3.377 Ergebnisse
Best.-Nr. 51-3426Paris Librairie de L. Hachette et Cie. 1865. Folio. 32 x 43 cm. Original red flexible fabric repaired. 194pp. and 75 plates hors texte. Ray The Art of the French Illustrated Book no. 246; pp. 333-336. Two plates with slight marginal tears. Paris, Librairie de L. Hachette et Cie., 1865 unknown
2002Best.-Nr. 458846London: The Maruts Press 2002. Paperback in very good condition. Signed by the author on the half title page. Limited edition; printed in an edition of 100 copies. Item comes in a slipcase which has some minor wear throughout. The slightly edgeworn cover has some light marks in a few places. The binding is sound; all text and illustrations are clear. CM. By Author. Paperback. Very Good. Used. The Maruts Press Paperback
Best.-Nr. 484784Alfred Mame Et Fils, Editeurs Tours 1882 2 volumes in-folio ( 425 X 320 mm ) de 909 et 948 pages, cartonnage de fine percaline grise de l'éditeur, dos et plats ornés de grands décors polychromes et dorés ( plaque de A. SOUZE ), toutes tranches dorées à effet "lingot". Célèbre édition illustrée des nombreuses fameuses gravures sur bois de bout d'après les dessins de Gustave DORE en hors-texte et les délicates ornementations d'Hector GIACOMELLI. Quelques plis de lecture aux dos, bel exemplaire, très pur, au papier bien blanc, exempt de rousseurs ( ce qui est très rare pour cette édition ).
Best.-Nr. 14594Les Incas ou la destruction de l’Empire du Pérou ; Deux tomes en deux volumes in 12 plein cuir raciné, dos lisse, titre, roulette, filet, caissons, tomaison dorés. Filet doré sur coupes. Tome premier faux titre, titre, XLVIII 311 pages. Tome second faux –titre, titre, 366 pages. Deux ex-libris. A Paris chez LACOMBE libraire 1777. Très bon état. Edition originale parue avant l’édition illustrée la même année.
Best.-Nr. 64080Bureaux de l'Administration - Paris 4 volumes 203 numeros In-folio 39 cm 368-424-416-416pp. illustr. nombreuses gravures sur bois hors-textes reliures demi-cuir basane fauve de l'epoque dos plats ornes quelques marques d'usage details et photos sur demande Nb-0270 unknown
1860Best.-Nr. 20678Paris, Hachette, 1860 ; in-8, demi-maroquin à coins brun, dos à nerfs, titre et date dorés, non rogné, couvertures vertes et dos conservés (Louis Guétant) , VI, 554, [2] pp. et 341 dessins de Gustave Doré ; la page 554 est chiffrée par erreur 354.
1868Best.-Nr. 459229Paris : Librairie de L. Hachette et Cie 1868. First Edition. Hardcover. Very good copy finely bound in full contemporary calf over bevelled boards now slightly surface-scuffed and rubbed along the edges. Spine with raised bands gilt-tooled in the compartments and joint areas sun-toned. Gilt-tooled ornamentation to the dentelles; all edges gilt. Marbled endpapers with library label mounted to front pastedown. Prelims lightly foxed with some faint marginal foxing scattered internally. Frontispiece retains its tissue-guard. Remains a tight and very well-preserved copy overall. Physical description: 864 LX pages 84 unnumbered leaves of plates : illustrations portrait ; 38 cm. Notes: Engraved frontispiece portrait of the author designed by A. Sandos. ""Notice sur Jean de La Fontaine"" signed: Geruzez. Includes indexes. Subjects: La Fontaine Jean de 1621-1695. Doré Gustave 1832-1883. Fables French. French poetry - 17th century. Illustrated books - France - 19th century - Specimens. Wood-engraving French - 19th century. Paris : Librairie de L. Hachette et Cie hardcover
1888Best.-Nr. H0-D4CP-P3PEParis: Librairie Hachette et Cie 1888. Illustrated Edition. Hardcover. Used - Very Good/no dj as issued. Gustave Dore. Very Good. Paris 1888. Large folio. 498 x 330 mm 19 4/8 x 12 3/4 inches. Weight 17 pounds!. 