MONCADA, Ignazio (Palermo 1932),MareMagnum
10.788 Ergebnisse
Acquaforte acquatinta litografia e pochoir Firma e numerazione a matita. Timbro a secco dello stampatore. Tirata a mano sui torchi di Giorgio Upiglio su carta Magnani. Esemplare p.d.a.. cm 90x63. . . Perfetto (Mint). . Tiratura 75. .
1740Best.-Nr. 703221Lipsiae, Leipzig, Bern. Christoph Breitkopf, ohne Jahr (1740). Gr.-8°. 4 nnr. Blätter, 147 Seiten. Schlichter Halbpergamenteinband des 19. Jahrhunderts. Breitrandig und unbeschnitten. Bütten stellenweise gering fleckig.
Best.-Nr. 5441Très belle vue des jardins de Versailles : on y voit au milieu d’arbres magnifiques, des courtisans se promener, se saluer, admirer les parterres et le bassin ...Très bon état, dans un cadre ancien. Très bon 40,5 x 55,5 (sujet) 51 x 64 (cadre)
Best.-Nr. 7320Épreuves sur beau papier vergé. Bartsch XXI, 3 à 8. Série bien complète. D’après Polidore de Caravaggio 6 estampes
Best.-Nr. 5613Belle épreuve du tirage original contrecollée. D’après un dessin de Raphaël On lit en bas à droite : Ant. sal exc. et en dessous : Nico Van Aelst For. Bartsch XIV, p.51, 45. En feuille Bon XVIè 23,6 x 35 cm
1823Best.-Nr. 002813London: John and Arthur Arch 1823. Hardcover. Very Good . Published for the Author by John and Arthur Arch . . . R. Triphook . . . and J. Major . . . ." 8 15 1 p. 53 leaves of plates 1 leaf with copper-engraved dedication to Lavinia Countess Spencer signed Hewitt 52 leaves of mounted plates numbered 1-60 drawn and engraved by G.R. Lewis; 29 cm. Contemporary half red morocco with marbled paper over boards. Six spine compartments between gilt-rules and raised bands with gilt-tooled decoration. Black morocco spine label in second compartment with gilt-tooled title "Lewis's Etchings. Red morocco label on front board with double gilt-ruled border gilt corner rosettes and title "Etchings of the Physiognomy Manners & Character of the People of France & Germany." All page edges marbled to match boards and endpapers. Remains of a small circular label on front fixed endpaper reading "Abbey" along lower edge. The plates were issued for insertion in T.F. Dibdin's Bibliographical Antiquarian and Picturesque Tour in France and Germany 1821. Included are directions for placing the plates in Dibdin's work. Lewis made hundreds of drawings while accompanying Thomas Frognall Dibdin on his tour of France and Germany some of which were used to illustrate Dibdin's book. A disagreement about how much Dibdin owed Lewis for the drawings developed after the tour and the additional plates presented here were undoubtedly published by Lewis to generate some extra income from his work. In Very Good Condition: leather and boards are rubbed most heavily at head of spine and corners; corner of title page lightly soiled; light foxing primarily affecting the leaves on which the plates are mounted rather than the plates themselves; plates are clean and crisp. John and Arthur Arch hardcover
1825Best.-Nr. 007775London: H. Berthoud 1825. Hardcover. Good . 72 p. frontispiece and 19 leaves of plates; 36 cm. Contemporary black leather spine with plain grey paper over boards. The publisher intended the plate of Mrs. Siddons to be bound as the frontispiece but here the plate of Mr. Kean was bound as the frontispiece and that of Siddons before the text about her. Contains 20 engraved portraits by R. Cooper of famous contemporary actors and dancers including Sarah Siddons as Lady Macbeth Edmund Kean as Richard III Samuel Simmonds as Baron Munchausen dancers Lisa Noblet Felicite Hullin and Etienne Le Blond opera singer Giuseppe de Begnis and Henry Gattie Maria Theresa Bland Sarah Booth Frances Copeland and Charles Young. The plates have not been hand-colored. In Good Condition: front board and frontispiece are detached but present; lacking leather over spine; foxing primarily in margins of plates; otherwise clean and solid. H. Berthoud hardcover
1931Best.-Nr. 17082110London: Jonathan Cape Printed by Walter Lewis at the University Press Cambridge 1931. Limited Edition. Hardcover. Near fine. Gill Eric. No. 129 of 160 octavo size 206 pp. signed by Eric Gill. Clothing has long been an integral part of society and can be used to reflect diverse religious and cultural identities. In this essay Eric Gill 1882-1940 discusses the significance of clothes in society and argues for a more egalitarian approach to clothing; for example Gill advocates the suitability of men's clothing trousers for women as a way to liberate the sexes and create a more equal society. Gill provides wood engravings for the book illustrating his concepts and showcasing his