3.379 Ergebnisse
1867in-folio (410x310), pp.(4), 84. Illustrato da 9 tavole a piena pagina di Gustave Doré, incisioni originali in acciaio a piena pagina fuori testo. Stupenda legatura inglese del tempo in pieno marocchino riccamente decorato in oro. Probabile edizione originale del poema di Tennyson, illyustre poeta inglese (1809-1892).. .
Best.-Nr. 629195Unbound. Near Fine. One page letter on a single side of an octavo leaf. Dated in 1879. Text in French. Dore responds to a flattering letter from an admirer. Old folds from mailing else very near fine. unknown
Best.-Nr. 629195Unbound. Near Fine. One page letter on a single side of an octavo leaf. Dated in 1879. Text in French. Dore responds to a flattering letter from an admirer. Old folds from mailing else very near fine. unknown books
1873Best.-Nr. 1370546Paris: Garnier Freres 1873. Hardcover. Folio Two Volumes. In Good plus condition. Bound in red leather with gilt text and ornamental tooling on spines and front covers. Raised bands on spine. All edges gilt. Boards have heavy rubbing to corners exposing boards bumping to corners and moderate edgewear and shelfwear. Volume one has tearing to rear board on fore edge. Textblocks have moderate foxing to pages. Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates NOTE: Shelved in Room A Oversized. 1370546. Special Collections - Upstairs. Garnier Freres hardcover books
1890Best.-Nr. 18330Cassell Petter Galpin & Company. Very Good. Hardcover. Rare leather bound edition. Brown morocco leather bound cover with blind stamped and gilt decor has rubbing to the extremities but clean bright and well preserved in very good condition. Boards and spine are straight. Binding is tight. Gilt page edges all the way around have light scuffing but overall in very good condition shiny and bright. Lovely 1/4" dentelles. White satin swirl pattern end papers and paste downs have very modest toning and a 1/2" x 1/8" chip to front end sheet. Gift inscription in fountain pen dated 1881 in beautiful script handwriting on second front end sheet. Frontispiece of Dore. Pages are toned with sparse modest thumbing in the lower margin but overall in very good condition. . 1890. Cassell, Petter, Galpin & Company hardcover
2005Best.-Nr. 337279Norwalk Connecticut: Easton Press 2005. First Edition; First Printing. Hardcover. Near Fine Leather Bound. Accented in 22kt gold. Printed on archival paper with gilded edges. The endsheets are of moire fabric with two silk ribbon page markers. Smyth sewing and concealed muslin joints. This book is in full leather with hubbed spines.; Collector's Edition. Easton Press hardcover
Best.-Nr. Bloomsbury-9781780939636Bloomsbury Academic. Hardback. New. 510 pages Bloomsbury Academic hardcover
Best.-Nr. Bloomsbury-9781780939636Bloomsbury Academic. Hardback. New. 510 pages Bloomsbury Academic hardcover
1880Best.-Nr. 54967ABBreslau, Schottländer, (1880-81). Folio. X, 1 Bl., 636 S. Mit 80 Holzstichtafeln und über 500 Textholzschnitten nach Gustave Doré. Original-Halblederband mit aufwendiger geprägter Deckelillustration, reicher Rückenvergoldung und goldgeprägtem Rückentitel sowie dreiseitigem Goldschnitt.
1865Best.-Nr. 84904Paris: Librairie de L. Hachette et Cie 1865. Fine. Librairie de L. Hachette et Cie Paris 1865 20 x 29 cm 2 tomes en un volume relié First edition illustrated with 421 illustrations vignettes half-page hors-texte double-page. with an unparalleled profusion of images. Printed in double columns. Among the illustrators who contributed to this rather rare edition are not only Gustave Doré but Castelli Foulquier Gustave Roux F. Pierdon. The edition uses all the techniques of Romantic printing to insert the images framing the text as vignettes in double-page format in the manner of L'Illustration and makes reading the experience of total immersion in the world of the Arabian Nights oriental and magical. Contemporary green half morocco with corners signed Petit successor to Simier. Spine with raised bands in 4 compartments richly decorated and inlaid in red. Gilt fillets on boards lined. Top edge gilt. Spine uniformly lightened. Rubbing. Fresh overall with rare scattered foxing except on the first 3 leaves which are spotted. Librairie de L. Hachette et Cie hardcover
1863Best.-Nr. 66778Paris: Librairie de L. Hachette et Cie 1863. Fine. Librairie de L. Hachette et Cie Paris 1863 24.50 x 32 cm relié First edition illustrated with 177 drawings by Gustave Doré including vignettes plates headpieces. All engraved by Maurand Sarglat. Fine printing on large white laid paper. Title page in red and black. Contemporary half red morocco binding with corners in long grain. Smooth spine richly decorated with large romantic tools in compartments. Triple fillet rule on boards. Original wrappers preserved. Rubbing to joints headcaps and edges. Corners bumped and slightly turned. Joint fragile at tail of upper board. Fine copy with very white paper free from foxing. This fable features Charlemagne and his brave knights and all the characters from Ariosto. Librairie de L. Hachette et Cie hardcover
