No AuthorMareMagnum
200782 pages in oblong format, all color prints with text by the Director: Michael Monroe, Curator Stafano Catalani, two commentaries by Viet Thanh Nguyen & Moira Roth & an interview with the artist. Biography,checklist of the exhibition. Dust jacket shows slight scuffing.
1818Best.-Nr. 18653London: John Murray. Very Good. This original 1818 aquatint is toned with faint soiling and shadow of text from page it faced in book but overall in very good condition. 10.5" x 8.25"; Prints . 1818. John Murray unknown
1818Best.-Nr. 18655London: John Murray. Very Good. This original 1818 aquatint is toned with faint shadow of text from page it faced in book but overall in very good condition. 10.5" x 8.25"; Prints . 1818. John Murray unknown
1921Folio, First Edition, with coloured frontipiece (original captioned tissue guard present), title in red and black, 7 coloured plates (all original captioned tissue guards present, 2 with extra key overlays), 2 double-page plates in monochrome, and 5 plates in monochrome (all original captioned tissue guards present); modern grey boards, printed paper labels from original binding laid down on upper board and backstrip, a very good, bright, clean copy. EDITION LIMITED TO 500 COPIES (THE SEPARATE PORTFOLIO IS NOT PRESENT WITH THIS COPY). Includes list of artists, engravers and publishers.
1921Folio, First Edition, with coloured frontipiece (original captioned tissue guard present), title in red and black, 7 coloured plates (all original captioned tissue guards present, 2 with extra key overlays), 2 double-page plates in monochrome, and 5 plates in monochrome (all original captioned tissue guards present); modern grey boards, printed paper labels from original binding laid down on upper board and backstrip, a very good, bright, clean copy. EDITION LIMITED TO 500 COPIES (THE SEPARATE PORTFOLIO IS NOT PRESENT WITH THIS COPY). Includes list of artists, engravers and publishers.
1875Oblong 8vo., First Edition, with 30 steel-engraved plates, one or two leaves lightly spotted in blank margins; original green cloth, boards elaborately embossed in blind, upper board lettered in gilt, red sprinkled edges, lower hinge starting (but binding wholly sound), a remarkably well-preserved bright, crisp, clean copy. The engravings, produced by Rook & Co of London, are dated variously between 1849 and 1864. VERY SCARCE, ESPECIALLY IN THIS CONDITION.
1965Best.-Nr. 40764aaozForeign Language Press Peking 1965-01-01. Paperback. Good. Published by Foreign Languages Press 1965. Softbound. Note at beginning titles and artists in English. Prints reproduced in color. White portions with tanning; edges moderately worn to white. Corners with modest wear; some wear of jacket at head and foot of spine. No markings of text noted. Foreign Language Press Peking paperback
Best.-Nr. Erik van Mingroot and EduNot in perfect condition. unknown
1860Best.-Nr. GRAP0045o.O., Vlg. u. J. (ca 1860). 16 x 12 cm, 32 Stahlstiche (Format 10,5 x 7,3 cm), Oln. m. gldgepr. Deckeltit., etwas fleckig, leicht berieben, Spiegel u. Vorsätze mit starken Braunspuren, Stiche nur im weißen Rand vereinzelt leicht stockfrl. vgl. Thieme-B. 5/6, 351. - Chamouin, Claude Hilaire Alphonse C., Kupferstecher und Landschaftsmaler.
