TRESCA SalvadoreLivre Rare Book
10 194 résultats
réf. 5427Très belle épreuve finement rehaussée. Sujet érotique “sans convention” ! 47 x 51 XIXè siècle
1945réf. 33330952Waltham Saint Lawrence: The Golden Cockerel Press 1945. Limited Edition. Hardcover. Very good. Webb Clifford. One of 500 copies folio size pp. The Golden Cockerel Press came together in autumn of 1920 at a time when post-World War I society was ushering in a renaissance of creative minds including another renaissance of the printing press as the artist's tool similar to that of William Morris and the arts and crafts printers of the previous century. The press worked with many notable artists including Eric Gill Blair Hughes-Stanton Robert Gibbings and the artist for this work Clifford Webb. Clifford Cyril Webb 1895-1972 studied art and is best known today for his wood engravings. He was a founder-member of the Society of Wood Engravers and "was a prominent figure in the group of engravers whobrought about the revival of wood engraving in the 1920s and benefited from the encouragement of Robert Gibbings and the Golden Cockerel Press" n.b. quote from Webb's entry in Horne "The Dictionary of 20th Century British Book Illustrators" p. 437. Per the bibliographical entry for this work "it is surprising that no complete translation of this unique eye-witness account of the First Crusade had ever been published in England before. What the pilgrims did in their fervour of blind fanaticism 'to the glory of God' makes astonishing reading!" ___DESCRIPTION: Bound by Sangorski & Sutcliffe in half vellum with orange buckram boards gilt vignette on the front board of crusaders on horseback by Clifford Webb top edge gilt frontis one of five full-page wood-engravings bound in throughout small title page wood-engraving also of crusaders on horseback wood-engraving of a cockerel holding a crusader pennant in its beak on p. 9; Poliphilus type on hand-made paper folio size 12 3/8" by 7 3/8" pagination: 1-4 5-92 1 colophon. ___CONDITION: A solid very good copy with clean boards the vellum smooth and without wear a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; a small mark on the vellum on the back board light overall edgewear the corners bumped but not rubbed. ___CITATION: Cockalorum 168. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Golden Cockerel Press hardcover books
1945réf. 33330952Waltham Saint Lawrence: The Golden Cockerel Press 1945. Limited Edition. Hardcover. Very good. Webb Clifford. One of 500 copies folio size pp. The Golden Cockerel Press came together in autumn of 1920 at a time when post-World War I society was ushering in a renaissance of creative minds including another renaissance of the printing press as the artist's tool similar to that of William Morris and the arts and crafts printers of the previous century. The press worked with many notable artists including Eric Gill Blair Hughes-Stanton Robert Gibbings and the artist for this work Clifford Webb. Clifford Cyril Webb 1895-1972 studied art and is best known today for his wood engravings. He was a founder-member of the Society of Wood Engravers and "was a prominent figure in the group of engravers whobrought about the revival of wood engraving in the 1920s and benefited from the encouragement of Robert Gibbings and the Golden Cockerel Press" n.b. quote from Webb's entry in Horne "The Dictionary of 20th Century British Book Illustrators" p. 437. Per the bibliographical entry for this work "it is surprising that no complete translation of this unique eye-witness account of the First Crusade had ever been published in England before. What the pilgrims did in their fervour of blind fanaticism 'to the glory of God' makes astonishing reading!" ___DESCRIPTION: Bound by Sangorski & Sutcliffe in half vellum with orange buckram boards gilt vignette on the front board of crusaders on horseback by Clifford Webb top edge gilt frontis one of five full-page wood-engravings bound in throughout small title page wood-engraving also of crusaders on horseback wood-engraving of a cockerel holding a crusader pennant in its beak on p. 9; Poliphilus type on hand-made paper folio size 12 3/8" by 7 3/8" pagination: 1-4 5-92 1 colophon. ___CONDITION: A solid very good copy with clean boards the vellum smooth and without wear a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; a small mark on the vellum on the back board light overall edgewear the corners bumped but not rubbed. ___CITATION: Cockalorum 168. ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Golden Cockerel Press hardcover
2005180 pages. Index. References. Biographical overview. List of works. Colour illustrated endpapers. "E.J. Hughes is famous for his unforgettably rich and accomplished landscapes, primarily depicting the British Columbia coast. His works now command the highest auction prices ever paid for a living Canadian artist, confirmation of his emergence as a major figure on the international art scene... The passionate collector has always been central to the emergence of important artists. In this extraordinarily personal account, the world of a collector comes alive. Here are 76 Hughes sketches, paintings and prints, in colour and black and white - only a handful previously published in book form - accompanied by a text rich with anecdotes about the joys, frustrations and satisfactions of the chase. This is a very human story of art as master - one which sheds important new light on Hughes and his work." - from dust jacket. "Hughes is the chronicler of a landscape almost too beautiful and too alive with spirit to be believed." - Globe and Mail. Clean, bright and unmarked with very light wear. Appears unread. Faintly visible tape repair to back panel of dust jacket which is now preserved in glossy new archival-grade Brodart cover. An excellent copy. Book
