Willoughby Design GroupBiblio.com
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réf. 1592537928.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1973réf. 311433BALTIMORE: MIRAGE PRESS. Fine in Fine dust jacket. 1973. First Edition; First Printing. Hardcover. 0883581078 . First edition. Fine in fine dust jacket. 1500 copies printed. . MIRAGE PRESS. hardcover
2005NOTE: due strappetti alla sovraccop., altrimenti eccellente esemplare TITOLO: More Paperwork. Exploring the potential of paper in design and architecture. AUTORE: Williams,Nancy. EDITORE: Phaidon Press DATA ED.: 2005, COLLANA: strappetti alla sovraccop., altrimenti eccellente esemplare). EAN: 9780714843643
2001A catalogue produced to coincide with the exhibition held at Somerset House, London, 3 November 2001 - 3 March 2002. Includes Bibliography and Index. 191 pages
2005réf. 48412Phaidon, Bln. 2005. Mit sehr zahlr. Abbildungen. Querformat. 176 S. OPpbd. Der Schutzumschlag mit 2 Einrissen, sonst gutes Exemplar.
1993réf. 26703(Hbg), Ginko Press, (1993). Wirkungen und Möglichkeiten von Papier im Grafik-Design. Mit sehr zahlreichen, meist fabigen, z.T. ganzseitigen Abbildungen. 24,7/25 cm. 157,1 S. OPappband mit Schutzumschlag. Name auf vorderem Innendeckel und Rückseite vom Titel. Recht schön.
1993réf. 85042ABCorte Modera (CA), Gingko Press, 1993. 25x25 cm. 157 S., viele farb. Abb. OPp. OU.
1993réf. 181338Hamburg, Gingko, 1993. 1. Aufl. Mit zahlreichen Tafeln, 157 S. 4°, OKart. mit Schutzumschlag.
1993réf. 201075Hamburg, Ginko Press, 1993. 1. Aufl. Mit zahlr. Abbild., 157 S. Gr.8°, OHLnbd. mit Schutzumschlag.
198525.5x19.5 cm. Unnumbered pages. Softcover. Cover slightly chafed. Else in good condition.
2008réf. Q-0979951739Triple Crown Publications 2008-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Triple Crown Publications paperback
réf. 56012097-6Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1950réf. 53806New York: New Directions 1950. Hardcover. Near fine/Good plus. Hardcover. The New Classics Series NC26. 12mo. 173pp. This particular issue has books 12& 3 but not 4. It has the 1946-1948 copyrights but nothing later. There appears to have been successive issues as the individual books were published keeping the Lustig designed cover and all bearing the NC26 number on the spine just adding additional pages. Textured orange cloth with black lettering. One tiny spot on fly-leaf. Dust jacket has rubbing light edge wear and small edge tears. Front flap of dust jacket is clipped but rear flap indicates $1.50 price for other William's titles. Ad on rear panel has $1.50 price also. New Directions hardcover
1949réf. 2489New York: New Directions 1949. First New Classics Edition. Williams's first published play a highspot of 20th-century drama and basis for several film and T.V. adaptations. This edition includes production notes for the 1945 stage version and an introductory essay by Williams titled "The Catastrophe of Success." Issued as No.23 in "The New Classics" series by New Directions uncommon in this condition. Crandell A1.1.e1. First Issue one of 2000 copies from a total of 3609 sets of sheets bound with inserted photographs from the New York production of the play. Octavo 18.5cm; taupe cloth with titles stamped in navy blue on spine; dustjacket; xx124pp; illustrated with four photographic stills. Small two-digit code and publisher's price of $1.50 neatly rubber-stamped to upper rear endpaper else a fresh Fine copy. Dustjacket designed by Alvin Lustig is unclipped priced $1.50 with a few pinpoint rubs else fresh Fine and entirely without fading. New Directions unknown
1966réf. 033308Los Angeles: Tasmania Press / Paul Jay Robbins 1966. 1st Edition 1st Printing. Hardcover. Near Fine. White Hardcovers With Paste-On Cover Illustration. One Of 500 Copies. Signed By Williams On The Title Page. Just A Touch Of Wear; Bookseller's Label Angels Camp In West Hollywood On Front Paste-Down With Their Card Laid In Loosely. Per Wikipedia Mason Douglas Williams Born 1938 Is An American Classical Guitarist Composer Singer Writer Comedian And Poet Best Known For His 1968 Instrumental "Classical Gas" Which Won Three Grammys And For His Work As A Comedy Writer On The Smothers Brothers Comedy Hour The Glen Campbell Goodtime Hour And Saturday Night Live. Tasmania Press / Paul Jay Robbins hardcover
