10.198 Ergebnisse
1691Best.-Nr. 4006BBZürich, Joh. Rudolf Simler, 1691. 8°. (6) S., (1) Bl., 126 (1) S. Pergamentbd. der Zeit (Kapital restauriert. Mit 1 x 1 mm Loch auf vorderer Decke. Fleckig u. berieben).
1858Best.-Nr. 31005ABZweite durchgesehene und ergänzte Auflage. St. Gallen, Scheitlin und Zollikofer 1858. 8°. 1 Blatt, VI von VIII Seiten, 336 Seiten, 72 Stahlstichtafeln. Geprägter goldverzierter Leinenband.
1947Best.-Nr. 811CG1947. Oel auf Leinwand. Bildausschnitt: 37 x 49 cm.
2002This is a fine hardcover copy with a fine dust jacketr with no wear at all. SIGNED by the artist, Jim Dine, in ink on the half title-page, and briefly inscribed and dated, 2002. Otherwise completely clean. Essays by Elizabeth Carpenter and Joseph Ruzicka. Illustrated in color and black & white. 12" high X 10" wide, 254 pages. A fine signed copy. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
1993This is a fine hardcover two volume set with near fine dust jackets. Short abraision to edge of one dust jacket. Both volumes are completely clean inside and out. Text in Spanish. Illustrated in color and black & white with reproductions of lithographs and engravings of 19th century Mexico. Plate lists in both volumes with full information on the prints, lithographs, etc. Bibliography. 13" high X 11" wide, 233 & 297 pages. Volume 2 has a different ISBN: 9686320067. It was published in 1995. Both volumes limited editions Volume 1: 3000 copies. Volume 2 : 2000 copies. Large very heavy books, foreign shipping will be extra. This set will be securely wrapped and packed in a sturdy box and shipped with tracking.
1989A clean, unmarked copy with a tight binding. 160 pages. Small chip on top edge of black cloth boards; barely noticeable. Clean and tight with sharp corners. Slight edge wear and fading to dust jacket. A photographic reproduction of the first edition, printed by offset lithography. Selected with an introduction by Reynolds Stone; postscript and additional selection by Simon Brett. . "Gwen Raverat (1855-1957) was one of the most distinguished printmakers of the century, an artist in whose hands the medium of wood engraving became uniquely transparent to personal vision. Her world, richly populated with the symbols of her own experience set in one of the most classic traditions of Western art, is universally accessible and capable of inspiring passionate affection in those who are drawn to it, responding to her own intense reaction to the subjects she chose." [Publisher's blurb]
1871Best.-Nr. 18651Very Good. This original antique color chromolithograph from Reynard the Fox printed in 1871 has foxing and soiling in the margins one fold line as issued stitch holes running along the fold line and a tiny tear at very outer edge on top and bottom but chromolitho is in clean beautiful condition. 18.25" 10.75"; Prints . 1871. unknown
Two volumes, complete. An excellent bibliography on prints and printmaking. The first volume describes 610 general works; the second volume describes over 3,000 monographs on specific artists and periodicals, and includes a supplement to the first volume. 4to, original wraps. Light wear to wraps, internally fine. Rare.
The rare catalogue raisonne of Aliamet's prints. 262 items described in great detail. 14 facsimiles, mostly fine full-page photogravures. ONE OF ONLY 200 COPIES PRINTED, ALL ON FINE WOVE PAPER. 4to. Original wraps. Uncut and unopened. FINE AND BRIGHT. Never reprinted and very rare.
Four volumes, complete. THE MONUMENTAL CATALOGUE OF BERALDI'S PRINT COLLECTION, ONE OF THE GREATEST EVER ASSEMBLED. A comprehensive array of 18th and 19th century French prints, with a few 17th century items as well. Volume I: 266 lots, 32 full-page facsimile plates; Volume II: 329 lots, 56 plates; Volume III: 200 lots, 40 plates; Volume IV: 360 lots, 64 plates. Printed on very good paper throughout, with absolutely no discoloration or foxing. 4to. Original wraps. UNCUT. Spines somewhat worn but structurally solid, else FINE AND BRIGHT. A rare set.
First Edition, 69,[1]pp., cont. calf-backed marbled boards, a little rubbed. The earliest book in English devoted to the subject of engravers' marks. Containing 160 marks or monograms, the initial letters used by engravers for their marks and an alphabetical index of the Christian names and Surnames of the engravers, etc.
Best.-Nr. 20495114A Ure Smith Publication Sydney nd . 33.0 x 25.0cms c 60pp 27 tippd in colour plates very good hardback no dustwrapper artist's / author's signature This book reproduces 27 of Preston's prints including Hawkesbury River kangaroos Aboriginal still-life Middle Harbour Patonga native flowers Gymea lily etc. Preston designed the end papers A Ure Smith Publication Sydney nd hardcover
19268vo., First Edition thus, with engraved frontispiece, 40 engravings (a number full-page) and large folding map, neat contemporary signatures on front paste-down; original navy buckram, bevelled boards, gilt back, gilt top, uncut, boards very lightly age-marked, backstrip mildly faded (but all gilt wholly legible), a bright, clean, crisp copy. EDITION LIMITED TO 1500 COPIES. With the trade ticket of Gilbert of Southampton on front paste-down. Printed from the plates of Macmillan's definitive Wessex Edition and so including both the expanded Preface of 1912 and the episode of the dance at the hay-trusser's (pp.76-79) present there for the first time. See Purdy p.77.
