32 917 résultats
1815réf. 832561815. DESIGN Matsuoka Tokikata; Honma Hyakuri. SHOKUMON ZUE. 7 vols. privately published by Hyakuri apparently from 1815-25 as a completion of work begun by Tokikata in the late 18th very early 19th century. 19.3 x 26.9 cm string-bound Japanese-style fukuro toji with printed paper title labels - all bindings match. Hundreds of beautiful color textile designs reproduced in color woodcut. Nobleman Ladies Ceremonial dress Brocades Imperial costumes all are covered. Important and quite scarce as few sets were produced. Some worming otherwise the overall condition is very good. unknown books
réf. 1178Rogers Bruce. Wolfe Humbert. THE SILVER CAT AND OTHER POEMS. New York Bowling Green Press 1928. One of 780 copies designed by Bruce Rogers and printed by William Edwin Rudge. Bound in paper boards. Fine condition. Ransom p.403. hardcover books
1928réf. 383London: Victor Gollancz 1928. Hardcover. Very good/very good. One of 410 numbered copies signed by Wolfe. Dust jacket. Very good condition. Signed by Author. Victor Gollancz hardcover books
1972réf. 49830New York: Delacorte Press / Seymour Lawrence 1972. Very Good /Very Good. New York: Delacorte Press / Seymour Lawrence 1972. First Edition stated first printing. Octavo 21cm; quarter-bound black and silver boards in publisher's dust jacket with $7.95 price intact grey endsheets; 276pp; black-and-white photographs throughout. Dust jacket rubbed toned and scratched. Boards bumped; spine slightly cocked. Binding sound. Textblock endsheets and interior pages toned. Former bookseller's price in green pencil at half-title page. Very Good or better. The complete "experimental television script" to a program which aired on March 13 1972 generously illustrated with stills from the program. Delacorte Press / Seymour Lawrence unknown books
1960réf. 169927N.p.: N.p. 1960. An archive of 43 photographs 3 large format color slide transparencies and a set illustration reproduction totaling 47 items all belonging to art director and production designer John Robert Lloyd. Shot and struck between 1954 and early 1960s. The archive includes 26 set design photographs 8 on-the-set photographs 3 reference photographs and 6 vernacular color photographs. 32 of these are borderless single-weight photographs and 2 are double weight satin-finish photographs. The remainder are bordered photographs. Detailed inventory available upon request. Renowned art director and production designer John Robert Lloyd began his career in television in the early 1950s working as set designer and art director on noted television anthology series such as "Lux Video Theatre" 1950 "The Adventures of Ellery Queen" 1952 and 1954 "Schlitz Playhouse" 1958 and most notably "General Electric Theater" 1954-1959 with examples from eight "General Electric Theater" episodes found in the archive here. By the late 1960s Lloyd began working as a production designer in film most notably "Midnight Cowboy" 1969 "The Boys in the Band" 1970 "The Owl and the Pussycat" 1970 "The Exorcist" 1973 uncredited art director and "Clue" 1985 among many others. The majority of the archive is grouped by production with a half-sheet title page for eight of the nine identified productions with six of the photographs and the three large format color slide transparencies from unidentified productions. Eighteen of the photographs have hand-written labels affixed to the versos identifying the production the set depicted a photograph ID number and the photograph size. The identified productions include: Three set design photographs for "General Electric Theater: The Long Way 'Round" season 3 episode 5 which aired on CBS on October 10 1954. Six set design photographs for "General Electric Theater: I'm A Fool" season 3 episode 8 which aired on CBS on November 14 1954. Two set design photographs for "General Electric Theater: D.P." season 3 episode 16 which aired on CBS on January 9 1955. One set design photograph for "General Electric Theater: Love Is Eternal" season 3 episode 21 which aired on CBS on February 13 1955. Three set design photographs and six vernacular color on-the-set photographs for "General Electric Theater: Mr. Blue Ocean" here under the working title "The Courtship of Mr. Blue Ocean" season 3 episode 31 which aired on CBS on May 1 1955. The vernacular photographs depict the actors in the production Boris Karloff Susan Strasberg and Anthony Perkins though not clearly focusing on the set design. Five on-the-set photographs for "General Electric Theater: Second Stranger" season 5 episode 7 which aired on CBS on October 28 1956 four featuring actor Burl Ives. Three set design photographs and one on-the-set photograph for "General Electric Theater: The Breach" here under the working title "The Letter" season 5 episode 12 which aired on CBS December 