Largilliere, Nicolas deBiblio.com
1 154 résultats
1819réf. 006786London: William Holl 1819. Near Fine. Small broadside 21 x 13 cm. with a bust-length portrait of Voltaire after Nicolas de Largillière in oval 5 x 4 cm. and the life of the author. Etching and stipple with letterpress. Issued as an illustration for the Biographical Magazine. Scarce. In Near Fine Condition: several small light spots of foxing near upper edge; otherwise clean and bright. William Holl unknown
réf. 198855-nnew. unknown
réf. 63940Darmstadt G. G. Lange ca. 1850. . Hübsche Ansicht von Harburg mit der Schloßbrücke mit Personenstaffage und sich bebellenden Hunden im Vordergrund und Blick auf den Hafen. - Zu dem Zeichner u. Lithographen Friedrich Carl Alexander Lill 1807-1879 siehe Der Neue Rump S. 261. Darmstadt, G. G. Lange, [ca. 1850]. unknown
1898réf. 15796This original magazine cover has light wear at the extremities but clean and very good. .; Prints . 1898. unknown
1963réf. biblio233Paris: BERGER-LEVRAULT 1963. Very Good. in 8 rel toile frottée 409p ill couverture originale conservée feuillet d'errata BERGER-LEVRAULT unknown
1877réf. biblio359London dec.29 1877. Fine. Sue. Chomolithography 265x395mm original proof impression “The second versions of the Vanity Fair caricatures are the proof prints or proofs before lettering First versions are the original watercolors; third versions are the widely available weekly/album prints Produced to verify the colours and lines of the lithograph no more than twenty copies were printed Not true many more than that These prints have no captions or dates or other descriptive type and the magazine bound them in numbered albums in green leather with gilt tooling They were offered for sale and also awarded as prizes in the magazine’s acrostic contests At the front of each volume is a printed note from Vanity Fair giving the number of the proof volume and the numbered volume in the series However these volumes were "broken" to sell individually and one never sees the complete volume The quality of the colours in the proof prints their clarity of line and detail and their scarcity make them of considerable interest to the collector” Roy T Matthews and Peter Mellini In “Vanity Fair” Berkeley: University of California Press 1982 203 hardcover
2001réf. 154417London: Folio Society 2001. 1st edition. As New. tall octavo. hardback in original cloth xix 472pp. engravings Leather spine over decorated boards. In sturdy card slip-case as issued Folio Society hardcover
1954réf. TK233576Rodale Press London 1954. 1st Edition. HARDCOVER. No 102 of 1000 copies. 4to in faux vellum backed burgundy cloth covered boards gilt lettering to spine and gilt embossed portrait sketch to front cover after a design by Braby. 99 pp on thick art paper frontispiece and 5 other full page colour wood engravings by Braby. 1st printing with these illustrations __CONDITION : An extremely well preserved FINE very clean and tight unmarked copy in not far from new condition top edge of page block slightly dusty in the original plain semi-opaque tissue wrapper which is a very little edge-nicked. The book was published without a slip-case or printed dust jacket. An excellent copy. . __We always ship in PROTECTIVE CARD PARCELS Rodale Press, London hardcover
réf. 0422T961637Hardcover. Very Good. VG overall two volume set. Privately Printed New York 1929. No reader's marks. Blue cloth sl. sun-faded on covers. 5 illustrations per volume. Heavy quality pages about 50% of them remain uncut. 2 vols 8vo 250 & 331pp. "Salon Edition" at foot of spine. Blue cloth no DJs. No reader's marks. Tight bright. hardcover
réf. fr 2 vols, 8vo, 250 &Hardcover. Very Good. VG overall two volume set. Privately Printed New York 1929. No reader's marks. Blue cloth sl. sun-faded on covers. 5 illustrations per volume. Heavy quality pages about 50% of them remain uncut. 2 vols 8vo 250 & 331pp. "Salon Edition" at foot of spine. Blue cloth no DJs. No reader's marks. Tight bright. hardcover
