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HAMILTON, Richard (catalogue design); HOLLAND, Ralph (exhibition arrangement & catalogue preparation); [GOWING, Lawrence]; TOMLIBiblio.com

Pop Art & Bloomsbury interest Gods and Men: An exhibition of sculpture from collections in Northumberland and Durham

1957réf. 3664Durham: Hatton Gallery King's College in the University of Durham 1957. Paper wrappers. Very Good. FIRST EDITION LAWRENCE GOWING'S COPY. Side-stapled pamphlet 22.8 x 11.5cm n.p. pp. 30 featuring 42 b/w photographic illustrations three to each verso with descriptions to facing rectos. Original monochrome illustrated wrappers lettered in white. Gentlest wear to extremities. Inscribed in red pencil to title page: "return to LG." gently toned scatter of faint fox spots to centre pages else clean and tight. Scarce both in the trade and in British research institutions: JiscLHD locates five copies only Bodleian UoDurham UoLeeds UoNewcastle & UoSussex. Very good A significant association copy of this early Richard Hamilton-designed catalogue for the Hatton Gallery's 1957 Gods and Men exhibition with a Pop Art flavour though not fully "young witty gimmicky glamorous and Big Business" as he later wrote from the collection of Holland and Hamilton's Durham University colleague fellow artist art lecturer and husband of Julia Strachey Lawrence Gowing and indeed commanding: "return to L.G." on its title page. Lawrence Gowing then Professor of Fine Art at King's College University of Durham now the University of Newcastle had recruited Richard Hamilton in 1952 to teach design; he later developed a 'basic course' for first-year students with Victor Pasmore remaining on the staff until 1966 and as this catalogue indicates helped with exhibitions at the Hatton Gallery designing and printing the posters and catalogues in house. The intellectual father of Pop Art or 'Pop Daddy' also exhibited his own work at the Hatton Gallery which two years earlier in 1955 hosted his important photographic installation Man Machine and Motion ahead of its move to the ICA. The Gods and Men exhibition featured Stephen Tomlin's head of Lytton Strachey lent by Julia Strachey "Mrs Lawrence Gowing" and previously Mrs Stephen Tomlin as well as three Epstein busts at the modern end plus C19th carvings from New Zealand New Ireland the Solomon Islands Luba and New Britain and Egyptian Egypto-Roman and Romano-British wood and stone heads. Hatton Gallery King's College in the University of Durham unknown

Quair Books · Royaume-Uni500,00 £GB≈ 599,66 €

Kadijević, Dorde, editor, and Slobodan Masić, designBiblio.com

CONCEPTUALISM AND POP ART IN YUGOSLAVIA Anale mladih 1. novembar 1965 The annals of youth 1. November 1965

réf. 55499Belgrade: Galerija Doma Omladine 1965. Square quarto 29.5 × 29.5 cm. Original staple-stitched printed card wrappers; 12 pp. With catalog portion on four narrow white pages including nine reproductions of works printed in light purple; text part printed on two leaves of light purple stock. With reproduction of a work by Juraj Dobrović on an additional loosely inserted leaf. Spine extremities with ca. 2 cm splitting; wrapper edges discolored; else about very good. A catalog of the first "young art" exhibition at the gallery of the Belgrade Youth Center Galerija Doma Omladine showcasing 60 works by 30 contemporary artists with design by Slobodan Mašić. A full-page original print by the Neo-constructivist sculptor and graphic artist Juraj Dobrović b. 1928 is laid into the catalog with nine additional reproductions of exhibited works pictured on the catalog pages. The exhibited artists represented a variety of contemporary artistic movements and practices including Informel Zoran Pavlović and Vladislav Todorović-Šilja Pop Art Radomir Reljić Ervin Hotko conceptualist work by Radomir Damnjanović-Damnjan and performance art by Bogdanka Poznanović. The work of the avant-garde graphic artist and painter Miroslav Šutej which appears on the first page of the catalog is currently held by MoMA. The designer of the volume Slobodan Mašić 1939-2016 is celebrated as one of the "most significant artists and publishers who shaped visual communications in Serbia and Yugoslavia over the past half century". In addition to designing posters and publications for the famous Belgrade Student Cultural Centre SKC Mašić also designed special issues of the new left student journal Susret 1968 collaborated with the avant-garde theatre Atelje 212 and the BITEF theatre festival. The exhibition "Mašić: Retrospective Exhibition of Visual Communication" was held in Belgrade in 2018 and in Paris in 2021. One of 500 copies printed. As of December 2025 KVK OCLC show no copies outside of Slovenia. unknown

Penka Rare Books and Archives · Allemagne600,00 €

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