10 990 résultats
1805réf. 1317131London; Edinburgh: William Miller; The Letter Press by James Ballantyne 1805. Hardcover. Quarto iii 197 pages; VG; bound in period blind and gilt calf newly rebacked with brown leather paneled spine with a black label and gilt lettering; marbled text block and endpapers; mild rubbing and wear to boards; bookplate of the Countess of Beauchamp on the ffep; ownership stamp on sfep; with 4 engraved plates and an engraved headpiece vignette; wide margins. Shelved Room A Oversize. The History of Rasselas Prince of Abissinia originally titled The Prince of Abissinia: A Tale though often abbreviated to Rasselas is an apologue about happiness by Samuel Johnson. Early readers considered Rasselas to be a work of philosophical and practical importance and critics often remark on the difficulty of classifying it as a novel.1 Johnson was a staunch opponent of slavery revered by abolitionists and Rasselas became a name adopted by emancipated slaves. wikipedia. 1317131. Special Collections. William Miller; The Letter Press by James Ballantyne hardcover books
2002This is a fine softcover copy of this exhibition catalog with no wear whatsoever. Completely clean inside and out. Brief foreword by Marc Rosen and Susan Pinsky. 7 prints by Gauguin and 19 prints by Pissarro. All illustrated in color and with complete entries. Selected bibliography. 11" high X 8" wide, 24 pages. A fine copy. This book will be securely packed and shipped with tracking.
Ader Picard Tajan. 1988. In-4 Carré. Broché. Bon état. Couv. convenable. Dos satisfaisant. Intérieur frais. Plaquette d'env. 15 pages, illustrée de nombreuses photos en noir et blanc et en couleur, dans et hors texte. Prix scotchés au dos du 1er plat. Vente aux enchères, mars 1988, Nouveau Drouot. Bonnard. Corot. Dufy...
193324p. Illustrated. Items have penciled price notations and some prices realized. Small 4to. Original pictorial wraps. **PRICE JUST REDUCED! PA PAMPH 20_9 BX3
1913réf. 21493Very Good. This antique advertising print has just a hint of toning along the outer edges of the margins but is clean bright and in very good condition. 10" x 7.75". Gage brothers ad on the reverse side.; Prints . 1913-1914. unknown
1913réf. 17862Very Good. This antique letterhead sheet is toned along the outer edges but is clean bright and in very good condition. 10" x 7.75".; Prints . 1913-1914. unknown
1898réf. 18481Good. This is the cover only from Forms & Fantasies which was illustrated by Henry Erkins. The purple cover is sunned with some light soiling near the top edge and and a couple of short tears and crease along right edge. 12" x 9.5".; Prints . 1898. unknown
1898réf. 18484Very Good. This 1898 page from Forms & Fantasies has very minimal toning and is in very good condition. 12" x 9.5". Each illustration is 5.5" x 3.75" and 5.5" x 3.5".; Prints . 1898. unknown
1898réf. 18482Very Good. This is the cover only from Forms & Fantasies which was illustrated by Henry Erkins. The red cover has a black smudge near the lower left corner and two 1/8" tears at the top edge but in very good condition. 12" x 9.5".; Prints . 1898. unknown
1898réf. 18483Good. This is the cover only from Forms & Fantasies which was illustrated by Henry Erkins. The red cover has water splatter stains in the upper left and bottom margins but good condition. 12" x 9.5".; Prints . 1898. unknown
1988réf. RO40220130Ader Picard Tajan. 1988. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Plaquette d'env. 15 pages, illustrée de nombreuses photos en noir et blanc et en couleur, dans et hors texte. Prix scotchés au dos du 1er plat.. . . . Classification Dewey : 769-Estampes
réf. 121454Paris, Editions Cahiers d’Art 1928, 285x230mm, XXII - broché. Un des 40 sur papier Hollande Van Gelder, numéroté n° 20 / 40 avec une gravure originale (pointe-sèche) sous serpentine signée et numéroté 20 / 52. Bel exemplaire.
Woodcut on paper. An evocative court scene in an ornamental woodcut border, title and impressum in Bengali within a cartouche situated at bottom centre. The only known copy of a Battala woodcut showing a lively scene at the court of an Indian Raja, with the Raja and eminent courtiers, European colonial officers, musicians, dancers, and even dogs present. This is a very rare example of a Battala woodcut print, which were produced in the early to mid 19th century in the Battala neighbourhood of Calcutta (Kolkota). These prints showed often somewhat crude but evocative religious or secular illustrations, produced for people of the lower economic classes who could not afford the watercolours that inspired these woodcuts. An estimated number of only 100 to 200 prints of these Battala woodcuts have survived, as they were printed on cheap, thin, low quality paper stock. - During the early 19th century, there existed in Kolkata a substantial industry of woodcut printing. The artists, publishers and printers were active in the Battala neighbourhood, in the northern part of the city, after which the surviving woodcut prints are named. Large, single-leaf woodcuts - like the present example - were produced as cheaper versions of the already inexpensive watercolours called patas, which were in turn inspired by illustrated Mughal manuscripts. The patas were sold from stalls in the southern part of Kolkata, near the Kalighat Kali Temple, a renowned Hindu temple that is also regarded as one of the 51 Shakti Peethas of India. It was then, and still remains, an important pilgrimage destination; the patas, and later also the woodcut prints, were sold to the pilgrims as souvenirs. As the Battala woodcuts were inspired by and based on these patas, it is little surprise that one of the most famous Battala woodcuts is that of the Hindu goddess Kali, of ultimate power, time, destruction and change. While most Battala prints feature religious illustrations, other specimens show past and contemporary celebrities, mansions of the rich, fairs and festivals, and other secular themes, including the Raja's court, as in the present example. - The existence of the Battala prints, alongside the pata watercolours, was short-lived: they emerged and became popular in the early 19th century and by the end of the century had almost completely disappeared due to the arrival of lithography, a simpler, less labour-intensive process that was capable of producing cheaper prints, even in colour. - Condition: paper somewhat worn, mainly along the lower margin, slightly affecting the border and lower right corner of the illustration. The top and lower margins have been slightly reinforced on the reverse. Overall in good condition. One of a very small number of surviving Battala woodcuts, the only known example to show the Raja's court. F. Hirsch, "A Rare Kali Woodcut From the Era of the Battala Printers", Art in Print 6.3 (Sept.-Oct. 2016), pp. 24-28.
