32 917 résultats
1995réf. 008461New York : Guilford Press c1995. 1995. 1st Edition 5th or later Printing. Hardcover. Fine/Fine. 1st ed. 14th printing ; xiv 338 pages : illustrations ; 24 cm ; ISBN 9780898628470 0898628474 ; OCLC 32352115 ; LCCN 95012521 ; LOC No RC489.C63 B43 1995 ; Dewey 616.89/142 ; blue cloth with silver lettering in grey and white dustjacket ; SIGNED presentation by author Judith S. Beck on endpaper ; Contents: Introduction -- Cognitive Conceptualization -- Structure of the First Therapy Session -- Session Two and Beyond: Structure and Format -- Problems with Structuring the Therapy Session -- Identifying Automatic Thoughts -- Identifying Emotions -- Evaluating Automatic Thoughts -- Responding to Automatic Thoughts -- Identifying and Modifying Intermediate Beliefs -- Core Beliefs -- Additional Cognitive and Behavioral Techniques -- Imagery -- Homework -- Termination and Relapse Prevention -- Treatment Planning -- Problems in Therapy -- Progressing as a Cognitive Therapist -- Appendix A. Case Summary Worksheet -- Appendix B.A Basic Cognitive Therapy Reading List for Therapists -- Appendix C. Cognitive Therapy Reading List for Patients and Therapists -- Appendix D. Cognitive Therapy Resources ; Judith S. Beck Ph.D. is Director of the Beck Institute for Cognitive Therapy and Research in suburban Philadelphia and Clinical Assistant Professor of Psychology and Psychiatry at the University of Pennsylvania. She has been involved in training cognitive therapists for the past 10 years. In addition to supervising intramural and extramural supervisees she is an acclaimed speaker and has presented numerous workshops nationally and internationally on cognitive therapy for depression bipolar disorder anxiety and panic disorders personality disorders relapse prevention and couples problems. ; "Providing readers with a solid foundation for practice Cognitive Therapy: Basics and Beyond delineates the fundamental building blocks of cognitive conceptualization and treatment. Introductory chapters describe how to conceptualize clients according to the cognitive model plan and conduct the first session identify initial problems and goals and structure therapy within and across sessions. Then the basic steps for conducting cognitive therapy are presented with specific instruction on how to identify evaluate and respond to a client's automatic thoughts. Effective strategies for modifying underlying assumptions and core beliefs are also explicated. Methods for increasing homework compliance preparing for termination and preventing relapse are laid out. Even experienced cognitive therapists will find new strategies and insights in chapters on planning treatment diagnosing problems using imagery and bringing about behavioral change. In addition to numerous practical suggestions this volume features a variety of sample patient worksheets and appendices that detail resource materials and reading lists for both the practitioner and the client. A final chapter offers guidance in progressing as a cognitive therapist." ; remains of label on back else FINE/FINE New York : Guilford Press, c1995. hardcover
réf. 96806Lausanne, Editions Favre SA 2011, 240x240mm, 191pages, broché. Couverture à rabats. Très bel exemplaire.
1936réf. 013737Paris: Alliance de Publicite et d'Impressiom 1936. 1st Edition. Soft cover. The program for the third season 1936 of the Ballet Russes at Convent Garden. Elaborate program measures approx 10 x 12" unpaginated many tipped-in color plates and full of advertisements in 1930s Art Deco style. Some scenery by Picasso Leon Bakst et al. Published by the Ballet's French promotional firm but printed in London by Burrup Mathieson & Company. Alliance de Publicite et d'Impressiom unknown
1936réf. 013737Paris: Alliance de Publicite et d'Impressiom 1936. 1st Edition. Soft cover. The program for the third season 1936 of the Ballet Russes at Convent Garden. Elaborate program measures approx 10 x 12" unpaginated many tipped-in color plates and full of advertisements in 1930s Art Deco style. Some scenery by Picasso Leon Bakst et al. Published by the Ballet's French promotional firm but printed in London by Burrup Mathieson & Company. Alliance de Publicite et d'Impressiom unknown books
2005réf. 68138ABSchopfheim., Albrecht Bangert Verlag., 2005. 31,1 x 24,2 cm. 240 S. Illustrierter, flexibler OKarton., 68138A Erste Auflage. Einband minimalst berieben, sonst sehr gutes Exemplar.
1996Spanish Text. Valladolid, 1996; paperback, pp. 64, col. ill., cm 22x27,5. espanol 84-7846-55 paperback
200224x16. 204p. Fotogr.
Autore: Marina Burani Editore: Alphacentauri Anno: 2008 Formato: 23x31 cm - Copertina Rigida Lingua: Italiano Condizioni: Buone, come da foto, con piccoli segni del tempo e di utilizzo. Qualche imperfezione a margini ed angoli.