1982réf. 70838New York: Rae Publishing/Royal Composing Room/ Finch Pruyn & Co./ A Horowitz & Sons 1982. First Edition Thus. Hardcover. Very Good in boards in a Very Good slipcase.; Square 8vo 8" to 9" tall. Rae Publishing/Royal Composing Room/ Finch, Pruyn & Co./ A Horowitz & Sons hardcover
réf. 007866London: The Swallow Press 1975. Full leather. This is an exquisite finely bound strikingly unconventionally illustrated edition of The Sonnets by poet playwright dramatist and primus inter pares William Shakespeare. 300 copies were produced thus of which this is number 44 signed on the colophon by Robert Graves who contributes a substantive Preface Edward Burrett the book designer and Clarke Hutton the illustrator. A troika of features distinguish this copy. First is exceptional condition. Second this copy is accompanied by the original publishers prospectus and order form. Third this is a designers presentation copy evidenced by a lengthy signed and dated 1975 gift inscription by Edward Burrett and his wife Cecile on the recto of the blank preceding the half title. Edward Burrett 1909-1995 was a noted specialist and connoisseur in book design a founding member of the Society of Typographic Designers and founding proprietor of the Penmiel Press. This large volume measures 10 x 14 inches 25.4 x 35.6 cm bound in full Niger Morocco goatskin by Sangorski and Sutcliffe the contents printed on laid paper with each of the one hundred and fifty-four Sonnets allocated a single page. The volume is housed in a felt-lined purple and gold paper-covered slipcase featuring an interlocking pattern of swallows which is mirrored on the pastedowns of the book. The Sonnets features 40 illustrations on various tinted papers by Clarke Hutton 1898-1984 one of the most eminent and influential book illustrators of his time. Hutton adds something unique to Shakespeares work which so often comes accompanied by traditional engravings rather than modernist line work. The colophon features the signatures of Robert Graves Edward Burrett and Clarke Hutton below the limitation number 44. The signatures of the book designer Edward Burrett and his wife Cecile are also found beneath their autograph gift inscription. Laid in are the large and beautifully printed publishers prospectus featuring a specimen page and extensive information about the edition. Also laid in is the publishers order form. The volume is in truly fine condition with no appreciable wear or flaws to either the binding or contents. The slipcase remains bright and fully intact with superficial overall scuffing. William Shakespeare 1564-1616 left a cultural and literary legacy whose continuing influence is difficult to overstate. His stature so dominates English letters that it verges on biblical proportion. To the point Shakespeare is often assumed to have been born on 23 April St. Georges Day so that Englands national poet and her patron saint share the same day of celebration akin to how Christs birthday is asserted onto the winter solstice. Shakespeares plays are the most conspicuous aspect of his literary legacy but as Robert Graves states in his Preface Shakespeare built up a double reputation in literature; as a classic English playwright and as author of the Sonnets his profound meditations on love. In the plays we are frequently aware of Shakespeare the poet; in the Sonnets we recognize his role as dramatist. The author of the Sonnets became incomparably greater than his contemporaries precisely because he needed to see himself and his beloved in dramatic and human terms. Robert Graves 1895-1985 was an English poet novelist critic and translator perhaps best known today as a pioneer and master of the historical fiction genre for his Claudius series compellingly fictionalizing the Roman Emperor. Born to a middle-class family with an Irish Gaelic scholar father Gravess early life shaped his love for myth and poetry even as boxing shaped his repeatedly broken nose. In 1913 he received a scholarship to study classics at St Johns College Oxford. However he did not take his place at the university until after WWI; in 1914 he enlisted almost immediately after the outbreak of war joining a regiment which included fellow war poet Siegfried Sassoon. The Swallow Press hardcover