masterful rendering of the technique; his illustrations have a slightly satirical slant while evoking the pathos of his arguments. ___DESCRIPTION: Quarter brown pigskin with marbled paper boards gilt rules and lettering on the spine top edge gilt fore- and bottom edges uncut illustrations include title page device "Woman Dancing" P712; "Art and Prudence" P714; "Clothes as Houses" P715; "Clothes as Workshops" P716; "Clothes as Churches and Town Halls" P717; "Clothes for Special Parts" P718; "The Tyranny of Tailors" P719; "Nature and Nakedness" P720; "Trousers" P21; and a tailpiece of "Trousers and Spats" P722; octavo 7.5" by 5.25" pagination: i-vii 1-2 3-196 197-198 1 colophon one of 160 copies this number 129 signed "Eric G" on the colophon. ___CONDITION: Volume is near fine with clean boards straight corners a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; some slight rubbing to the bottom edges of the boards and to the corners a faint stain to the gutter of Contents page and very slight cracking to the gutter at pages 128 and 129 but hinges are still tight. ___CITATION: Gill 22. ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Jonathan Cape [Printed by Walter Lewis at the University Press, Cambridge] hardcover
1931Best.-Nr. 17082110London: Jonathan Cape Printed by Walter Lewis at the University Press Cambridge 1931. Limited Edition. Hardcover. Near fine. Gill Eric. No. 129 of 160 octavo size 206 pp. signed by Eric Gill. Clothing has long been an integral part of society and can be used to reflect diverse religious and cultural identities. In this essay Eric Gill 1882-1940 discusses the significance of clothes in society and argues for a more egalitarian approach to clothing; for example Gill advocates the suitability of men's clothing trousers for women as a way to liberate the sexes and create a more equal society. Gill provides wood engravings for the book illustrating his concepts and showcasing his masterful rendering of the technique; his illustrations have a slightly satirical slant while evoking the pathos of his arguments. ___DESCRIPTION: Quarter brown pigskin with marbled paper boards gilt rules and lettering on the spine top edge gilt fore- and bottom edges uncut illustrations include title page device "Woman Dancing" P712; "Art and Prudence" P714; "Clothes as Houses" P715; "Clothes as Workshops" P716; "Clothes as Churches and Town Halls" P717; "Clothes for Special Parts" P718; "The Tyranny of Tailors" P719; "Nature and Nakedness" P720; "Trousers" P21; and a tailpiece of "Trousers and Spats" P722; octavo 7.5" by 5.25" pagination: i-vii 1-2 3-196 197-198 1 colophon one of 160 copies this number 129 signed "Eric G" on the colophon. ___CONDITION: Volume is near fine with clean boards straight corners a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; some slight rubbing to the bottom edges of the boards and to the corners a faint stain to the gutter of Contents page and very slight cracking to the gutter at pages 128 and 129 but hinges are still tight. ___CITATION: Gill 22. ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind book we sell. Please contact us with any questions you may have we are here to help. Jonathan Cape [Printed by Walter Lewis at the University Press, Cambridge] hardcover books
1689Best.-Nr. 703549Genf, Duiller, 1689. 5 Bl., 194 S., 4 Bl., 272(recte 172) S., 2 Bl.,3 Bl., 276, 240S. Folio. Blindgeprägter Pergamentband der Zeit auf 6 Bünden. Papier teils gebräunt. Im unteren Rand schwach wasserrandig. Die Seitennummerierung fehlerhaft aber in sich stimmig. Gute Gesamterhaltung.
Best.-Nr. 027280Chicago: Dunlap School of Finger Prints. Stapled. Good. Eight pamphlet collection. Publisher dates noted on two books: 1921 & 1922. With pencil notation top right corner of title page. Pamphlets in good or better condition half missing covers 8-64 pages most under 10. Lecture Nine has 7 lines of ink writing on title page. Secret Service: Lecture One Two Nine Ten. The Science of Finger Prints: Lesson Three Four Five and Lecture Five. Dunlap School of Finger Prints unknown
Second Edition, with additions, 4to, vi,151,[1]pp., with the armorial bookplate of Lady Frances Scott, engraved frontis., light water stain to lower outer corner of first 15 pages, cont. calf, hinges cracked, label chipped. First published in 1745 and Dedicated to the Duchess of Portland, from whose most extensive collection it was compiled. Vertue derived much of the information for the life of Hollar from the younger Faithorne and Mr. F. Place, both of them engravers, who were very conversant with Hollar during his residence in London.
