisher translator and educational theorist and president of Tamagawa University which he founded. His Idea-Shoin publishing house later the Tamagawa University Press was established in 1923 and aimed to produce teaching material educational work for children Obara published the first encyclopedia for Japanese children as well as the complete works of the Swiss educator Johann Heinrich Pestalozzi. Obara's translation of the present work is not only an indication of the importance of Kandinsky's text and theories but also casts light on the emergence of Japan's own avant-garde and its international influences.'The book which he Kandinsky claimed had been gestating for nearly a decade elucidated his artistic theories and his valuing of expression and spirituality over naturalistic representation. It also introduced his new pictorial categories derived from the field of music - impressions improvisations and compositions - which further de-emphasized the importance of recognizable subject matter. On the cover and in ten woodcuts Kandinsky illustrated his ideas by reducing complex scenes of spiritual battle and redemption to simplified designs of lines and shapes. For Kandinsky abstraction was a weapon for transforming what he perceived to be a corrupt materialist society.' see MOMA catalogue.'One of the most important manifestos of modern art. Written in 1910 and first published in 1912 Kandinsky's book is anti-materialistic and anti-naturalistic calling for painting that goes beyond a recording of the visible world. The non-objective woodcuts are historically important as early graphic demonstrations of the artist's thesis.' The Artist and the Book.Obara's translation is scarce and we can trace only the copies at the Metropolitan Museum and the Phillips collection outside Japan for which OCLC list copies at the National Diet Library and Waseda University Library.see Roethel 82 - 92; see The Artist and the Book 137 for the first edition of 1912. Idea-Shoin. hardcover
ref. 54647363-nnew. unknown
1973ref. 240202005AThe Pace Gallery 1973. Paperback. Like New. 0x0x0. LIKE NEW. Very Clean. No writing or tears. The Pace Gallery paperback
ref. G3770147022I3N00DUMONT. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. DUMONT hardcover
1973ref. 590590New York: The Pace Gallery 1973. Softcover. Very Good. Exhibition. Slim oblong quarto. Illustrated in color and black and white. Stapled wrappers. Wrappers evenly tanned with modest rubbing and wear including tiny nicks at the spine ends very good or better. The interior is fine. The Pace Gallery unknown
ref. 6131499039Papeback. New. pp. 168 unknown
1985ref. SONG0917658221Brand: Berkeley Poets Workshop and Press 1985-01-19. 1st. paperback. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Berkeley Poets Workshop and Press paperback
1960ref. 0154Delpire 1960. Book. Fine. Hardcover. 4to - over 9¾" - 12" tall. In-4 relié Excellent Etat. Delpire Hardcover
1982ref. 19368Boston: G. K. Hall and Co. 1982. cloth hard covers in dust jackets. two volumes complete. vol. 1 has not for sale stamp to bottom edge. minor signs of use and age. no names writing or text markings. no bumps tears chips. strong bindings. djs whole.; 924pp. over 2 vols. some b/w illustrations. part of the documents of 20th century art. First Edition /First Printing. Hard Cover. Very Good/Very Good. 8vo - over 7¾" - 9¾" tall. Multi-Volume Set. G. K. Hall and Co. Hardcover
1951ref. 197841Paris France: Maeght Editeur 1951. Paperback. Good Wraps are toned/edgeworn/scuffed/foxed/smudged; interior is lightly toned and occasionally foxed. White illustrated portfolio w/ colorful design and black lettering; 8 unnumbered pp.; richly illustrated some color some folded. Text in French. Maeght Editeur paperback
1960ref. 197849Paris France: Maeght Editeur 1960. Paperback. AS IS SOLD WITH ALL FAULTS This is not a complete issue of this magazine; wraps are toned/edgeworn/scuffed/foxed/smudged; interior is lightly toned. White illustrated portfolio w/ colorful design and blue lettering; 15 pp.; six lithographs. Text in French. Includes the following lithographs: Kandinsky "Violet Dominant"; Giacometti "Peinture"; Rudolphe Raoul Ubac "Paysage d'Ete"; Pierre Tal-Coat "Peinture"; Francois Fielder "Peinture" and Pablo Palazuelo "Onde." Maeght Editeur paperback
ref. 0902989596.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1912ref. 022272München: R. Piper & Co. Rebound in tan cloth with the author and title on the spine preserving in pristine condition the front wrapper and text body rear wrapper not bound in. First Edition with 104 pp. plus 2 pp. ads. This work is one of the most important manifestos of modern art and a classic of German Expressionism. A fine copy. . Fine. Hardcover. 1st Edition. 1912. R. Piper & Co. hardcover