1967réf. 1404220030New York: Mayor's Task Force on Urban Design 1/1/1967. Paperback. Like New. Softcover. 51 pages. 2 foldout charts in appendix. Good binding and cover. Small tear to head of spine. Minimal wear to extremities. Clean unmarked pages. Ships daily. Lindsay inherited a city with serious fiscal and economic problems left by outgoing Democratic Mayor Robert F. Wagner Jr. In an early attempt to curtail New York City's waning economy social and industrial power Lindsay appointed William S. Paley as chairman of Mayor Lindsay's 1967 commission to examine New York City and come up with a blueprint for reform. Mr. Paley helped shape The Threatened City a report that proclaimed the importance of design in the public environment and the city's role in shaping it. New York: Mayor's Task Force on Urban Design paperback
1967réf. 86604New York: Mayor's Task Force on Urban Design. January 1967. Trade . Good. Good Softcover. Moderate soiling and shelfwear to covers. Number written in pencil on cover. Textblock mildly soiled. Underlining writing and other marks in margins in pencil on a few pages in the Proposals section at end of book. Otherwise pages clean and tight in binding. Pictures available upon request. A locally owned independent book shop since 1984. New York: Mayor's Task Force on Urban Design. unknown
2002réf. 2090202118107159Kodansha 2002. Soft Cover. Fine. The book is in fine condition. Kodansha paperback
1898réf. 014173Longmans & Co., London 1898. First Edition Hartkarton/Leinen Solide, Gut
2004Coperta cartonata ed illustrata a colori, sovraccoperta parimenti illustrata a colori, lievemente imbrunita e con ordinari segni del tempo, tagli regolari, pagine in buono stato di conservazione, libro completamente fruibile, a cura di Richard Olsen, testi di William Morgan, presenti numerosissime illustrazioni a colori e in nero nel testo (fotografie di Radek Kurzaj, disegni e glossario di Ned Pratt), numero pagine 424 USATO
1999Volume brossurato in cartoncino semirigido lucido, protetto da sovraccoperta illustrata, con bandelle, leggermente macchitata. Evidenti lesioni al piatto posteriore, anche alla sovraccoperta. Buonissimo lo stato di conservazione, pagine perfettamente tenute, velate da tonalità seppia, come i tagli, ricche di figure in nero, facsimili di documenti e planimetrie, nel testo e fuori testo. Volume n. XXI ( 21 ) della collana. Numero pagine 285. USATO
1989réf. 002342Atlanta Georgia: Peachtree Publishers 1989. First Edition. . Hardcover. Very Good/Near Fine. Photography By Richard Moore. VG/NF/1st ed. 1st prntng/Signed by Both. Writer William Mitchell and photographer Richard Moore have portrayed the wonders of gardens historic and comtemporary public and private and urban and rural from each of the three regions of Georgia: North Georgia Piedmont Plateau and South Georgia. Whether illustrating overall "gradenscapes" or capturing intimate vignettes and individual blossoms Richard Moore's photgraphs have a depth of color and clarity of detail that immerse the reader into a world of delightful splendor. The text by William Mitchell not only describes the setting as they are today but also spins a rich background of history in the context of the botanical "Eden" observed by the early explorers. Book Condition is Fine; beige cloth over boards with white lettering to spine and front. 214pp. First Edition first printing. Beautiful full color photos on nearly every page. A large index of gardens in the back of book. Clean with a few subtle spot on the half title page. Otherwise tight and square with some very light foxing on the first 3 pages no other markings or soiling. Signed by both the author and photographer on the half title page. Dust Jacket Condition is Near Fine; glossy clean jacket with a couple of small closed nicks at the bottom of the front panel. Covered with a removable mylar jacket. Book showcases the best Georgia has to offer. Peachtree Publishers hardcover
1964William Mac Donald L'Architettura Paleocristiana E Bizantina Rizzoli 1964-L4661 SOVRACCOPERTA EDITORIALE CON LIEVI SEGNI DI USURA, COPERTINA RIGIDA IN TELA ARANCIONE CON TITOLI IN ORO AL DORSO, LIEVE AMMACCATURA AGLI ANGOLI SUPERIORI DELLE COPERTINE, TAGLI CON LIEVI FIORITURE, FOGLI DI GUARDIA VERDINI, LIEVE BRUNITURA AL MARGINE ESTERNO DELLE PAGINE NUMEROSE IMMAGINI IN B/N N. PAG. 119 CM. 26 x 19