9 1956. The on-the-set photograph depicts actors Betty Field and Marian Seldes though not clearly focusing on the set design. One set design photograph and one set illustration reproduction for "General Electric Theater: A Child Is Born" season 5 episode 14 which aired on CBS on December 23 1956. The set design illustration is affixed to the verso of and folds behind the title card. And six set design photographs for "Suspicion: Diagnosis: Death" season 1 episode 25 which aired on NBC March 31 1958. The remaining six photographs are from unidentified productions and include three reference photographs two on-the-set photographs and one set design photograph all circa late 1950s and early 1960s. The three large format color slide transparencies circa late 1950s are all reference images from unidentified productions likely beer commercials for the anthology television series "Schlitz Playhouse" as two of the slide transparencies and one of the six unidentified photographs whose actors and setting match the third slide transparency prominently feature the beverage in the image. 37 set design on-the-set and reference photographs 7 x 6.5 inches to 8 x 10 inches. Very Good plus with cello tape residue to the far left edges. Six vernacular color photographs 3.25 x 3.25 inches. Very Good plus with small patches cello tape residue to one or more of the corners. Three large format color slide transparencies 5 x 4 inches. Near Fine. Set illustration reproduction 16 x 8.5 inches. Very Good plus with two vertical folds and cello tape residue to the left edge. N.p. unknown books
1992réf. 170910Houston TX: Alley Theatre 1992. Vintage photograph of director Robert Wilson and assistant director Ann Christin Rommen during a workshop for the premiere of the 1992 production of the 1794 play. Photograph with a mimeo snipe label and a photographer's label on the verso. The play premiered at the Alley Theatre in Houston Texas on October 30 and closed on November 14 1992. Wilson's staging of the canonical 1794 play was Wilson's first project as Artistic Associate of Houston's Alley Theatre and was produced after an eight month creative process led by Wilson as the production's director and designer. Set in during the French Revolution. 7 x 5 inches. Two small pinholes to the upper left margin else Near Fine. Alley Theatre unknown books
réf. 158941Detroit MI: General Motors 1980. Substantial archive of over 750 General Motors GM design assembly and advertising photographs 23 contact sheets of vehicles and parts photographs and 100 print advertising proofs and mockups from the Chevrolet Motor Division of General Motors dating from 1973 through 1980. Nearly all the materials in the archive are overlaid with Campbell Ewald Advertising Agency watermarks or bear GM Photographic stamps on the bottom margins or versos. Materials also frequently note catalog numbers and dates in manuscript pencil and ink. Detailed inventory and additional images available upon request. Please contact us directly. A vast and insightful archive of distinctly 1970s GM automotive design and marketing. The photographic prints in the archive include approximately 550 photographs and design renderings of vehicles parts and accessories as well as emblems and logos with material relating to the Bel Air Camaro Caprice Chevelle Chevette Citation Impala Malibu Monte Carlo Monza Nova and Vega models. Of particular note are 100 proofs and mockups for print advertisements for various Chevrolet vehicles markedly reflecting the era's fuel crisis and imposing international compact car market. Photographs largely 11 x 8.5 inches with some photographs 10 x 8 inches. Advertising proofs and mockups are all on standard letter-size paper. Near Fine overall with some light edgewear and light creasing at the corners. General Motors unknown books
1954réf. 160645Loudonville OH: The Flxible Company 1954. Archive of 22 vintage photographs of the Flxible Land Cruiser motorhome circa 1954. Of the 22 photographs in the collection 17 bear stamps on the versos six bear annotations noting serial number and descriptions and eleven bear stamps noting the serial number model and company. The collection includes one photograph of the exterior of the motorhome and 21 photographs of the very mid-century modern interior frequently with models in various positions demonstrating the vehicle's comfort and luxury. Eight of the photographs note a serial number beginning with "B53" and one photograph notes a serial number beginning with "B54" likely indicating production in 1953 and 1954. Founded in 1913 in Loudonville Ohio Flxible was a manufacturer of motorcycle sidecars funeral cars ambulances intercity coaches and transit buses. In 1948 Flxible introduced its Land Cruiser model a standard 29 passenger Clipper shell with an elaborately furnished interior heralding a new era in recreational vehicles and introducing the motorhome to the American public during the automobile boom of the 1950s and 1960s. Notably the vehicle proved popular with R&B and country musicians providing a comfortable and practical vehicle for touring preceding the arrival of the modern tour bus. The company sold its Land Cruiser division to Custom Coach Corporation in 1955 and discontinued marketing the finished conversions while continuing to manufacture the shells of the vehicles. The last Flxible vehicles were produced in 1995 and the company declared bankruptcy in 1996. 