10 198 résultats
1867réf. 26900Melbourne: Hamel & Ferguson 1867. Print. Plate XV from Eugene von Guérard's Australian Landscapes 1866-68. American Creek Mt. Kembla. Trees pictured include cabbage trees bangalow palms and flame trees. Timbermen are working in the foreground to fell the huge trees. Von Guerard describes the scene thus: This sylvan scene is situated at a distance of little more than ten miles from Wollongong near the junction of a little stream upon which some prosaic devotee of the bottle has bestowed the dishonouring appellation of the Brandy and Water Creek with the American Creek and at the foot of a noble range of mountains. With the lofty bangalow palm the cabbage palm the gigantic wild fig-tree the fire tree otherwise known as the blaze tree with its vividly scarlet blossoms are intermingled the nettle tree the rose-wood the sassafras the white-wood the wild rose numerous varieties of the fern tree and parasites innumerable the whole being woven together into one dense and almost impenetrable mass of foliage. Unfortunately the progress of settlement is necessitating the destruction of some of these magnificent forests which in many instances clothe a rich chocolate soil of especial value to the farmer. At the time this view was sketched numerous fires had been kindled by the wood-cutters and the stately giants were rapidly falling before the pitiless axe of the hardy pioneers of civilization. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 1/4 x 20 3/4" on paper 25 x 18 3/4". Archivally cleaned and backed repairing some marginal splits including one that would be visible when matted. Color tastefully enhanced. Libraries Australia ID 774462. Hamel & Ferguson unknown
1867réf. 26899Melbourne: Hamel & Ferguson 1867. Print. Otherwise very good condition. Plate 5 in Eugene von Guérard's Australian Landscapes 1866-68. "The bold and romantic headland which bears this title forms one of the most picturesque "bits" of scenery on the Victorian coast. The rocks have been worn into the most grotesque and fantastic shapes by the action of the waves which rush in with a majestic sweep from the Southern Ocean . the artist has indicated the entrance of Port Phillip by the position of the steamer faintly visible in the offing." NGV. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 1/4x19 1/4" on paper 25 x 18 3/4". Archivally cleaned and backed repairing some marginal splits including one that would be visible when matted. Color tastefully enhanced. Libraries Australia ID 7744596. Hamel & Ferguson unknown
1867réf. 27481Melbourne: Hamel & Ferguson 1867. Print. From Eugene von Guérard's Australian Landscapes 1866-68. A panoramic view taken from a hill looking down towards the lake farmland surrounding it. The lake is a large coastal lagoon just south of Woollongong 100 km south of Sydney. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/2" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. nOT ON TROVE . Hamel & Ferguson unknown
1867réf. 26901Melbourne: Hamel & Ferguson 1867. Print. Plate II from Eugene von Guérard's Australian Landscapes 1866-68. Gold was discovered in Beechworth Victoria in 1852 and shortly thereafter along the Ovens River. In the same year Austrian-born von Guerard arrived in Victoria Australia determined to try his luck on the goldfields. Like many he failed as a miner but he did produce numerous studies of goldfields life including this image depicting men working on a sluice. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20" on paper 19 1/2 x 26". Archivally cleaned and backed some minor marginal splits repaired. Color tastefully enhanced. Libraries Australia ID 7744587. Hamel & Ferguson unknown
1867réf. 27483Melbourne: Hamel & Ferguson 1867. Print. Plate XVI from Eugene von Guérard's Australian Landscapes 1866-68. The location is now named Budj Bim and is a dormant volcano near Macarthur in southwestern Victoria Australia. The volcanic history of this part of Victoria is remarkable and the quarried black volcanic rock is seen throughout buildings & walls. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 13 x 19" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Libraries Australia ID 7744685. Hamel & Ferguson unknown