658 pages frontispiece and 81 steel-engraved full page plates 681 steel-engraved vignettes in the text by Gustave Doré. Folio copy preserved in its splendid publisher cardboard in red percaline illustrated by A. Souze. Cover and back decorated and gilded the first cover adorned with a gilded griffin bearing standard and coat of arms on a background of patterns with oak leaves and helm. Last illustrated book by Gustave Doré -- -- Most pages and plates very clean. Some foxing and smudges to first few and last few pages otherwise Very well preserved. The front cover is very well stamped the gilding is bright. The gilding on the back is just a little tarnished slight traces of handling Solid hinges tear on the lower part of the spine fresh and clean interior light scattered foxing denser on the first few pages. --- --- Roland Furieux Orlando Furioso required a long preparation work and can be understood as a synthesis of all the themes dear to the artist: medieval frames forests battle scenes heroines of sublimated beauty fantastic atmosphere. Most pages and plates very clean. Very well preserved. The plate on the first cover is very well stamped the gilding is bright. The gilding on the back is a little tarnished slight traces of handling two small slots on the joints max 2 cm. Solid hinges. fresh and clean interior light scattered foxing denser at first. Librairie Hachette et Cie hardcover
1880Best.-Nr. 26831Philadelphia: George Barrie. Good with no dust jacket. 1880. First Edition. Hardcover. Oversized two volumes. Half leather with cloth beveled boards stamped in gilt all edges gilt moire endpages. V1: Front board detached included. Spine ends frayed edges and leather rubbed. Contents clean and uncreased with tissue guarded illustrations. Vol 2 also with front board detached included; backstrip loose but contents very nice as well. With one hundred plates. ; Folio 13" - 23" tall . George Barrie hardcover
2011Best.-Nr. 066360Norwalk Conn.: The Easton Press 2011. Book. Near Fine. Hardcover. 2 Volume set Folio. Includes custom illustrated slipcase. Limited Edition of 400 sets. This is number 183. Includes laid-in limited edition certificate. Bound in full brown leather with ornate gilt and black design on front covers and spines. Four raised bands along spines. Full gilt page edges marbled inside covers and endpapers. Bound silk ribbon bookmarks. Minor shelfwear to books: a few small silver dots on rear cover of volume 2 where the gilt of volume 1 stuck. Scuffing along edges and covers of slipcase with some fraying and loose ends at edges and corners. Books are in Near Fine-minus condition. Slipcase is in Very Good condition. The Easton Press Hardcover
Best.-Nr. B2116Chicago: Charles C. Thompson Co. Covers slightly worn otherwise a very good copy. Edition: New Edition Binding: contemporary full cloth with text in black and gilt upper cover also has an image of man holding a laurel in gilt with black background design. Flat spine with title in black worn. Size: Large 4to Illustration: 76 woodcut plates including frontis. Pages: P. frontis title blank iii-viii 9-162. Category: Book Literature Charles C. Thompson Co hardcover
Best.-Nr. 65821Paris: Librairie de L. Hachette 1868. Folio 35 x 26 cm. pp.lx864. Contemporary richly gilt brown morocco title in gilt within broad gilt decorated borders raised bands marbled endpapers all edges gilt. 84 full page wood-engraved plates. Old ownership inscription to front blank and title. Intermittent light foxing generally a very good copy in a handsome binding. La Fontaine's fables with illustrations from "one of the most popular" and "greatest of all illustrators" Ray 327-28. During the period of this book's publication Doré went from being "virtually unknown in England to being the most famous illustrator in the world" Malan 67 with books such as this bringing Doré to an international audience. Paris: Librairie de L. Hachette, 1868. hardcover
1878Best.-Nr. 1433461878. An interesting autograph letter signed G. Doré in French approximately 80 words on 17 lines dated 24 June 1878. The previous year Doré had illustrated Ludovico Ariosto's influential poem Orlando Furioso published in London by Hachette and Co. In 1878 he produced several landscapes including Landscape in Scotland exhibited his woodcut entitled Ganymede at the Cercle de l'Union Artistique and showed sculptures at the Paris Salon. The Daily Telegraph commenting on his works at the Salon observed "It is not often that many-sided genius is so quickly appreciated by the jealous world of art" Conder The Doré Gallery: Descriptive Catalogue of the