10 x 8 inches. Very Good plus with approximately half the photographs with faint cracking to the emulsion and four with even toning. The Flxible Company unknown books
1922réf. 156616St. Louis MO: Lippman Kamprite Trailer Company 1922. Vintage oversize double weight composite retail display photograph showing 18 images of the Lippman Kamprite Trailer circa 1922. Originally produced in 1921 in St. Louis Missouri the Lippman Kamprite Trailer was one of the earliest self-contained travel trailers. Advertised as "a real camp home in three minutes" the trailer boasted beds for four a privacy partition hammocks for clothes and a tail lamp. The composite photograph on offer here displays the assembly and functionality of the trailer in eighteen charming images and was almost certainly used for retail display. As production-line manufacturing of affordable automobiles began in the early twentieth century and car ownership boomed the production of auto trailers and goods and amenities for auto touring followed close behind. A number of creative and unusual apparatuses marketed for auto touring appeared in the 1910s including bed kits for car interiors bed and tent kits which mount to the running board and about the car as well as a variety of early auto trailers. The following decade the 1920s would be a golden age for motor camping with the refinement of the design of tent trailers and the advent of travel trailers. A charming relic of the golden age of motor camping. 13.5 x 19.5 inches. Very Good plus with a small closed tear to the top margin two modest chips to the bottom margin and a modest chip to the bottom right corner repaired with cello tape on the verso. Clean sharp and unfaded. Lippman Kamprite Trailer Company unknown books
réf. 156601N.p.: N.p. 1980. Archive of 133 vernacular photographs from an custom automotive upholstery shop the "Auto Seat Cover Co." located in Harrisburg Pennsylvania housed in acrylic photo sleeves in a photo album circa 1961-1983. The majority of the photographs in the archive appear to date from the 1970s capturing before and after photographs and ornate custom automotive upholstery in acrylic cloth and leather. Archive also includes six photographs of the company's trade show booth circa late 1960s four photographs of the interior of the business circa early to mid 1960s as well as five photographs of the flooding of the business likely the Harrisburg flood of 1972 and three photographs of a home upholstery job circa early 1970s. 3.5 x 2.5 inches to 4.5 x 3.25 inches the majority approximately 3.5 x 3.5 inches. Very Good plus to Near Fine overall. Photo Album 12.75 x 8.5 inches. Near Fine. N.p. unknown books
1964réf. 154557N.p.: N.p. 1964. Vintage oversize design illustration for an embroidered uniform patch worn by Burger Chef employees circa 1964. Sample patch affixed to the top left corner. The first Burger Chef restaurant was opened by Frank and Donald Thomas in Indianapolis in 1957. The chain quickly spread across the United States with 335 locations across the country in 1964. The restaurant gained popularity in the early 1970s for the Funburger and the Funmeal which included packaging decorated with stories about the company mascot Burger Chef his sidekick Jeff and their illustrated friends-predating the McDonald's Happy Meal by a number of years. Patch measuring 4 x 5 inches affixed to poster measuring 27.5 x 31 inches. About Near Fine with light age-toning and pinholes to the corners. Tennyson pp. 68-69 80. N.p. unknown books
1916réf. 143509N.p.: N.p. 1916. Vintage Swiss one sheet lithograph poster made to promote the 1916 opening of Speck's Orient-Cinema in Zurich during the heart of the silent film era. Designed and illustrated by costume and commercial designer Ernst Deutsch-Dryden. The poster's illustration portrays well-dressed clientele watching a Western movie likely meant to represent a US import. During this period there was a push in Zurich as in all large European and American cities to build lavish new cinemas to accommodate the constantly growing public demand for films and elegant movie houses in which to view them. 27 x 39 inches. Linen backed with no extra linen borders with slight restoration at the folds and edges. Archivally framed with UV plexi. N.p. unknown books