Editore: Mermod Anno: 1955 Formato: 12x17cm - Copertina Rigida Pagine: 122 con illustrazioni Lingua: Francese Condizioni: Buone, come da foto, con segni del tempo e di utilizzo. Margini lievemente bruniti. Rilegato.
Autore/Curatore: Fabio Castelli Editore: Fotografia Italiana Anno: 2007 Formato: 25x33 cm - Copertina Rigida Pagine: 71 con illustrazioni Lingua: Italiano / Inglese Condizioni: Buone, come da foto, con segni del tempo e di utilizzo.
1978Collana Artisti Marchigiani Pacetti- Bugatti Editore 1978 Con Linoleografia COLLANA ARTISTI MARCHIGIANI PACETTI ESEMPLARE NUMERATO N. 38 BUGATTI EDITORE 1978 CON LINOLEOGRAFIA LA ALIA COLLANA ARTISTI MARCHIGIANI CON ALL'INTERNO LINOLEOGRAFIA NUMERATA E FIRMATA PACETTI N. 38100 LA ALI CM. 21 X 23 SOVRACOPERTA EDITORIALE CON TRACCE DEL TEMPO, COPERTINA RIGIDA IN PELLE ROSSA, ESEMPLARE NUMERATO N. 38 FIRMA DI POSSESSO AL FRONTESPIZIO IN OTTIMO STATO NUMEROSE ILLUSTRAZIONI N. PAG. 84
2001réf. 520121San Francisco, Calif: Chronicle Books. 2001. 232 Seiten. 22x21cm. Zustand: Gut bis Sehr Gut min. gebräunt (Innen); Einband (Außen) hat geringe Gebrauchsspuren; Engl. Broschiert
Autore: Philliphs De Pury & Co Anno: 2008 Formato: 25x32 cm - Copertina Morbida Lingua: Inglese Condizioni: Buone, come da foto, con piccoli segni del tempo e di utilizzo.
1999No marks or inscriptions. Very tiny crease to lower corner of rear covers, none to front or to slightly sunned spine. A lovely clean very tight copy with bright unmarked boards and no bumping to corners. 138pp. Detailed very well illustrated study of Carlton Ware which began production in 1890 with particular emphasis on collecting pieces including many prices as of the end of the 20th century.
1975réf. 51645(London), Pitman Publishing, (1975). 114 S. Mit zahlr. Abb. Kl.-4to. OPp.
1950réf. 21571Atlanta 1950. Very Good. Atlanta GA: n.d. ca. 1950s. Three watercolor interior design maquettes ca. 25x29.5 to 24x36cm. Stock toned and rather dust-soiled small loss at corner of two of the pieces else Very Good. Designs for three rooms commissed for a Mrs. Leon Jones of Atlanta Georgia possibly the wife of the Athletic Director and lead pitcher of the city's softball team the Capitol Homes. Each piece provides the general scheme for three unfurnished rooms all adorned with quite elaborate and vibrant curtain schemes and dark carpeting. One room prominently features two facing walls of murals while the other two rooms are shaded in what one would today call "millennial pink. unknown
1980réf. 2092902138900104Kodansha 1980. Soft Cover. Fine. Number of books: 3 Kodansha paperback
1956réf. 194540Beijing Shanghai and other cities: assorted publishers 1956-80. The aesthetics of revolution A visually attractive grouping spanning a quarter of a century during which China was gripped by successive political campaigns. These booklets were aimed at grassroots organizations in urban and rural areas offering guidance for formatting lettering and sample graphics. Aesthetic correctness was paramount: those issued during the Cultural Revolution carefully regulate the presentation of Mao's quotations. One publication the specimen catalogue for the Beijing Xinhua Matrix Factory is a window onto the operation of the state-run printing industry. Issued in July 1967 when the country was swept by a mania for printing political broadsides screeds and newsheets it details the dozens of typefaces available to central and local presses. a Meishu zi xue xi "Studying Fine Lettering". Shanghai: 1956. b Meishu zi xiefa "A Method for Fine Lettering". Shanghai: 1963. c Nongcun yingyong meishu zi "Fine Lettering for the Countryside". Shanghai: 1964. d Beijing xinhua zimo chang hanwen waiwen ziti yangzhang "Beijing Xinhua Matrix Factory Specimen Sheets: Chinese and Foreign Languages". Beijing: 1967. e Geming da pipan baotou xuanji "Selections from Revolutionary Periodicals". Hangzhou: 1970. f Geming wenyi "Revolutionary Art". Harbin: 1970. g Meishu "Fine Art". Hohhot: 1971. h Meishu cankao ziliao baotou xuanji "Art Reference Materials: Selected Banners". Beijing: 1971. i Meishu zi cankao ziliao "Reference Materials for Fine Lettering". Tianjin: 1972. j Hongxiaobing baotou xuan "Selections from Little Red Guard Publications". Shanghai: 1973. k Liandui meishu cankao ziliao "Art Reference Materials for Air Force Companies". Beijing: 1980. Eleven works octavo or duodecimo. Illustrations throughout many in colour. Text in Chinese. All in original printed wrappers excepting catalogue of specimen sheets cover and sheets with punch holes tried with pink ribbon as issued. A few contemporary ink stamps and ownership markings. Cover of catalogue of specimen sheets pulling at holes Hohhot manual with writing indentations on front cover earlier publications with browning and spotting as expected but overall very good. unknown