1892Best.-Nr. 17617Raphael Tuck & Sons. Very Good. Original antique color chromolithograph from the rare and highly sought "The Voyage of Columbus." The print is lightly toned with soiling in the margins but illustration is clean and overall in very good condition. Current overall size including margins: 15.75" x 12" trimmed down slightly from original size to clean up edges. Chromolitho size: 13" x 9.5".; Prints . 1892. Raphael Tuck & Sons unknown
1972Best.-Nr. 1321237Folkestone u. London, Dawsons of Pall Mall, 1972. 4to. 13, (1), 675 S. (durchgeh. paginiert), 14 S. Mit zahlr. Abb. auf Tafeln (1 farbig). OLwdbde m. OUmschlägen (Umschläge mit Randeinrissen).
1964Cartella contenente 28 litografie originali, firmate solo su lastra, dei principali scultori italiani degli anni Sessanta: Giò e Arnaldo Pomodoro, Leoncillo, Bini, Minguzzi, Ramous, Fabbri, Cappello, Calò, Mastroianni, Mascherini, Pirozzi, Guasti, ed altri . Folio (cm 50x40). pp. 30. . Ottimo (Fine). . . . La Cartella venne pubblicata in occasione della mostra alla Galleria Il Cancello, Bologna, 28 gennaio - 8 febbraio 1964. Le litografie applicate su cartoncino bianco di cm 30 x 40 sono firmate solo su lastra dagli artisti e non sono numerate.
1959Acquaforte originale stampata per il volume ''La Nencia da Barberino'' di Lorenzo de Medici, Bucciarelli, Ancona 1965. La tiratura dell'acquaforte è del 1961 Firma e titolo a matita (Firma e data sulla lastra: Bartolini 1959). Esemplare p.d.a.. Cm 12,5x18,5 (Foglio 35x51). . . Ottimo (Fine). . 100 + alcune pda. .
1897Best.-Nr. 281511897 Marseille,La Pauriho. l'aieul : La Misère. 1897. Eau-forte inédite,Eau-forte et vernis mou. Très belle épreuve sur japon mince, signée en toutes lettres au crayon sous l'image . Long envoi autographe au crayon de 10 lignes ,signé à nouveau à J.M.Chambon. PS de 2 lignes à gauche - Toutes marges = 44 x 34 cm- non repris dans La Pauriho, poèmes et eau-forte. Préface de Frédéric Mistral, avec traduction française 1899
1902Best.-Nr. 210851902 1 Estampe en noir et blanc sur papier Japon, titré au crayon noir en bas à gauche sous la planche, signé au crayon noir en bas à droite sous la planche, 1902, 30 x 18 cm.
1974Litografia a colori Firma e data a matita. Esemplare p.d.a.. cm 50x65 a pieno foglio. pp.. Dedica e firma autografe dell'Artista ad un importante letterato italiano, Milano 1974. Molto buono (Very Good). . . .
Best.-Nr. 5218Belle épreuve; rogné à la limite de la cuvette dans la marge inférieure. XVIIè 10,2 x 14,2
Best.-Nr. HD-205o.J. Eine imposante Abstimmungszeremonie. Verschiedene Arten, das parlamentarische Zuckerwasser zu trinken. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert, Pl. de la Bourse., sowie: Imp. Aubert & Cie. Darstellungsgröße 25,4:21,5 cm, Blattgröße 34,3:26 cm. Literatur: Daumier-Register 1957 II (von 2); Delteil 1957 II (von 2), Blatt Nr. 11 der Serie ?PHYSIONOMIES DE L'ASSEMBLÉE.?, erschienen 27.11.1849 in ?LE CHARIVARI?. ? Sur blanc!
Best.-Nr. HD-149o.J. DIONYS ALS SCHULMEISTER. Als ausser Dienst gekommen der Tyrann,/Da legt er eine Knabenschule an/Und schwang den Stock beim Schreiben und beim Lesen./Das heisst, wenn man es recht zu deuten weiss:/Im Kleinen blieb er noch als Greis,/Was er als Mann im Grossen war gewesen. (Nach dem verstorbenen Barthélemy). Zeitgenöss. aquarellierte Lithographie, auf chamoisfarbenem Velin, mit der Adresse: Chez Bauger R. du Croissant 16., sowie: Imp. d?Aubert & Cie. Darstellungsgröße 23:21 cm, Blattgröße 35,1:26,7 cm. Literatur: Daumier-Register 954, III (von IV); Delteil 954, III (von III), Blatt 30 der Serie ?Histoire Ancienne?. Erschienen am 23.10.1842 in ?Le Charivari?. ? Sur blanc.
Best.-Nr. HD-210o.J. Zwei Phänomene, eine Gratisvorstellung. Taschereau während seiner Unterbrechungsübungen. Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Aubert, Pl. de la Bourse., sowie: Imp. Aubert & Cie. Darstellungsgröße 27,3:22 cm, Blattgröße 36,1:27,5 cm. Literatur: Daumier-Register 1968 II (von 2); Delteil 1968 II (von 2), Blatt Nr. 22 der Serie ?PHYSIONOMIES DE L'ASSEMBLÉE.?, erschienen 27.02.1850 in ?LE CHARIVARI?. ? Sur blanc!
Best.-Nr. HD-097o.J. (Ja ja, das ist richtig, die Tochter von Mme Chopin hat gestern den Sohn von Durand geheiratet. Er hat mir ganz im Vertrauen erzählt, dass die Kleine anscheinend vor ihm ein paar schräge Vögel gekannt hatte...). Zeitgenöss. aquarellierte Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Bauger, R du Croissant 16, sowie: Chez Aubert gal. Véro-Dodat und Imp. d?Aubert & Cie. Blattgröße 34,2:25,8 cm. ? Mit Heftspuren im linken Rand, Druckstellen. Literatur: Daumier-Register 759; Delteil 759 II (von 4). - Blatt 6 der Serie ?LES PARISIENS?, erschienen 26.06.1840 in ?Le Charivari?. ? Sur blanc!
