10 182 résultats
réf. 140949499San Francisco: The Arion Press 2011. Limited edition. Limited edition. No. 43 of 400 numbered copies signed by artist Julie Mehretu from a total edition of 426. Folio. Bound in publisher's vellum-backed printed cloth spine lettered in gilt; prospectus laid in. Fine in a Near Fine slipcase with minor scuffing. The 93rd publication of The Arion Press featuring the classic female poet of antiquity's work in Greek and English. The Arion Press unknown
1960réf. 140946279New York: Tiber Press 1960. First Edition. Fine. First edition. Complete in four folio volumes each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover original cloth-backed illustrated boards. First Edition. No. 77 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set bright and sharp in publisher's thick acetate jackets housed in cloth slipcase with trivial shelf wear. A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Tiber Press unknown
1733réf. 140941304London: Aeneis Tabulis Incidit Iohannes Pine 1733. First Edition. Near Fine. 1733 1737. Two volumes. First edition first issue with "post est" error in the Caesar medallion on page 108 of Volume II. In a lavish full brown morocco binding with five raised bands and ornate gilt stamping to spine borders on covers wide turn-ins and beautifully patterned endsheets; all edges gilt. Near Fine with a light amount of rubbing to joints spines lightly faded a scuff to the front cover of Volume II and small former owner bookplates of noted collector Abel E. Berland to the front pastedowns. Pine's Latin text was based on Talbot's 1699 edition and is remarkable for being entirely illustrated with engraved copper plates throughout the text. Aeneis Tabulis Incidit, Iohannes Pine unknown
1960réf. 140940127New York: Tiber Press 1960. First Edition. Fine. Complete in four folio volumes each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover original cloth-backed illustrated boards. First Edition. No. 47 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set bright and sharp in publisher's thick acetate jackets housed in cloth slipcase with light shelf wear. A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Tiber Press unknown
réf. 15961972-6Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
réf. 1953987141.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1957réf. 003740New York: Museum of Modern Art 1957. Paperback. Near Fine. 28 p. 2 leaves of tissue plates: six wood engravings and one woodcut; 26 x 29 cm. Stitched blue-grey wrappers with label printed in red and black. Within original portfolio covered in the same glue-grey paper with matching printed label on the front and a spine label printed in red. Designed illustrated and printed by Leonard Baskin at the Gehenna Press Nov. 1957. Handprinted in Perpetua type. "The illustrations have been printed from six original boxwood engravings and one cherry woodcut on Amalfi Italian hand-made paper and on Moriki and Mending Tissue both hand-made in Japan." This is no. 635 of a limited edition of 975 copies from an edition of 1000; signed by Leonard Baskin. It was honored as one of the "Fifty Books of the Year 1957" by the American Institute of Graphic Arts. Book is in Near Fine Condition: front wrapper lightly creased from upper corner along fore-edge; clean and crisp. Portfolio is in Good Condition: both front sections are starting to separate along the front joints from the tail; color is faded; lacking small part of spine label; front label is complete and bright. Museum of Modern Art paperback
réf. 443825Canadian Publishers. Hardcover. Good. Signed copy. Summary: Semi-fictitious account of the lives of Newfoundland sealers in the 19th and early 20th centuries. - From the Jacket - "They were a people out of time- a breed of men whose certainty and hardihood whose courage ad tenacity liked them more closely to the ancestors of our species than ourselves. They were one with nameless and long forgotten beings to whose essential qualities we owe our dominance. They were essential Man. Thus Farley Mowat describes the Newfoundland men of the nineteenth and early twentieth centuries who set out in flimsy ships to hunt seals on the treacherous North Atlantic ice fields. Their heroism an Canadian Publishers hardcover