1867réf. 26902Melbourne: Hamel & Ferguson 1867. Print. Very good overall. From Eugene von Guérard's Australian Landscapes 1866-68. Von Guerard is said to have painted the work "at the entrance to Dobson's Gully in the Dandenong's'. The area was the location where Thomas Dobson made his home and established a timber camp. He called it 'Lightwood Gully' the original name for Ferntree Gully. "His remarkable image of a fern-tree gully in the Dandenong Ranges some 40 kilometres east of Melbourne conveys a sense of the landscape as a spiritual sanctuary. Painted on return to the artist's Melbourne studio Ferntree Gully in the Dandenong Ranges is a work that combines von Guerard's meticulous observation of local plant species with his artiistic interest in compositional arrangement and the creation of a 'mood' particular to this environment. In this case we are privy to the magical world of a bower - an enclosed gully of natural foliage created by towering tree ferns. A pool of light on the forest floor leads us to two male lyrebirds cast in shadow one withits characteristic tail feathers raised.: Tiom Bonyhady Australian Colonial Paintings in the Australian National Gallery Canberra; Australian National Gallery 1986 p. 171. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/4" on paper 19 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Hamel & Ferguson unknown
1867réf. 27482Melbourne: Hamel & Ferguson 1867. Print. Plate VII from Eugene von Guérard's Australian Landscapes 1866-68. A stunning view oin the Blue Mountains N.S.W. Originally named The Weatherboard the town was Jamisons Valley in 1815. In July 1867 the first railway journey to the Blue Mountains traveled through to Weatherboard Station where the train terminated. In 1879 the village took its name from the nearby waterfalls which had been named for William Charles Wentworth one of the men that headed the exploration to cross the mountains in 1813 and a friend of John Jamison. Two men with a rifle are overlooking the falls. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 13 x 19 1/2" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Libraries Australia ID 7744602. Hamel & Ferguson unknown
1867réf. 27435Melbourne: Hamel & Ferguson 1867. Print. From Eugene von Guérard's Australian Landscapes 1866-68. Two horsemen are approaching a punt to cross the Goulbourn. A boat in the foreground holds two fishermen. Color lithograph signed in the plate with the oval blind stamp for the publisher Hamel & Ferguson below the title. Image incl. text 14 x 20 1/4" on paper 18 x 24 1/2". Archivally cleaned and backed color tastefully enhanced. Two small marginal cracks repaired. Not recorded on Trove. Hamel & Ferguson unknown
réf. 17494New York: Edmond Jones & Co. Hardcover. Very good overall. The color plates in fabulous condition providing an intimate look at this great city during the Civil War. Particularly beautiful plates include the color engraved frontispiece the US Ironclad Steam Ship the Metropolitan Police Headquarters at Mulberry St. the Old Bowery Theatre 1860 the Clendening Mansion the Interior of the Somerindyke House Greenwich Street below Thames Street the Theological Seminary the Ladies Union Aid Society Part of the House where Talleyrand lived Somerindyke Estate the Jackson Ferry Old Storehouses Corner Pearl and Chatham View of Harlaem from Morisania Residence of Late Mayor Tieman's Father View of Baxter late Orange St. between Hester and Grand and the Junction of Canal and Walker Street near Centre St. Thick 8vo xii 852pp three folding maps at frontis. With many color plates some folding and duotones. Spine ends rubbed top of hinge at spine w short split. Internally very good the plates are immaculate. Edmond Jones & Co hardcover
1600réf. 304c. 1600. Engraving. After Coninxloo. Holl. 23; Le Blanc 13. 13 x 19½. Trimmed to platemark.
1943réf. 6428Washington DC: War Department 1943. First edition. Paperback. Fair. 8vo perforated for three ring looseleaf binder but string-tied appears to be complete but the pagination is variable ca. 200 pages with 1946 sticker on cover cancelling its restrictions; faintly stamped on top cover from Company D 113th Engineers. Quite scarce. Field Manual 5-31. Extensively illustrated. Newly revised. Includes details of American British German French Hungarian Italian Japanese and Russian mines and fuzes. War Department paperback
1886réf. BIBLIO-31166Trustees of the British Museum London first edition 1886 - 1906. 15 fascicules each in its own portfolio 52 cm parts I-IV and 66 cm parts V-XV. introductions of a few pages each and a total of 233 plates on stiff card. . Uncommon. A complete set of this series which comprises 15 portfolios each with a short introduction list of plates and between 11 and 22 finely-printed plates as follows: Part I. Early Italian. 20 plates; Part II. Early German and Flemish 22 plates; Part III. German Dutch and Italian. 18 plates; Part IV. Italian 16th century. 18 plates; Part V. Specimens of early mezzotint engraving. 16 plates; Part VI. Specimens of line-engraving by Masters of Germany and the Low Countries 1530-1620. 15 plates; Part VII. Specimens of line-engraving by Masters of the Netherlands Schools under the influence of Rubens and Vandyck about 1620-1660. 12 plates; Part VIII. Specimens of line-engraving by Masters of the French School about 1580-1680. 