10 943 résultats
1846réf. 4674BBZürich u. Frauenfeld, Ch. Beyel, 1846. 8°. 305 S. Pappbd. d. Zt. mit handschriftl. Rückentitel (berieben u. bestossen, Schild gebräunt).
réf. 15-5743Mt. Horeb WI: Perishable Press Limited 1974. PROSPECTUS. 8vo. Single Page Very Good with creasing. Letterpress on fine paper. Illustration. Mt. Horeb, WI: Perishable Press Limited, [1974?]. unknown
1850réf. 597BG(um 1850). Gouache. Bildgrösse: 34,5 x 48 cm. Blattgrösse: 42 x 55,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, Abb.
1846réf. 4674BBZürich u. Frauenfeld, Ch. Beyel, 1846. 8°. 305 S. Pappbd. d. Zt. mit handschriftl. Rückentitel + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden + (berieben u. bestossen, Schild gebräunt).
réf. 25466Le Charivari, trente-cinquième année, lundi 26 mars 1866- Lithographie- Hauteur: 43.9cmx Largeur: 31.1cm - Trait carré = Hauteur: 26.2cmx Largeur: 39.8cm- 1 feuillet (4 pages) ; illustration page 3. Format paysage. - Au-dessus de l'image, au centre : "THÉÂTRE DE L'ODÉON LA CONTAGION ou TRICHINES ET ISTHME DE SUEZ" ; signé dans l'image au centre à gauche : "HADOL", sous l'image à gauche : "A.de Vresse, Ed[iteu]r r. Rivoli, 55." et à droite : "Lith Destouches, 28, r. Paradis Pre".texte imprime au dos,bon etat.
réf. 25475Le Charivari, trente-cinquième année, vendredi 12 octobre 1866 - Lithographie = Hauteur: 43.7cmx Largeur: 30.8cm - Trait carré : Hauteur: 26.5cmx Largeur: 39.8cm - 1 feuillet (4 pages) ; illustration page 3 ; format paysage. - Au-dessus de l'image, au centre : "THÉATRE DU GYMNASE - NOS BONS VILLAGEOIS --dc V. SARDOU."; signé dans l'image en bas à gauche : "HADOL", sous l'image à gauche : "A.de Vresse, R. Rivoli, 55." et à droite : "Lith DESTOUCHES R. Paradis Poissonnière 28 PARIS" ; au-dessous, au centre : "LE THÉATRE AU CRAYON 1." - texte imprime au dos,bon etat,marge du bas un peu effrangée.
réf. 7545All five prints 'Publish'd by Robt. Sayer No. 53 Fleet Street London as the Act directs 1st. Septr. 1772.'. Each of the five on a piece of good laid paper roughly 15 cm square. Wide margins with indentation of plate 9.5 x 8 cm. All five good with occasional light creasing to margins. The second and third items more aged that the others but all good and suitable for framing. Delicately engraved and skillfully coloured. Item One: 'Mr. Bellecour. 3 Comed. Franc. Le Joueur. dans la Comédie du même nom.' Item Two: '19 Comed. Franc. Michau et Henri. dans la Partie de Chasse d'Henri IV. Qu'êtes-vous allons qu'êtes-vous' Item Three: 'Made. Favart. 22 Coméd. Ital. La Vieille. dans la Fée Urgele Acte III.' Item Four: 'Mrs. Trial & Clerval. 29 Coméd. Ital. Bertrand et Monteauciel dans le Déferteur. Voulez-vous bien chanter quand on vous en prie' Item Five: 'Mr. Laurette 30 Coméd. Ital. Jean Louis. dans le Déserteur.' Presumably from Whirsker's "The Metamorphoses of Melpomene and Thalia or Dramatic Characters of the French and Italian Comedies." London: Robert Sayer n.d. but circa 1770. 30 plates. Cohen 1066. Lewine 356 copy on with 19 of the 30 plates at $3000: Micahel Hollander. See Image. All five prints 'Publish'd by Robt. Sayer, No. 53 Fleet Street London, as the Act directs, 1st. Septr. 1772.' unknown
1913réf. 89411Lucien Vogel éditeur | Paris Octobre 1913 | 19 x 24.50 cm | une feuille
réf. HD-033o.J. (Hallo, da sind Sie ja.... was haben Sie denn da gekauft?... - Reden wir nicht davon; wir haben Gäste und ich habe meine Einkäufe gemacht.). Lithographie, auf chamoisfarbenem Velin, mit den Adressen: Chez Bauger R. du Croissant 16, sowie: Imp. d?Aubert et Cie. Blattgröße 25,8:34,4 cm. Literatur: Daumier-Register 564; Delteil 564, Blatt 6 aus der Serie ?Types Parisiens?, erschienen 31.10.1841 in ?Le Charivari?. - Sur blanc!
