10.194 Ergebnisse
1996Best.-Nr. 1908210702ybvkKyoto, Nissha Printing, 1996. 441 pages. - Blind-embossed (Hokusai's Wave) and silver-titled grey softcover binding; 4to.(ca. 25,5 x 18,5 x 2 cm; 0,933 kg.).
1963Best.-Nr. 003294CThe Stone Wal Press Iowa City 1963. 1st Edition. Hardcover. Fine/Near Fine. A very fine hardcover copy in a near fine slipcase. Limited Edition of 300 no. copies. This is copy no. 112. Owner's signature appears on front endpaper with additional info "sent me from the publishers at the request of Beatrice Roethke." Slipcase is very sound with just a touch of rubbing. A nice copy. The Stone Wal Press, Iowa City hardcover
Best.-Nr. 1630638X 60 cm.
Best.-Nr. 63-5936Washington DC: Things Graphics & Fine Art ca. 2005. 4to. Four Loose Color Binder Pages 8 pp. Images on recto & verso Very Good. Washington, DC: Things Graphics & Fine Art, [ca. 2005?]. unknown
1902Best.-Nr. GITg063Auch Imprimerie Léonce Cochanaux 1902. In-8 broché XXXVII 309pp imprimées sur 2 colonnes 1 feuillet non chiffré table. Dos bruni, intérieur frais et bien complet.
1902Best.-Nr. 200DBZürich, Fäsi & Beer, 1902. 8°. S. 73-114. Mit 1 gef. Karte. Orig.-Brosch. (ungeöffnet). + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + Enthalten in: "Vierteljahresschrift Naturf. Gesellschaft Zürich", Bd.47/1-2.
1902Best.-Nr. 200DBZürich, Fäsi & Beer, 1902. 8°. S. 73-114. Mit 1 gef. Karte. Orig.-Brosch. (ungeöffnet). Enthalten in: "Vierteljahresschrift Naturf. Gesellschaft Zürich", Bd.47/1-2.
Best.-Nr. 14274Thomas Artur de Lally, condamné par Arest du Parlement de Parus d'avoir la tête tranchéeen place de Greve le 8 may 1766 pour avoir trahi les intérêts du Roy, de son État eet de la compagnie des Indes, et pour abus d'autorité, vexations envers les sujets du Roy et étrangers habitant de Pontdicheri, tous ses biens acquis et confisqués au Roy sur iceux pris la somme de dix mille livres aplicable au pain des pauvres prisonniers du Palais à Paris, et trois cent mille livres aplicable aux pauvres habitants de Pontdichery. En feuille Très bon Paris XVIIIè 18,5 x 33,5 cm
1950Best.-Nr. C45548London: The Dropmore Press 1950. Hardcover Hardcover. Very Good. Number 46 of 300 copies. Slight wear and lean otherwise very good indeed. The Dropmore Press, hardcover
Best.-Nr. 27627in4 plein maroquin,plats decorés,trés frotté,titré museo Londres,sans page de titre, tranches dorées, 80 eaux fortes sous serpentes avec le texte en regard, montées sur onglets, Author: Thomas H Shepherd, (Thomas Hosmer), artist.Contributor: Wallis, William, 1796- engraver.- rare-
Best.-Nr. MD-LMJA-48THThis is the slipcased hardcover only stated Heritage Edition from 1942. Other than some wear to the slipcase the book is in excellent condition. There are no rips tears markings etc.---and the pages and bindings are tight see photo. Note: All books listed as FIRST EDITIONS are stated by the publisher in words or number lines--or--only stated editions that include only the publisher and publication date. Check my feedback to see that I sell exactly as I describe. So bid now for this magnificent impossible-to-find LITERARY COLLECTIBLE.Like New hardcover
1836ff. 30, 25 = Fifty-five Original Line Engraved plates, with Italian captions. Some foxing. Oblong folio. 280 x 380 mm. Early half leather binding. Morocco leather name plate on the front cover, stamped in gilt: "A. Thorvaldsen." Front board detached. Hardbound. Very good. Albert Bertel Thorvaldsen (1770-1844) was a Danish / Icelandic sculptor and artist. Thorvaldsen was an outstanding representative of the Neoclassical period in art, becoming the foremost artist in the field after the death of Antonio Canova in 1822. The poses and expressions of his figures are considered much more stiff and formal than those of Canova's. Thorvaldsen embodied the style of classical Greek art more than the Italian artist, he believed that only through the imitation of classical art pieces, could one become a truly great artist. Motifs for his works (reliefs, statues, busts, and illustrations) were drawn mostly from Greek mythology, as well as from works of classic art and literature. These engraved line illustrations also owe a great deal to the influence of John Flaxman (1755 - 1826). Very scarce. **PRICE JUST REDUCED! OVERSIZE 1/4
14 mounted plates in pencil, ink and colour wash, 2 of which are stuck to the outsides of the portfolio's protective boards with cloth ties. Various sizes, but mostly ca. 170 x 130 mm. Signed and captioned in English and Hungarian. Rare survival of a collection of sketches from the Russian POW camp in Peschanka, Siberia, all executed by an evidently accomplished, otherwise undocumented Hungarian artist (and soldier in the Austro-Hungarian army) who captured the conditions in and around the camp during the later years of the First World War. Thám's caricature-like style is marked by clear, precise outlines reminiscent of the contemporaneous work of Olaf Gulbransson and Eduard Thöny. The two larger sketches on the cover boards (measuring ca. 170 x 220 mm) show self-portraits of the artist, at work at oil paintings (one a landscape, the other a nude). The leaves within show prisoners climbing the bunk bed or resting in their crowded cots, marching through a snowed-in camp carrying heavy buckets, playing chess, etc.; some are captioned "Coming from the American Y.M.C.A. Kitchen", "The Red Cross library", or even show ladies in fur coats with an officer "at the exhibition", while a few others have Easter Greetings themes. - Peschanka is near Chita in the Transbaikalia region, on the Trans-Siberian Railway, 6035 kilometres from Moscow. While during the Great War conditions in the POW camps on the whole were vastly superior to those during WWII, thanks to the efforts of the Red Cross and inspectors from neutral countries, the situation in the Siberian camps was notoriously poor, and as many as a quarter of the 2.1 million Austro-Hungarian soldiers whom Russia held as prisoners of war did not survive. - Browned due to paper, with occasional edge flaws, but well preserved.