1965réf. 122002N.p.: N.p. 1965. A dazzling collection of ten original pressbooks designed by Saul Bass documenting the majority of the famed title and ad designer's work with director Otto Preminger in the 1950s 60s and 70s. Several of the pressbooks defy the conventions of pressbook design with custom shapes to represent items in keeping with the films for which they were made: "Advise and Consent" resembles a briefcase "In Harm's Way" is designed as a dossier with a string tie "The Cardinal" as a parcel and "Bunny Lake is Missing" as a newspaper. Other key titles in the collection include "Anatomy of a Murder" "Bonjour Tristesse" "Exodus" and "The Man with the Golden Arm." For most of the pressbooks in this collection we have never seen another example. A fascinating example of the advertising work done by the premiere title and ad designer of the twentieth century. Various sizes ranging from Very Good to Near Fine condition. Complete details available on request. N.p. unknown books
1962réf. 366740Stockholm: Raben & Sjogren 1962. First edition text in English. Oblong 4to. A fine copy with binding bright text and illustrations fresh and clean in very good dust jacket; the pictorial dust jacket reproducing a photograph of Stig Lindberg on front panel has moderate wear and foxing with a few nicks and short creased tears else complete. First edition text in English. Oblong 4to. Stig Lindberg 1916-1982 Swedish artist and industrial designer noted for his innovative designs in various mediums including ceramics won a Gold Medal at the First International Ceramics Festival in 1962 in Prague glass and textiles. He won numerous awards internationally including in Milan Madrid and Cannes and his work is displayed at the Swedish National Museum in Stockholm. OCLC lists 28 worldwide holdings including Williams Yale MoMA Cornell Philadelphia Museum of Art RIT Maryland LC Smithsonian Royal Ontario Carnegie Mellon Cleveland Institute of Art Saint Louis Art Museum California Berkeley National Library of Sweden National Art Library London British Library and University of London Raben & Sjogren unknown books
1940réf. 2563801940. c 26 watercolor designs. 4to. VG. c 26 watercolor designs. 4to. unknown books
1890réf. 249781New York 1890. Approximately 34 items on various stock including George D. Thompson letterhead. Various sizes generally 7 x 3 1-2 in to 11 x 8 1/2 in. Some toning some designs show signs of previous mounting on verso generally very good. Approximately 34 items on various stock including George D. Thompson letterhead. Various sizes generally 7 x 3 1-2 in to 11 x 8 1/2 in. Watercolor designs in Classical Romantic and Chinoise styles for leather screens manufactured by George D. Thompson & Co. The company letterhead advertises "Hand tooled and painted chair leathers and wall panels . Period designs still life flower bird & fruit panels hand painted bellows trays humidors book covers." Some designs give dimensions and prices on verso. unknown books
2012réf. vot844Osprey Florida: Historic Spanish Point 2012. Produced by Gulf Coast Heritage Association Inc. Octavo softbound stiff full-color photo. illustrated stapled slick wrappers 26 pp. Fine. Illustrations throughout. This is a history of the Webb family. Their story is taken from the letters they wrote about their pioneer days on the Florida frontier. Their story is significant in many ways. We study history to discovery the lessons of the past. Historic Spanish Point, (2012). Produced by Gulf Coast Heritage Association, Inc. paperback books
1935réf. 55920Berlin: Gemeinnützige Berliner Ausstellungs- Messe- und Fremdenverkahrs-G.m.b.H. 1935. First edition. Softcover. vg. Protected by modern mylar. Being educated at the Bauhaus in Weimar from 1921-1925 among others by Johannes Itten Paul Klee and Wassily Kandinsky Herbert Bayer had been appointed the head of the Bauhaus workshop Print and Advertising in Dessau in 1925. After the takeover by the Nazis in 1933 Bayer and his staff dorland studio worked for the Nazis designing exhibition literature as well as propaganda material. His first design of an exhibition and its catalog was for the groundbreaking NS-Exhibition "Die Kamera - Ausstellung für Fotografie The Camera - Exhibition for Photography." The second major project was the 1934 exhibition "Deutsches Volk - Deutsche Arbeit German People - German Work." Again he and his "dorland studio" designed the exhibition catalog. And in 1935 the third exhibition "Das Wunder des Lebens" followed by the exhibition "Deutschland" on the occasion of the Summer Olympics in 1936. This collection of three items relate to the exhibition "Das Wunder des Lebens" propaganda for the racial ideology of the National socialists. It