1860Best.-Nr. 66252Paris: Garnier frères 1860. Fine. Garnier frères Paris 1860 S.d 13.50 x 20 cm relié Sixth edition and second printing of the 425 compositions by Gustave Doré. ""masterpiece where each vignette is a discovery"" Béradi Full red long-grained morocco binding signed Thivet at the top of the first endpaper. Richly decorated spine with raised bands. Gilt title. Triple gilt ruling on boards. Rich inner gilt border. All edges gilt. Spine slightly faded. Scattered foxing. Superb copy very rare in full binding moreover in full morocco. ""The idea of illustrating these texts had been suggested by the Bibliophile Jacob Paul Lacroix who had been commissioned by Balzac's widow for the philological revision of the text. The illustrations fall within a caricatural and 'droll' vein; they reveal Gustave Doré's immense talent his attraction to landscape and his ease in portraying grotesque characters as well as in capturing burlesque scenes. 'This illustration is like no other in its powerful originality: it is Gaulish Rabelaisian and sparkling with wit. Doré certainly lavished the best of his talent on the Contes drolatiques. They had no success however and the entire edition was marked down. Today it is one of Doré's most sought-after works"" Leblanc. Garnier frères hardcover
1856Best.-Nr. 65971Traduction Victor Perceval, publiés par Alexandre Dumas Suivi de "Un Courtisan", imité de l'anglais, 1 vol. in-4 reliure demi-basane marron, Panthéon Populaire, Typographie Henri Plon, Publié par Gustabe Barba, s.d. [ 1856 ], 1 f. 128 pp.
1866Best.-Nr. 70632London:: S. O. Beeton no date 1866. First edition. publisher's quarter leather and gilt-lettered cloth boards. There is some light and inoffensive staining to the added title page illustrated color which is on a heavier paper than the text; contents otherwise clean and fine. Slight rubbing to the boards particularly the leather spine; tight and sound. . Illustrated with Forty-three Pictures by Gustave Dore. From the French of Manuel. S. O. Beeton, hardcover
Best.-Nr. 65472London Paris New York & Melbourne: Cassell & Company Limited c.1880. Large 4to. 33 x 25.5 cm. pp.xxiii1838 ads. Publisher's original gilt-decorated pictorial blue cloth black-coated endpapers all edges gilt. Title-page printed in red and black. Portrait frontispiece and 75 wood-engraved plates after Gustave Doré each with captioned tissue-guard. Neatly rebacked with the original spine laid down some very occasional light scattered foxing contents generally clean and unmarked overall a very good copy. First published with Doré's illustrations in French by Hachette in 1861 and first published in English by Cassell in 1866. "One can hardly deny that Doré is not merely one of the most popular but also one of the greatest of all illustrators… He gladly subjugated his imagination aiming at literal renderings of the precise descriptions of the Inferno. Thus the varied torments of the dwellers in Hell are shown with minute and sometimes shocking fidelity" Ray 327-28. Henry Francis Cary's translation first published in 1814; "it has remained the translation which on Dante's name being mentioned occurs first to the mind" DNB. London, Paris, New York & Melbourne: Cassell & Company, Limited, [c.1880]. hardcover
1860Best.-Nr. 89606Paris: Garnier Freres 1860. Sixth Edition. Hardcover. Very Good in boards. Spine shows one marking in upper center over beginning of author's name. Spine detached from book's pages however back and front panel intact.; 8vo 8" - 9" tall. Garnier Freres hardcover
1866Best.-Nr. B5284London: Cassell Petter and Galpin c. 1866. A fine and handsome example of this work. The text and plates are clean and crisp. . Binding: Contemporary full green cloth binding. Top board with gilt text and tooled borders. Notes: A superbly illustrated edition of the story of the Wandering Jew from the mid 19th century. The illustrations are set to a poem about the Wandering Jew by Pierre-Jean de Ranger. The story of the Wandering Jew dates back to the crucifixion of Christ. The story relates that as Jesus was being led to the spot of his crucifiction a Jewish man shouted insults at him and in response Jesus said “'Verily I say unto you There be some standing here which shall not taste of death till they see the Son of Man coming in his kingdom.” This meant that until the return of Christ this Jewish man would be forced to live and wander the earth. Of course over the centuries there have been “spottings” of the Wandering Jew. Paul Gustave Louis Christophe Doré 1832 – 1883 was a French artist printmaker illustrator and sculptor. Doré worked primarily with wood engraving. Size: Large Folio 544x383mm. Illustration: Illustrated with 12 wood engravings by several engravers after illustrations by Gustave Dore. Pages: P. Blank. Half title. Title page. Introduction 3. Plates 1-12. Blank. Category: Book Plate Books General; Book Religious Christianity Cassell, Petter, and Galpin hardcover
Best.-Nr. 6826Paris, Bureaux de la Société Générale de Librairie, 1855. In-8 (118 x 205 mm), XXXII pp., 614 pp., 1 f. n. ch. Demi-maroquin à long grain marron avec coins, filet doré bordant les coins et les plats, dos lisse orné d'un décor doré en long avec filets dorés et à froid et plaquettes dorées en tête et en queue, tête dorée, couvertures et dos conservés, infimes rousseurs éparses (Yseux sc. de Thierry-Simier).
