[Creative Prints] SHINOHARA Cao, artistBiblio.com
10 173 résultats
1970réf. 898071970. Creative Prints SHINOHARA Cao artist. HISHÔ NO SHINTAN. Shôwa 45 1970 A small 7.5 x 7.5 cm western style square book bound in white leather. Illustrated through in tiny engravings some colored signed by Shinohara numbered 83 of 100 copies. In a lovely little leather slipcase and wraparond paper like new. A very unusual work from the heyday of Japanese artist books after the War. unknown
réf. 89806CREATIVE PRINTS WATARAI Jun'suke artist. KOROPOKKURU NO SHI. a little 9.8 x 7.4 cm leather wraparound box gold embossed with 13 copperengravings inside illustrating a text of POEMS OF THE LITTLE PEOPLE the little people being humanculi of Ainu legend who "take their ease under the trees" of the great northern forests. Though undated this copy is #9 of 50 copies and was produced by Sawamura Gallery probably in the 1970s. In perfect condition throughout with the original wraparounds the text pamphlet and the outer shipping box as well. unknown
1859réf. 833001859. PRINTS - BOSTON SOUTH BOSTON 1859 HANDCOLORED LITHOGRAPH BY JOSEPH FOXCROFT COLE. Boston: J. F. A. Cole ca. 1859. Image matted to 22 x 29 1/2 inches. Three spots of browning to the sky area faint arc of foxing a few more to the scenes below the main image. Main image features a main intersection of roads one signposted "G Street Ward 12". Great perspective. Very good overall. Below the title is printed: "To the citizens of South Boston this picture is most respectfully dedicated by the Artist. unknown
1991réf. 59759AW Fine Arts. New. 1991. Hardcover. 1556600887 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - 592 pp. 1600 illustrations. 1250 artists and 12000 works described. Reprint. -- with a bonus offer--; 2.25 x 10.25 x 8.75 Inches; 592 pages . AW Fine Arts hardcover
réf. 31044Facsimile reprint . Maroon cloth boards elephant folio engraved dedication & 22 engraved plates The plates include two perspective views of the interior and one of the main entrance and several plans and sections the last plate providing a comparative view of the plans of fourteen other theatres including Covent Garden London Versailles the old Paris Opera the Comédie Française and theatres in Berlin Argentina Madrid &c. fine condition please note it wil incur extra postage which we will be happy to quote for at cost. Facsimile reprint hardcover
1997réf. 20559Granville Ohio: Limekiln Press 1997. First Edition limited. Hardcover. Near Fine/Without dust jacket none issue. #31 of 100 limited edition printed by hand by Paul Evans Holbrook at The King Library Press wood engravings by Siri Beckman at her press in Maine. Octavo 9 2/3" tall ix 81 pages handmade paper sewn binding marbled orange paper over boards with paper title label. Errata sheet laid in with two addition poems. A near fine clean neat hard cover with light shelf wear soft handmade paper outer layer has rubbed through to inner boards at one corner tip and picked up some very slight soiling interior fine hinges and binding tight paper cream white. Limekiln Press hardcover
1970réf. 000243Amsterdam / New York: Van Gendt / Abner Schram 1970. First Edition. . Hardcover. See Description. 4to. pp. 247 1. Contains many b&w illustrations. Green cloth with dust jacket. Near fine condition. Miniscule dusting/foxing to upper edge of text block. Dust jacket is vg/fine. "The present bibliography describes over 100 titles containing ca. 2800 etchings by De Hooghe." -d.j. Contains indexes. Van Gendt / Abner Schram hardcover
1963réf. 307320Iowa City: Stone Wall Press 1963. First Edition. Leather bound. Fine. A beautiful collection of poems printed by Kim Merker with illustrations printed on delicate mulberry paper bound in between. This book is generally regarded as one of the finest from the press which is known for the excellence of its letterpress printing and book design. The edition size was 270 copies of which this is one of 60 deluxe copies bound in quarter-leather and paper printed with an engraved design by Roy. These copies numbered with Roman numerals are signed by both Roy and Roethke who died soon after the printing was completed. Roethke won both the Pulitzer Prize and the National Book Award for poetry. First edition first printing deluxe issue. A fine copy no. XXX of 60 signed by Roethke and Roy. The publisher's paper-covered slipcase is beginning to split along the bottom edge. Stone Wall Press unknown