1920réf. 186580Tokyo: Rinshikin Shukai 1920-34. A collection of over 1300 examples A vibrant collection of pre-war matchbox labels produced by the Rinshikin Shukai Japan's first society for matchbox collectors. The bold designs show kabuki actors geisha Buddhist deities baseball players famous ukiyo-e prints vistas of capital cities and even wartime propaganda. This album opens with 100 labels on untrimmed sheets each one submitted by an individual member of the Rinshikin Shukai. The labels are then divided into sets. Many are after famous prints by the likes of Kitagawa Utamaro and Sharaku but the majority are fresh designs. One charming set is titled "Sports in the Afterlife" and shows silver skeletons playing a variety of sports. The wartime examples depict cartoon soldiers firing missiles piloting aircraft and wading through rivers. One set commemorates the "Three Brave Bombers" a group of soldiers lionized for breaking through the Chinese lines during the Shanghai Incident and setting off suicide bombs. The Rinshikin Shukai was formed in 1903 by Fukuyama Hekisui 1876-1934 for those interested in collecting designing and distributing matchbox labels. In 1907 it held a sponsored display at the Tokyo Industrial Exhibition where thousands of labels designed by Hekisui were distributed. Over the following 30 years Hekisui's personal collection grew to exceed 200000 examples designed by prominent members such as Furuya Rankei Hasegawa Giichiro Ogawa Saku and Oda Shuichi. Upon his death in 1934 the society produced a commemorative label that is pasted at the front of this album. Quarto concertina-style. With 1323 colour woodblock matchbox labels 60 x 42 mm to 117 x 78 mm 100 on tipped-in and untrimmed sheets 2 loosely inserted 10 letterpress labels mounted on recto and verso of 26 leaves 2 sides blank; many printed on mica-speckled paper text in Japanese. Original brown thick card boards original manuscript paper label on front board. Labels bright a couple with loss a few seemingly missing boards rubbed 2 joints repaired with Japanese tissue: a well-preserved collection. hardcover
2000réf. 0907392China Press 2000-01-01. paperback. Used - Good. Ship out in 2 business day And Fast shipping Free Tracking number will be provided after the shipment.Huazhong University of Science and Technology Press. Wu Han. 2008. Hard Cover. Book Condition: New. First Edition. 335305mm. Language: Chinese and English bilingual. Size:335305mm/239pages. Monograph. Satisfaction guaranteedor money back. China Press paperback
2000réf. 0907393China Press 2000-01-01. paperback. Used - Good. Ship out in 2 business day And Fast shipping Free Tracking number will be provided after the shipment.Huazhong University of Science and Technology Press. Wu Han. 2006. Hard Cover. Book Condition: New. First Edition. 230300mm. Language: Chinese and English bilingual. Size:230300mm/311pages. Monograph. Satisfaction guaranteedor money back. China Press paperback
2013réf. 51839Halifax NS Canada: NSCAD Press et al 2013. A comprehensive collection of publications and other documents from the Nova Scotia College of Art and Design NSCAD an unexpected yet tremendously important center of conceptual art and postminimalism throughout the 1970s. Beginning as a nondescript art school in 1887 nothing about this small Halifax institution presaged the enormous international influence that the school would exert when Garry Neill Kennedy took over as NSCAD's president in 1967 at age 32. The school's subsequent and unprecedented creative direction must be credited to Kennedy who with a budget of $62000 turned the school away from its previous provincialism toward the influential international posture it would maintain for the next decades. This stature was due in no small part to the faculty and visiting artists that Kennedy brought to the school including Vito Acconci Sol LeWitt Dan Graham Martha Rosler Jenny Holzer Daniel Buren Hans Haacke Yvonne Rainer Robert Frank Robert Morris Dara Birnbaum Seth Seibelaub Lucy Lippard Robert Smithson Gerhard Richter Eric Fischl Lawrence Weiner Joseph Beuys and Claes Oldenburg among many others. The geographical location of NSCAD on the transatlantic route between New York and Europe aided in its access to the international scene. This brought many visiting artists who instead of appearing only for a talk or lecture used the opportunity for longer residencies exhibitions and collaborations with the school. Notably Joseph Beuys's first trip to North America was not to New York but to Halifax as a visiting artist at NSCAD. During its heyday between the late '60s and '70s NSCAD's teaching philosophy radically changed. Starting with the removal of a lettered grading system NSCAD became the first degree-granting art school in Canada advocating an intense engagement on all ends of the art-making spectrum between professional and student artists. NSCAD also documented its own significance through the publications of its press as well as the numerous invitations and catalogues produced by its galleries in conjunction with the shows and exhibitions it mounted during this period. This combination of publications exhibitions and collaborations generated by the school in many ways made