Livre Rare Book
Best.-Nr. 500297995Sans date.
Best.-Nr. 500297996Sans date.
1960- Louis Broder, Paris 1960, 20x24,1cm, une feuille. - Pointe sèche originale de Valentine imprimée sur japon et réalisée pour l'ouvrage Feuilles éparses en hommage à René Crevel. Envoi autographe signé de l'artiste en marge basse de la planche : "pour Louis Broder - Son amie Valentine Hugo" Très bel exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
1823pp. 47, (1) + Ten etched plates. Top edge gold gilt. Half morocco leather over marbled boards binding. Front board recently detached. 8vo. Apparently the second part of two., with 10 of the twenty etched plates. A famous Victorian satirical work, illustrated by Cruikshank. First Edition. Cohn 176. George Cruikshank (1792-1878) was a humorist of the school of Hogarth, and is considered by some to be one of the best that Britain has produced. He was the son of a Scottish painter, Isaac Cruikshank, and apparently his talent was such that he could draw as soon as he could write. From the beginning he was concerned with satire. At a young age he achieved public notice by painting theatre backdrops (the first was for Drury Lane Theatre, London). In the early 1820s he made etchings for the pamphleteer William Hone, but his political caricature work was soon overtaken by his work as a book illustrator. Life in London (1821) was followed by Tales of Irish Life (1824), and then a series of further books at an ever increasing rate. His best known work was for Charles Dickens, starting with Sketches by Boz and reaching its zenith, perhaps, with Oliver Twist. Among his large number of other illustrated books were a Grimm's Fairy Tales (1827), a Pilgrim's Progress and Paradise Lost, and seven novels by Harrison Ainsworth. Despite his large oeuvre, more than 15,000 drawings in his lifetime, Cruikshank was never well off. He required financial assistance from friends in 1866 (led by Ruskin), and late in life relied on a modest pension from the civil list and a Turner annuity from the Academy. **PRICE JUST REDUCED SW3
Best.-Nr. 66602CBo.J. (Jan Kolata, geb. 1949 im Immenstadt, deutscher Maler).
Best.-Nr. 51388Paris 1775 1 carte entoilée, carte pliée de format: 45 cms x 50,5 cms, décrivant la Pologne, la Lituanie et la Courlande. Carte gravée, aux contours rehaussés en couleurs à l'époque des possessions ou partages de ce territoire entre les russes, les prussiens et les autrichiens (entoilage de l'époque sur tissu écru). La Courlande (Kurland) est une des 4 régions de la Lettonie actuelle. En haut à gauche grand cartouche gravé: POLEN LITAUEN UND KURLAND (Russischer Antheil, Prussischer Antheil, Oestereichscher Antheil). Bel exemplaire
Best.-Nr. 1638938X28 cm.
1924Best.-Nr. 3113677Berlin: Erich Reiss Verlag. Very Good with no dust jacket. 1924. Reprint; Fourth Printing. Cloth. Viertes tausend edition. Very good copy in ochre-colored cloth. Previous owner's name inked on title page. Covers moderately shelf-soiled. Text in German. Franz Masereel wood engravings throughout. ; 5" x 6 1/2"; 111 pages . Erich Reiss Verlag. hardcover
1787Best.-Nr. 269241787 [Paris] : [s.n.], 1787- 1 est. : eau-forte, outils, colorié à main levée ; 8,7 x 5,3 cm (tr. c.) Appartient à : Tableaux de la Fable ; ou Nouvelle Histoire poétique des Dieux ; Demi-Dieux et Héros de la Fable, représentée par figures et accompagnée d'explications Dédiés à Madame la Comtesse de Genlis -GRASSET DE SAINT-SAUVEUR (J.) et MARECHAL (Sylvain)- 1785
Acquaforte e puntasecca. Compare nel Catalogo ragionato dell'Opera Grafica, Graphis Arte 1990, sotto la sezione ''Acqueforti e litografie inedite'' Firma e numerazione a matita. Carta Ventura. Esemplare p.d.s.. Cm 47x27 (Foglio 70x50). pp.. . Perfetto (Mint). . Tiratura alcune p.d.s.. .
Best.-Nr. 4904[s. l.] [s. n.] [1882] Eau-forte dessinée et gravée par Lucien Gautier. 23,3 x 35,5 cm hors marges ; 34 x 41,5 cm toutes marges comprises.