1970ref. 022273Köln: M. DuMont Schauberg. Original blue cloth in Dust Jacket in Slipcase. First Edition. No. 1040 of 1500 copies. Impressive catalogue raisonne of Kandinskys graphical work. Contains the graphical work and bibliographic information about Kandinskys Über das Geistige in der Kunst. Fine in Very Good Dust Jacket with two edge tears and some edge wear in Near Fine Slipcase. . Fine. Hardcover. 1st Edition. 1970. M. DuMont Schauberg hardcover
ref. 0892501316.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ref. 2705689133.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1979ref. SKU2020028695Hudson Hills 1979. First Edition. Hardcover. Like New/Very Good. 9x1x12. Hans K. Röthel’s seminal 1979 monograph; Kandinsky co-authored with Jean K. Benjamin and published by Hudson Hills Press centers on providing the definitive comprehensive overview of Wassily Kandinsky’s evolution as the pioneer of abstract art. Unlike a strictly dry academic catalog this monograph is designed as an accessible yet deeply authoritative biographical and analytical study. Hudson Hills hardcover
ref. 207032432X.Gmass_market. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1914ref. BTETM0001372London: Constable and Company 1914. 1st Edition. Hardcover. Very Good/No Jacket. Octavo Standard 8vo 6 נ9 in 152 נ229 mm . Wassily Kandinsky. Please email for Photographs or further information.1914 First EditionTHE ART OF SPIRITUAL HARMONYBy Wassily KandinskyKEY DETAILSCondition: Very GoodFormat: Hardcover Octavo Standard 8vo 6 נ9 in 152 נ229 mm Note: Binding/size selection follows standard bibliographic conventions and is approximate; exact measurements may vary.Published By: Constable and Company London 1914Language: EnglishIllustrated By: Wassily KandinskyCollation: pp. 112SKU: BTETM0001372Shipping Info: Approximate Package Dimensions H: 12.5 L: 30 W: 25 Units: cm W: 2KgTracked Shipping Insurance Coverage as per Customer RequestCONDITION COLLATION & COPY NOTESExtremely rare presentation copy. Cloth spine/marbled boards. Gilt on spine a bit faded. Price stamped on title page slightly foxing. French note inserted between pages 16 and 17.112 pages 9 plates 3 diagrams 23 cmPublisher's blue leather spine over marbled boards maroon leather lettering piece gilt edges rough-cut.Please see Photos as part of condition report.SYNOPSISWassily Kandinsky was a great modernist painter and is considered by many to be the father of abstract art and a leader in the movement. 'T he Art Of Spiritual Harmony' offers Kandinsky's provocative thoughts on colour theory nature of art as well as his thoughts on Picasso Matisse and other earlier masters.A key document in the history of modern art pioneering the movement to free painting from material reality by one of the first artists to create a completely abstract painting the non-objective Russian painter Wassily Kandinsky. First published in Munich in 1912 as Uber das geistige in der kunst. Divided into two parts About General Aesthetic including an examination of geometrical forms encourages artists to express their inner lives in abstract nonmaterial terms Kandinsky was deeply influenced by Wagner's Lohengrin which he felt pushed the limits of music and melody beyond standard lyricism and About Painting discussion of the psychology of colour and the language of form and colour. Sadler is best remembered by bibliophiles for his remarkable collections and bibliographies. Constable and Company hardcover
ref. 12865Kandinsky Wassily. BOGENSCHUTZE ARCHER. Roethel 79. Woodcut 1938 the Second edition of 1200; first published in an edition of 50 in 1912 in Der Blau Reiter portfolio. Monogrammed within the image center left. 6 1/2 x 6 inches 165 x 153 mm image 12 1/2 x 9 5/8 inches 318 x 245 mm. sheet. In excellent condition except for two small thin spots near the top edge of the sheet from old adhesive. unknown
ref. 3822895784.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ref. 0892070706.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1938ref. 77184Uten sted 1938. Liten folio. Originalt dekorert stivt omslag. 55 s. Rikt illustrert i svart/hvitt samt én farveillustrasjon. MED SEKS ORIGINALE TRESNITT AV KANDINSKY - TRE I FARVER OG TRE I SVART/HVITT. Small folio. Publishers decorated stiff boards. 55 pp. Illustrated throughout in black and white. WITH SIX ORIGINAL WOODCUTS BY KANDINSKY - THREE IN COLOURS AND THREE IN BLACK AND WHITE. Fransk. Omslaget er tydelig spesialtrykt for bokhandelen Johan Grundt Tanum. Meget pent eksemplar. Wrappers printed for the Norwegian bookstore Johan Grundt Tanum. Very nice copy. hardcover
ref. A9781646995530Hardback. New. hardcover