1899réf. 219046New York.: Harper's Weekly. July 11899. Three photographic prints each approx 11 x 20 cms and three black and white engravings together 33.5 x 20.4 cms all captioned printed on two conjoined newspaper leaves pp 645-648 41 x 28.5 cm the associated articles: "Samoa in War-Time" in full with a cameo portrait of the Chief Justice of Samoa and "The Philippine Revolt." partial with a small sketch map of Malolos printed on the verso central fold a few small edge tears and faint toning but in good condition. Malcolm Ross the author and photographer of "Samoa in War-time" was a New Zealand freelance journalist and war correspondent for the New Zealand press as well as the Melbourne Age. In 1899 he spent three months in Samoa covering the clashes for the leadership of the colony that followed the death of Malietoa Laupepa the incumbent chief at the time. Unusual late 19th Century coverage of Samoa especially by a New Zealand photojournalist. The second spread with the incomplete accompanying article by Joh F. Bass a "Special Correspondent of "Harper's Weekly" on "The Philippine Revolt" has an unsurprising pro-American tone: the armed conflict between the First Philippine Republic and the United States 1899-1902 was clearly viewed by the United States as an insurrection rather than as a continuation of the struggle for independence by Filipino nationalists that had begun in 1896 with the Philippine Revolution. . Harper's Weekly. unknown
1909réf. 64362aaozzB.T. Batsford / Charles Scribner's Sons 1909-01-01. Unbound. Acceptable. Ex-library copy originally published 1909. The book had been rebound into red cloth boards but the new binding eventually broke and the library determined that it could not be rebound. It was placed in a heavy cardboard box that is closed with ribbon ties. The pages of the book are mainly separated from the binding and tucked inside. Limited library markings but no text markings noted. B.T. Batsford / Charles Scribner's Sons unknown
1965réf. 40764aaozForeign Language Press Peking 1965-01-01. Paperback. Good. Published by Foreign Languages Press 1965. Softbound. Note at beginning titles and artists in English. Prints reproduced in color. White portions with tanning; edges moderately worn to white. Corners with modest wear; some wear of jacket at head and foot of spine. No markings of text noted. Foreign Language Press Peking paperback
1926réf. 30214set2MARINE RESEARCH SOCIETY 1926. Hardcover. Acceptable. 0x0x0. Note: ex-library rebound volumes. Published by Marine Research Society 1927. Volume I with waterstaining of pages at bottom edge. Text unmarked. Rebindings with modest wear. MARINE RESEARCH SOCIETY hardcover
réf. 1986331644.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. s60Longman Green London 1851. Full Green Morocco hardback New Edition. iv 280 pagesgilt edges decorated page margins and well over 100 fine illustrations square 8vo elaborate gilt decorated boards and spine HAS BARBARA PYMS SIGNATURE WELL KNOWN AUTHOR and Inscription for her 29th birtday to fep The rear board is detached but repairable top 1 inch of spine leather torn away. light foxing but still in good clean tight reading order. Full refund if not satisfied. 24 hour despatch via Royal Mail or Royal Mail Tracked for heavier or expensive items. Hardcover. Good. hardcover
réf. tla1539Oliver and Boyd and Simpkin & Marshall 1832 half leather hardback gilt titles to spine worn marble boards 461 pagesengravings by Horsburgh inner hinge lighjtly cracked soiling and foxing with writing to eps and some foxing here and there but still in good tight clean reading order. Full refund if not satisfied. 24 hour despatch. If not pictured in this listing a scan of the actual book is available on request. Hardcover. Fair. hardcover
réf. 1528102592.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 1334130752.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. CA06AA-00015Gemor Press. Collectible - Acceptable. New York: Gemor Press 1944. 2nd edition. 8vo Hardcover. 86pp. B/W illustrations. Fair book. Some edgewear. Front hinge cracked. short stories american american fiction Inquire if you need further information. Gemor Press hardcover
