SCIALOJA, Toti (Roma, 1914 - Roma, 1998)MareMagnum
10 930 résultats
1958Acquatinta a colori Firma, numerazione e data a penna. Esemplare 33/120. Cm 37,5x49,5. . . Ottimo (Fine). . Tiratura 120. .
1969Presentazione di Waldemar George. Le incisioni di Orfeo Tamburi sono state tirate a braccia su antico torchio costruito da Jon Barrett, london nel 1842. I legni e i linoleum sono impressi su carta a tino di Pescia, le stampe, custodite singolarmente in 12 passepartouts sigillati, sono tutte numerte firmate a mano dall'artista e convalidate con il timbro a secco della stamperia. Le incisione sono state biffate e mai più ristampate. Le incisioni sono di diverso formato: da un minimo di cm. 8x10 ad un massimo di cm 30x20 Edizione contenuta in custodia rigida di cm 56x42. . pp. . . . . Prima edizione di 40 es. numerati. .
1956Litografia a 3 colori Firma e numerazione a matita. Stampata da Castelli. Esemplare p.d.s. 4/4. Foglio cm 52x67,5. . . Molto buono (Very Good). . Tiratura 100 + XXV. .
Litografia a colori Firma e numerazione a matita. Timbro a secco dello stampatore. Esemplare 181/200. Cm 67x48. . . Ottimo (Fine). . Tiratura 200. .
191729x36 cm sur feuille 38x56cm.
1916L?g?re mouillure en marge.
1917Format 60x80 cm.
1916Estampe tir?e sur feuille 28x40 cm.
192780 pages. 266 num?ros. 32 planches.
1829Two volumes, 1829, 1831. Pages of both 4. ii. 202. . Text pages alternating French and English. With additional titlepages, engraved. 100 steel engraved plates in each volume. The plates have titles and production details. Half leather covers worn at extremities. Light foxing and marks on prelims and occasionally throughout in both volumes. Heavier foxing on first title pages.
Henri Napartuk (1932 - 1985) Inuit sculptor and print maker. Stone block signed and titled in pencil by the artist. Original print tipped on to blue paper in the form of a folded sheet used as a greeting card (now with a message inside and it is missing the envelope), else fine. Undated 1/4" x 9 1/2" Print
1989Around the turn of the 19th century the towns, villages and countryside of Britain attained a level of picturesque beauty and charm that has been unsurpassed since. In watercolour drawing artists caught the changing light and weather to perfection, and in aquatint engravings their subtle tones could be reproduced in prints virtually indistinguishable from the originals. Here nearly 50 of the finest views and scenes in prints of the period are reproduced, their colours still as fresh and vivid today as when they were first published. Drawing upon contemporary accounts, John Barr provides a commentary of the artists, engravers and prints in this album which portrays the elegance and robust variety of Regency Britain for today's armchair tourist.A selection 50 illustrations reproduced from Topographical and Colour Plate Books of the Regency period [1790-1840] "providing today's armchair tourist with an album that faithfully portrays the elegance and robust variety of Regency Britain." 127p.illus. Illustrated endpapers Book
1991An exhibition in the Thomas Fisher Rare Book Library, University of Toronto, 19 April-30 June 1991.This commemoration of Gill's life and work is drawn primarily from a private collection in Toronto formed by J. Kemp Waldie, and also contains items from the Fisher Library and the Library of the University of Waterloo. It illustrates the varied aspects of Gill's career, with special emphasis on his graphic art and book illustration. The catalogue, by Alan Horne, Richard Landon, and Guy Upjohn won a first place award from the Rare Books and Manuscripts Sections of the American Library Association, and two design awards from the National Composition and Prepress Association. Printed in Canada in Gill's Perpetua type. 56p. illus.bibliography. BUT an errrata slip is laid in... which states "Title page : Dates of exhibition should read "5 October - 29 December 1991" Book
2010Cofanetto con tre ''grattacieli Pirelli'' da viaggio: sculture di carta, che ripropongono la forma essenziale dell?edificio Pirelli in tre varianti, firmate a matita, di Guido De Zan. Con un quartino dal titolo ''Grattacieli portatili'': testi di De Zan, Alberto Ferruzzi ed Eugenio Alberti Schatz. L?opera è un omaggio al grattacielo realizzato da Giò Ponti e alle sculture da viaggio di Bruno Munari. Il cofanetto realizzato con la collaborazione di Giorgio Lucini, è stato esposto durante la mostra tenutasi nel novembre 2010 presso Il Coccio alle Colonne di San Lorenzo di Milano in occasione dei cinquant?anni del grattacielo Pirelli Esemplare p.d.a.. 8vo. Multiplo di 3 sculture. . Perfetto (Mint). . Edizione di 200 esemplari numerati e firmati (Edition of 200 numbered and signed copies). .
Second Edition, revised and enlarged, 2 vols., 2 frontispieces, 1 folding plate, orig. cloth, re-backed, uncut.
4to, xxv, 327pp., frontis., 118 plates, Separate index to illustrations tipped-in, orig. cloth. A valuable reference tool for early American prints, with historical notes, and indices of artists, engravers, and subjects.
[ii],47,[1]pp., title-page and text browned, margins worn, nineteenth century half calf, rubbed, upper cover detached, 1,608 lots.
First Edition, 4to, 224pp., 51 illustrs., orig. cloth, d.w. Covering a wide range of subjects and methods, annotated lists of painters and engravers, detailed bibliographies and explanations of methods of printmaking.
First Edition, 4to, numerous illustrs., orig. cloth, d.w. Describing 12,000 portrait-prints collected by Sir Henry Wellcome.
First Edition, 4to, 290 illustrs., orig. cloth, d.w. slightly creased. Represents 250 of the finest Maritime prints from Breughel, by way of Rembrandt and his pupil Bol, to Johan Barthold Jongkind.
First Edition, 2 vols., in one, large 4to, limited to 350 copies, frontis., plates and illustrs., facsimiles, orig. cloth-backed boards, endpapers and fore-edges slightly spotted, printed paper label on spine, unopened, uncut. A complete bibliography of Engraving.