1898réf. 6126Belle épreuve parue dans le numéro 11 (mars 1898) de l’Estampe Moderne. Notre épreuve porte le timbre sec de l’Estampe Moderne en bas à droite. L’Estampe Moderne a paru de mai 1897 à avril 1899. cadre et passe-partout Très bon Paris L’Estampe Moderne. 1898 35 x 22,5
1860RARE unique collection of 71 copper engravings by renowned Scottish artist William Home Lizars (W.H.Lizars), who was made famous through the painting-like quality of his engravings. His works are well known to book collectors, as he provided a great deal of Sir Walter Scott's books with illustrations and vignettes. Most of the engravings in this volume depict Scottish landscape and landmarks. Additionally, the volume contains views of London, Dublin and Edinburgh, several portraits, genre paintings and illustrations to Tobias Smollett's "The Adventures of Roderick Random". Each page contains a single engraving, and is followed by a sheet of protective wax-paper. There is no title page, meaning this volume was not mass-printed, and is very likely a unique creation. 210x140mm. Unpaginated. Marbled board Hardcover. Gilt page edges. Cover and spine slightly worn. Cover edges and corners bumped and worn. Pen inscription on second white page. Some of the protective sheets damaged (either creased or have minor tears). The pages containing the engravings are undamaged save for natural aging (yellowing pages and a few faint age-stains). [SUMMARY]: This unique volume of much prized works of art is otherwise in very good condition.
réf. 27099London: T. Cadell and W. Davies; J. Murray 1816. . Folio pp.viii174 attractive twentieth-century quarter calf with five raised bands gilt marbled boards new endpapers 20 engraved plates including additional pictorial title and one in the text; light foxing to pictorial title lower corner of rear board a little bumped otherwise a very good copy indeed. London: T. Cadell and W. Davies; J. Murray, 1816. hardcover
1863réf. 49677New York: Charles Scribner. Very Good. 1863. First Edition. Leather. Steel Plate engravings; chromolitho title page; 4to 11" - 13" tall; 411 pages; 1863 Charles Scribner. New York. 1st edition. Royal octavo in full green grained morocco leather binding with elaborate wide decorative borders impressed in black to the board edges and decorative titles in gilt to cover. Spine in six compartments with five raised bands and titles tooled in gilt to the leather spine; all edges gilt. Title page in black and red with a chromolithograph color main title; marbled endpages. Lavishly Illustrated from dense and fine steel plate engravings mostly by the highly regarded John Sartain after art and photos by various artists. The quality of the engraved and tissue guarded plates is quite exceptional. The timing of the book's publication with an elaborate and costly production focused on the Royalty of Europe while America was being consumed by the schism and violence of the Civil War is quite striking. Leather at spine a little darkened and dulled; mild shelf rubbing to the morocco leather at the bottom front corners and tail end of the spine. A solid and handsome copy of this weirdly beutiful and untimely tome glorifying the royal figures of the Continent. VG . Oversize book may require additional charges for expedited or international shipping. . Charles Scribner hardcover
1873réf. 004109Helsinki Finland: F. Tilgmanns förlag 1873. Hardcover. Very Good. 100 p. 35 steel-engraved plates; 26 x 33 cm. Red cloth with gilt-tooled cover title; gilt rules on spine. Blind-ruled border on both boards with additional gilt ruled border on the front board. White moire endpapers. Bound without the engraved title page and preliminary pages 1-viii. The author Zacharias Topelius 1818-1898 through his work as a writer journalist and professor of history played a pivotal role in the creation of the Finnish identity in the 19th century. En Resa i Finland Travel in Finland employs illustrations by the most famous Finnish artists of the time. The beautiful steel-engraved plates are based on original paintings by Berndt Lindholm A. v. Becker B. Reinhold Hjalmar Munsterhjelm Karl Emanuel Jansson Robert Wilhelm Ekman J. Knutson W. Holmberg Oslar Kleineh and Albert Edelfelt. Originally issued in parts in 1872 and 1873 this copy was apparently taken to the binder without the title page and 8 preliminary pages. The text is in Swedish. The plates were engraved by A. Weger and are captioned in Finnish Swedish and French. This is the first edition not the modern reprint. In Very Good Condition: corners rubbed; cover slightly soiled; spine faded; corners of a few leaves faintly dampstained not impacting image or text; light foxing on a few plates; otherwise clean and bright. F. Tilgmanns förlag hardcover
First edition, [4], 80pp., with half-title, orig. printed wrappers bound-in, Middle Hill boards, spine torn, uncut. An early monograph on the restoration of engravings and old bindings. Provenance: The library of Sir Thomas Phillipps; the library of Graham Pollard and Esther Potter.