1952réf. 9699New York: Hammer Creek Press 1952. Original Wrappers. Very Good binding. 16mo. 8 pp. illus. Limited edition number of copies unknown. As issued sewn in printed wrappers. Very light toning to the extremities and covers; nevertheless a very nice copy. Bookplate of noted collector Norman Sondheim on the verso of the front wrappers. Comprises title page/announcement; two engravings one of the Hell-Box Press and the second the Hammer Creek Press; and a colophon. The Hell-Box Press was one of Fass's earlier printing endeavors. Hammer Creek Press began when in 1950 when Fass purchased from Valenti Angelo a small iron press previously owned by Bruce Rogers who had sold it to Angelo the year before. It was on this press of significant provenance that the bulk of the Hammer Creek Press editions were printed few of which have stated limitations. With only 4 institutions reporting ownership according to OCLC it is difficult to imagine this title was produced in an edition of more than a few dozen copies if that. Cohen 15; DePol Catalogue Raisonne p. 40. Hammer Creek Press unknown
1999réf. 38518Barcelona: printed by Roser S. Noguera for the Galeria Alejandro Sales 1999. Four poems by Dachs illustrated with six original prints by Arbós: three etchings printed on Japanese paper laid down on fine wove paper and three silkscreens. EDITION LIMITED TO 25 NUMBERED COPIES. The first etching is SIGNED by Arbós and the justification is SIGNED by both the artist and the poet. Large folio. Loose as issued in publisher's cloth folding case. FINE AND BRIGHT with no defects. RARE. printed by Roser S. Noguera for the Galeria Alejandro Sales hardcover
1901réf. 38254Genève Geneva: Cercle des Arts & des Lettres 1901. A stunning suite of TWENTY LARGE FOLIO WOOD ENGRAVINGS by Maurice Baud after paintings executed by Auguste Baud-Bovy between 1886 and 1898 depicting 19th-century Alpine life and landscapes in all of their picturesque austerity. 28 pages plus 20 full-page hors-texte wood-engravings. Complete with detailed letterpress descriptions. Edition limited to 171 copies of which this is number 41 one of 150 on fine wove paper printed for M.C. François and SIGNED BY BAUD. Absolutely complete with ALL PRINTED TISSUE-GUARDS PRESENT. Large folio 51.9 x 39.7 cm. Loose as issued in publisher's attractive cloth portfolio. Half-title spotted last leaf wood engraving no. 20 with some small marginal tears else FINE AND BRIGHT. A rare and important collection of Alpine prints. Cercle des Arts & des Lettres hardcover
réf. 3095Paris: Editions des Bibliotheques Nationales de France 1937. The catalogue raisonne of Bejot's prints. 2 leaves 279 pp. 437 items thoroughly described. Profusely illustrated. Index. Edition limited to 350 numbered copies printed on fine wove paper with THREE ORIGINAL ETCHINGS BY BEJOT L. 347 411 and 412 PRINTED ON VERY FINE SPECIALLY-MADE LAID PAPER. Folio. Bound in the original quarter vellum and marbled boards with morocco labels on front cover and spine. Uncut. A tiny wisp of wear to extremities of binding else FINE AND BRIGHT WITH NO DEFECTS. An excellent copy of a very scarce book usually found worn and/or re-bound. Paris: Editions des Bibliotheques Nationales de France, 1937 hardcover
1884réf. 34050Paris: J. Lemonnyer Publisher 1884 Two-Volume Set in publisher's gilt-stamped navy cloth no markings NOT ex-lib t.e.g. binding tight rough cut pages bright & unfoxed all of the wonderful Eisen illustrations present & tissue-guarded offsetting to endpapers light shelf/edge wear with only lightly bumped corners & softening to spine ends else a clean tight exemplary set of a beautiful edition; Text in English; 2 royal 8vos: xvi 252 xii 334pp illus. Extra shipping charge REQUIRED for shipment of this heavy set additional charge MAY BE SUBSTANTIAL for shipment outside the United States. First Edition. Hard Cover. Very Good. Paris: J. Lemonnyer, Publisher hardcover
réf. 1330123727.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1946réf. 145130London: Golden Cockerel Press 1946. Folio. 41 X 19 cm. Original green cloth. Gilt title on spine. Gilt ship silhouette on front board. Top edge gilt. Fore edge and bottom edge untrimmed. Bookplate on front pastedown. Arnold's mould-made paper. Frontispiece. Full page map and 8 engravings Chronological table. Copy 750/750. Musty smelling. A fine clean copy The first 100 copies were bound in full green Morocco. This copy has the designation of the last copy in the series. The book is dedicated to John King David and below it is the following: inscription "To Captain Douglas Bull with my good wish from John K. Davis who the above not withstanding is just a very "Ordinary Seaman" Melborne Nov 3rd 1947". A very modest and humble inscription from one of the great Antarctic Navigators and Explorers. Great being the last copy and with the wonderful inscription. Great association copy. 1946 Golden Cockerel Press hardcover