1914- Lucien Vogel éditeur, Paris Mai 1914, 19x24,5cm, une feuille. - Original color print, printed on vergé paper, signed in the plate. An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement. A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great designers. Right from the start, this sumptuous publication "was aimed at bibliophiles and fashionable society," (Françoise Tétart-Vittu, "La Gazette du bon ton", in Dictionnaire de la mode, 2016) and was printed on fine vergé paper using a type cut specially for the magazine by Georges Peignot, known as Cochin, later used (in 1946) by Christian Dior. The prints were made using stencils, heightened in colors, some highlighted in gold or palladium. The story began in 1912, when Lucien Vogel, a man of the world involved in fashion (he had already been part of the fashion magazine Femina) decided, with his wife Cosette de Brunhoff - the sister of Jean, creator of Babar - to set up the Gazette du bon ton, subtitled at the time: "Art, fashion, frivolities." Georges Charensol noted the reasoning of the editor-in-chief: "'In 1910,' he observed, 'there was no really artistic fashion magazine, nothing representative of the spirit of the time. My dream was therefore to make a luxury magazine with truly modern artists...I was assured of success, because when it comes to fashion, no country on earth can compete with France.'" ("Un grand éditeur d'art. Lucien Vogel" in Les Nouvelles littéraires, no. 133, May 1925). The magazine was immediately successful, not only in France but also in the United States and Latin America. At first, Vogel put together a team of seven artists: André-Édouard Marty and Pierre Brissaud, followed by Georges Lepape and Dammicourt, as well as eventually his friends from school and the School of Fine Arts, like George Barbier, Bernard Boutet de Monvel and Charles Martin. Other talented people soon came flocking to join the team: Guy Arnoux, Léon Bakst, Benito, Boutet de Monvel, Umberto Brunelleschi, Chas Laborde, Jean-Gabriel Domergue, Raoul Dufy, Édouard Halouze, Alexandre Iacovleff, Jean Émile Laboureur, Charles Loupot, Chalres Martin, Maggie Salcedo. These artist, mostly unknown when Lucien Vogel sought them out, later became emblematic and sought-after artistic figures. It was also they who worked on the advertising drawings for the Gazette. The plates put the spotlight on, and celebrate, dresses by seven designers of the age: Lanvin, Doeuillet, Paquin, Poiret, Worth, Vionnet and Doucet. The designers provided exclusive models for each issue. Nonetheless, some of the illustrations are not based on real models, but simply on the illustrator's conception of the fashion of the day. The Gazette du bon ton was an important step in the history of fashion. Combining aesthetic demands with the physical whole, it brought together - for the first time - the great talents of the artistic, literary, and fashion worlds; and imposed, through this alchemy, a completely new image of women: slender, independent and daring, which was shared by the new generation of designers, including Coco Chanel, Jean Patou, Marcel Rochas, and so on... Taken over in 1920 by Condé Montrose Nast, the Gazette du bon ton was an important influence on the new layout and aesthetics of that "little dying paper" that Nast had bought a few years earlier: Vogue. [FRENCH VERSION FOLLOWS] Estampe originale en couleur, tirée sur papier vergé, signée en bas à droite de la planche. Gravure originale réalisée pour l'illustration d
1991réf. 12913Premier jour d'émission du timbre René Char. Samedi 23 février 1991 à l'Isle sur La Sorgue. Valeur 2,50 + 0,50. Portrait par Valentine Hugo. en feuille très bon Avignon Conseil Général de Vaucluse 1991
réf. 0428687970.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
réf. 18885254-6Used - Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
réf. 15867, Buitenpost, z.j.**, Gebonden, bruin linnen met goudopdruk op rug en front, geillustreerde stofomslag, frontispice, 220 x 305mm., 207pp., mooi geillustreerd in kleur en z/w.
