10 194 résultats
1680réf. 703848Tübingen, Johann-Heinrich Reiß, 1680. Klein-8°. 16,3 x 9,2 cm. 221 Seiten. Mit Titelvignette in Holzschnitt. Schlichter Halbpergamenteinband. Vorsätze erneuert. Sauberes Exemplar.
1980Cartelletta contenente una acquaforte acquatinta originale firmata di Giuliano Collina (cm 22,5x17) e una acquatinta ceramolle originale firmata di Aoi Huber-Kono (cm 23x17) Acquatinte incise su rame e stampate da Angelo Tenchio. Esemplare III/X. Cartella cm 47x36. pp.. . Ottimo (Fine). . Tiratura 50 + X es. numerati. .
réf. HD-201o.J. Dieser Wagen wird immer rollen, sie können noch so viele Knüppel zwischen die Speichen werfen. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert, Pl. de la Bourse., sowie: Imp. Aubert & Cie. Darstellungsgröße 21,6:26,7 cm, Blattgröße 27,7:35,8 cm. Literatur: Daumier-Register 1915 II (von 2); Delteil 1915 II (von 2), Blatt Nr. 36 der Serie ?ACTUALITÉS?, erschienen 29.11.1849 in ?LE CHARIVARI?. ? Sur blanc!
réf. HD-199o.J. GARNIER-Pagès. Ex-Mitglied der Provisorischen Regierung, Ex-Bürgermeister von Paris, Ex-Finanzminister; GARNIER-Pagès pflegt die Angewohnheit, seine Hände in den Hosentaschen zu haben... was man als Beweis seiner Ehrlichkeit deuten kann... vor allem in einer Zeit, in der viele Mitbürger sich damit vergnügen, mit ihren Händen in den Taschen Anderer herumzuwühlen. Zu bemerken wäre weiterhin, dass alle, die GARNIER-Pagès kennen, ihn auch mögen, obwohl er eine Warze auf der Stirne hat. . Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert, Pl. de la Bourse, sowie: Imp. Aubert & Cie. Darstellungsgröße 24,4:17,2 cm, Blattgröße 35,8:27,5 cm. Literatur: Daumier-Register 1815 III (von 3); Delteil 1815 III (von 3), Blatt Nr. 17 der Serie ?LES REPRÉSENTANS REPRÉSENTÉS?, erschienen 02.02.1849 in ?LE CHARIVARI?. ? Sur blanc! Mit kleineren Papierverlusten in den Ecken.
réf. HD-202o.J. Ritter Véron fordert den Charivari zum grossen Kampf im Hofe der sechstem Kammer im Palais de Justice auf. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert, Pl. de la Bourse., sowie: Imp. Aubert & Cie. Darstellungsgröße 21,5:27,6 cm, Blattgröße 27,3:36 cm. Literatur: Daumier-Register 1916 II (von 2); Delteil 1916 II (von 2), Blatt Nr. 49 der Serie ?ACTUALITÉS?, erschienen 22.12.1849 in ?LE CHARIVARI?. ? Sur blanc!
réf. HD-102o.J. EIN VERBISSENER ANGLER, oder: "Über Geschmack lässt sich nicht streiten". Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Bauger R. du Croissant 16 sowie: Imp. d?Aubert & Cie. Blattgröße 33,8:25,7 cm. ? Verso an den Ecken Reste alter Verklebung. Literatur: Daumier-Register 817, II (von 2); Delteil 817, I (von 2). Blatt 3 der 7-Blatt-Serie ?La Pêche?, erschienen in ?La Caricature?, 2.08.1840. ? Sur blanc.
réf. HD-214o.J. Pudel und Rentenbezieher auf dem Weg zur Nationalversammlung, um für die Abschaffung der Hundesteuer und Transfersteuer auf Renteneinkommen zu gratulieren. Lithographie, auf braünlichem Velin, mit den Adressen: Chez Me.Ve.Aubert Pl. de la Bourse.29, sowieLithie.de Me.Vve.Aubert r. Croix des Pts.Chps...... Darstellungsgröße 21,4:26,7 cm, Blattgröße 27,6:32,8 cm. Literatur: Daumier-Register 2016 II (von 2); Delteil 2016 II (von 2), Blatt Nr. 146 der Serie ?ACTUALITÉS.?, erschienen 17.06.1850 in ?LE CHARIVARI?. ? Sur blanc!
réf. HD-075o.J. (Du beklagst Dich wirklich immer, nie bist Du zufrieden). Zeitgenöss. aquarellierte Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Bauger R du Croissant 16, sowie: Imp. d?Aubert & Cie. Blattgröße 34,9:26 cm. ? Papier gebräunt. Literatur: Daumier-Register 631; Delteil 631. No. 8 der Folge ?Moeurs Conjugales?, erschienen 22.10.1839 in ?Le Charivari?. ? Sur blanc!