was shown in Berlin at the Kaiserdamm and the Deutsche Hygiene-Museum Dresden in 1935 and traveled to other locations e.g. Vienna and Krakow. The exhibition was another step into the direction taken with the exhibition "Deutsches Volk - Deutsche Arbeit" in Berlin 1934. The exhibition "Das Wunder des Lebens" introduced new exhibition techniques around the theme "Der Mensch The Human." The major themes of this extensive exhibition were "Die Lehre vom Leben The Teachings of Life" with its hightlight sculpture "The Vitreous Human" produced of "Cellon" a cellulose acetate "Träger des Lebens Bearer of Life" featuring the German family and finally the "Erhaltung des Lebens The Preservation of Life" exhibiting facts about the health system in Germany. One of the highlights of the exhibition was the so-called Mikrovivarium a collection of small life-forms visible only through a microscope. Next to the thematic description of the exhibition the leaflet contains general information about the exhibition and two maps with information on transportation to the location within and from outside Berlin. Extremely scarce leaflet for the exhibition in near fine condition. 1. Amtlicher Führer durch die Ausstellung Das Wunder des Lebens. Berlin 1935 Kaiserdamm. Octavo. 160 viii 32pp. Original wraps with photomontage cover by Herbert Bayer. Official guide for the exhibition "The Miracle of Life." An important work by Bayer who designed both the exhibition "The Miracle of Life" and the exhibition catalog. Illustrated throughout with photographs and diagrams. Laid in two b/w postcards of the exhibition one of the the "Honor Hall" at the exhibition. Light weaar along edges of wraps minor chips and creasing and 0.5" closed tear at tail of spine. Wraps in overall good interior in very good condition. 2. Octavo. 20pp. Original color-illustrated stapled booklet. Elaborate avant-garde design incorporating various styles e.g. photomontage surrealist and constructivist elements. Designed by Herbert Bayer. The booklet with its modern visual aesthetics propagates the Nazi utopia of an Aryan society. The text is a romanticized though detailed version of the exhibition themes "Die Lehre vom Leben The Teachings of Life Träger des Lebens Bearer of Life and Erhaltung des Lebens The Preservation of Life" with an extraordinay visual display reproduced in high-quality color offset. Missing the cover. Light wear along edges. Overall in very good condition. 3. Three photo-postcards announcing the 1935 exhibition "Wunder des Lebens" in Berlin one featuring a photograph of the sculpture "Der gläserne Mensch" another showing one of the galleries of the exhibition in Berlin both in b/w and printed by Industrie-Fotografen Klinke & Co. Berlin. The third b/w photo-postcard features the "Ehrenhalle Honor Hall" of the exhibiton "Das Wunder des Lebesn" without photo credit. Dr. Herbert Michel department supervisor at the museum emphasized health as the great treasure of the individual and therefore the people at large. He strikes the typically nationalistic cords in depicting "the human as the highest organism a living example of the leadership principle. as part of the people he is obligated to develop his body to its highest capacity to acquire all inherited assets. The purpose of this exhibition is to help understand this concept." The guide contains chapters elaborating on the various functions of the body supported by b/w reproductions of photographs from the exhibition including a photograph of the Museum. There are no references to originators of exhibited works. Front cover with minor creasing. Some age toning of block. Wraps and interior in overall very good condition. Gemeinnützige Berliner Ausstellungs-, Messe- und Fremdenverkahrs-G.m.b.H. unknown books
réf. 36848Easthampton MA: Cheloniidae Press 1990. Hardcover. Fine. Hardcover. Number 21 of 100 xxi/c copies in the deluxe edition signed and numbered by illustrator and book designer Alan James Robinson. There were also 26 copies bound in quarter leather. This magnificent book was undertaken by the press as a celebration of its tenth anniversary. It is one of the great achievements of Robinson's Cheloniidae Press one of the most respected American private presses. Founded in 1979 the press went through several incarnations during its existence. The constant throughout was the artistry of Alan James Robinson who became famed for his superlative wood engravings and etchings of animals birds the sea and more. The original text for this edition was written by Arthur F. Kinney who was then the Thomas W. Copland Professor of Literary History at the University of Massachusetts and an extensive publisher and lecturer on Shakespeare. From the prospectus: this book "focuses on popular bird and animal lore and the way Shakespeare turns it