réf. 1334187843.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1909réf. 1138822Stuttgart, Fr. Lehmann, 1909. Gr.-8vo. 32 S. Textheft u. 1 Bl., 102 Taf. m. Buchrahmen (davon 7 doppelblattgroß). (Kunstgewerbe d. Renaissance 1). OLwd-Mappe (Mappe gering fleckig, Papier des Texthefts gebräunt).
1971Acquaforte originale di Arnoldo Ciarrocchi (cm 10,2x7,5) numerata e firmata a matita. Opera allegata al periodico "L'Incisione" n. 9 che contiene altre due acquaforti originali numerate e firmate di Roberto Moschini (Libellula notturna, cm 13,7x10,5), e Diego Donati (2 silografie originali, cm 13x9). Una poesia di Rabindranath Tagore . 4to. pp. 20. . Perfetto (Mint). . . .
1975réf. 4113EBFrankfurt am Main, Propyläen Verlag, 1975. Groß-4°. 38 cm. XLII, XI, 214 Seiten. Original-Broschuren.
1975réf. 109698Frankfurt am Main: Propyläen Verlag, 1975. 86 S.; XLIV, S. 87-119; XI, S. 121-214 mit zahlreichen Abbildungen; groß-4°, 38 cm; Orig.-Broschur;
Ca. 135:145 mm. Strichätzung. Montiert in Passpartout-Sammelmappe (ca. 240:320 mm). Bukolische Szene mit zwei Schafen und einer Ziege neben einem Zaun sowie einem Hirten in Rückenansicht im Hintergrund. Signiert "K DU J f". - Leicht braunfleckig und knittrig. Mit Stempel der "Graphischen Sammlung" von Georg Denzel (1873-1959) unter Sammlungsnr. "2515 Nr. 9" aufgenommen.
Ca. 237:160 mm. Radierung mit gest. Nummer "3". Montiert auf Trägerpapier (480:320 mm). Ein altes Pferd und ein totes Pferd, im Hintergrund nähert sich eine Hyäne, signiert "Paulus Potter f". - Mit Stempel der "Graphischen Sammlung" von Georg Denzel (1873-1959), unter Sammlungsnr. "3078 Nr. G" aufgenommen. Zudem verso mit Sammlungsstempel "G + W D" des Prof. Wilhelm Denzel. - Leicht braunfleckig.
Ca. 107:80 mm. Radierung. Montiert auf Trägerpapier (480:320 mm). Bukolische Szene mit einem liegenden Esel, einem stehenden Esel und einem weiteren Esel, dessen Kopf seitlich in das Bild ragt; im Hintergrund ein lagernder Hirte. Die Platte gestochen von einem Mitglied der Künstlerfamilie Audran in Paris, signiert "Herman Swanevelt fecit". - Leicht braunfleckig, mit Lochspur alter Heftung. Mit Stempel der "Graphischen Sammlung" von Georg Denzel (1873-1959) unter Sammlungsnr. "2802 Nr. G" aufgenommen. Zudem verso mit Papiermarke und Sammlungsstempel "G + W D" des Prof. Wilhelm Denzel.
réf. 653CGo.J. Plattengrösse: 10,2 x 8,2 cm. Blattgrösse: 23 x 15,5 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 653CG
réf. 655CGo.J. Plattengrösse: 17,3 x 13,5 cm. Blattgrösse: 34 x 24 cm. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +, 655CG
Ca. 167:128 mm. Kupferstich. Paginiert und mit gest. Numerierung "32". Montiert auf Trägerpapier (323:476 mm). Bukolische Szene mit einer kleinen Ziegenherde, im Hintergrund ein lagernder Hirte, im Vordergrund eine von einem Gebüsch zupfende Ziege, signiert "C. Saft Leven". - Mit Stempel der "Graphischen Sammlung" von Georg Denzel (1873-1959), unter Sammlungsnr. "3195 Nr. G" aufgenommen. Die Graphik zudem verso mit Sammlungsstempel des Prof. Wilhelm Denzel "G + W D". - Leicht braunfleckig.
réf. 655CGPlattengrösse: 17,3 x 13,5 cm. Blattgrösse: 34 x 24 cm.