1930Best.-Nr. 82081[Ca. 1930]. Plattenmaß 36 x 30 cm. Zwischen 2 Glasplatten alt gerahmt (Rahmen: 67,5 x 49,5 cm)..
1960Best.-Nr. 1633AGGattikon, Dorfpresse, o.J. (um 1960). Faksimiledruck. Blattformat: 53 x 100 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 1633AG
1960Best.-Nr. 1633AGGattikon, Dorfpresse, o.J. (um 1960). Faksimiledruck. Blattformat: 53 x 100 cm.
166 x 108 mm. Pen and brown ink, brown wash on paper. Minimal foxing. Charming caricature by the Venetian master depicting a liveried gentleman with épée and tricorne in profile, accentuating the figure's implausibly hollow back, grotesquely hooked nose, and impressive prognathism. The drawing can be attributed to Giovanni Domenico Tiepolo, the oldest son and student of Giovanni Battista Tiepolo. - The drawing is very similar to the caricature of a gentleman with walking stick and tricorne that is held at the MET (Inv.: 37.165.68).
168 x 107 mm. Pen and brown ink, brown and black wash on paper. Some foxing. Charming caricature by the Venetian master depicting a liveried gentleman with a tricorne, épée and a walking stick in profile, accentuating the figure's grotesque pointed nose and chin. The drawing can be attributed to Giovanni Domenico Tiepolo, the oldest son and student of Giovanni Battista Tiepolo. - The drawing is very similar to the caricature of a gentleman with walking stick holding and tricorne that is held at the MET (Inv.: 37.165.68).
1941Best.-Nr. 2846ABZürich, Aero-Verlag, 1941/42. 4°. 384 S. Mit zahlr. z. T. farb. Abb. u. Illustr. Illustr. Orig.-Leinenband + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + 1. Band (von 3).
1941Best.-Nr. 2846AB1. Band (von 3). Zürich, Aero-Verlag, 1941/42. 4°. 384 S. Mit zahlr. z. T. farb. Abb. u. Illustr. Illustr. Orig.-Leinenband
1986A clean, unmarked book with a tight binding. Unpaginated. 6"w x 9"h. Text in English and French. Exhibition catalog. Includes eight full-colour plates and over one hundred black and white plates. Fold-out historical chart of early Japanese printmakers at rear of book.
1986A clean, unmarked book with a tight binding. Unpaginated. 6"w x 9"h. Text in English and French. Exhibition catalog. Includes eight full-colour plates and over one hundred black and white plates. Fold-out historical chart of early Japanese printmakers at rear of book.
1765Best.-Nr. 14331D'après le tableau de Le Prince. Pastorale russe. On y voit un berger qui suspend sa balalaye pour écouter un jeune garçon qui joue d’un chalumeau fait d’écorce d’arbre. La balalaye est une espèce de guitare longue qui n’a que deux cordes, dont les paysans russes s’accompagnent fort agréablement. En feuille Très bon Paris 1765 43 x 57 cm
1765Best.-Nr. 14646D'après le tableau de Le Prince. Pastorale russe. On y voit un berger qui suspend sa balalaye pour écouter un jeune garçon qui joue d’un chalumeau fait d’écorce d’arbre. La balalaye est une espèce de guitare longue qui n’a que deux cordes, dont les paysans russes s’accompagnent fort agréablement. En feuille Très bon Paris 1765 43 x 58 cm
1843Best.-Nr. 2163DBBern u. Zürich, Chr. Fischer, u.Stämpfli u. Friedrich Schulthess u. J. Körber, 1843-1858. 8°. Pappbände der Zeit mit goldgepr. Rückenschildern (nicht uniform gebunden). + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 2163D 3 Bde.; 2 Bde.; 3 Bde.; 3 Bde.