14 plates; Part IX. Specimens of line-engraving by the earliest Masters practising in England about 1545-1695. 18 plates; New Series Part X. Additional specimens of line-engraving by the earliest Masters working in England about 1580-1670. 21 plates; Part XI. Specimens of line-engraving by French Masters of the Eighteenth Century. 14 plates; Part XII. Specimens of line-engraving by French Masters of the Eighteenth Century continued. 12 plates; Part XIII. Specimens of line-engraving by English Masters of the Eighteenth Century. 11 plates; Part XIV. Specimens of line-engraving by Italian Masters of the Eighteenth Century. 11 plates. Part XV. Specimens of line-engraving by German Masters of the Eighteenth Century. 11 plates. The plates are generally Very Good clean copies: the versos of the final plate in each potrtfolio and the title-page rectos are in most cases tanned from contact with the portfolios. Some plates have small 'British Museum facsimile' stamps on the versos and there is sometimes a small library blindstamp in the lower margin well away from the image. The portfolio boards are generally rather duststained and a little rubbed the portfolio for Part VI has bumping and tearing to its top edges and that for Part XV is torn at the head of spine with trifling edgewear to a few plates a few other portfolio corners have minor edgewear. The porfolio flaps are generally in very good condition and seem to have been renewed in most cases; a few others are broken. A few portfoilios have library bookplates on their front inner boards. Overall a well-preserved set of a series rarely found complete. Trustees of the British Museum, London, first edition, 1886 - 1906 hardcover
1907réf. BIBLIO-31165Trustees of the British Museum London first edition 1907 - 1913. 7 portfolios half cloth and printed boards 20 x 15 in. Introductions and contents indexes of 8 pp per part in all 175 plates 25 per part. A complete set now hard to find of this series of high-quality facsimile reproductions. Each of the 7 portfolios has an introductory text by Sidney Colvin and 25 plates. The portfolios comprise: I. Specimens of etching by German masters 1475-1575; II. Specimens of etching by Italian masters 1525-1550; III. Specimens of etching by French masters 1620-1670; IV. Specimens of etching by Flemish masters 1520-1650; V. Specimens of etching by Dutch masters 1615-1650; VI. Specimens of etching by Rembrandt Livens and Bol 1630-1680; VII. Specimens of etching by the later Dutch masters 1640-1700. A mildly ex-library set with library bookplates on the inside front boards minor library marks to portfolios unobtrusive blindstamps to some margins a few leaves only with minor creasing and very occasional chipping at the edges. Portfolio boards duststained and darkened contents generally Very Good and clean. Trustees of the British Museum, London, first edition, 1907 - 1913 hardcover
1957réf. 20127Nancy Frankreich France: Berger-Levrault 1957. Fine/VG. Two Fine Volumes In Very Good Case. TEXT IN FRENCH. Text by Pierre Frieden with 17 tissue-guarded engravings by Albert Decaris. Case has some surface spotting with a couple of short tears; else a fine copy in a very good case of a SCARCE first edition first printing. Pierre Frieden 1892-1959 was a Luxembourg politician and writer. HEAVY 2.6KG PLEASE CONTACT US ABOUT POSTAGE. ORDERS OUTSIDE OF UK MAY INCUR EXTRA COST. First Edition First Printing. Fine/Very Good. Berger-Levrault unknown
1946réf. 30209HBDJ 1946 on Title Pg VG/VG- AS-IS EXTREMITIES CHIPS WEAR DJ 1ST EDITION EARLY REPRINT Printed from Plates in Original Limited Edition of 1000 SCUFF BACKOF DJ Set in an aristocratic estate in Victorian England pronounced by critics as the oldest full length English mystery novel and to this day the best. Outlandish HORROR During a battle in India a sacred shrine is robbed of a jewel by a British soldier and the curse of the East Indian God follows the gem through generations of English ownership. A group of Fanatical East Indians follow the Moonstone to England where a mysterious death overtakes every heir to the fatal jewel Against the Gentle Background of an Aristocratic Estate in Victorian EnglandMoves a Story so Intriguing in Mystery Fascinating in Character Presentation & Beguiling in the Telling. During a Gory Battle in Far Off India a Sacred Shrine is entered & Robbed of a Jewel by an Ad BOOK CLUB EDITION DOUBLEDAY & CO GARDEN CITY NY LITERARY GUILD hardcover
1989réf. 18591Lewisburg PA: The Bucknell University /The Press of Appletree Alley 1989. Signed by the author and artist on the colophon page. First edition / First printing. Limited Edition.Number 6 of 130 copies. Oatmeal cloth. Very fine. Though no owner name is present this is the copy of Northwest Poet Joan Swift. A student of James Wright and Theodore Roethke at the University of Washington in the early 1960's. She mentored Tess Gallagher and was friends with Richard Hugo and Sister Mary Gilbert later known as Madeline DeFrees. The Bucknell University /The Press of Appletree Alley, hardcover