Best.-Nr. 17915Paris, Librairie Hachette & Cie, 1876. In-folio, 434 pp., reliure de l'éditeur à dos de chagrin vert par Engel, plats de percaline chagrinée verte estampés d'un décor en noir et or d'A. Souze, dos lisse orné de décor en noir et or, tranches dorées (petits frottements et épidermures).
1966Best.-Nr. 11246Paris, Les Bibliophiles de la Basoche, 1966 ; grand in-4 ; en feuilles sous chemise rempliée crème imprimée en rose, chemise-étui illustrés de l'éditeur ; 177, (9) pp., (1) f. blanc, 15 grandes pointes sèches hors-texte rehaussées en couleurs à la main et 15 dessins accompagnant les lettrines.
2021Best.-Nr. 300413Norwalk: Easton Press 2021. Full Leather. Near Fine binding. Gustave Dore. Folio; in full light gray leather; with titling on the upper board and spine in black; illustrations on the upper board and spine in black and gilt; with two raised bands on the spine; edged in gilt; with marbled endpapers; comments by Edmund C. Stedman~~Deluxe Limited Edition statement: “This edition is strictly limited to a quantity of 1200 copies of which this is number 375”~~Additional details include:~“With all the Gustave Dore vintage illustrations from the 1884 Edition~Finch Opaque Vellum Cover from Finch Paper Glen Falls New York~Cowhide leather imported from Italy by Cortina Leathers of New York New York~Lithography by Pulp Printhouse Bristol Tennessee~Custom binding by BindTech KP LLC Church Hill Tennessee”. Near Fine binding. Easton Press unknown
2021Best.-Nr. 300413Norwalk: Easton Press 2021. Full Leather. Near Fine binding. Gustave Dore. Folio; in full light gray leather; with titling on the upper board and spine in black; illustrations on the upper board and spine in black and gilt; with two raised bands on the spine; edged in gilt; with marbled endpapers; comments by Edmund C. Stedman~~Deluxe Limited Edition statement: “This edition is strictly limited to a quantity of 1200 copies of which this is number 375”~~Additional details include:~“With all the Gustave Dore vintage illustrations from the 1884 Edition~Finch Opaque Vellum Cover from Finch Paper Glen Falls New York~Cowhide leather imported from Italy by Cortina Leathers of New York New York~Lithography by Pulp Printhouse Bristol Tennessee~Custom binding by BindTech KP LLC Church Hill Tennessee”. Near Fine binding. Easton Press unknown books
1854Best.-Nr. 91123Paris: J. Bry aîné 1854. Fine. J. Bry aîné Paris 1854 19 x 28.5 cm relié First-issue illustrated edition featuring 15 full-page plates and 100 in-text figures by Gustave Doré. This edition is considerably rarer than the well-known later Doré edition published by Garnier in folio format in 1873; moreover the Garnier edition reused 98 illustrations from the Bry edition. Printed in two columns. Twentieth-century half morocco binding with corners in chocolate brown. Smooth spine decorated with gilt fillets. Brown calf title label. A good fresh copy with a few occasional scattered foxing. ""Cet ouvrage populaire est fort recherché aujourd'hui pour les puissantes compositions de Gustave Doré qui s'était fait la main pour son admirable illustration des Contes Drolatiques qui parut l'année suivante."" Carteret Le trésor du bibliophile romantique et moderne. J. Bry aîné unknown
Best.-Nr. 43176à Monsieur Lodi souvenir sympathique" under the picture which shows him half length seated in an elaborately frilled chair 4¼" x 2½" no place no date Gaspard-Félix Tournachon NADAR 1820-1910 known by the pseudonym Nadar or Félix Nadar was a French photographer caricaturist journalist novelist balloonist and proponent of heavier-than-air flight. In 1858 he became the first person to take aerial photographs. unknown
Best.-Nr. 131141aafStuttgart, Deutsche Verlags-Anstalt (vormals Eduard Hallberger),, o.J. (ca. 1880), gr. in-Folio, 2-spaltiger Text, Mit 230 Holzst.-Tafeln v. Gustav Dore. Exemplar nur vereinzelt leicht stockfleckig. Rote Orig.-Halblederbände mit reicher Gold- und Blindprägung, Goldschnitt, leichte Gebrauchsspuren, sonst schönes Exemplar..