réf. 68433Limited Edition. Very Good. Slim quarto 28 cm Thirty loose woodcut plates on age-toned paper measuring 18.5 cm wide by 27 cm tall. No text or publication information present only the plates. Housed in a folder of 1/4 brown cloth with tan paper over boards and a gilt stamped title on the front board. The folder is toned and lightly rubbed at the edges. The first plate is signed by Molnár in pencil and numbered # 20 in an edition of only 36. The painter and graphic artist Pál Molnár-C. 1894-1981 born in Battonya Hungary lived and worked in a villa located in Ménesi Street on the hillside of Gellért Hill Budapest for 50 years. He held the surrealist style close to his heart throughout his life and he was also heavily inspired by the Symbolist works of Ferdinand Hodler. His illustrations of Shakespeare's Corialanus and Rostrand's Cyrano de Bergerac earned him gold medals at salons in Paris Milan and Warsaw. After his death his younger daughter Dr. Éva Csillag Pálné set up a family-owned private museum in 1984. “As a matter of fact all art is more or less surreal. The reality of everyday life differs from the reality of art which stands above reality.” - Pál Molnár-C. unknown
1844réf. H19378London: Longman Brown Green and Longmans 1844. First English language edition. Hardcover. Good. 2 volumes publisher's muted lime cloth with gilt decorations on front covers good set recent matching cloth over the Summer volume spine moderate wear to bindings plates show some foxing owner's name clipped from flyleaves with 18 engravings per volume. Longman, Brown, Green and Longmans hardcover
1967réf. B30978fParis: Leonce Laget 1967. Reprint. Hardcover. Ex-Library. Reprint of 1776 original 1967 folio 5 pages of text 20 engravings all loose sheets in gray cloth chemise illustrated in b&w. Book ex-library with only indications being sticker to front pastedown of chemise and pocket to bottom flap contents show mild foxing to front title page otherwise clean bright and unmarked. No DJ. Text in French. THIS LARGE HEAVY BOOK WILL REQUIRE ADDITIONAL SHIPPING FEES. Leonce Laget hardcover
1932réf. 35365Berkshire: The Golden Cockerel Press 1932. Limited. Hardcover. Very Good. Lynton Lamb. Limited edition of 500 with this being hand numbered 245 1932. A Very Good book. SIGNED by Walpole on dedication page. 8vo. 73 pp. bound in publishers red leather backed patterned cloth boards top edge gilt. Spine is lightly faded. Very minor rubbing to tips and edges. Very small spot at top of FFEP that fades through to dedication page. Text is clean and unmarked engravings are crisp. A SCARCE title. "This is a fabulous account of Hugh Walpole's early life and a must read if you are a fan of his work." review. The Golden Cockerel Press hardcover
1997réf. Biblio862Montréal: Author 1997. in8 oblong rel toile brune sous emboîtage 32 p ; 28 x 30 cm 12 lithographies 143 x 153cm couleur rehaussées Éd limitée à 22 ex dont 2 ex hors commerce notre ex signé et numéroté 19/20 Livre d'artiste Author unknown
1926réf. Biblio809Lyon: Association Guillaume Le Roy 1926. In-4 en feuilles sous couverturejaunie ill 59 pp reproduction des bois de l'édition princeps de 1478 Edition sur papier vergé filigrané "Incunables AC Lyon" Association Guillaume Le Roy unknown
1972réf. biblio694Darmstadt: Peter-Presse 1972. Fine. Oblong 8vo 95p half velum cloth binding into a cloth slipcase Limited ed to 800 copies #83 and signed by Gerhardt Engravings produced between 1964 to 1970 Like new Bilingual german-english included promotional 4 folded pages text Peter-Presse hardcover
1920réf. biblio650Würzburg : Verlagsdruckerei Würzburg 1920-22. 22 volumes in8 en 19 1920-22 Nouvelle édition illustrations facsimiles de monogrames avec tables et index portrait ; 23 cm Rel demi-toile avec légers accrocs aux dos et plats généralement bel ex ex-libris MKG v 1-5 Niederlaender -- v 6-11 Les vieux maîtres allemands -- v 12 Les clair-obscurs des maîtres italiens -- v 13 Les vieux maîtres italiens -- v 14 Œuvres de Marc-Antoine et de ses deux principaux eÌlèves Augustin de Venise et Marc de Ravenne -- v 15 Estampes de diffeÌrents graveurs anonymes qui semblent être de l'eÌcole de Marc-Antoine Raimondi -- v 16-18 Peintres ou dessinateurs italiens: Maîtres du seizième siècle -- v 19-21 Peintres ou dessinateurs italiens: Maîtres du dix-septième siècle v 22 zusatze zu Adam Bartsch's Le peintre graveur von Joseph Heller; Supplémentspar Rudolph Weigel Verlagsdruckerei Würzburg unknown