1981144 pages. "The first volume to show the range of individual and regional styles and subject matter of these contemporary articles... Provides an introduction to the peoples of the Northwest Coast and their art and explores the relationship of traditional art to that being produced by contemporary artists." - from dust jacket. Abundantly illustrated, approximately one third in colour. Book clean, bright and unmarked with minimal wear. Dust jacket bears moderate wear and is now preserved in a glossy new archival-grade Brodart cover. Lovely copy. Book
1840réf. 30255ABParis, um 1840. Quer-folio. Pappband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Einband und Lithographie|Z_Dudelsack [2 Warenabbildungen]
1849réf. 344BGZürich, 1849. 2 gef. lithogr. Blatt. Blattgrösse: 62 x 47 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1849réf. 306BGZürich, J. J. Ulrich, 1849. 2 lithogr. gef. Blatt mit Programmheft, 4 S. Blattgrösse: 62 x 47 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1900réf. 21012Bruxelles, E. Deman expert, 1900 ; Catalogue in-8, demi-maroquin à grain long fauve, dos à nerfs, pièce de titre havane, couverture conservée (reliure de l'époque) ; 187 pp., 20 ff. hors-texte de photographies de reliures ou d'intérieurs.
1876réf. 3623DBZürich, Orell Füssli & Co., 1876. 4°. (2) Bl., 358 S.; (2) Bl., 212 S., (1) Bl. Mit 37 (zum Teil gef. und farb. lithogr.) Tafeln. Halbleinenband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild IV. (u. V) Band.
1897réf. 1942DBZürich, Polygraphisches Institut, 1897-98. 4°. 557 S., 110 S. (Anzeigen); 520 S., 88 S. (Anzeigen). Mit 48 (dv. 27 chromolithogr.) Deckelillustr., zahlr. (dv. mehrere farb.) Tafeln u. Textillust. u. -abb. Moderne Leinenbände. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, bild 26 Hefte (1897, 1897/98) u. 22 Hefte (1898) in 2 Bänden.
1866réf. 347BGZürich, 1866. 5 gef. lithogr. Blatt + Programm (4 S.) Blattgrösse: 61 x 75 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1890réf. 828CGAargau & Lausanne, Ats. Arts. Müller & Co., (um 1890). Farbige Lithografie. Blattgrösse: 60 x 80 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1835réf. 786CGO.O., um 1835. Altkolorierte Aquatinta. 19,4 x 27,4 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1900réf. 667CGUm 1900. Farbige Lithographie auf starkem Karton 69 x 93 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 667CG
1835réf. 628DGO.O., um 1835. Altkolorierte Aquatinta. Bildgrösse: 19,8 x 27,8 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1862réf. 733DGZürich, 1862. 2 gef. lithogr. Blatt. Blattgrösse: 53 x 68 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +
1860réf. 4885DBDarmstadt, Gustave George Lange, (um 1860). Quer-4°. 76 Stahstichtafel nach Ludwig Rohbock gestochen von div. Stechern. Orig.-Leinenband. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 4885DB|4885DB_2|4885DB_3|4885DB_4 [4 Warenabbildungen]
1860réf. 824CG(um 1860). Chromolithographie hinter Glas. Bildausschnitt: 24 x 33 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