1805Best.-Nr. 1317131London; Edinburgh: William Miller; The Letter Press by James Ballantyne 1805. Hardcover. Quarto iii 197 pages; VG; bound in period blind and gilt calf newly rebacked with brown leather paneled spine with a black label and gilt lettering; marbled text block and endpapers; mild rubbing and wear to boards; bookplate of the Countess of Beauchamp on the ffep; ownership stamp on sfep; with 4 engraved plates and an engraved headpiece vignette; wide margins. Shelved Room A Oversize. The History of Rasselas Prince of Abissinia originally titled The Prince of Abissinia: A Tale though often abbreviated to Rasselas is an apologue about happiness by Samuel Johnson. Early readers considered Rasselas to be a work of philosophical and practical importance and critics often remark on the difficulty of classifying it as a novel.1 Johnson was a staunch opponent of slavery revered by abolitionists and Rasselas became a name adopted by emancipated slaves. wikipedia. 1317131. Special Collections. William Miller; The Letter Press by James Ballantyne hardcover books
Best.-Nr. Ekbom, Torsten, Claes HylNot in perfect condition. unknown
1805Best.-Nr. 1317131London; Edinburgh: William Miller; The Letter Press by James Ballantyne 1805. Hardcover. Quarto iii 197 pages; VG; bound in period blind and gilt calf newly rebacked with brown leather paneled spine with a black label and gilt lettering; marbled text block and endpapers; mild rubbing and wear to boards; bookplate of the Countess of Beauchamp on the ffep; ownership stamp on sfep; with 4 engraved plates and an engraved headpiece vignette; wide margins. Shelved Room A Oversize. The History of Rasselas Prince of Abissinia originally titled The Prince of Abissinia: A Tale though often abbreviated to Rasselas is an apologue about happiness by Samuel Johnson. Early readers considered Rasselas to be a work of philosophical and practical importance and critics often remark on the difficulty of classifying it as a novel.1 Johnson was a staunch opponent of slavery revered by abolitionists and Rasselas became a name adopted by emancipated slaves. wikipedia. 1317131. Special Collections. William Miller; The Letter Press by James Ballantyne hardcover
1956Best.-Nr. 29076illustrated with prints by John Woodhouse Audubon and others. HBDJ 1956. 1st edition 8vo; VG/VG- Beautiful pictorial green 7& Black cloth covered boards; hardcover; 210 pages; B/W illustrations; illustrated with prints by John James Audubon John Woodhouse Audubon and others. Supplemented with drawings by Paul Galdone; a very good clean tight copy in a rubbed pictorial dust jacket WITH Much Rub to Back of DJ. TRAVELED AROUND WITH THEIR Father meeting Hunters trappers & Voyageurs Often spe nding a Nite with INDIANS They shuttled Back & Forth Across Atlantic Ocean To LONDON TO SUPERVISE PLATE-MAKING & to Paris. NY: Lothrop. Lee & Shepard Co INC hardcover
Best.-Nr. 139760Hardcover. Book Condition: Very Good. Jacket Condition: No Jacket. Jonathan Cape and Harrison Smith New York NY 1930. First Edition. 1st Printing. Unpaginated pages. Nice Firm copy ! Previous owner names. Size: 8vo. Fiction Modern::Crime/Mystery/Suspense 5923 hardcover
1990215 pages. Auction results mounted inside back cover. Items include: Japanese Prints, Illustrated Books, Manuscripts, Paintings, Screens, Netsuke, Tobacco Pipes, Inro Sword Fittings, Swords, Ceramics, Cloisonne, Shibayama, Bronzes, Metalwork, and Lacquer. Book clean, bright and unmarked with very light wear. Nice copy. Book
1924Best.-Nr. 55150Lucien Vogel éditeur | Paris 1924-1925 | 24 x 18 cm | une feuille
1912Best.-Nr. 89401Lucien Vogel éditeur | Paris 1912-1913 | 19 x 24.50 cm | une feuille
1913Best.-Nr. 89414Lucien Vogel éditeur | Paris Février 1913 | 19 x 24.50 cm | une feuille
1913Best.-Nr. 89501Paris Octobre 1913 | 19 x 24.50 cm | une feuille
1913Best.-Nr. 57680S. n. | Paris 1913 | 14 x 22.50 cm | une feuille
1931Best.-Nr. 31311 volume de texte broché sous couvertures muettes et 1recueil de 84 planches en feuilles. Broché. Bon Paris Van Oest 1931 1 volume in-folio.
1924Best.-Nr. 55155Lucien Vogel éditeur | Paris 1924-1925 | 18 x 24 cm | une feuille
Acquaforte Firma e numerazione a matita. Timbro a secco dello stampatore Giorgio Upiglio. Carta delle Cartiere Filicarta. Esemplare 13/30. Cm 27,5x20,5 (Foglio 50x35,5). . . Ottimo (Fine). . Tiratura 30 + 8 p.d.a.. .
Best.-Nr. 1629238X55 cm.
1920Best.-Nr. 73130Lucien Vogel éditeur | Paris Mars 1920 | 18 x 24 cm | une feuille