1860réf. biblio651Leipzig: Rudolph Weigel 1860-1864. in8 rel demi-toile 6 vol en 3 fortes mouillures au tome 5-6 vol3 sans dommages fongiques mais le papier ondulé ex-libris MKG t 1 Histoire de la gravure sur bois et sur meÌtal jusque vers la fin du XVIe siècle Histoire de la gravure au burin jusque vers la fin du XVIe siècle Nielles t 2 Les maîtres allemands et neÌerlandais du XVe siècle t 3 Les maîtres neÌerlandais et allemands du XVIe siècle t 4 Suite des maîtres allemands et neÌerlandais du XVIe siècle t 5 Les maîtres italiens du XVe et XVIe siècle t 6 Suite des maîtres italiens du XVe et XVIe siècle Table geÌneÌrale et alphabeÌtique des maîtres et des monogrammes Rudolph Weigel unknown
1866réf. biblio541Montréal: John Lovell 1866. Very Good. Tinted lithograph from photograph 255x330mm margins brownished image clean John Lovell unknown
1866réf. biblio542Montréal: John Lovell 1866. Very Good. Tinted lithograph after photograph 255x330 mm margins brownished image clean John Lovell unknown
1866réf. biblio543Montréal: John Lovell 1866. Very Good. Tinted lithograph after photograph 255x330 mm brownished margins image clean John Lovell unknown
1866réf. biblio544Montréal: John Lovell 1866. Very Good. Tinted lithograph after photograph 255x330 mm brownished margins not affected image John Lovell unknown
1866réf. biblio545Montréal: John Lovell 1866. Very Good. Tinted lithograph after photograph 255x330 mm brownished margins not affected image John Lovell unknown
1866réf. biblio546Montréal: John Lovell 1866. Very Good. Tinted lithograph after photograph 255x330 mm brownished margins not affected image Small spot in the sky John Lovell unknown
1877réf. biblio358London: Vanity Fair june 9 1877. Fine. Chromolithography 265x395mm original proof impression Like new a small tear of 2 cm in the lower margin “The second versions of the Vanity Fair caricatures are the proof prints or proofs before lettering First versions are the original watercolors; third versions are the widely available weekly/album prints Produced to verify the colours and lines of the lithograph no more than twenty copies were printed Not true many more than that These prints have no captions or dates or other descriptive type and the magazine bound them in numbered albums in green leather with gilt tooling They were offered for sale and also awarded as prizes in the magazine’s acrostic contests At the front of each volume is a printed note from Vanity Fair giving the number of the proof volume and the numbered volume in the series However these volumes were "broken" to sell individually and one never sees the complete volume The quality of the colours in the proof prints their clarity of line and detail and their scarcity make them of considerable interest to the collector” Roy T Matthews and Peter Mellini In “Vanity Fair” Berkeley: University of California Press 1982 203 Vanity Fair hardcover
1877réf. biblio359London dec.29 1877. Fine. Sue. Chomolithography 265x395mm original proof impression “The second versions of the Vanity Fair caricatures are the proof prints or proofs before lettering First versions are the original watercolors; third versions are the widely available weekly/album prints Produced to verify the colours and lines of the lithograph no more than twenty copies were printed Not true many more than that These prints have no captions or dates or other descriptive type and the magazine bound them in numbered albums in green leather with gilt tooling They were offered for sale and also awarded as prizes in the magazine’s acrostic contests At the front of each volume is a printed note from Vanity Fair giving the number of the proof volume and the numbered volume in the series However these volumes were "broken" to sell individually and one never sees the complete volume The quality of the colours in the proof prints their clarity of line and detail and their scarcity make them of considerable interest to the collector” Roy T Matthews and Peter Mellini In “Vanity Fair” Berkeley: University of California Press 1982 203 hardcover