Best.-Nr. RO80010491BEDELET Amédée. Nno daté. In-4. Relié demi-cuir. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Rousseurs. Environ 80/100 pages. Frontispice en couleurs, hors-texte, avec serpente. Nombreuses illustrations en noir et blanc dans le texte. Nombreuses planches de lithographies en couleurs, hors-texte, avec serpentes. Titre, roulettes et fleurons dorés srur le dos cuir rouge, à 4 nerfs. Tranches dorées.. . . A l'italienne. Classification Dewey : 769-Estampes
Best.-Nr. BN370214Pietro Sarto. Catalogue Raisonné des gravures et lithographiesLes Estampes 1947-1992 Album Album Pietro Sarto. Catalogue Raisonné des gravures et lithographiesLes Estampes 1947-1992 Album Album Pietro Sarto. Catalogue Raisonné des gravures et lithographiesLes Estampes 1947-1992 Album Album unknown
2005Signed upon title page by author. 180 pages. Index. References. Biographical overview. List of works. Colour illustrated endpapers. "E.J. Hughes is famous for his unforgettably rich and accomplished landscapes, primarily depicting the British Columbia coast. His works now command the highest auction prices ever paid for a living Canadian artist, confirmation of his emergence as a major figure on the international art scene... The passionate collector has always been central to the emergence of important artists. In this extraordinarily personal account, the world of a collector comes alive. Here are 76 Hughes sketches, paintings and prints, in colour and black and white - only a handful previously published in book form - accompanied by a text rich with anecdotes about the joys, frustrations and satisfactions of the chase. This is a very human story of art as master - one which sheds important new light on Hughes and his work." - from dust jacket. "Hughes is the chronicler of a landscape almost too beautiful and too alive with spirit to be believed." - Globe and Mail. Clean, bright and unmarked with negliglble wear. Dust jacket now preserved in glossy new archival-grade Brodart cover. Gift quality. Book
1818Best.-Nr. 000211Constable & Co. Ltd, Edinburgh 1818. 1. Auflage Halbleinen/Hartkarton. Sehr gut
1816Best.-Nr. 1047CGZürich, Füssli, 1816. 2 Kupferstichkarten. 44 x 70 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, A|B [2 Warenabbildungen]
1767Best.-Nr. 3885CBZürich und Chur, Orell, Gessner, Walser, 1767. 8°. 127 S., 76 S. Pappband der Zeit. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb. Aufs Neue übersehen zum Druke befördert.
1860Best.-Nr. 825CG(um 1860). Chromolithographie hinter Glas. Bildausschnitt: 28,5 x 39 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1800Gestochene Kupferplatte (120:166 mm). Unsigniertes Portraitkupfer des Papstes Pius VII. (Graf Luigi Barnabà Niccolò Maria Chiaramonti; 1742-1823), wohl anläßlich seiner Papstkür am 21. März 1800 gestochen. Unter dem ovalen Brustbild das Wappen des Papstes.
Litografia originale dalla cartella ''El circulo de piedra'' Firma e numerazione a matita. Timbro a secco dell'Editore Giorgio Upiglio. Stampata su carta delle Cartiere Filicarta. cm 45x55. . . . . Tiratura 125 + XXV. .
Litografia originale a colori Firma e numerazione a matita. Tirata sui torchi dello stampatore Giorgio Upiglio. Esemplare p.d.a.. cm 70x50. . . Ottimo (Fine). . . .
19705 acqueforti originali firmate a matita di Renzo Biasion, Domenico Cantatore, Enrico Paulucci, Walter Piacesi, Orfeo Tamburi (cm 12x15 - 26,5x16,5, foglio cm 49,5x35). Presentazione di Giorgio Trentin. Senza data ma circa 1970 Esemplare n. 85/125. Cm 51x36,5. pp. n.n.. . Molto buono (Very Good). . Edizione originale di 125 es. numerati. .
Best.-Nr. 241500 Planche N°26, format 29 x 40 cm (toutes marges). Chromolithographie d'époque avec le timbre à sec de l'Imprimerie Chaix (Lugt 1777c). Notre exemplaire est une des très rares épreuves imprimées sur papier Japon, toute petite trace de punaisage sur 3 angles externes de la marge supérieure (Our plate is one of the few copies printed on Japanese paper. Original plate in good condition). LES MAITRES DE L'AFFICHE, prestigieuse publication d'art, éditée par l'atelier de lithographie Chaix, dont la parution s'étala de décembre 1895 à novembre 1900. Chaque livraison comportait 4 planches de reproduction en chromolithographie d'une remarquable qualité d'impression des plus belles affiches illustrées des grands artistes français et étrangers (auxquelles il faut ajouter 16 planches de lithographies originales données en prime aux abonnés). Lors de l'Exposition universelle de 1889, fut organisée la première exposition rétrospective dévolue à l'affiche, celle-ci devait valider la reconnaissance officielle d'appartenance de l'affiche au monde de l'art. Jules Chéret (1836-1932) y sera sacré '' Maître de l'affiche '', c'est aussi à cette date que Seurat commencera à collectionner les affiches de Chéret. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
Best.-Nr. 7312D’après Le Titien. Très belle épreuve à toutes marges sur beau papier vergé filigrané. I.F.F. 12 Robert Dumesnil 10. 19,1 x 25,2 cm.