réf. HD-055o.J. (Feuer!). Lithographie, auf chamoisfarbenem Velin, mit der Adresse: Imp. D?Aubert & Cie. Blattgröße 24,6:33,1 cm. Provenienz: Sammlung HB im Rhombus, nicht bei Lugt. Literatur: Daumier-Register 591; Delteil 591, Blatt 5 der Serie ?Les Pratiques des Marchands de Paris?, erschienen 27.10.1839 in ?La Caricature?. ? Blatt 35 der Folge ?Types Parisiens?, erschienen 1.08.1842 in ?Le Charivari?. ? Sur blanc! - TYPES PARISIENS. (Pariser Typen) ist eine Serie von 50 Lithographien, welche zwischen Oktober 1840 und Januar 1843 im LE CHARIVARI erschienen sind. Die Blätter DR 502 und 503 erschienen separat im Jahre 1838. Zuvor erschienen die Blätter 1 - 42 dieser Serie im Jahr 1839 bis 1840 in ?La Caricature Provisoire? und ?Le Figaro?.
1798réf. 5449Retirage par Goupil à la fin du XIXè de cette fameuse planche. Elle est coloriée aux pochoirs. (Fenaille ) Cadre moderne et passe-partout. 520 x 385 1798
1785réf. 6532Très agréable estampe du neveu de Demarteau d’après une peinture de J.B. Huet. Le tirage est particulièrement bien venu avec des couleurs franches. Cadre doré et vitre anciens, passe-partout. 35 x 41 cm avec cadre 1785
1746réf. 150767Göttingen, Vandenhoek & Ruprecht, 1746. XVI, 450 S., 15 Bl. Index. Mit 2 gefalteten Tabellen. Halbleder d. Zeit (beschabt, Ecken u. Kanten bestoßen). [2 Warenabbildungen]
Acquaforte acquatinta Stampatore: milano Giorgio Upiglio. Firma a matita in basso a destra. Carta Rosaspina di Fabriano. Esemplare 8/60. Cm 49x64,5 (Foglio 75x90). . . Ottimo (Fine). . Tiratura 60. .
1919réf. 21217CORRARD 1919 1 Pochoir enluminé par Jean Saudé. Paris, Meynial, Collection Pierre Corrard, 1919, in-folio, signé dans la planche.
1762réf. 704260Linz, Johann Adam Auinger, 1762. 7 Blätter, 263 Seiten, 3 Blätter, 26 Seiten, 1 Blatt errata. Reich blindgeprägter Ledereinband der Zeit über Holzdeckeln auf 4 Bünden, mit 2 Eisenschließen. Auf starkem Papier gedruckt. Schönes sauberes Exemplar.
2013réf. 0042782013 Chez l'artiste, 2013. Vernis mou et eau-forte (250 x 280 mm), encadré.
réf. 703894o.J. Sauber und tadelsfrei.
1750réf. 356266Braunschweig, Keitel Erben, 1750. 4to. 11 Bl., 418 S., 40 Bl. Moderner Halbleder. [2 Warenabbildungen]
1805réf. 046033New York: John Low 1805. Please read complete description. Scarce single plate volume XXI for Low's encyclopedia first such reference published in the United States in seven volumes from 1805 to 1811. Heavily worn volume containing 46 plates original total unknown numbered by section not consecutively with the following subjects: Scenography incorrectly identified as stenography on front cover; Sculpture; Shadow; Ships; Short Hand; Silk Manufactures; Steam Engine; Stereotomy; Stocking Frame; Stone Henge; Sugar Mill; Surgery. Paper covered boards with remains of leather spine two blanks at front and at rear about 10.75 x 8.5 inches. Covers heavily worn and detached spine chipping away blanks and final plate detached paper very age-browned and somewhat brittle especially nearest the edges some stray spots closed tear to one of the Steam Engines plates another plate with repair to reverse side generally very worn. . Hard Cover. Poor. 8vo - over 7¾" - 9¾" tall. John Low Hardcover
1954réf. 7400London: Golden Cockerel Press 1954. Hard Cover. Very Good binding. Quarto. 2 158 pp. frontis plates. Limited edition number 205 of 260. As issued in paper over boards backed in buckram; 8 full page wood engravings and two in-text vignettes. Generally an attractive copy; spine a trifle sunned; tail of the spine bumped; bookseller's pencil notes to front free endpaper; bottom edges of many pages are just a bit toned quite subtle; a beautiful copy. "First published in 1603 in Latin this very early picaresque novel immediately became a European best-seller. Written by a Scotsman who was born and bred in France it was reprinted in Latin twenty times with the first seventy years and was also translated into French Dutch and German. It was never translated into English although the original was widely read in England at the time. Our translation was thus the first to introduce Euphormio's bizarre and unpredictable adventures to the ordinary reader" Cock-A-Hoop 196. Golden Cockerel Press unknown
DE-LUXE FIRST EDITION of the biblical Book of Ruth in English translation, richly illustrated by the early "Betzalel" artist Ze'ev Raban (1890-1970) in his typical Orientalist style. The book features 10 full-color mounted plates and b&w illustrated frame on each text page (including the title page). Each plate is placed opposite a page of the Book of Ruth in English. 330x240mm. Unpaginated (22 pages). Brown leather Hardcover with embossed floral patterns. Bronze relief of the figure of Ruth, gilt frame and gilt lettering on front cover. Text block edges dyed red. Relief frame edge rubbed and tattered/slightly torn - NO damage to relief. Cover corners and spine rubbed. Spine wrinkled. Spine edges rubbed and tattered. Endpapers wavy. Pages yellowing. [SUMMARY]: This extremely rare and beautifully published de-luxe edition of the Book of Ruth, illustrated by one of the most influential early Israeli artists, is otherwise in good condition. All plates are in mint condition!