réf. 1440title variant: Neun Gedichte. Livre d'artist. Texts in Polish text and German accompanied by 8 original etchings. Small folio. Very good. Folding work housed in slipcase decorated with screen printed illustrations. 1440 "Czesław Miłosz ; z dziewięcioma grafikami Stasysa Eidrigeviciusa = Neun Gedichte / Czesław Miłosz ; übersetzt von Karl Dedecius ; mit neun Originalgraphiken von Stasys Eidrigevicius." The Polish text the German translation and the 8 plates are each bound in their own board covers with their lower covers connected and hinged so that the whole may be folded into a quasi-portfolio inserted into a slipcase on which is the 9th illustration referred to in the title above. Text printed on fine paper: the Polish text on white and the German text on gray. The 8 plates are etched with aquatinting. Rare institutionally and uncommon Åodź
réf. B196190-1Genève 1979. 115 1pp. 1 double-page color lithograph. 204 catalogue illus. 4 text figs. 4to. Wraps. Genève, 1979. paperback
réf. AQ20609London and Stuttgart Und Tubingen: J. H. Bohte and in der J.G. Cotta'schen Buchhandlung 1824 and 1823. Three volumes within publisher's folder with paper title label. 10; 4 11pp 1; 8 full-page engravings. Two text volumes sewn with small cloth strip glued to spine the plates stitched as issued. Occasional spotting. The beautifully illustrated first illustrated edition of Schiller's 'Fridolin or the Road to the Iron Forge' - a ballad which the German poet Schiller 1759-1805 composed for a poetry competition against Goethe in 1797 with the text volume of the parallel German-English edition published in London by Bohte ‘foreign bookseller to his majesty’. The engravings by Moritz Retzsch 1779-1857 German painter and draughtsman were much praised: accompanied by the illustrations the ballad 'assumes a new and more exalted character' provided by Retzsch's ability to give them 'an airy dimness that softens what is beautiful and deepens all that is terrific' Monthly Review 1825 p.522. OCLC locates a single copy in the British Isles BL and three in North America. . Oblong quarto. J. H. Bohte [and] in der J.G. Cotta'schen Buchhandlung, 1824 [and] 1823. hardcover
2007réf. 062607London Great Britain: The Folio Society 2007. Book. Near Fine. Hardcover. 2 Volume Set. Includes original Solander Box. Limited Edition of 2750 numbered copies. This is copy no.1466. Facsimile Edition of the Golden Cockerel Press edition published in 1931. Bound by G. Lachenmaier in full goatskin leather with Fabriano Tiziano endleaves. Also includes laid-in a sample page of the Engravings by Eric Gill Folio Society newsletter. Minor shelfwear. Both volumes are tightly bound no marks. Set is in Near Fine condition. The Folio Society Hardcover
1863réf. 49677New York: Charles Scribner. Very Good. 1863. First Edition. Leather. Steel Plate engravings; chromolitho title page; 4to 11" - 13" tall; 411 pages; 1863 Charles Scribner. New York. 1st edition. Royal octavo in full green grained morocco leather binding with elaborate wide decorative borders impressed in black to the board edges and decorative titles in gilt to cover. Spine in six compartments with five raised bands and titles tooled in gilt to the leather spine; all edges gilt. Title page in black and red with a chromolithograph color main title; marbled endpages. Lavishly Illustrated from dense and fine steel plate engravings mostly by the highly regarded John Sartain after art and photos by various artists. The quality of the engraved and tissue guarded plates is quite exceptional. The timing of the book's publication with an elaborate and costly production focused on the Royalty of Europe while America was being consumed by the schism and violence of the Civil War is quite striking. Leather at spine a little darkened and dulled; mild shelf rubbing to the morocco leather at the bottom front corners and tail end of the spine. A solid and handsome copy of this weirdly beutiful and untimely tome glorifying the royal figures of the Continent. VG . Oversize book may require additional charges for expedited or international shipping. . Charles Scribner hardcover
1848réf. 2111902160200704Sculpture by Kisuke Oshima 1848. Soft Cover. Fine. Volume: 1 Sculpture by Kisuke Oshima paperback
1981réf. 2111902160200116Kadokawashoten 1981. Soft Cover. Fine. Number of pages: 240 pages Size: 30.5cmx21.5cm Number of books: 1 Kadokawashoten paperback
1901réf. 2111902160200698Mizusawa Miki 1901. Soft Cover. Fine. Number of books: 1 Mizusawa Miki paperback