Best.-Nr. YRG-9Vendue sans cadre
1978Cartella con 6 incisioni su lastra di rame eseguite con la tecnica della puntasecca, stampate a mano con torchietto olandese, su carta stracciata a mano di Viviano Viviani. Firma, numerazione e titolo a matita su ogni incisione (cm 11x22, foglio 25x42). Presentazione di Manrico Bani Esemplare n. 25/47. Cm 11x22 (Foglio 35x50). pp. 8. . Ottimo (Fine). . Edizione originale di 47 es. numerati. .
Best.-Nr. 12969Suite de 21 estampes marquées "Suite d'essai" pour l'ouvrage Ponts de Paris, recueil de 20 poèmes de Jean-Louis Vallas, accompagné de 20 gravures, publié à Paris, Butte Montmartre en 1943. In-folio (32 x 25 cm), en feuilles sous chemise et étui d'éditeur. Motif en maroquin vert représentant un pont et portant le titre dur le premier plat. Chaque feuillets est légendé et signé au crayon par l'artiste. Tiré sur papier vergé.
1974Best.-Nr. EEzz6285nMünchen, Callwey (1974). 4°, 194 S., 1 nn. S. Index, mit zahlr. tls. farb. Abb., OHPgt. in Orig. Pappschuber m. aufkasch. farb. Abb., fast wie neu. Nr. 841 von 1000 Exemplaren.
1972Best.-Nr. EEzz6283nMünchen, Callwey (1972). 4°, 202 S., 1 nn. S. Index, mit zahlr. tls. farb. Abb., OHPgt. in Orig. Pappschuber m. aufkasch. farb. Abb., am Schuber schwache Lichtspuren, sonst fast wie neu. Nr. 940 von 1000 Exemplaren.
1973Best.-Nr. EEzz6282nMünchen, Callwey (1973). 4°, 222 S., 1 nn. S. Index, mit zahlr. tls. farb. Abb., OHPgt. in Orig. Pappschuber m. aufkasch. farb. Abb., fast wie neu. Nr. 258 von 1000 Exemplaren.
1972Best.-Nr. 1224074München, Callwey, (1972). Folio. 202 S. m. 208 teils farb. Textabb. OPp. im Schuber.
1968Best.-Nr. 1224081München, Callwey, (1968). 4to. 227 S. m. 188 (davon 45 farb.) Abb. OPp. im illustrierten OSchuber (Titel verso m. kl. Stempel).
1975Best.-Nr. 1224089München, Callwey, (1975). 4to. 200 S. m. 190 teils farb. Abb. OPp. im illustrierten OSchuber (Titel verso m. kl. Stempel).
1975Best.-Nr. EEzz6284nMünchen, Callwey (1975). 4°, 270 S., mit zahlr. tls. farb. Abb., OHPgt. in Orig. Pappschuber m. aufkasch. farb. Abb., fast wie neu.
1970Best.-Nr. 1226177Berlin, Akademie der Künste, 1970. Quer-8vo. 90 S. m. zahlr. ganzseitigen, teils farbigen Abbildungen. OKart.
1878Best.-Nr. 7992Très belle épreuve d'après Turner. en feuille Bon Paris Gazette des Beaux-Arts 1878 15 x 19,3 cm au trait carré. Marges 20,5 x 28,3 cm.
Best.-Nr. 1638738X28 cm.
Best.-Nr. 372111The Whittington Press 2008. Hardcover. Fine Condition. From a total edition of 350 this is one of the specially numbered deluxe copies Number 78”signed by both author Robin Llewelyn and artist Leslie Gerry. Published by Whittington Press the volume features a distinctive binding exclusive to the deluxe issue and includes eight vivid A3 giclee prints by Leslie Gerry each capturing the spirit and architecture of Portmeirion the iconic North Wales village designed by Clough Williams-Ellis from 1925. The text written by Williams-Ellis's grandson complements the imagery with personal insight and historical reflection. Measuring 43.5 x 31.5 cm the book is bound in vibrant pictorial boards and presented in an elegant concertina format. This edition also includes a separate portfolio containing the seven prints from the book plus an eighth plate not included in the volume all signed by the artist alongside a dramatic A1 size print of Portmeirion. Both book and box are bound by The Fine Book Bindery and housed in a beautifully printed paper-covered solander box. Condition is as new. A remarkable production that honours the vision of Clough Williams-Ellis blending evocative prose and striking artwork to celebrate one of Britain's most imaginative architectural achievements. Size: 31.5 x 43.5 cms. Category: Antiquarian & Rare; This item may require more postage than the rates shown for delivery outside the UK. If extra postage is required we will contact you before processing your order and you will be given the details and option to decline the extra cost. The Whittington Press hardcover