1883réf. 56228Paris: P. Roquette Librairie 55 Passage Choiseul 55 1883. 4to. 9.25 x 12.5 in. 4 vii 1 34 pp unpaginated. Engraved frontisp. w/ tissue guard including 16 engravings. Original printed softcovers preserved in contemporary three-quarter morocco over marbled boards binding by Enry - Jose Pierson t.e.g. minor scuffing edgewear light wear to corners still VG copy w/ interior in NF condition. First edition thus of this beautiful series of engravings wonderfully executing Scarron’s picaresque novel relating the occasionally ribald adventures of a company of strolling players. Tiburce de Mare was a noted French portrait painter and engraver and son of Johannes de Mare who frequently contributed to the Gazette des Beaux Arts. P. Roquette Librairie, 55, Passage Choiseul, 55, paperback
1970réf. 16615SANTA CRUZ: KAYAK. 1970. Fine with no dust jacket. 1970. First Edition; First Printing. Softcover. Fine in printed wrappers. Trace of rubbing on printed price at rear cover. One of a 1000 copies. . SANTA CRUZ: KAYAK. 1970 paperback
réf. 96510Paris circa 1805 through 1814. . Very good. - A suite of 18 plates by Jean Duplessis-Bertaux engraved on creamy white stock measuring between 10-1/2 inches by 8 inches and 11 inches by 8-1/2 inches with large margins there is one smaller exception. The images depict the various cries of Paris merchants. All but three are signed "JDB" in the plate. Most of the images are identified and titled in French in pencil by a previous owner. The collection is as follows: "Marchand de gravures etalagiste" portrays street vendors of engravings offering their merchandise to customers some of whom are handling the prints. Several prints hang from a wire stretched between poles in the background and a large blank canvas hangs from the center of the pole. In some editions what is here a blank canvas bears the printed title "Suite de Marchands ambulants de Paris par J.D. Bertaux" and serves as frontispiece to the work. The image measures 3-1/4 inch high by 2-1/4 inch wide within 4 inch high by 3-1/4 inch wide plate marks. The edges are very slightly creased with two tiny tears to the left edge and a couple of tiny stains or spotting to the bottom margin of the page. "Decrotteur et ramoneur" portrays a man shining the shoes of an officer as chimney sweeps and other shoe-shiners are pictured in the background. A small dog stands at the side of the officer. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/4 inch high by 4 inch wide plate marks. There is some minor faint foxing. "Parade de comediens ambulants" portrays traveling actors performing and parading on the porch of a house with spectators in the foreground. The image measures 2-3/8 inch high by 3-3/8 inches wide within 3-1/2 inch high by 4-1/4 inch wide plate marks. There is light foxing throughout. "Colleur d'affiches" portrays a bill-poster perched on a ladder pasting a poster or bill to the corner wall of a building. Another worker stands around the corner and a family looks on with their dog. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3 inch high by 3-7/8 inch wide plate marks. There are some minor faint stains and minor foxing to the margins. "Gagne petit" portrays a knife grinder or sharpener carrying his grinding wheel on his back with a dog at his side. Another knife grinder wheels his equipment in a wheelbarrow. A house and people are pictured in the background. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3 inch high by 3-7/8 inch wide plate marks. There is minor foxing to the margins. "Remouleur" although the title differs the image is identical to the prior one. "Gagne petit" and "remouleur" both translate to knife grinder or sharpener. There is some scattered foxing and the paper is lightly darkened. "Titre" possibly the title page to the work. The image portrays men filling water containers from a city's monument fountain with water pouring from the mouth of a troll. The image measures 2-1/2 inches high by 3-3/8 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. The edges of the plate are darkened with a short tear to the top edge and just a hint of foxing to the margins. "Serrurier" portrays a locksmith grinding keys near the open gate leading to a mansion. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is a minor crease to the bottom right corner with just a hint of foxing to the margins. "Cardeuses de matelats" portrays mattress carders. 