into lines of haunting and indelible beauty by describing the familiar and unfamiliar ideas about many creatures and by showing how Shakespeare used these ideas to shape character and plot in his plays.Shakespeare's imaginative use of observed detail and magical fantasies is matched by the intricate and mysterious wood engravings of Robinson." Beautifully bound by noted binders Claudia Cohen and Sarah Creighton in full rust morocco with the title stamped in gilt on the front panel within a blind rule at the outer edge of the covers raised bands and leather hinges. Illustrated with 54 wood engravings depicting the birds and beasts found in Shakespeare's plays and poems plus two portraits of the Bard: one etching and one wood engraving. The book is accompanied by an additional suite of 56 signed and numbered prints from the illustrations. There is also an original watercolor of a Barnacle goose that is not known or called for in the prospectus. They are housed in a linen covered portfolio. The prospectus is also included. There are beautiful hand marbled endpapers by Faith Robinson. The book was printed on special Cheloniidae Rag paper carrying the press watermark that is the exact size of the First Folio of 1623. The type is Centaur and Arrighi set by M&H Type in San Francisco with additional hand composition by Arthur Larson. The book was letter press printed by master printer Harold Patrick McGrath. Housed in a custom clamshell box in near fine condition covered with beige linen with a brown leather spine label. The book is In fine condition. Book is 10.5 x 16 inches. Box is 11 x 17 inches. iv 87 single fold pages. PRI/102423. Cheloniidae Press hardcover books
réf. 36224Freeville NY: Carol Schwartzott 2007. Hard Cover. Fine in very good box. Hard Cover. 5 of 25 copies signed and numbered by the book artist. This is a particularly beautiful version of the famous Rubaiyat. In her artist's statement Schwartzott writes that as a collector of Rubaiyats she began to toy with creating her own version in 2006. "The book is divided into seven segments each separated by a divider of hand-marbled Japanese paper. The first contains the title page and introduction and the last an artist's statement bibliography and colophon. The remaining five are dedicated to the seventy-five quatrains of FitzGerald's first edition. Each contains a vellum window reminiscent of a Persian archway that opens to reveal my version of a miniature painting." Bound in light blue Japanese cloth with an intricate wood cut out to front board. The pristine interior was laser printed with archival ink onto Mohawk Via vellum and Moab Entrada paper. The prints were then finished with color pencil paint gold and silver leaf. Housed in clamshell box covered in the same cloth as the book. There is a light crease to the upper left corner of the box otherwise in fine condition. Unpaginated. ARTB/122122. Carol Schwartzott unknown books
1959réf. 25608New York: Simonm and Schuster 1959. Laminate boards. Very Good . A very presentable copy of the 1959 1st edition of this formidable collaboration between Truman Capote and James Baldwin. Solid and VG in its white laminate boards with very mild rubbing at the panels. Lacking the publisher's unprinted glassine dustjacket but including a sturdy VG example of the printed card slipcase with a bit of spotting to the rear panel and a touch of light wear at the spine ends. Folio beautifully designed by the great art director Alexey Brodovitch of Harper's Bazaar fame. Simonm and Schuster unknown books
réf. B233939-2Champaign-Urbana University of Illinois 1983. 46pp. Prof. illus. 4to. Wraps. Champaign-Urbana (University of Illinois), 1983. paperback books
réf. B233939-3Champaign-Urbana University of Illinois 1983. 46pp. Prof. illus. 4to. Wraps. Champaign-Urbana (University of Illinois), 1983. paperback books
2007réf. 25371GUN 2007. Photograph. Fine. Very creative 2007 Martin Parr vehicle SIGNED BY HIM AS WELL on the verso of the outer case. 27 photographic cards plus instructional booklet and decorative chemise. All in prisitne condition all contained within a laminate bright-orange slipcase. The photos were taken "one rainy Manchester afternoon in 1972" the idea being to match the couples from the 18 photographed people to test one's skills against the often mysterious agents of love. The photographs each measures a square 7 3/4" x 7 3/4" and the 3-dimensional box measures 8" x 8" x 2 1/3 GUN unknown books
1978réf. 24945St Paul MN: Truck Press 1978. A lovely copy of the 1978 1st edition limited to 70 copies each signed by Philip Gallo and each "printed on Arches and printed and bound by hand at the Hermetic Press in Miineapolis". Tight and Fine in its cloth-backed mocha boards. Square 16mo wonderful letterpress alphabet designs. Truck Press unknown books
