1 175 résultats
1957réf. 011906New York: Heritage Press 1957. Full beige cloth with brown decorative border and lettering. Spine slightly darkened from handling. Newsletter slip which describes this work is laid in. Book in excellent condition. Binding tight. Pages clean. xvi 489pp. Slipcase shows small wear around corners and sticker removed from bottom of spine on slipcase. Overall a VERY GOOD PLUS houseed in a GOOD slipcase. . Full Cloth. Near Fine. Illus. by Robert Gibbings. 4to - over 9¾" - 12" tall. Hardcover. Heritage Press Hardcover
réf. 30098329Abbeville Press for Ronald Feldman Fine Arts New . 26.0 x 24.0cms 144pp 34 b/w & 409 colour illusts very good hardback & dustwrapper The essays are: Warhol as printmaker; Rupert Jasen Smith on printmaking for Warhol 1977-1987; catalogue raisonne. Abbeville Press for Ronald Feldman Fine Arts (New hardcover
1981réf. mon0000104556Easton Press 1981T. hardcover. New. 1.4173 in x 9.2913 in x 6.3386 in. Easton Press hardcover
1926réf. 30214set2MARINE RESEARCH SOCIETY 1926. Hardcover. Acceptable. 0x0x0. Note: ex-library rebound volumes. Published by Marine Research Society 1927. Volume I with waterstaining of pages at bottom edge. Text unmarked. Rebindings with modest wear. MARINE RESEARCH SOCIETY hardcover
1971réf. 129685The Limited Editions Club 1971. Book. Fine. Hard Cover with Slipcase. Signed by Illustrators. Limited Edition. 4to - over 9¾ - 12" tall. Half-leather hardcover with burgundy leather spine with black panel with gilt lettering; boards covered in orange cloth with oval black portrait on front; 914/1500; signed by illustrator. Book is in fine condition: very very slight scuffing to spine tips otherwise like new. Slipcase in very good plus conditon. The Limited Editions Club Hardcover
2005réf. 33693London: Folio Society 2005 Beautiful Folio Society Edition in green pink and black illustrated cloth & light blue slipcase First Printing with new Foreword and binding design no markings a Fine unread copy in Near Fine slipcase; 8vo; 493pp illus. First Edition. Hard Cover. As New. London: Folio Society hardcover
réf. 1010061046.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 1017472017.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
réf. 111926The Golden Cockerel Press London 1945. . 8vo 109pp black and white illustrations top edge gilt. A good hardback copy in marbled cloth with cream cloth spine. Covers rubbed corners lightly bumped. Edges foxed. . Number 225 in a limited edition of 500 copies. . The Golden Cockerel Press, London, 1945. hardcover
réf. 0282268669.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 41537London. Longman Hurst. 1814. 28.5x 22.5cm being: 42 steel engraved plate of views in England and Scotland there is a light damp stain run through and a few have some slight wrinkling as is gar. the imagines are good clear strike with good strong contrast after cleaning they would be attractive prints for framing. London. Longman, Hurst.. 1814 unknown
1979réf. 9920Sierra Trails Kernville CA Bound by National Bindery Book format designed Sagebrush Press 1979. HB NODJ ISSUED 1979 1st Limited SIGNED edition #211/250 copies Brown patterned cloth with Lable lettered in Gold Gilt & Brown F/F NODJ. Signed by Author. First Edition. Hard Cover. Sierra Trails Kernville CA Bound by National Bindery , Book format designed Sagebrush Press hardcover
réf. DADAX3775726462New unknown
réf. 1013B379375Paperback. Very Good. SIGNED BY FRITZ RICHTER 1974 softcover bound in stiff illustrated wraps. Small 12mo unpaginated 48 pages illustrated throughout with 23 full-page woodcuts with a like number of smaller prints with text in German on rear. An artist's book fully illustrated with Richter's wood engravings. Ownership inscription on back of front cover else very good overall condition. NOT EX-LIBRARY. paperback