3 women are seated with their carding tools and sections of stuffed fabric. The image measures 3-3/8 inches high by 2-3/8 inches wide within 4-1/4 inch high by 3-1/4 inch wide plate marks. There are minor creases to the corners with a couple of faint specks to the margins. "Menuisiers" portrays carpenters working on furniture at their work table. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is light scattered foxing mostly to the margins. "Marchands de parapluies et de soufflets" portrays an umbrella merchant carrying several on his back and a bellows merchant with several fireplace bellows attached to this clothing. The image measures 3-1/4 inches high by 2-3/8 inches wide within 4 inch high by 3-1/4 inch wide plate marks. "Batteurs de platre" portrays plaster beaters. A man is beating away at plaster spread out upon the ground as another carries a basket of plaster to spread over it. The image measures 2-3/8 inches high by 3-3/8 inches wide within 3-1/4 inch high by 3-7/8 inch wide plate marks. There is some minor foxing to the margins. "Charrons" portrays wheel builders constructing wooden carriage wheels. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-7/8 inch wide plate marks. There is some minor faint foxing throughout. "Scieurs de bois" portrays sawyers at work as an empty horse-drawn cart rides away and another stacks wood upon a ramp leading to a barn's loft. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/8 inch high by 4 inch wide plate marks. There are some minor sports of foxing or browning to the print. "Lingere au petit crochet" portrays an elderly woman cloth merchant carrying her linens in a basket on her back. Several dogs are near her and another cloth merchant can be seen speaking to a man in the background. The image measures 3-3/8 inches high by 2-3/8 inches wide within 4-1/8 inch high by 3-1/4 inch wide plate marks. There are minor creases to the edges. "Porteur d'eau" portrays a water carrier and his wife pulling a large barrel of water on a cart. Another water cart and houses are depicted in the background at left. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/4 inches high by 3-7/8 inches wide plate marks. There is creasing to the bottom right corner and some foxing to the margins. "Tomeliers" portrays coopers at work constructing wooden barrels to which they affix metal rings. The image measures 2-3/8 inches high by 3-1/4 inches wide within 3-1/8 inch high by 3-3/4 inch wide plate marks. There is some minor foxing throughout. An untitled image portrays barbers working on customers hair and beards and a wigmaker at her loom. Several wigs hang from the wall. The image measures 2-1/4 inches high by 3-1/4 inches wide within 3-1/2 inch high by 4-7/8 inch wide plate marks. This print is engraved on a sheet which is slightly smaller than the others measuring 7-3/8 inches high by 9-1/4 inches wide. There is a piece chipped from the bottom left corner with some foxing and darkening to the margins. The artist's name here spelled "Duplessis-Berteaux" by an early owner is penned on the verso. The engravings are in overall very good condition with a paper tab mounted along one edge of the verso of each print. The French painter and draughtsman Jean Duplessis-Bertaux 1747-1819 produced etchings and burin engravings. Having taken part in the French Revolution Duplessis-Bertaux produced a series of prints entitled "Scenes de la Revolution" followed by "Campagnes de Napoleon" which illustrated scenes from Napoleon Bonaparte's Italian campaigns engraved after paintings by Carle Vernet. He also produced a series of engravings portraying the street cries of Paris "Cris de Paris". Duplessis-Bertaux also collaborated on some prints with Jean-Louis Delignon and produced several pornographic prints many of which were printed anonymously but were later re-attributed to him. The work entitled "Recueil de cent sujets de divers genres" published in 1814 gathered together in one volume 100 of Duplessis-Bertaux' engravings from eight of the suites including military scenes and those from his Cries of Paris which had previously been distributed seperately. Paris, circa 1805 through 1814. hardcover
1947réf. AM2329Great Northern Railway Co. Very Good. 1947. No Edition Stated. Stapled wraps. Includes 12-page book 24 color prints and original envelope book and prints are in VG condition envelope is Good; Book has light toning front cover has small crease and several light soil spots; prints have light toning bottom right corners very lightly bumped one print is creased couple tiny tears couple small creases; envelope is toned and wrinkled and scuffed flap is creased and curling two 1" tears and couple smaller tears to edges; 12 pages . Great Northern Railway Co. paperback