it a contemporary Black Mountain College - and its subsequent influence has proved no less significant. Indeed in 1973 ART IN AMERICA proclaimed NSCAD "the best art school in North America" and thirty-five years later a major exhibition at the Art Gallery of Nova Scotia and publication by MIT Press wryly celebrated NSCAD as "The Last Art College." The NSCAD Press began operations in 1972. Initially led by Kaspar Koenig and then by Benjamin Buchloh the Press published 26 titles between 1982 and 1987 including now rare and important works by Jenny Holzer Steve Reich Michael Snow Donald Judd Dan Graham Martha Rosler Gerhard Richter Carl Andre Lawrence Weiner and others. All are present in this collection - many in their rare hardcover editions. The collection also documents two other canonical aspects of NSCAD. The first the "Projects Class" was developed by David Askevold one of Kennedy's new young hires. In the spirit of the school's new direction of dismantling traditional teaching methods the class invited artists to submit proposals for students to undertake under the artists' guidance. A rare complete set of cards documenting the first instantiation of this class from 1969 is present in its original envelope and includes submissions from artists Robert Barry Mel Bochner James Lee Byars Jan Dibbets Dan Graham Douglas Huebler Joseph Kosuth Sol LeWitt Lucy R. Lippard and Robert Smithson among others. The collection also includes materials from the Lithography Workshop under the direction of Gerald Ferguson who had insisted on hiring Askevold. The workshop's goal was not only to train students in printmaking but to produce prints for renowned artists both local and international. It allowed a space for NSCAD students to develop alongside professional artists taking their printmaking from initial concept to final execution. The workshop encouraged exploration of mediums and invited not only visual artists but performers writers dancers musicians and other famous and emerging creatives to make one-off projects. More than half a dozen pieces explicitly attributed to the workshop are present including work from Emmett Williams Huebler and Lawrence Weiner. But perhaps the most significant components of this collection are the ephemeral documents invitations flyers postcards posters catalogues produced by NSCAD's legendary Mezzanine Gallery which operated between 1970 and 1973 under the directorship of Charlotte Towsend-Gault. This remarkable program produced ground-breaking contemporary art projects exhibitions events and residencies by such artists as Bas Jan Ader Dan Graham John Baldessari "I Will Not Make Any More Boring Art" Tony Shafrazi Eleanor Antin Charlotte Moorman Sol LeWitt Martha Rosler Donald Judd On Kawara Martha Wilson and many others. These are almost to an item uncommon with most scarce and many quite rare. As a group the roughly 90 Mezzanine Gallery items included here would be virtually impossible to reassemble now. In 2006 Printed Matter NYC presented an exhibition of this material under the curatorship of AA Bronson. The present collection includes not only all of the material shown in that exhibition but other documents acquired subsequent to it. The collection also includes later ancillary and reference materials. Taken as a whole it documents all aspects of the most critical years at a key institution that served as both incubator and promoter for some of the most important and influential art in the second half of the 20th century. Some 155 items in all. Generally very good or better overall with most of the ephemera near fine or better. All carefully and neatly housed in a series of archival enclosures. A complete inventory is available. (NSCAD Press, et al) unknown
1988réf. AUTO251MCollection de 3 ouvrages reliés sortis entre 1988 et 90 chez Typofilm, environ 120 pages par livre, illustrés en couleur, très bon état général.
2008This is a fine softcover copy with no wear at all. Completely clean inside and out. This is a sale catalog for an auction held at Christie's in Paris on May 27, 2008. Sale number: 5544. The sale consisted of the Anna and Alessandro Pron Collection of modern Italian design. Text in English and French. Brief essay by Johanna Grawunder. 66 lots in the sale. All lavishly illustrated with color photographs. Several fold-outs. Biographical sketches and photos of each of the designers at the end. Prices realized sheets included. 11" high X 8" wide, 136 pages.
2008This is a fine softcover copy with no wear at all. Completely clean inside and out. This is a sale catalog for an auction held at Christie's in Paris on May 27, 2008. Sale number: 5544. The sale consisted of the Anna and Alessandro Pron Collection of modern Italian design. Text in English and French. Brief essay by Johanna Grawunder. 66 lots in the sale. All lavishly illustrated with color photographs. Several fold-outs. Biographical sketches and photos of each of the designers at the end. Prices realized sheets included. 11" high X 8" wide, 136 pages.