1987réf. MARDERST014771James L. Weil New Rochelle New York. 1987. First separate edition. Quarto. 12 pages. Sewn wrappers. A poem of friendship from the earliest extant letter of Keats which was dated November 1815.One of fifty keepsake copies printed by Martino Mardersteig at the Officino Bodoni in a variant of the Dante type on Magnani handmade paper.Slight creasing to covers. Very good indeed. James L. Weil, New Rochelle, New York. unknown
197624 watercolors + 15 Drawings and studies + 26 Etchings. Many of the subjects are of scenes in India. Oblong folio. Original full cloth binding.Original dust jacket, frayed at extremities. Number 82 of a Limited Edition. With a presentation card signed by the artist. **PRICE JUST REDUCED! W38
1849réf. 255121849 LE CHARIVARI Aubert et Cie, imprimeur-lithographe. 1849- Lithographie - Hauteur: 35.9cmx Largeur: 27.6cm - Description:Planche n° Assemblée législative, 5. -1 feuillet (4 pages) numéro complet ; illustration page 3.-- texte imprime au dos,bon etat,rousseurs.
1945réf. 35382London: The Golden Cockerel Press 1945. Limited edition. Hardcover. Very Good. Limited edition of 100 bound in 1/4 white morocco with this being number 44 1945. SIGNED by O'Connor and Whitfield on colophon. Stamp "Bound by S & S London" inside front cover Sangorski & Sutcliffe were binders to Cockerel Press. A Very Good copy. 8vo. 109 pp. bound in 1/4 white morocco and marbled cloth with title in gilt on spine top edge gilt. Very minor soiling to morocco with slight rubbing at base of spine. Text is unmarked engravings are clean and bright. A beautiful book. The Golden Cockerel Press hardcover
réf. 111926The Golden Cockerel Press London 1945. . 8vo 109pp black and white illustrations top edge gilt. A good hardback copy in marbled cloth with cream cloth spine. Covers rubbed corners lightly bumped. Edges foxed. . Number 225 in a limited edition of 500 copies. . The Golden Cockerel Press, London, 1945. hardcover
réf. 1637925X33 cm
1943LIMITED EDITION. COPY #885. The book contains b&w illustrations. 133X203 mm. 87 pages. Soft cover. Spine and cover edges slightly worn. Spine slightly torn and creased. Rear cover slightly stained. Inscription on first page. Stamp on pages outer side. Yellowing pages. Else in good condition.
1875réf. BOOKS350130New York NY: Harper & Brothers Publishers. Good/NO DUSTJACKET. 1875. . Hardcover. Sm 4to. 155 p.p. Cracked inner hinge; shelf lean; head and tail of spine; previous owner's bookplate approximately 2 and a half inches by 1 and a half inches on front pastedown previous owner's inscription on front free-end paper; corners of cover bumped in; pages lightly warped otherwise pages clean and unmarked. . Harper & Brothers Publishers hardcover
Folio. (6), 133, (3) pp. With 19 (including frontispiece; 1 double-page-sized) coloured aquatints by or after Albrisetti, Bonatti, Bramati, Bottigelli, Bussi, Fumagalli, Gallina, Palagi, Raineri, and Sanquirico. Contemporary ruby-red morocco, elaborately gilt with giltstamped arms to both covers. Green moirée silk endpapers. Only edition. Of all of Gironi's publications, all of which are of a similar nature, the present work on ladies' ablutions and private habits in Greek antiquity as well as in modern Greece would appear to be the rarest. Illlustrated with particular care and printed in no more than eighty copies, it is dedicated to the 20-year-old Archduchess of Austria, Sophie (1805-72), daughter of the Bavarian King Maximilian I Joseph, later aunt and mother-in-law to Empress Elisabeth of Austria ("Sisi"). Our copy is that from the library of the Archduchess herself, printed on strong, very wide-margined wove paper and sumptuously bound. Slight foxing to endpapers and edges, otherwise in perfect condition. Sophie's monogram (her entwined, crowned initials) stamped to reverse of title. Not in British Library, Atabey, Blackmer, Brunet, Cicognara, Colas, Graesse, Hiler, Lipperheide, or Rothschild.
1989Exhibition catalog in oblong format published on the occasion of the show by the same name at the publisher's gallery. Book is in excellent condition, binding is solid and square, covers have a tiny bit of corner wear, exterior shows no other flaws, text/interior is clean and free of marking of any kind. From the show in London, 21 June - 15 July 1989, catalog features 18 full color, full page prints: many "steel drawing" nudes, flower prints, Monica in various forms. Artist's bio and exhibition history at back. 44 pages.
1869pp. vii, 303 + Plus Frontis, Half Title and full page engravings by J. D. Cooper. Numerous text engravings. Dampstained and foxed. 12mo. (19 x13 cent) Original publisher's cloth binding. Small loss at head and tail of spine. Extremities worn. Rear board spotted at edges. Hardbound. Though dampstained and foxed, still a tight copy. SCIENCE BOX 1