Pictures by M. Gustave Doré on View at 35 New Bond Street London. The same month Doré gained notice at the Exposition Universelle in Paris for a plaster cast of his eleven-foot vase "Poem of the Vine". Although the vase was the subject of much comment and admiration the sculptor received no awards for it. "There was a great deal of comment on this lack of appreciation evinced by the French for their fellow-countryman especially as 'La Nuit' another of Doré's superb creations occupied a place in one of the interior galleries of the Champs de Mars buildings. It is a curious fact that nowadays most people are of opinion that Doré received a great many medals and was usually one of the most distinguished contributors to the Paris Salon. As a matter of fact he never received one; not even an honorable mention" Roosevelt The Life and Reminiscences of Gustave Doré p. 440. "Cher maitre Pour la troisième fois depuis hier je recois inclus dans des lettres d'amis de Londres le feuillet détaché du Daily Telegraph du 22; c'est vous dire la très vive sensation qu'ont produites là-bas les lignes si chaleureuses que vous m'avez fait l'amitié de consacrer à la description de ma nouvelle oeuvre. Je m'empresse de vous adresser mes plus affectueux remerciements que je ne veux pas tarder d'aller renouveler de vive voix. À vous bien cordialement." "Dear Master For the third time since yesterday I have received included in letters from London friends the page taken from the Daily Telegraph of the 22nd; this is to tell you of the very lively sensation produced there by the warm lines that you so kindly devoted to the description of my new work. I hasten to forward you my most affectionate thanks that before long I hope to renew to you in person." Single sheet of notepaper watermarked "Freres" 204 x 260 mm sometime folded for mailing. Slight creasing from handling otherwise near-fine. unknown
Best.-Nr. 63152Paris: Librairie Hachette et Cie. 1890. Folio 37 x 28 cm. pp.lx864. Contemporary half blue morocco over marbled boards brass studs to each corner spine with raised bands and compartments decorated with various fauna devices additional contrasting brown corner pieces and similar to head and foot of spine marbled endpapers. Complete as listed with engraved portrait frontispiece and 84 full-page engraved plates plus head and tail piece vignettes to each fable. Intermittent light spotting minor dampstain to foredge confined to outer margin at pp.110-148 aqnd similarly to lower margin of pp. 431 -480 minute closed tear with old repair to lower edge of one leaf pp.93/94 generally a very good example in an unusual binding. First published in French in in 58 weekly parts starting in November 1866 and first published in book form in 1867. Paris: Librairie Hachette et Cie., 1890. hardcover
Best.-Nr. 200913216Paris, Librairie Hachette et cie, 1879 ; in-folio, 658 pp., cartonnage de l'éditeur. Traduit par A.-J. du Pays et illustré par GUSTAVE DORÉ - qlq rousseurs et ptes restauration, pleine percaline rouge d'éditeur (ptes usures sinon bon état général (cartonnage signé A. Souze).
1863Best.-Nr. 5971863 Paris, Hachette, 1863.
1868In folio (mm. 398x293), 3 volumi, piena pergamena coeva, cornice dorata ai piatti, dorso mz. pelle coeva, fregi e tit. oro al dorso, pp. X,(2),138; VIII,134; (8),132,(4); con un ritratto di Dante e 135 tavv. f.t. che riproducono le celebri composizioni del Doré. "Prima edizione italiana" con queste illustrazioni. Cfr. Mambelli “Annali ediz. dantesche”,362: “Il Camerini prese a testo la lezione del Witte. Per le dichiarazioni tenne conto dei migliori interpreti antichi e moderni: Boccaccio, Buti, Benvenuto da Imola, Tommaseo, Blanc, ecc.” Bell’esempl. marginoso.con complessive 135 tavv. f.t. che riproducono le celebri composizioni del Doré. Manca il ritratto di Dante. "Prima edizione italiana" con queste illustrazioni. Cfr. Mambelli “Annali ediz. dantesche”,362: “Il Camerini prese a testo la lezione del Witte. Per le dichiarazioni tenne conto dei migliori interpreti antichi e moderni: Boccaccio, Buti, Benvenuto da Imola, Tommaseo, Blanc, ecc.”. Con lievi fiorit., ma certamente un buon esemplare.