réf. 56973Wien Edition Totius Mundi ca. 1965. . Nach einem von zwei Platten gedruckten Kupferstich von Friedrich Bernhard Werner 1690-1776 bedeutender Schöpfer von Stadtansichten um 1730 verlegt bei Jeremias Wolff in Augsburg. - Von der Elbe aus gesehen reicht das Panorama vom Morgenwegschen Garten im Westen bis zur St. Pauli-Kirche "aufm Berge" die schon zur Hamburger Vorstadt St. Pauli gehörte. Mit Legende unter der Darstellung. - Mit winzigen Braunfleckchen im äußeren weißen Rand. (Wien, Edition Totius Mundi, [ca. 1965]). unknown
réf. 52150ohne Verlag ca. 1840. . Blick vom Nikolaifleet aus auf die 1558 als erste ihrer Art gegründete 1578-1583 nach Plänen des Amsterdamer Architekten Jan Andresen erbaute u. im Großen Brand von 1842 zerstörte Hamburger Börse an der Trostbrücke im Vordergrund Boote u. Lastkähne. - Zu dem Landschafts- u. Marinemaler Alfred Gomersal Vickers 1810-1837 siehe Thieme/Becker 34 S. 328; zu dem Maler Lithographen u. Kupferstecher John Frederick Lewis 1805-1876 siehe ebda. 23 S. 164. - Mit Eiweiß gehöht. Blatt etwas wellig im weißen Rand gebräunt. ohne Verlag, [ca. 1840]. unknown
réf. 64016Hamburg 1838. . Blatt 23 in der oberen rechten Bildecke in der Platte bezeichnet aus Chr. Suhr: Hamburgische Trachten vgl zu dem Bild den Nachdruck Bl. Barsdorf 1908 S. 31 f. der Einführung von Heckscher. - 10 schwarzgekleidete Männer mit gefältelten breiten weißen Rundkragen u. Manschetten lange schwarze Mäntel weite Kniebund-Hosen schwarze Strümpfen u. Schuhe mit großen Schnallen den Dreispitz in der Hand geleiten den schlichten hellen kleinen Sarg einer jungfräulichen Leiche wie die richtkranzähnliche grüne Totenkrone belegt. Ihnen voran schreitet ein elfter der statt des Kragens ein weißes Halstuch trägt. Mehrere der Männer halten einem alten Brauch folgend eine Zitrone in der Hand die die Hoffnung auf Auferstehung u. ewiges Leben symbolisierte u. meist dem Verstorbenen mit ins Grab gegeben wurde nach anderer Auslegung aber auch über den Leichengeruch überdecken sollte. Frauen waren von einem Leichenzug der Zünfte ausgeschlossen vgl. Dülmen Kultur u. Alltag in der frühen Neuzeit S. 219 f. - Der Trockenstempel zur Hälfte abgeschnitten sonst gutes Exemplar [Hamburg, 1838]. unknown
réf. 63952Eindrucksvolle Szene aus einem Hamburger Leichenbegängnis bei dem dem vierspännigen "Himmelwagen" ein offenen Gefährt auf dem der Sarg zum Friedhof trans portiert wurde sage und schreibe 12 "reitende Diener" - in ihren prächtigen schwarzen Uniformen mit Degen und gepuderten Perücken - zu Fuß folgen. Etwas gebräunt Trockenstempel halb beschnitten kl. Eckeabriß im oberen weißen Rand unknown
réf. 0332304299.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1832réf. 2307060063Nathan Whiting 1832. Hardcover. Good. 0x0x0. 1832 printing. Bound in full leather. Hardcover. Shelf wear. Markings on preliminary pages. Some page tears. Gutters weakened. 608 pages 17 leaves : illustrations ; 24 cm. Nathan Whiting hardcover
réf. 1953987141.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1899réf. 2335181011007A.L. Burt 1899-01-01. Hardcover. Acceptable. Nice looking book has edge wear. has tears on spine & cover faded. A.L. Burt hardcover
réf. 47802193-75Used - Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
réf. 13711628-75Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
réf. 385413 April 1880; on letterhead of the 'Print Room British Museum.'. Keeper of Prints and Drawings at the British Museum 1819-87. One page 12mo. Docketed in ink on blank second leaf of bifoliate. 'I feel it my duty to publish a second edition of our Catalogue of Duplicates before the Sale takes place as there are so many mistakes. As you went through the prints so carefully I should be glad to avail myself of your notes if you would kindly lend them to me for a day at the same time I should wish to fullhy acknowledge the favour'. Signed 'Geo. Wilm Reid'. 13 April 1880; on letterhead of the 'Print Room, | British Museum.' unknown