réf. 365112The Folio Society 1998. IN SLIPCASE super octavo blue heavy boards gilt lettering to spine gilt & white/black illus to front board 735pp illus/engravings Near FINE in slipcase VG The Folio Society 1998 hardcover
réf. 1334975930.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1993réf. 6491Watson-Guptill Publications 1993. First edition. Hardcover. As New/as new. 4to cloth in original shrinkwrap. Commentaries by Makoto Saito Ron Dumas Catherine Dumas etc. Watson-Guptill Publications hardcover
réf. MD-LMJA-48THThis is the slipcased hardcover only stated Heritage Edition from 1942. Other than some wear to the slipcase the book is in excellent condition. There are no rips tears markings etc.---and the pages and bindings are tight see photo. Note: All books listed as FIRST EDITIONS are stated by the publisher in words or number lines--or--only stated editions that include only the publisher and publication date. Check my feedback to see that I sell exactly as I describe. So bid now for this magnificent impossible-to-find LITERARY COLLECTIBLE.Like New hardcover
réf. 30098329Abbeville Press for Ronald Feldman Fine Arts New . 26.0 x 24.0cms 144pp 34 b/w & 409 colour illusts very good hardback & dustwrapper The essays are: Warhol as printmaker; Rupert Jasen Smith on printmaking for Warhol 1977-1987; catalogue raisonne. Abbeville Press for Ronald Feldman Fine Arts (New hardcover
1957réf. 011906New York: Heritage Press 1957. Full beige cloth with brown decorative border and lettering. Spine slightly darkened from handling. Newsletter slip which describes this work is laid in. Book in excellent condition. Binding tight. Pages clean. xvi 489pp. Slipcase shows small wear around corners and sticker removed from bottom of spine on slipcase. Overall a VERY GOOD PLUS houseed in a GOOD slipcase. . Full Cloth. Near Fine. Illus. by Robert Gibbings. 4to - over 9¾" - 12" tall. Hardcover. Heritage Press Hardcover
réf. 111926The Golden Cockerel Press London 1945. . 8vo 109pp black and white illustrations top edge gilt. A good hardback copy in marbled cloth with cream cloth spine. Covers rubbed corners lightly bumped. Edges foxed. . Number 225 in a limited edition of 500 copies. . The Golden Cockerel Press, London, 1945. hardcover
1981réf. mon0000104556Easton Press 1981T. hardcover. New. 1.4173 in x 9.2913 in x 6.3386 in. Easton Press hardcover
1926réf. 30214set2MARINE RESEARCH SOCIETY 1926. Hardcover. Acceptable. 0x0x0. Note: ex-library rebound volumes. Published by Marine Research Society 1927. Volume I with waterstaining of pages at bottom edge. Text unmarked. Rebindings with modest wear. MARINE RESEARCH SOCIETY hardcover
1971réf. 129685The Limited Editions Club 1971. Book. Fine. Hard Cover with Slipcase. Signed by Illustrators. Limited Edition. 4to - over 9¾ - 12" tall. Half-leather hardcover with burgundy leather spine with black panel with gilt lettering; boards covered in orange cloth with oval black portrait on front; 914/1500; signed by illustrator. Book is in fine condition: very very slight scuffing to spine tips otherwise like new. Slipcase in very good plus conditon. The Limited Editions Club Hardcover
2005réf. 33693London: Folio Society 2005 Beautiful Folio Society Edition in green pink and black illustrated cloth & light blue slipcase First Printing with new Foreword and binding design no markings a Fine unread copy in Near Fine slipcase; 8vo; 493pp illus. First Edition. Hard Cover. As New. London: Folio Society hardcover
réf. 1010061046.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1017472017.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 0282268669.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 41537London. Longman Hurst. 1814. 28.5x 22.5cm being: 42 steel engraved plate of views in England and Scotland there is a light damp stain run through and a few have some slight wrinkling as is gar. the imagines are good clear strike with good strong contrast after cleaning they would be attractive prints for framing. London. Longman, Hurst.. 1814 unknown