1870Best.-Nr. 12057Paris, Typographie de A. Pougin, 1870. 1 vol. in-8. Reliure à la Bradel, demi-maroquin bleu à coins, auteur et titre dorés, exemplaire non rogné. XVpp, 110pp, [1]f blanc.
1903Best.-Nr. 0056451903 Paris, Hetzel, [1903-1904]. Grand in-8 percaline rouge de l'éditeur ornée de fers spéciaux, titre dans le cartouche, tranches dorées (Engel Rel., d'après une plaque de C. Blancheland). ; (2) ff. de faux-titre (avec frontispice au verso) et titre, 410 pages. Rousseurs au feuillet de titre.
1990Tre volumi in folio, illustrazioni di Gustavo Doré e i colori del pittore Ernesto Treccani. Note dello stesso Treccani e contributi di Mario Marti “Dante con noi” e Giuseppe Selvaggi “Dante: Doré più Treccani”. Questa edizione de La Comedia di Dante, poi Divina Commedia, ripropone il testo e i caratteri usati da Johann Neumeister da Magonza e da Evangelisti Angelini da Terni nel 1472 nella loro tipografia di Foligno per la prima e storica edizione a stampa del Poema. Formato in folio, pagine 214, 206, 230. Legatura in piena pelle, iscrizioni in oro zecchino al piatto e al dorso, nervature sul dorso. Cofanetti rigidi in pelle. Tiratura di 2998 esmplari
1856Best.-Nr. 66572Gravés sur bois par F. Rouget, O. Jahyer et J. Gauchard, Imprimés par J. Best. Poème avec prologue et épilogue par Pierre Dupont, Préface et notice bibliographique par Paul Lacroix (Bibliophile Jacob), Avec la ballade de Béranger mise en musique par Ernest Doré, 1 vol. in-plano cartonnage éditeur demi-toile verte, premier plat illustré, Michel Lévy Frères, Paris, 1856, 18 pp., 2 ff. (frontispice) et 12 planches hors texte
2014Best.-Nr. BN124617Société des Editions Mengès 2014. 2014. Softcover. Venise l'art et la foi le Nouveau Testament en la basilique Saint-Marc : Tirage limité Venise l'art et la foi le Nouveau Testament en la basilique Saint-Marc : Tirage limité Joseph Doré Société des Editions Mengès paperback
1876Best.-Nr. 20288Paris, Hachette, 1876. Petit in-folio de [4]-434-[2] pages, cartonnage rouge noire et or de l'éditeur et dos de chagrin rouge richement illustré, tranches dorées.
1714Best.-Nr. 9093Superbe feuille de papier doré gaufré à toutes marges. Scènes de marché principalement dans un encadrement doré également, sur fond rouge. Support : papier vergé. Très rare. La feuille est signée : Augspurg bey Iohann Michael Munck N.51. Très bon Augsbourg Avant 1714 34,5 x 43 cm
1906Best.-Nr. 464263London ; Paris New York ; Melbourne : Cassell & Company Limited 1906. First Cassell Edition. Hardcover. Very good copies both in contemporary gilt-blocked half burgundy calf over burgundy buckram boards; spine with raised bands. Corners joints and endbands somewhat rubbed. Reader bookplate to front pastedown vol. 1. Text blocks remain tight and strong with scattered foxing chiefly limited to the preliminary and final leaves. A well-preserved set overall. Physical description; complete in two volumes viii xv ; 737 continuous pages to main text plates : illustrations ; 34 cm. Notes; The English text is that of Jarvis with occasional corrections from Motteux's translation. Edited by J. W. Clark. With a biographical notice of Cervantes by T. Teignmouth Shore 1841-1911. Subjects; Spanish fiction Classical period 1500-1700 Translations into English. Knights and knighthood Spain Fiction. Spain Social life and customs 16th century Fiction. Picaresque literature Spanish Translations into English. Adventure stories Spanish Translations into English. Illustrated books Great Britain 19th century. London ; Paris, New York ; Melbourne : Cassell & Company, Limited hardcover
